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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 95 185 it is the complementary color RGB 156 160 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 95 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 95 185 shade: RGB 104 95 180, RGB 121 113 199, RGB 138 131 218, RGB 155 149 237 and RGB 172 167 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 95 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 82 77 166, RGB 65 59 147, RGB 48 41 128 and RGB 31 23 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 123 95 185, RGB 147 95 185, RGB 171 95 185 and RGB 185 95 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 95 185 shade: RGB 99 95 185 and RGB 95 95 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 95 185 shade matches the following richer shades: RGB 99 95 185, RGB 82 76 203, RGB 65 58 222 and RGB 48 39 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 116 114 166, RGB 133 132 147, RGB 150 151 129 and RGB 167 169 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 95 185 shade: RGB 95 140 185, RGB 95 116 185, RGB 98 95 185, RGB 122 95 185 and RGB 146 95 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 95 185 shade: RGB 63 60 137, RGB 77 72 166, RGB 99 95 185, RGB 127 124 197 and RGB 155 152 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 185 95 164 and RGB 128 185 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 185 98 95 and RGB 95 185 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 185 95 164, RGB 182 185 95 and RGB 95 185 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 95 185 shade: RGB 99 95 185, RGB 185 95 137, RGB 182 185 95 and RGB 95 185 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

Complementary color

CMYK 2 / 0 / 56 / 37

HEX #9CA046

RGB 156 160 70

HSL 62.67, 0.39%, 0.45%

LAB 63.88, -14.06, 45.56

 

CMYK 42 / 47 / 0 / 29

HEX #685FB4

RGB 104 95 180

HSL 246.35, 0.36%, 0.54%

LAB 44.83, 25.13, -44.1

 

CMYK 39 / 43 / 0 / 22

HEX #7971C7

RGB 121 113 199

HSL 245.58, 0.43%, 0.61%

LAB 51.84, 24.07, -43.87

 

CMYK 37 / 40 / 0 / 15

HEX #8A83DA

RGB 138 131 218

HSL 244.83, 0.54%, 0.68%

LAB 58.69, 23.15, -43.7

 

CMYK 35 / 37 / 0 / 7

HEX #9B95ED

RGB 155 149 237

HSL 244.09, 0.71%, 0.76%

LAB 65.42, 22.34, -43.57

 

CMYK 33 / 35 / 0 / 0

HEX #ACA7FF

RGB 172 167 255

HSL 243.41, 1%, 0.83%

LAB 71.98, 21.38, -43.01

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 51 / 54 / 0 / 35

HEX #524DA6

RGB 82 77 166

HSL 243.37, 0.37%, 0.48%

LAB 37.58, 26.77, -47.55

 

CMYK 56 / 60 / 0 / 42

HEX #413B93

RGB 65 59 147

HSL 244.09, 0.43%, 0.4%

LAB 30.3, 28.42, -47.89

 

CMYK 63 / 68 / 0 / 50

HEX #302980

RGB 48 41 128

HSL 244.83, 0.51%, 0.33%

LAB 22.91, 30.37, -48.18

 

CMYK 72 / 79 / 0 / 57

HEX #1F176D

RGB 31 23 109

HSL 245.58, 0.65%, 0.26%

LAB 15.53, 32.5, -48.15

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 34 / 49 / 0 / 27

HEX #7B5FB9

RGB 123 95 185

HSL 258.67, 0.39%, 0.55%

LAB 46.84, 31.49, -43.72

 

CMYK 21 / 49 / 0 / 27

HEX #935FB9

RGB 147 95 185

HSL 274.67, 0.39%, 0.55%

LAB 49.36, 38.12, -39.56

 

CMYK 8 / 49 / 0 / 27

HEX #AB5FB9

RGB 171 95 185

HSL 290.67, 0.39%, 0.55%

LAB 52.23, 45.01, -34.86

 

CMYK 0 / 49 / 6 / 27

HEX #B95FAD

RGB 185 95 173

HSL 308, 0.39%, 0.55%

LAB 53.51, 46.93, -25.77

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 60 / 63 / 0 / 20

HEX #524CCB

RGB 82 76 203

HSL 242.83, 0.55%, 0.55%

LAB 40.04, 39.3, -65.31

 

CMYK 71 / 74 / 0 / 13

HEX #413ADE

RGB 65 58 222

HSL 242.56, 0.71%, 0.55%

LAB 36.79, 53.5, -81.63

 

