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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 164 139 it is the complementary color RGB 156 91 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 164 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 164 139 shade: RGB 104 164 134, RGB 121 182 153, RGB 138 200 172, RGB 155 218 191 and RGB 172 236 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 164 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 164 139 shade: RGB 99 164 139, RGB 82 146 120, RGB 65 128 101, RGB 48 110 82 and RGB 31 92 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 164 139 shade: RGB 100 164 139, RGB 100 164 122, RGB 100 164 105, RGB 113 164 100 and RGB 130 164 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 164 139 shade: RGB 100 164 139, RGB 100 164 157, RGB 100 154 164, RGB 100 137 164 and RGB 100 120 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 164 139 shade matches the following richer shades: RGB 100 164 139, RGB 80 184 144, RGB 61 204 149, RGB 41 223 153 and RGB 21 243 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 164 139 shade: RGB 100 164 139, RGB 120 144 135, RGB 140 124 130, RGB 160 105 126 and RGB 179 85 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 164 139 shade: RGB 100 164 105, RGB 100 164 121, RGB 100 164 138, RGB 100 164 155 and RGB 100 155 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 164 139 shade: RGB 67 115 96, RGB 82 141 118, RGB 100 164 139, RGB 126 179 159 and RGB 152 194 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 164 139 shade: RGB 99 164 139, RGB 100 113 164 and RGB 164 113 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 164 139 shade: RGB 99 164 139, RGB 138 100 164 and RGB 164 138 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 164 139 shade: RGB 99 164 139, RGB 100 113 164, RGB 164 100 126 and RGB 164 151 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 164 139 shade: RGB 99 164 139, RGB 107 100 164, RGB 164 100 126 and RGB 158 164 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

Complementary color

CMYK 0 / 42 / 26 / 39

HEX #9C5B74

RGB 156 91 116

HSL 336.92, 0.26%, 0.48%

LAB 46.73, 29.99, -2.6

 

CMYK 37 / 0 / 18 / 36

HEX #68A486

RGB 104 164 134

HSL 150, 0.25%, 0.53%

LAB 62.69, -26.31, 9.48

 

CMYK 34 / 0 / 16 / 29

HEX #79B699

RGB 121 182 153

HSL 151.48, 0.29%, 0.59%

LAB 69.34, -26.05, 8.56

 

CMYK 31 / 0 / 14 / 22

HEX #8AC8AC

RGB 138 200 172

HSL 152.9, 0.36%, 0.66%

LAB 75.88, -25.82, 7.7

 

CMYK 29 / 0 / 12 / 15

HEX #9BDABF

RGB 155 218 191

HSL 154.29, 0.46%, 0.73%

LAB 82.31, -25.6, 6.9

 

CMYK 27 / 0 / 11 / 7

HEX #ACECD2

RGB 172 236 210

HSL 155.63, 0.63%, 0.8%

LAB 88.65, -25.4, 6.14

 

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

CMYK 44 / 0 / 18 / 43

HEX #529278

RGB 82 146 120

HSL 155.63, 0.28%, 0.45%

LAB 55.79, -26.92, 7.42

 

CMYK 49 / 0 / 21 / 50

HEX #418065

RGB 65 128 101

HSL 154.29, 0.33%, 0.38%

LAB 48.89, -27.13, 8.48

 

CMYK 56 / 0 / 25 / 57

HEX #306E52

RGB 48 110 82

HSL 152.9, 0.39%, 0.31%

LAB 41.83, -27.27, 9.66

 

CMYK 66 / 0 / 32 / 64

HEX #1F5C3F

RGB 31 92 63

HSL 151.48, 0.5%, 0.24%

LAB 34.61, -27.25, 11.04

 

CMYK 39 / 0 / 15 / 36

HEX #64A48B

RGB 100 164 139

HSL 156.56, 0.26%, 0.52%

LAB 62.61, -26.41, 6.55

 

