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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 92 223 it is the complementary color RGB 156 163 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 92 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 92 223 shade: RGB 104 92 218, RGB 121 110 237, RGB 138 128 255, RGB 155 146 255 and RGB 172 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 92 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 92 223 shade: RGB 99 92 223, RGB 82 74 204, RGB 65 56 185, RGB 48 38 166 and RGB 31 20 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 92 223 shade: RGB 100 93 223, RGB 135 93 223, RGB 170 93 223, RGB 205 93 223 and RGB 223 93 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 92 223 shade: RGB 100 93 223 and RGB 93 93 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 92 223 shade matches the following richer shades: RGB 100 93 223, RGB 86 77 238 and RGB 72 61 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 92 223 shade: RGB 100 93 223, RGB 114 108 207, RGB 128 124 191, RGB 142 140 175 and RGB 156 155 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 92 223 shade: RGB 93 155 223, RGB 93 121 223, RGB 99 93 223, RGB 134 93 223 and RGB 168 93 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 92 223 shade: RGB 46 38 195, RGB 67 58 216, RGB 100 93 223, RGB 133 127 229 and RGB 166 162 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 92 223 shade: RGB 99 92 223, RGB 223 93 190 and RGB 138 223 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 92 223 shade: RGB 99 92 223, RGB 223 99 93 and RGB 93 223 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 92 223 shade: RGB 99 92 223, RGB 223 93 190, RGB 216 223 93 and RGB 93 223 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 92 223 shade: RGB 99 92 223, RGB 223 93 151, RGB 216 223 93 and RGB 93 223 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

Complementary color

CMYK 4 / 0 / 80 / 36

HEX #9CA320

RGB 156 163 32

HSL 63.21, 0.67%, 0.38%

LAB 64.46, -17.84, 61.04

 

CMYK 52 / 58 / 0 / 15

HEX #685CDA

RGB 104 92 218

HSL 245.71, 0.63%, 0.61%

LAB 46.52, 38.38, -63.31

 

CMYK 49 / 54 / 0 / 7

HEX #796EED

RGB 121 110 237

HSL 245.2, 0.78%, 0.68%

LAB 53.31, 36.88, -63

 

CMYK 46 / 50 / 0 / 0

HEX #8A80FF

RGB 138 128 255

HSL 244.72, 1%, 0.75%

LAB 59.94, 35.25, -62.24

 

CMYK 39 / 43 / 0 / 0

HEX #9B92FF

RGB 155 146 255

HSL 244.95, 1%, 0.79%

LAB 65.55, 28.86, -53.22

 

CMYK 33 / 36 / 0 / 0

HEX #ACA4FF

RGB 172 164 255

HSL 245.27, 1%, 0.82%

LAB 71.24, 23.06, -44.16

 

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

CMYK 60 / 64 / 0 / 20

HEX #524ACC

RGB 82 74 204

HSL 243.69, 0.56%, 0.55%

LAB 39.67, 40.82, -66.5

 

CMYK 65 / 70 / 0 / 27

HEX #4138B9

RGB 65 56 185

HSL 244.19, 0.54%, 0.47%

LAB 32.82, 42.82, -66.64

 

CMYK 71 / 77 / 0 / 35

HEX #3026A6

RGB 48 38 166

HSL 244.69, 0.63%, 0.4%

LAB 26.06, 44.85, -66.45

 

CMYK 79 / 86 / 0 / 42

HEX #1F1493

RGB 31 20 147

HSL 245.2, 0.76%, 0.33%

LAB 19.63, 46.4, -65.51

 

CMYK 55 / 58 / 0 / 13

HEX #645DDF

RGB 100 93 223

HSL 243.23, 0.67%, 0.62%

LAB 46.8, 38.57, -65.72

 

CMYK 39 / 58 / 0 / 13

HEX #875DDF

RGB 135 93 223

HSL 259.38, 0.67%, 0.62%

LAB 49.87, 45.69, -60.61

 

CMYK 24 / 58 / 0 / 13

HEX #AA5DDF

RGB 170 93 223

HSL 275.54, 0.67%, 0.62%

LAB 53.71, 53.8, -54.23

 

CMYK 8 / 58 / 0 / 13

HEX #CD5DDF

RGB 205 93 223

HSL 291.69, 0.67%, 0.62%

LAB 58.17, 62.4, -46.87

 

CMYK 0 / 58 / 8 / 13

HEX #DF5DCD

RGB 223 93 205

HSL 308.31, 0.67%, 0.62%

LAB 59.82, 63.94, -33.93

 

CMYK 55 / 58 / 0 / 13

HEX #645DDF

RGB 100 93 223

HSL 243.23, 0.67%, 0.62%

LAB 46.8, 38.57, -65.72

 

CMYK 58 / 58 / 0 / 13

HEX #5D5DDF

RGB 93 93 223

HSL 240, 0.67%, 0.62%

LAB 46.29, 37.33, -66.57

 

CMYK 55 / 58 / 0 / 13

HEX #645DDF

RGB 100 93 223

HSL 243.23, 0.67%, 0.62%

LAB 46.8, 38.57, -65.72

 

CMYK 64 / 68 / 0 / 7

HEX #564DEE

RGB 86 77 238

HSL 243.35, 0.83%, 0.62%

LAB 43.45, 50.4, -79.71

 