CMYK 80 / 84 / 0 / 6

HEX #3027F0

RGB 48 39 240

HSL 242.69, 0.87%, 0.55%

LAB 34.74, 66.66, -95.3

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 30 / 31 / 0 / 35

HEX #7472A6

RGB 116 114 166

HSL 242.31, 0.23%, 0.55%

LAB 50.1, 13, -27.57

 

CMYK 10 / 10 / 0 / 42

HEX #858493

RGB 133 132 147

HSL 244, 0.06%, 0.55%

LAB 55.68, 3.47, -7.89

 

CMYK 1 / 0 / 15 / 41

HEX #969781

RGB 150 151 129

HSL 62.73, 0.1%, 0.55%

LAB 61.83, -4.34, 11.48

 

CMYK 1 / 0 / 35 / 34

HEX #A7A96E

RGB 167 169 110

HSL 62.03, 0.26%, 0.55%

LAB 67.81, -10.05, 30.26

 

CMYK 49 / 24 / 0 / 27

HEX #5F8CB9

RGB 95 140 185

HSL 210, 0.39%, 0.55%

LAB 56.77, -2.76, -28.27

 

CMYK 49 / 37 / 0 / 27

HEX #5F74B9

RGB 95 116 185

HSL 226, 0.39%, 0.55%

LAB 50.01, 11.49, -38.84

 

CMYK 47 / 49 / 0 / 27

HEX #625FB9

RGB 98 95 185

HSL 242, 0.39%, 0.55%

LAB 44.64, 25.16, -47.36

 

CMYK 34 / 49 / 0 / 27

HEX #7A5FB9

RGB 122 95 185

HSL 258, 0.39%, 0.55%

LAB 46.74, 31.22, -43.88

 

CMYK 21 / 49 / 0 / 27

HEX #925FB9

RGB 146 95 185

HSL 274, 0.39%, 0.55%

LAB 49.25, 37.83, -39.75

 

CMYK 54 / 56 / 0 / 46

HEX #3F3C89

RGB 63 60 137

HSL 242.34, 0.39%, 0.39%

LAB 29.65, 24, -42.79

 

CMYK 54 / 57 / 0 / 35

HEX #4D48A6

RGB 77 72 166

HSL 243.19, 0.39%, 0.47%

LAB 35.92, 28.85, -50.25

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 36 / 37 / 0 / 23

HEX #7F7CC5

RGB 127 124 197

HSL 242.47, 0.39%, 0.63%

LAB 55.03, 18.57, -37.66

 

CMYK 26 / 28 / 0 / 18

HEX #9B98D2

RGB 155 152 210

HSL 243.1, 0.39%, 0.71%

LAB 65.02, 13.78, -29.25

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA4

RGB 185 95 164

HSL 314, 0.39%, 0.55%

LAB 53.14, 45.4, -21.08

 

CMYK 31 / 0 / 49 / 27

HEX #80B95F

RGB 128 185 95

HSL 98, 0.39%, 0.55%

LAB 69.55, -34.81, 39.64

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 0 / 47 / 49 / 27

HEX #B9625F

RGB 185 98 95

HSL 2, 0.39%, 0.55%

LAB 51.7, 34.6, 17.56

 

CMYK 49 / 0 / 47 / 27

HEX #5FB962

RGB 95 185 98

HSL 122, 0.39%, 0.55%

LAB 68.03, -44.98, 35.91

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA4

RGB 185 95 164

HSL 314, 0.39%, 0.55%

LAB 53.14, 45.4, -21.08

 

CMYK 2 / 0 / 49 / 27

HEX #B6B95F

RGB 182 185 95

HSL 62, 0.39%, 0.55%

LAB 73.2, -13.87, 44.92

 

CMYK 49 / 0 / 37 / 27

HEX #5FB974

RGB 95 185 116

HSL 134, 0.39%, 0.55%

LAB 68.31, -42.1, 26.94

 

CMYK 46 / 49 / 0 / 27

HEX #635FB9

RGB 99 95 185

HSL 242.67, 0.39%, 0.55%

LAB 44.72, 25.4, -47.23

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 2 / 0 / 49 / 27

HEX #B6B95F

RGB 182 185 95

HSL 62, 0.39%, 0.55%

LAB 73.2, -13.87, 44.92

 

CMYK 49 / 0 / 23 / 27

HEX #5FB98F

RGB 95 185 143

HSL 152, 0.39%, 0.55%

LAB 68.83, -36.87, 13.14

 

Description

Color code: RGB 99 95 185 | qconv.com Color code: RGB 99 95 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 95 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 95 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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