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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 229 56 it is the complementary color RGB 157 26 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 229 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 229 56 shade: RGB 103 229 51, RGB 120 247 70, RGB 137 255 89, RGB 154 255 108 and RGB 171 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 229 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 81 211 37, RGB 64 193 18, RGB 47 175 0 and RGB 30 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 144 229 56, RGB 191 229 56, RGB 229 220 56 and RGB 229 173 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 56 229 61, RGB 56 229 107, RGB 56 229 154 and RGB 56 229 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 229 56 shade matches the following richer shades: RGB 98 229 56 and RGB 89 247 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 107 211 74, RGB 117 192 92, RGB 126 174 110 and RGB 135 156 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 229 56 shade: RGB 191 229 56, RGB 145 229 56, RGB 99 229 56, RGB 56 229 59 and RGB 56 229 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 229 56 shade: RGB 61 179 23, RGB 73 216 28, RGB 98 229 56, RGB 127 233 92 and RGB 155 238 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 56 229 220 and RGB 229 56 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 56 99 229 and RGB 229 56 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 56 229 220, RGB 185 56 229 and RGB 229 56 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 229 56 shade: RGB 98 229 56, RGB 56 185 229, RGB 185 56 229 and RGB 229 99 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

Complementary color

CMYK 21 / 87 / 0 / 22

HEX #9D1AC7

RGB 157 26 199

HSL 285.43, 0.77%, 0.44%

LAB 41.26, 71.74, -60.61

 

CMYK 55 / 0 / 78 / 10

HEX #67E533

RGB 103 229 51

HSL 102.47, 0.77%, 0.55%

LAB 81.38, -64.08, 70.05

 

CMYK 51 / 0 / 72 / 3

HEX #78F746

RGB 120 247 70

HSL 103.05, 0.92%, 0.62%

LAB 87.46, -64.79, 70.12

 

CMYK 46 / 0 / 65 / 0

HEX #89FF59

RGB 137 255 89

HSL 102.65, 1%, 0.67%

LAB 90.58, -61.55, 66.58

 

CMYK 40 / 0 / 58 / 0

HEX #9AFF6C

RGB 154 255 108

HSL 101.22, 1%, 0.71%

LAB 91.45, -54.74, 59.92

 

CMYK 33 / 0 / 50 / 0

HEX #ABFF7F

RGB 171 255 127

HSL 99.38, 1%, 0.75%

LAB 92.45, -47.32, 52.8

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 62 / 0 / 82 / 17

HEX #51D325

RGB 81 211 37

HSL 104.83, 0.7%, 0.49%

LAB 75.12, -63.99, 67.84

 

CMYK 67 / 0 / 91 / 24

HEX #40C112

RGB 64 193 18

HSL 104.23, 0.83%, 0.41%

LAB 68.95, -62.49, 66.23

 

CMYK 73 / 0 / 100 / 31

HEX #2FAF00

RGB 47 175 0

HSL 103.89, 1%, 0.34%

LAB 62.73, -60.42, 63.34

 

CMYK 81 / 0 / 100 / 38

HEX #1E9D00

RGB 30 157 0

HSL 108.54, 1%, 0.31%

LAB 56.48, -57.5, 58.23

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 37 / 0 / 76 / 10

HEX #90E538

RGB 144 229 56

HSL 89.48, 0.77%, 0.56%

LAB 83.05, -51.51, 70.71

 

CMYK 17 / 0 / 76 / 10

HEX #BFE538

RGB 191 229 56

HSL 73.18, 0.77%, 0.56%

LAB 85.71, -34.17, 74.16

 

CMYK 0 / 4 / 76 / 10

HEX #E5DC38

RGB 229 220 56

HSL 56.88, 0.77%, 0.56%

LAB 86.07, -14.36, 75.52

 

CMYK 0 / 24 / 76 / 10

HEX #E5AD38

RGB 229 173 56

HSL 40.58, 0.77%, 0.56%

LAB 74.08, 9.81, 64.32

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 76 / 0 / 73 / 10

HEX #38E53D

RGB 56 229 61

HSL 121.73, 0.77%, 0.56%

LAB 80.3, -72.81, 65.45

 

CMYK 76 / 0 / 53 / 10

HEX #38E56B

RGB 56 229 107

HSL 137.69, 0.77%, 0.56%

LAB 80.71, -67.9, 46.95

 

CMYK 76 / 0 / 33 / 10

HEX #38E59A

RGB 56 229 154

HSL 153.99, 0.77%, 0.56%

LAB 81.41, -59.84, 24.55

 