CMYK 72 / 76 / 0 / 0

HEX #483DFE

RGB 72 61 254

HSL 243.42, 0.99%, 0.62%

LAB 41.01, 62.33, -92.74

 

CMYK 55 / 58 / 0 / 13

HEX #645DDF

RGB 100 93 223

HSL 243.23, 0.67%, 0.62%

LAB 46.8, 38.57, -65.72

 

CMYK 45 / 48 / 0 / 19

HEX #726CCF

RGB 114 108 207

HSL 243.64, 0.51%, 0.62%

LAB 50.46, 27.64, -50.66

 

CMYK 33 / 35 / 0 / 25

HEX #807CBF

RGB 128 124 191

HSL 243.58, 0.34%, 0.62%

LAB 54.83, 17.23, -34.55

 

CMYK 19 / 20 / 0 / 31

HEX #8E8CAF

RGB 142 140 175

HSL 243.43, 0.18%, 0.62%

LAB 59.53, 8.21, -18.08

 

CMYK 2 / 3 / 0 / 37

HEX #9C9BA0

RGB 156 155 160

HSL 252, 0.03%, 0.62%

LAB 64.2, 1.33, -2.49

 

CMYK 58 / 30 / 0 / 13

HEX #5D9BDF

RGB 93 155 223

HSL 211.38, 0.67%, 0.62%

LAB 62.59, -0.01, -40.54

 

CMYK 58 / 46 / 0 / 13

HEX #5D79DF

RGB 93 121 223

HSL 227.08, 0.67%, 0.62%

LAB 53.31, 20.2, -55.25

 

CMYK 56 / 58 / 0 / 13

HEX #635DDF

RGB 99 93 223

HSL 242.77, 0.67%, 0.62%

LAB 46.72, 38.39, -65.84

 

CMYK 40 / 58 / 0 / 13

HEX #865DDF

RGB 134 93 223

HSL 258.92, 0.67%, 0.62%

LAB 49.77, 45.47, -60.77

 

CMYK 25 / 58 / 0 / 13

HEX #A85DDF

RGB 168 93 223

HSL 274.62, 0.67%, 0.62%

LAB 53.47, 53.32, -54.62

 

CMYK 76 / 81 / 0 / 24

HEX #2E26C3

RGB 46 38 195

HSL 243.06, 0.67%, 0.46%

LAB 29.18, 53.78, -78.59

 

CMYK 69 / 73 / 0 / 15

HEX #433AD8

RGB 67 58 216

HSL 243.42, 0.67%, 0.54%

LAB 36.32, 51.82, -78.95

 

CMYK 55 / 58 / 0 / 13

HEX #645DDF

RGB 100 93 223

HSL 243.23, 0.67%, 0.62%

LAB 46.8, 38.57, -65.72

 

CMYK 42 / 45 / 0 / 10

HEX #857FE5

RGB 133 127 229

HSL 243.53, 0.66%, 0.7%

LAB 57.87, 27.27, -51.18

 

CMYK 30 / 31 / 0 / 7

HEX #A6A2EC

RGB 166 162 236

HSL 243.24, 0.66%, 0.78%

LAB 69.47, 17.75, -36.62

 

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

CMYK 0 / 58 / 15 / 13

HEX #DF5DBE

RGB 223 93 190

HSL 315.23, 0.67%, 0.62%

LAB 59.19, 61.63, -26.36

 

CMYK 38 / 0 / 58 / 13

HEX #8ADF5D

RGB 138 223 93

HSL 99.23, 0.67%, 0.62%

LAB 81.27, -48.24, 54.61

 

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

CMYK 0 / 56 / 58 / 13

HEX #DF635D

RGB 223 99 93

HSL 2.77, 0.67%, 0.62%

LAB 57.46, 47.99, 27.39

 

CMYK 58 / 0 / 56 / 13

HEX #5DDF63

RGB 93 223 99

HSL 122.77, 0.67%, 0.62%

LAB 79.62, -60.17, 49.55

 

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

CMYK 0 / 58 / 15 / 13

HEX #DF5DBE

RGB 223 93 190

HSL 315.23, 0.67%, 0.62%

LAB 59.19, 61.63, -26.36

 

CMYK 3 / 0 / 58 / 13

HEX #D8DF5D

RGB 216 223 93

HSL 63.23, 0.67%, 0.62%

LAB 86.09, -19.18, 61.34

 

CMYK 58 / 0 / 44 / 13

HEX #5DDF7D

RGB 93 223 125

HSL 134.77, 0.67%, 0.62%

LAB 79.94, -56.53, 37.49

 

CMYK 56 / 59 / 0 / 13

HEX #635CDF

RGB 99 92 223

HSL 243.21, 0.67%, 0.62%

LAB 46.49, 38.99, -66.22

 

CMYK 0 / 58 / 32 / 13

HEX #DF5D97

RGB 223 93 151

HSL 333.23, 0.67%, 0.62%

LAB 57.8, 56.38, -5.93

 

CMYK 3 / 0 / 58 / 13

HEX #D8DF5D

RGB 216 223 93

HSL 63.23, 0.67%, 0.62%

LAB 86.09, -19.18, 61.34

 

CMYK 58 / 0 / 26 / 13

HEX #5DDFA4

RGB 93 223 164

HSL 152.77, 0.67%, 0.62%

LAB 80.62, -49.4, 18.39

 

Description

Color code: RGB 99 92 223 | qconv.com Color code: RGB 99 92 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 92 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 92 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 59 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 59% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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