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Color name
RGB 98 226 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 226 92 it is the complementary color RGB 157 29 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 226 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 226 92 shade: RGB 103 226 87, RGB 120 244 106, RGB 137 255 125, RGB 154 255 144 and RGB 171 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 226 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 226 92 shade: RGB 98 226 92, RGB 81 208 73, RGB 64 190 54, RGB 47 172 35 and RGB 30 154 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 226 92 shade: RGB 96 225 90, RGB 132 225 90, RGB 169 225 90, RGB 206 225 90 and RGB 225 209 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 226 92 shade: RGB 96 225 90, RGB 90 225 120, RGB 90 225 157, RGB 90 225 193 and RGB 90 221 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 226 92 shade matches the following richer shades: RGB 96 225 90 and RGB 82 241 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 226 92 shade: RGB 96 225 90, RGB 110 210 105, RGB 124 194 121, RGB 139 178 137 and RGB 153 163 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 226 92 shade: RGB 169 225 90, RGB 133 225 90, RGB 97 225 90, RGB 90 225 119 and RGB 90 225 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 226 92 shade: RGB 42 198 35, RGB 62 219 55, RGB 96 225 90, RGB 130 232 125 and RGB 163 238 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 226 92 shade: RGB 98 226 92, RGB 90 205 225 and RGB 225 90 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 226 92 shade: RGB 98 226 92, RGB 90 97 225 and RGB 225 90 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 226 92 shade: RGB 98 226 92, RGB 90 205 225, RGB 219 90 225 and RGB 225 110 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 226 92 shade: RGB 98 226 92, RGB 90 164 225, RGB 219 90 225 and RGB 225 151 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

Complementary color

CMYK 4 / 82 / 0 / 36

HEX #9D1DA3

RGB 157 29 163

HSL 297.31, 0.7%, 0.38%

LAB 39.06, 64.75, -42.87

 

CMYK 54 / 0 / 62 / 11

HEX #67E257

RGB 103 226 87

HSL 113.09, 0.71%, 0.61%

LAB 80.72, -60.19, 56.21

 

CMYK 51 / 0 / 57 / 4

HEX #78F46A

RGB 120 244 106

HSL 113.91, 0.86%, 0.69%

LAB 86.87, -60.46, 55.14

 

CMYK 46 / 0 / 51 / 0

HEX #89FF7D

RGB 137 255 125

HSL 114.46, 1%, 0.75%

LAB 90.93, -57.86, 51.53

 

CMYK 40 / 0 / 44 / 0

HEX #9AFF90

RGB 154 255 144

HSL 114.59, 1%, 0.78%

LAB 91.87, -50.51, 43.88

 

CMYK 33 / 0 / 36 / 0

HEX #ABFFA3

RGB 171 255 163

HSL 114.78, 1%, 0.82%

LAB 92.94, -42.63, 36.12

 

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

CMYK 61 / 0 / 65 / 18

HEX #51D049

RGB 81 208 73

HSL 116.44, 0.59%, 0.55%

LAB 74.41, -60.39, 54.91

 

CMYK 66 / 0 / 72 / 25

HEX #40BE36

RGB 64 190 54

HSL 115.59, 0.56%, 0.48%

LAB 68.16, -59.54, 55.64

 

CMYK 73 / 0 / 80 / 33

HEX #2FAC23

RGB 47 172 35

HSL 114.74, 0.66%, 0.41%

LAB 61.85, -58.19, 55.78

 

CMYK 81 / 0 / 90 / 40

HEX #1E9A10

RGB 30 154 16

HSL 113.91, 0.81%, 0.33%

LAB 55.51, -56.11, 54.82

 

CMYK 57 / 0 / 60 / 12

HEX #60E15A

RGB 96 225 90

HSL 117.33, 0.69%, 0.62%

LAB 80.22, -61.23, 54.3

 

CMYK 41 / 0 / 60 / 12

HEX #84E15A

RGB 132 225 90

HSL 101.33, 0.69%, 0.62%

LAB 81.56, -51.26, 56.18

 

