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Color name
RGB 98 232 31

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 232 31 it is the complementary color RGB 157 23 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 232 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 232 31 shade: RGB 103 232 26, RGB 120 250 45, RGB 137 255 64, RGB 154 255 83 and RGB 171 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 232 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 232 31 shade: RGB 98 232 31, RGB 81 214 12, RGB 64 196 0, RGB 47 178 0 and RGB 30 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 232 31 shade: RGB 99 231 33, RGB 153 231 33, RGB 206 231 33, RGB 231 203 33 and RGB 231 150 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 232 31 shade: RGB 99 231 33, RGB 46 231 33, RGB 33 231 74, RGB 33 231 127 and RGB 33 231 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 232 31 shade matches the following richer shades: RGB 99 231 33 and RGB 92 251 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 232 31 shade: RGB 99 231 33, RGB 106 211 53, RGB 112 192 73, RGB 119 172 92 and RGB 125 152 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 232 31 shade: RGB 205 231 33, RGB 152 231 33, RGB 99 231 33, RGB 46 231 33 and RGB 33 231 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 232 31 shade: RGB 66 165 17, RGB 81 202 21, RGB 99 231 33, RGB 125 235 70 and RGB 151 239 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 232 31 shade: RGB 98 232 31, RGB 33 231 205 and RGB 231 33 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 232 31 shade: RGB 98 232 31, RGB 33 99 231 and RGB 231 33 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 232 31 shade: RGB 98 232 31, RGB 33 231 205, RGB 165 33 231 and RGB 231 33 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 232 31 shade: RGB 98 232 31, RGB 33 198 231, RGB 165 33 231 and RGB 231 66 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

Complementary color

CMYK 30 / 90 / 0 / 12

HEX #9D17E0

RGB 157 23 224

HSL 280, 0.81%, 0.48%

LAB 43.01, 77.02, -72.19

 

CMYK 56 / 0 / 89 / 9

HEX #67E81A

RGB 103 232 26

HSL 97.57, 0.82%, 0.51%

LAB 82.2, -66.15, 76.55

 

CMYK 52 / 0 / 82 / 2

HEX #78FA2D

RGB 120 250 45

HSL 98.05, 0.95%, 0.58%

LAB 88.23, -67.23, 78.17

 

CMYK 46 / 0 / 75 / 0

HEX #89FF40

RGB 137 255 64

HSL 97.07, 1%, 0.63%

LAB 90.42, -63.3, 75.2

 

CMYK 40 / 0 / 67 / 0

HEX #9AFF53

RGB 154 255 83

HSL 95.23, 1%, 0.66%

LAB 91.24, -56.88, 69.78

 

CMYK 33 / 0 / 60 / 0

HEX #ABFF66

RGB 171 255 102

HSL 92.94, 1%, 0.7%

LAB 92.19, -49.81, 63.53

 

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

CMYK 62 / 0 / 94 / 16

HEX #51D60C

RGB 81 214 12

HSL 99.5, 0.89%, 0.44%

LAB 75.99, -65.78, 73.04

 

CMYK 67 / 0 / 100 / 23

HEX #40C400

RGB 64 196 0

HSL 100.41, 1%, 0.38%

LAB 69.87, -63.83, 69.18

 

CMYK 74 / 0 / 100 / 30

HEX #2FB200

RGB 47 178 0

HSL 104.16, 1%, 0.35%

LAB 63.71, -61.35, 64.12

 

CMYK 81 / 0 / 100 / 37

HEX #1EA000

RGB 30 160 0

HSL 108.75, 1%, 0.31%

LAB 57.48, -58.41, 59.03

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 34 / 0 / 86 / 9

HEX #99E721

RGB 153 231 33

HSL 83.64, 0.8%, 0.52%

LAB 83.98, -50.16, 77.61

 

CMYK 11 / 0 / 86 / 9

HEX #CEE721

RGB 206 231 33

HSL 67.58, 0.8%, 0.52%

LAB 87.18, -29.87, 81.59

 

CMYK 0 / 12 / 86 / 9

HEX #E7CB21

RGB 231 203 33

HSL 51.52, 0.8%, 0.52%

LAB 81.74, -5.67, 77.95

 

CMYK 0 / 35 / 86 / 9

HEX #E79621

RGB 231 150 33

HSL 35.45, 0.8%, 0.52%

LAB 68.69, 22.16, 67.36

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 80 / 0 / 86 / 9

HEX #2EE721

RGB 46 231 33

HSL 116.06, 0.8%, 0.52%

LAB 80.65, -76.25, 73.43

 

CMYK 86 / 0 / 68 / 9

HEX #21E74A

RGB 33 231 74

HSL 132.42, 0.8%, 0.52%

LAB 80.72, -74.82, 61.08

 

CMYK 86 / 0 / 45 / 9

HEX #21E77F

RGB 33 231 127

HSL 148.48, 0.8%, 0.52%

LAB 81.3, -67.84, 38.01

 

