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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 90 94 it is the complementary color RGB 156 165 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 90 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 90 94 shade: RGB 104 90 89, RGB 121 108 108, RGB 138 126 127, RGB 155 144 146 and RGB 172 162 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 90 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 90 94 shade: RGB 99 90 94, RGB 82 72 75, RGB 65 54 56, RGB 48 36 37 and RGB 31 18 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 90 94 shade: RGB 99 89 93, RGB 99 89 91 and RGB 99 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 90 94 shade: RGB 99 89 93, RGB 99 89 96, RGB 99 89 98, RGB 96 89 99 and RGB 94 89 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 90 94 shade matches the following richer shades: RGB 99 89 93, RGB 114 74 92, RGB 129 59 90, RGB 144 43 88 and RGB 160 28 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 90 94 shade: RGB 99 89 93, RGB 83 104 95, RGB 68 120 97, RGB 53 135 98 and RGB 38 150 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 90 94 shade: RGB 99 89 98, RGB 99 89 96, RGB 99 89 93, RGB 99 89 91 and RGB 99 90 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 90 94 shade: RGB 55 50 52, RGB 77 70 73, RGB 99 89 93, RGB 120 109 114 and RGB 141 129 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 90 94 shade: RGB 99 90 94, RGB 99 96 89 and RGB 89 97 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 90 94 shade: RGB 99 90 94, RGB 93 99 89 and RGB 89 93 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 90 94 shade: RGB 99 90 94, RGB 99 96 89, RGB 89 99 94 and RGB 89 91 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 90 94 shade: RGB 99 90 94, RGB 98 99 89, RGB 89 99 94 and RGB 90 89 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

Complementary color

CMYK 5 / 0 / 2 / 35

HEX #9CA5A1

RGB 156 165 161

HSL 153.33, 0.05%, 0.63%

LAB 66.94, -3.96, 0.96

 

CMYK 0 / 13 / 14 / 59

HEX #685A59

RGB 104 90 89

HSL 4, 0.08%, 0.38%

LAB 39.54, 5.5, 2.67

 

CMYK 0 / 11 / 11 / 53

HEX #796C6C

RGB 121 108 108

HSL 0, 0.06%, 0.45%

LAB 46.81, 5.09, 1.85

 

CMYK 0 / 9 / 8 / 46

HEX #8A7E7F

RGB 138 126 127

HSL 355, 0.05%, 0.52%

LAB 53.88, 4.75, 1.11

 

CMYK 0 / 7 / 6 / 39

HEX #9B9092

RGB 155 144 146

HSL 349.09, 0.05%, 0.59%

LAB 60.77, 4.44, 0.4

 

CMYK 0 / 6 / 4 / 33

HEX #ACA2A5

RGB 172 162 165

HSL 342, 0.06%, 0.65%

LAB 67.52, 4.17, -0.26

 

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

CMYK 0 / 12 / 9 / 68

HEX #52484B

RGB 82 72 75

HSL 342, 0.06%, 0.3%

LAB 31.66, 4.81, -0.25

 

CMYK 0 / 17 / 14 / 75

HEX #413638

RGB 65 54 56

HSL 349.09, 0.09%, 0.23%

LAB 23.83, 5.28, 0.56

 

CMYK 0 / 25 / 23 / 81

HEX #302425

RGB 48 36 37

HSL 355, 0.14%, 0.16%

LAB 15.61, 5.89, 1.51

 

CMYK 0 / 42 / 42 / 88

HEX #1F1212

RGB 31 18 18

HSL 0, 0.27%, 0.1%

LAB 6.93, 6.56, 2.32

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 0 / 10 / 8 / 61

HEX #63595B

RGB 99 89 91

HSL 348, 0.05%, 0.37%

LAB 38.82, 4.44, 0.32

 

CMYK 0 / 10 / 10 / 61

HEX #635959

RGB 99 89 89

HSL 0, 0.05%, 0.37%

LAB 38.76, 4.05, 1.47

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 0 / 10 / 3 / 61

HEX #635960

RGB 99 89 96

HSL 318, 0.05%, 0.37%

LAB 38.97, 5.45, -2.55

 

CMYK 0 / 10 / 1 / 61

HEX #635962

RGB 99 89 98

HSL 306, 0.05%, 0.37%

LAB 39.03, 5.87, -3.7

 

CMYK 3 / 10 / 0 / 61

HEX #605963

RGB 96 89 99

HSL 282, 0.05%, 0.37%

LAB 38.78, 4.91, -4.72

 

CMYK 5 / 10 / 0 / 61

HEX #5E5963

RGB 94 89 99

HSL 270, 0.05%, 0.37%

LAB 38.6, 4.14, -5.02

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 0 / 35 / 19 / 55

HEX #724A5C

RGB 114 74 92

HSL 333, 0.21%, 0.37%

LAB 36.46, 19.9, -3.58

 

CMYK 0 / 54 / 30 / 49

HEX #813B5A

RGB 129 59 90

HSL 333.43, 0.37%, 0.37%

LAB 35.07, 33.89, -4.14

 