CMYK 39 / 0 / 26 / 36

HEX #64A47A

RGB 100 164 122

HSL 140.63, 0.26%, 0.52%

LAB 62.22, -29.97, 15.47

 

CMYK 39 / 0 / 36 / 36

HEX #64A469

RGB 100 164 105

HSL 124.69, 0.26%, 0.52%

LAB 61.9, -33.1, 24.34

 

CMYK 31 / 0 / 39 / 36

HEX #71A464

RGB 113 164 100

HSL 107.81, 0.26%, 0.52%

LAB 62.49, -29.55, 27.94

 

CMYK 21 / 0 / 39 / 36

HEX #82A464

RGB 130 164 100

HSL 91.88, 0.26%, 0.52%

LAB 63.52, -23.34, 29.48

 

CMYK 39 / 0 / 15 / 36

HEX #64A48B

RGB 100 164 139

HSL 156.56, 0.26%, 0.52%

LAB 62.61, -26.41, 6.55

 

CMYK 39 / 0 / 4 / 36

HEX #64A49D

RGB 100 164 157

HSL 173.44, 0.26%, 0.52%

LAB 63.09, -22.19, -2.85

 

CMYK 39 / 6 / 0 / 36

HEX #649AA4

RGB 100 154 164

HSL 189.38, 0.26%, 0.52%

LAB 60.34, -15.17, -10.88

 

CMYK 39 / 16 / 0 / 36

HEX #6489A4

RGB 100 137 164

HSL 205.31, 0.26%, 0.52%

LAB 55.36, -5.79, -18.41

 

CMYK 39 / 27 / 0 / 36

HEX #6478A4

RGB 100 120 164

HSL 221.25, 0.26%, 0.52%

LAB 50.48, 4.12, -25.91

 

CMYK 39 / 0 / 15 / 36

HEX #64A48B

RGB 100 164 139

HSL 156.56, 0.26%, 0.52%

LAB 62.61, -26.41, 6.55

 

CMYK 57 / 0 / 22 / 28

HEX #50B890

RGB 80 184 144

HSL 156.92, 0.42%, 0.52%

LAB 68.02, -39.75, 11.37

 

CMYK 70 / 0 / 27 / 20

HEX #3DCC95

RGB 61 204 149

HSL 156.92, 0.58%, 0.52%

LAB 73.77, -50.56, 16.67

 

CMYK 82 / 0 / 31 / 13

HEX #29DF99

RGB 41 223 153

HSL 156.92, 0.74%, 0.52%

LAB 79.36, -59.41, 22.23

 

CMYK 91 / 0 / 35 / 5

HEX #15F39E

RGB 21 243 158

HSL 157.03, 0.9%, 0.52%

LAB 85.37, -66.88, 27.81

 

CMYK 39 / 0 / 15 / 36

HEX #64A48B

RGB 100 164 139

HSL 156.56, 0.26%, 0.52%

LAB 62.61, -26.41, 6.55

 

CMYK 17 / 0 / 6 / 44

HEX #789087

RGB 120 144 135

HSL 157.5, 0.1%, 0.52%

LAB 57.74, -10.42, 1.93

 

CMYK 0 / 11 / 7 / 45

HEX #8C7C82

RGB 140 124 130

HSL 337.5, 0.07%, 0.52%

LAB 53.6, 7.23, -1.02

 

CMYK 0 / 34 / 21 / 37

HEX #A0697E

RGB 160 105 126

HSL 337.09, 0.22%, 0.52%

LAB 50.78, 25.13, -2.56

 

CMYK 0 / 53 / 32 / 30

HEX #B35579

RGB 179 85 121

HSL 337.02, 0.38%, 0.52%

LAB 48.84, 42.13, -2.14

 

CMYK 39 / 0 / 36 / 36

HEX #64A469

RGB 100 164 105

HSL 124.69, 0.26%, 0.52%

LAB 61.9, -33.1, 24.34

 

CMYK 39 / 0 / 26 / 36

HEX #64A479

RGB 100 164 121

HSL 139.69, 0.26%, 0.52%

LAB 62.2, -30.17, 15.99

 

