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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 157 46 it is the complementary color RGB 156 98 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 157 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 157 46 shade: RGB 104 157 41, RGB 121 175 60, RGB 138 193 79, RGB 155 211 98 and RGB 172 229 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 157 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 157 46 shade: RGB 99 157 46, RGB 82 139 27, RGB 65 121 8, RGB 48 103 0 and RGB 31 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 157 46 shade: RGB 99 158 45, RGB 129 158 45, RGB 158 156 45, RGB 158 125 45 and RGB 158 95 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 157 46 shade: RGB 99 158 45, RGB 69 158 45, RGB 45 158 52, RGB 45 158 83 and RGB 45 158 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 157 46 shade matches the following richer shades: RGB 99 158 45, RGB 98 174 29 and RGB 97 191 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 157 46 shade: RGB 99 158 45, RGB 100 141 62, RGB 100 125 78, RGB 101 108 95 and RGB 102 92 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 157 46 shade: RGB 158 156 45, RGB 130 158 45, RGB 100 158 45, RGB 70 158 45 and RGB 45 158 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 157 46 shade: RGB 59 94 27, RGB 79 126 36, RGB 99 158 45, RGB 119 190 55 and RGB 140 204 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 157 46 shade: RGB 99 157 46, RGB 45 158 126 and RGB 158 45 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 157 46 shade: RGB 99 157 46, RGB 45 100 158 and RGB 158 45 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 157 46 shade: RGB 99 157 46, RGB 45 158 126, RGB 103 45 158 and RGB 158 45 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 157 46 shade: RGB 99 157 46, RGB 45 156 158, RGB 103 45 158 and RGB 158 47 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

Complementary color

CMYK 25 / 53 / 0 / 18

HEX #9C62D1

RGB 156 98 209

HSL 271.35, 0.55%, 0.6%

LAB 52.29, 44.49, -48.64

 

CMYK 34 / 0 / 74 / 38

HEX #689D29

RGB 104 157 41

HSL 87.41, 0.59%, 0.39%

LAB 59.17, -36.02, 51.87

 

CMYK 31 / 0 / 66 / 31

HEX #79AF3C

RGB 121 175 60

HSL 88.17, 0.49%, 0.46%

LAB 65.79, -36.37, 51.46

 

CMYK 28 / 0 / 59 / 24

HEX #8AC14F

RGB 138 193 79

HSL 88.95, 0.48%, 0.53%

LAB 72.3, -36.57, 50.63

 

CMYK 27 / 0 / 54 / 17

HEX #9BD362

RGB 155 211 98

HSL 89.73, 0.56%, 0.61%

LAB 78.72, -36.67, 49.6

 

CMYK 25 / 0 / 49 / 10

HEX #ACE575

RGB 172 229 117

HSL 90.54, 0.68%, 0.68%

LAB 85.04, -36.69, 48.49

 

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

CMYK 41 / 0 / 81 / 45

HEX #528B1B

RGB 82 139 27

HSL 90.54, 0.67%, 0.33%

LAB 52.22, -37.02, 49.6

 

CMYK 46 / 0 / 93 / 53

HEX #417908

RGB 65 121 8

HSL 89.73, 0.88%, 0.25%

LAB 45.38, -36.16, 48.15

 

CMYK 53 / 0 / 100 / 60

HEX #306700

RGB 48 103 0

HSL 92.04, 1%, 0.2%

LAB 38.43, -34.75, 44.11

 

CMYK 64 / 0 / 100 / 67

HEX #1F5500

RGB 31 85 0

HSL 98.12, 1%, 0.17%

LAB 31.32, -32.79, 38.23

 

CMYK 37 / 0 / 72 / 38

HEX #639E2D

RGB 99 158 45

HSL 91.33, 0.56%, 0.4%

LAB 59.25, -38.03, 50.35

 

CMYK 18 / 0 / 72 / 38

HEX #819E2D

RGB 129 158 45

HSL 75.4, 0.56%, 0.4%

LAB 61.05, -26.29, 52.76

 

CMYK 0 / 1 / 72 / 38

HEX #9E9C2D

RGB 158 156 45

HSL 58.94, 0.56%, 0.4%

LAB 62.71, -12.76, 55.14

 

CMYK 0 / 21 / 72 / 38

HEX #9E7D2D

RGB 158 125 45

HSL 42.48, 0.56%, 0.4%

LAB 54.16, 4.15, 46.59

 

CMYK 0 / 40 / 72 / 38

HEX #9E5F2D

RGB 158 95 45

HSL 26.55, 0.56%, 0.4%

LAB 46.5, 21.22, 38.52

 

CMYK 37 / 0 / 72 / 38

HEX #639E2D

RGB 99 158 45

HSL 91.33, 0.56%, 0.4%

LAB 59.25, -38.03, 50.35

 

CMYK 56 / 0 / 72 / 38

HEX #459E2D

RGB 69 158 45

HSL 107.26, 0.56%, 0.4%

LAB 57.95, -47.62, 48.6

 

CMYK 72 / 0 / 67 / 38

HEX #2D9E34

RGB 45 158 52

HSL 123.72, 0.56%, 0.4%

LAB 57.33, -52.46, 44.84

 

CMYK 72 / 0 / 47 / 38

HEX #2D9E53

RGB 45 158 83

HSL 140.18, 0.56%, 0.4%

LAB 57.69, -48.21, 30.24

 

CMYK 72 / 0 / 28 / 38

HEX #2D9E71

RGB 45 158 113

HSL 156.11, 0.56%, 0.4%

LAB 58.23, -42.22, 14.63

 

CMYK 37 / 0 / 72 / 38

HEX #639E2D

RGB 99 158 45

HSL 91.33, 0.56%, 0.4%

LAB 59.25, -38.03, 50.35

 