CMYK 86 / 0 / 22 / 9

HEX #21E7B5

RGB 33 231 181

HSL 164.85, 0.8%, 0.52%

LAB 82.28, -56.75, 11.65

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 63 / 0 / 95 / 2

HEX #5CFB0D

RGB 92 251 13

HSL 100.08, 0.97%, 0.52%

LAB 87.63, -75.19, 82.55

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 50 / 0 / 75 / 17

HEX #6AD335

RGB 106 211 53

HSL 99.87, 0.64%, 0.52%

LAB 76.01, -56.63, 64.31

 

CMYK 42 / 0 / 62 / 25

HEX #70C049

RGB 112 192 73

HSL 100.34, 0.49%, 0.52%

LAB 70.61, -45.72, 51.03

 

CMYK 31 / 0 / 47 / 33

HEX #77AC5C

RGB 119 172 92

HSL 99.75, 0.33%, 0.52%

LAB 65.12, -32.35, 35.56

 

CMYK 18 / 0 / 26 / 40

HEX #7D9870

RGB 125 152 112

HSL 100.5, 0.16%, 0.52%

LAB 59.88, -17.25, 18.01

 

CMYK 11 / 0 / 86 / 9

HEX #CDE721

RGB 205 231 33

HSL 67.88, 0.8%, 0.52%

LAB 87.11, -30.27, 81.5

 

CMYK 34 / 0 / 86 / 9

HEX #98E721

RGB 152 231 33

HSL 83.94, 0.8%, 0.52%

LAB 83.93, -50.52, 77.55

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 80 / 0 / 86 / 9

HEX #2EE721

RGB 46 231 33

HSL 116.06, 0.8%, 0.52%

LAB 80.65, -76.25, 73.43

 

CMYK 86 / 0 / 68 / 9

HEX #21E749

RGB 33 231 73

HSL 132.12, 0.8%, 0.52%

LAB 80.71, -74.91, 61.46

 

CMYK 60 / 0 / 90 / 35

HEX #42A511

RGB 66 165 17

HSL 100.14, 0.81%, 0.36%

LAB 59.99, -52.59, 58.81

 

CMYK 60 / 0 / 90 / 21

HEX #51CA15

RGB 81 202 21

HSL 100.11, 0.81%, 0.44%

LAB 72.26, -61.57, 68.71

 

CMYK 57 / 0 / 86 / 9

HEX #63E721

RGB 99 231 33

HSL 100, 0.8%, 0.52%

LAB 81.79, -66.59, 74.86

 

CMYK 47 / 0 / 70 / 8

HEX #7DEB46

RGB 125 235 70

HSL 100, 0.8%, 0.6%

LAB 84.08, -58.97, 66.75

 

CMYK 37 / 0 / 55 / 6

HEX #97EF6C

RGB 151 239 108

HSL 100.31, 0.8%, 0.68%

LAB 86.7, -49.15, 54.37

 

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

CMYK 86 / 0 / 11 / 9

HEX #21E7CD

RGB 33 231 205

HSL 172.12, 0.8%, 0.52%

LAB 82.85, -50.69, -0.17

 

CMYK 0 / 86 / 23 / 9

HEX #E721B2

RGB 231 33 178

HSL 316.06, 0.8%, 0.52%

LAB 53.27, 80.86, -28.48

 

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

CMYK 86 / 57 / 0 / 9

HEX #2163E7

RGB 33 99 231

HSL 220, 0.8%, 0.52%

LAB 45.66, 29.2, -72.24

 

CMYK 0 / 86 / 57 / 9

HEX #E72163

RGB 231 33 99

HSL 340, 0.8%, 0.52%

LAB 50.66, 73.6, 15

 

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

CMYK 86 / 0 / 11 / 9

HEX #21E7CD

RGB 33 231 205

HSL 172.12, 0.8%, 0.52%

LAB 82.85, -50.69, -0.17

 

CMYK 29 / 86 / 0 / 9

HEX #A521E7

RGB 165 33 231

HSL 280, 0.8%, 0.52%

LAB 45.44, 77.44, -72.15

 

CMYK 0 / 86 / 74 / 9

HEX #E7213B

RGB 231 33 59

HSL 352.12, 0.8%, 0.52%

LAB 49.97, 71.59, 38.14

 

CMYK 58 / 0 / 87 / 9

HEX #62E81F

RGB 98 232 31

HSL 100, 0.81%, 0.52%

LAB 82.06, -67.25, 75.48

 

CMYK 86 / 14 / 0 / 9

HEX #21C6E7

RGB 33 198 231

HSL 190, 0.8%, 0.52%

LAB 73.86, -28.1, -27.56

 

CMYK 29 / 86 / 0 / 9

HEX #A521E7

RGB 165 33 231

HSL 280, 0.8%, 0.52%

LAB 45.44, 77.44, -72.15

 

CMYK 0 / 71 / 86 / 9

HEX #E74221

RGB 231 66 33

HSL 10, 0.8%, 0.52%

LAB 52.94, 61.81, 54.46

 

Description

Color code: RGB 98 232 31 | qconv.com Color code: RGB 98 232 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 232 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 232 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 87 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 87% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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