CMYK 76 / 0 / 13 / 10

HEX #38E5C8

RGB 56 229 200

HSL 169.94, 0.77%, 0.56%

LAB 82.41, -49.23, 1.86

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 64 / 0 / 85 / 3

HEX #59F726

RGB 89 247 38

HSL 105.36, 0.93%, 0.56%

LAB 86.4, -73.9, 77.76

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 49 / 0 / 65 / 17

HEX #6BD34A

RGB 107 211 74

HSL 105.55, 0.61%, 0.56%

LAB 76.2, -54.74, 56.69

 

CMYK 39 / 0 / 52 / 25

HEX #75C05C

RGB 117 192 92

HSL 105, 0.44%, 0.56%

LAB 71.05, -42.04, 42.81

 

CMYK 28 / 0 / 37 / 32

HEX #7EAE6E

RGB 126 174 110

HSL 105, 0.28%, 0.56%

LAB 66.39, -28.27, 27.86

 

CMYK 13 / 0 / 17 / 39

HEX #879C81

RGB 135 156 129

HSL 106.67, 0.12%, 0.56%

LAB 62.09, -12.69, 11.69

 

CMYK 17 / 0 / 76 / 10

HEX #BFE538

RGB 191 229 56

HSL 73.18, 0.77%, 0.56%

LAB 85.71, -34.17, 74.16

 

CMYK 37 / 0 / 76 / 10

HEX #91E538

RGB 145 229 56

HSL 89.13, 0.77%, 0.56%

LAB 83.1, -51.17, 70.77

 

CMYK 57 / 0 / 76 / 10

HEX #63E538

RGB 99 229 56

HSL 105.09, 0.77%, 0.56%

LAB 81.28, -64.79, 68.39

 

CMYK 76 / 0 / 74 / 10

HEX #38E53B

RGB 56 229 59

HSL 121.04, 0.77%, 0.56%

LAB 80.29, -72.95, 66.11

 

CMYK 76 / 0 / 54 / 10

HEX #38E569

RGB 56 229 105

HSL 136.99, 0.77%, 0.56%

LAB 80.68, -68.18, 47.85

 

CMYK 66 / 0 / 87 / 30

HEX #3DB317

RGB 61 179 23

HSL 105.38, 0.77%, 0.4%

LAB 64.4, -58.36, 61.35

 

CMYK 66 / 0 / 87 / 15

HEX #49D81C

RGB 73 216 28

HSL 105.64, 0.77%, 0.48%

LAB 76.44, -67.71, 70.94

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 45 / 0 / 61 / 9

HEX #7FE95C

RGB 127 233 92

HSL 105.11, 0.76%, 0.64%

LAB 83.74, -55.76, 57.72

 

CMYK 35 / 0 / 46 / 7

HEX #9BEE81

RGB 155 238 129

HSL 105.69, 0.76%, 0.72%

LAB 86.85, -45, 44.79

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 76 / 0 / 4 / 10

HEX #38E5DC

RGB 56 229 220

HSL 176.88, 0.77%, 0.56%

LAB 82.94, -43.91, -7.94

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 76 / 57 / 0 / 10

HEX #3863E5

RGB 56 99 229

HSL 225.09, 0.77%, 0.56%

LAB 46.21, 30.43, -70.19

 

CMYK 0 / 76 / 57 / 10

HEX #E53863

RGB 229 56 99

HSL 345.09, 0.77%, 0.56%

LAB 52.27, 67.42, 17.14

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 76 / 0 / 4 / 10

HEX #38E5DC

RGB 56 229 220

HSL 176.88, 0.77%, 0.56%

LAB 82.94, -43.91, -7.94

 

CMYK 19 / 76 / 0 / 10

HEX #B938E5

RGB 185 56 229

HSL 284.74, 0.77%, 0.56%

LAB 50.45, 73.87, -62.75

 

CMYK 0 / 76 / 72 / 10

HEX #E53841

RGB 229 56 65

HSL 356.88, 0.77%, 0.56%

LAB 51.69, 65.53, 36.55

 

CMYK 57 / 0 / 76 / 10

HEX #62E538

RGB 98 229 56

HSL 105.43, 0.77%, 0.56%

LAB 81.25, -65.04, 68.35

 

CMYK 76 / 19 / 0 / 10

HEX #38B9E5

RGB 56 185 229

HSL 195.26, 0.77%, 0.56%

LAB 70.31, -20.18, -31.91

 

CMYK 19 / 76 / 0 / 10

HEX #B938E5

RGB 185 56 229

HSL 284.74, 0.77%, 0.56%

LAB 50.45, 73.87, -62.75

 

CMYK 0 / 57 / 76 / 10

HEX #E56338

RGB 229 99 56

HSL 14.91, 0.77%, 0.56%

LAB 57.91, 48.1, 48.24

 

Description

Color code: RGB 98 229 56 | qconv.com Color code: RGB 98 229 56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 229 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 229 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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