CMYK 39 / 0 / 16 / 36

HEX #64A48A

RGB 100 164 138

HSL 155.63, 0.26%, 0.52%

LAB 62.59, -26.63, 7.07

 

CMYK 39 / 0 / 5 / 36

HEX #64A49B

RGB 100 164 155

HSL 171.56, 0.26%, 0.52%

LAB 63.03, -22.68, -1.81

 

CMYK 39 / 5 / 0 / 36

HEX #649BA4

RGB 100 155 164

HSL 188.44, 0.26%, 0.52%

LAB 60.63, -15.71, -10.44

 

CMYK 42 / 0 / 17 / 55

HEX #437360

RGB 67 115 96

HSL 156.25, 0.26%, 0.36%

LAB 44.66, -21.12, 5.43

 

CMYK 42 / 0 / 16 / 45

HEX #528D76

RGB 82 141 118

HSL 156.61, 0.26%, 0.44%

LAB 54.19, -24.88, 6.28

 

CMYK 39 / 0 / 15 / 36

HEX #64A48B

RGB 100 164 139

HSL 156.56, 0.26%, 0.52%

LAB 62.61, -26.41, 6.55

 

CMYK 30 / 0 / 11 / 30

HEX #7EB39F

RGB 126 179 159

HSL 157.36, 0.26%, 0.6%

LAB 68.88, -21.76, 4.64

 

CMYK 22 / 0 / 8 / 24

HEX #98C2B2

RGB 152 194 178

HSL 157.14, 0.26%, 0.68%

LAB 75.12, -17.21, 3.48

 

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

CMYK 39 / 31 / 0 / 36

HEX #6471A4

RGB 100 113 164

HSL 227.81, 0.26%, 0.52%

LAB 48.51, 8.33, -28.97

 

CMYK 0 / 31 / 39 / 36

HEX #A47164

RGB 164 113 100

HSL 12.19, 0.26%, 0.52%

LAB 52.53, 18.48, 15.34

 

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

CMYK 16 / 39 / 0 / 36

HEX #8A64A4

RGB 138 100 164

HSL 275.63, 0.26%, 0.52%

LAB 48.51, 27.72, -28.71

 

CMYK 0 / 16 / 39 / 36

HEX #A48A64

RGB 164 138 100

HSL 35.63, 0.26%, 0.52%

LAB 58.96, 4.33, 24.02

 

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

CMYK 39 / 31 / 0 / 36

HEX #6471A4

RGB 100 113 164

HSL 227.81, 0.26%, 0.52%

LAB 48.51, 8.33, -28.97

 

CMYK 0 / 39 / 23 / 36

HEX #A4647E

RGB 164 100 126

HSL 335.63, 0.26%, 0.52%

LAB 50.11, 29.44, -3.49

 

CMYK 0 / 8 / 39 / 36

HEX #A49764

RGB 164 151 100

HSL 47.81, 0.26%, 0.52%

LAB 62.46, -2.85, 28.61

 

CMYK 40 / 0 / 15 / 36

HEX #63A48B

RGB 99 164 139

HSL 156.92, 0.26%, 0.52%

LAB 62.56, -26.7, 6.47

 

CMYK 35 / 39 / 0 / 36

HEX #6B64A4

RGB 107 100 164

HSL 246.56, 0.26%, 0.52%

LAB 45.53, 18.28, -33.6

 

CMYK 0 / 39 / 23 / 36

HEX #A4647E

RGB 164 100 126

HSL 335.63, 0.26%, 0.52%

LAB 50.11, 29.44, -3.49

 

CMYK 4 / 0 / 39 / 36

HEX #9EA464

RGB 158 164 100

HSL 65.63, 0.26%, 0.52%

LAB 65.55, -12.29, 32.49

 

Description

Color code: RGB 99 164 139 | qconv.com Color code: RGB 99 164 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 164 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 164 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 15 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 15% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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