CMYK 0 / 70 / 39 / 44

HEX #902B58

RGB 144 43 88

HSL 333.27, 0.54%, 0.37%

LAB 34.72, 46.21, -3.08

 

CMYK 0 / 83 / 46 / 37

HEX #A01C57

RGB 160 28 87

HSL 333.18, 0.7%, 0.37%

LAB 35.97, 55.66, -0.26

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 20 / 0 / 9 / 59

HEX #53685F

RGB 83 104 95

HSL 154.29, 0.11%, 0.37%

LAB 42.1, -9.89, 2.47

 

CMYK 43 / 0 / 19 / 53

HEX #447861

RGB 68 120 97

HSL 153.46, 0.28%, 0.37%

LAB 46.34, -23.18, 7.24

 

CMYK 61 / 0 / 27 / 47

HEX #358762

RGB 53 135 98

HSL 152.93, 0.44%, 0.37%

LAB 50.65, -34.12, 12.62

 

CMYK 75 / 0 / 33 / 41

HEX #269664

RGB 38 150 100

HSL 153.21, 0.6%, 0.37%

LAB 55.22, -42.89, 17.73

 

CMYK 0 / 10 / 1 / 61

HEX #635962

RGB 99 89 98

HSL 306, 0.05%, 0.37%

LAB 39.03, 5.87, -3.7

 

CMYK 0 / 10 / 3 / 61

HEX #635960

RGB 99 89 96

HSL 318, 0.05%, 0.37%

LAB 38.97, 5.45, -2.55

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 0 / 10 / 8 / 61

HEX #63595B

RGB 99 89 91

HSL 348, 0.05%, 0.37%

LAB 38.82, 4.44, 0.32

 

CMYK 0 / 9 / 10 / 61

HEX #635A59

RGB 99 90 89

HSL 6, 0.05%, 0.37%

LAB 39.05, 3.44, 1.89

 

CMYK 0 / 9 / 5 / 78

HEX #373234

RGB 55 50 52

HSL 336, 0.05%, 0.21%

LAB 21.36, 2.66, -0.47

 

CMYK 0 / 9 / 5 / 70

HEX #4D4649

RGB 77 70 73

HSL 334.29, 0.05%, 0.29%

LAB 30.49, 3.57, -0.74

 

CMYK 0 / 10 / 6 / 61

HEX #63595D

RGB 99 89 93

HSL 336, 0.05%, 0.37%

LAB 38.88, 4.84, -0.83

 

CMYK 0 / 9 / 5 / 53

HEX #786D72

RGB 120 109 114

HSL 332.73, 0.05%, 0.45%

LAB 47.16, 5.26, -1.23

 

CMYK 0 / 9 / 5 / 45

HEX #8D8186

RGB 141 129 134

HSL 335, 0.05%, 0.53%

LAB 55.16, 5.48, -1.06

 

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

CMYK 0 / 3 / 10 / 61

HEX #636059

RGB 99 96 89

HSL 42, 0.05%, 0.37%

LAB 40.8, -0.19, 4.41

 

CMYK 10 / 2 / 0 / 61

HEX #596163

RGB 89 97 99

HSL 192, 0.05%, 0.37%

LAB 40.53, -2.64, -2.21

 

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

CMYK 6 / 0 / 10 / 61

HEX #5D6359

RGB 93 99 89

HSL 96, 0.05%, 0.37%

LAB 41.17, -4.41, 4.88

 

CMYK 10 / 6 / 0 / 61

HEX #595D63

RGB 89 93 99

HSL 216, 0.05%, 0.37%

LAB 39.33, -0.23, -3.98

 

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

CMYK 0 / 3 / 10 / 61

HEX #636059

RGB 99 96 89

HSL 42, 0.05%, 0.37%

LAB 40.8, -0.19, 4.41

 

CMYK 10 / 0 / 5 / 61

HEX #59635E

RGB 89 99 94

HSL 150, 0.05%, 0.37%

LAB 40.99, -4.94, 1.52

 

CMYK 10 / 8 / 0 / 61

HEX #595B63

RGB 89 91 99

HSL 228, 0.05%, 0.37%

LAB 38.74, 0.99, -4.86

 

CMYK 0 / 9 / 5 / 61

HEX #635A5E

RGB 99 90 94

HSL 333.33, 0.05%, 0.37%

LAB 39.2, 4.43, -0.99

 

CMYK 1 / 0 / 10 / 61

HEX #626359

RGB 98 99 89

HSL 66, 0.05%, 0.37%

LAB 41.6, -2.39, 5.55

 

CMYK 10 / 0 / 5 / 61

HEX #59635E

RGB 89 99 94

HSL 150, 0.05%, 0.37%

LAB 40.99, -4.94, 1.52

 

CMYK 9 / 10 / 0 / 61

HEX #5A5963

RGB 90 89 99

HSL 246, 0.05%, 0.37%

LAB 38.23, 2.6, -5.6

 

Description

Color code: RGB 99 90 94 | qconv.com Color code: RGB 99 90 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 90 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 90 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 5 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 5% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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