CMYK 44 / 0 / 83 / 32

HEX #62AE1D

RGB 98 174 29

HSL 91.45, 0.71%, 0.4%

LAB 64.13, -46.03, 60.19

 

CMYK 49 / 0 / 94 / 25

HEX #61BF0C

RGB 97 191 12

HSL 91.51, 0.88%, 0.4%

LAB 69.35, -53.5, 67.84

 

CMYK 37 / 0 / 72 / 38

HEX #639E2D

RGB 99 158 45

HSL 91.33, 0.56%, 0.4%

LAB 59.25, -38.03, 50.35

 

CMYK 29 / 0 / 56 / 45

HEX #648D3E

RGB 100 141 62

HSL 91.14, 0.39%, 0.4%

LAB 54.14, -28.28, 37.17

 

CMYK 20 / 0 / 38 / 51

HEX #647D4E

RGB 100 125 78

HSL 91.91, 0.23%, 0.4%

LAB 49.41, -18.09, 22.74

 

CMYK 6 / 0 / 12 / 58

HEX #656C5F

RGB 101 108 95

HSL 92.31, 0.06%, 0.4%

LAB 44.69, -5.32, 6.36

 

CMYK 8 / 17 / 0 / 56

HEX #665C6F

RGB 102 92 111

HSL 271.58, 0.09%, 0.4%

LAB 40.62, 8.01, -9.32

 

CMYK 0 / 1 / 72 / 38

HEX #9E9C2D

RGB 158 156 45

HSL 58.94, 0.56%, 0.4%

LAB 62.71, -12.76, 55.14

 

CMYK 18 / 0 / 72 / 38

HEX #829E2D

RGB 130 158 45

HSL 74.87, 0.56%, 0.4%

LAB 61.12, -25.87, 52.85

 

CMYK 37 / 0 / 72 / 38

HEX #649E2D

RGB 100 158 45

HSL 90.8, 0.56%, 0.4%

LAB 59.3, -37.67, 50.41

 

CMYK 56 / 0 / 72 / 38

HEX #469E2D

RGB 70 158 45

HSL 106.73, 0.56%, 0.4%

LAB 57.99, -47.35, 48.65

 

CMYK 72 / 0 / 68 / 38

HEX #2D9E33

RGB 45 158 51

HSL 123.19, 0.56%, 0.4%

LAB 57.32, -52.56, 45.26

 

CMYK 37 / 0 / 71 / 63

HEX #3B5E1B

RGB 59 94 27

HSL 91.34, 0.55%, 0.24%

LAB 36.01, -25.06, 33.13

 

CMYK 37 / 0 / 71 / 51

HEX #4F7E24

RGB 79 126 36

HSL 91.33, 0.56%, 0.32%

LAB 47.89, -31.72, 41.98

 

CMYK 37 / 0 / 72 / 38

HEX #639E2D

RGB 99 158 45

HSL 91.33, 0.56%, 0.4%

LAB 59.25, -38.03, 50.35

 

CMYK 37 / 0 / 71 / 25

HEX #77BE37

RGB 119 190 55

HSL 91.56, 0.55%, 0.48%

LAB 70.19, -44.02, 58

 

CMYK 31 / 0 / 60 / 20

HEX #8CCC51

RGB 140 204 81

HSL 91.22, 0.55%, 0.56%

LAB 75.67, -40.57, 53.57

 

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

CMYK 72 / 0 / 20 / 38

HEX #2D9E7E

RGB 45 158 126

HSL 163.01, 0.56%, 0.4%

LAB 58.53, -39.1, 7.75

 

CMYK 0 / 72 / 8 / 38

HEX #9E2D91

RGB 158 45 145

HSL 306.9, 0.56%, 0.4%

LAB 39.9, 57.19, -30.63

 

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

CMYK 72 / 37 / 0 / 38

HEX #2D649E

RGB 45 100 158

HSL 210.8, 0.56%, 0.4%

LAB 41.44, 1.93, -36.74

 

CMYK 0 / 72 / 37 / 38

HEX #9E2D64

RGB 158 45 100

HSL 330.8, 0.56%, 0.4%

LAB 37.96, 50.99, -5.66

 

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

CMYK 72 / 0 / 20 / 38

HEX #2D9E7E

RGB 45 158 126

HSL 163.01, 0.56%, 0.4%

LAB 58.53, -39.1, 7.75

 

CMYK 35 / 72 / 0 / 38

HEX #672D9E

RGB 103 45 158

HSL 270.8, 0.56%, 0.4%

LAB 32.32, 47.35, -51.13

 

CMYK 0 / 72 / 51 / 38

HEX #9E2D4D

RGB 158 45 77

HSL 343.01, 0.56%, 0.4%

LAB 37.26, 48.65, 7.98

 

CMYK 37 / 0 / 71 / 38

HEX #639D2E

RGB 99 157 46

HSL 91.35, 0.55%, 0.4%

LAB 58.94, -37.52, 49.64

 

CMYK 72 / 1 / 0 / 38

HEX #2D9C9E

RGB 45 156 158

HSL 181.06, 0.56%, 0.4%

LAB 58.79, -29.3, -10

 

CMYK 35 / 72 / 0 / 38

HEX #672D9E

RGB 103 45 158

HSL 270.8, 0.56%, 0.4%

LAB 32.32, 47.35, -51.13

 

CMYK 0 / 70 / 72 / 38

HEX #9E2F2D

RGB 158 47 45

HSL 1.06, 0.56%, 0.4%

LAB 36.91, 45.63, 27.68

 

Description

Color code: RGB 99 157 46 | qconv.com Color code: RGB 99 157 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 157 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 157 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 71 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 71% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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