CMYK 25 / 0 / 60 / 12

HEX #A9E15A

RGB 169 225 90

HSL 84.89, 0.69%, 0.62%

LAB 83.45, -38.6, 58.82

 

CMYK 8 / 0 / 60 / 12

HEX #CEE15A

RGB 206 225 90

HSL 68.44, 0.69%, 0.62%

LAB 85.86, -24.37, 62.15

 

CMYK 0 / 7 / 60 / 12

HEX #E1D15A

RGB 225 209 90

HSL 52.89, 0.69%, 0.62%

LAB 83.1, -8.73, 59.55

 

CMYK 57 / 0 / 60 / 12

HEX #60E15A

RGB 96 225 90

HSL 117.33, 0.69%, 0.62%

LAB 80.22, -61.23, 54.3

 

CMYK 60 / 0 / 47 / 12

HEX #5AE178

RGB 90 225 120

HSL 133.33, 0.69%, 0.62%

LAB 80.39, -58.71, 40.51

 

CMYK 60 / 0 / 30 / 12

HEX #5AE19D

RGB 90 225 157

HSL 149.78, 0.69%, 0.62%

LAB 80.99, -52.24, 22.55

 

CMYK 60 / 0 / 14 / 12

HEX #5AE1C1

RGB 90 225 193

HSL 165.78, 0.69%, 0.62%

LAB 81.77, -44.35, 4.73

 

CMYK 60 / 2 / 0 / 12

HEX #5ADDE1

RGB 90 221 225

HSL 181.78, 0.69%, 0.62%

LAB 81.47, -34.32, -12.71

 

CMYK 57 / 0 / 60 / 12

HEX #60E15A

RGB 96 225 90

HSL 117.33, 0.69%, 0.62%

LAB 80.22, -61.23, 54.3

 

CMYK 66 / 0 / 69 / 5

HEX #52F14A

RGB 82 241 74

HSL 117.13, 0.86%, 0.62%

LAB 84.59, -71.23, 65.4

 

CMYK 57 / 0 / 60 / 12

HEX #60E15A

RGB 96 225 90

HSL 117.33, 0.69%, 0.62%

LAB 80.22, -61.23, 54.3

 

CMYK 48 / 0 / 50 / 18

HEX #6ED269

RGB 110 210 105

HSL 117.14, 0.54%, 0.62%

LAB 76.33, -50.05, 42.89

 

CMYK 36 / 0 / 38 / 24

HEX #7CC279

RGB 124 194 121

HSL 117.53, 0.37%, 0.62%

LAB 72.39, -36.63, 29.95

 

CMYK 22 / 0 / 23 / 30

HEX #8BB289

RGB 139 178 137

HSL 117.07, 0.21%, 0.62%

LAB 68.85, -21.25, 16.76

 

CMYK 6 / 0 / 7 / 36

HEX #99A398

RGB 153 163 152

HSL 114.55, 0.06%, 0.62%

LAB 65.93, -5.67, 4.48

 

CMYK 25 / 0 / 60 / 12

HEX #A9E15A

RGB 169 225 90

HSL 84.89, 0.69%, 0.62%

LAB 83.45, -38.6, 58.82

 

CMYK 41 / 0 / 60 / 12

HEX #85E15A

RGB 133 225 90

HSL 100.89, 0.69%, 0.62%

LAB 81.61, -50.95, 56.24

 

CMYK 57 / 0 / 60 / 12

HEX #61E15A

RGB 97 225 90

HSL 116.89, 0.69%, 0.62%

LAB 80.25, -60.99, 54.34

 

CMYK 60 / 0 / 47 / 12

HEX #5AE177

RGB 90 225 119

HSL 132.89, 0.69%, 0.62%

LAB 80.38, -58.86, 40.98

 

CMYK 60 / 0 / 31 / 12

HEX #5AE19B

RGB 90 225 155

HSL 148.89, 0.69%, 0.62%

LAB 80.96, -52.64, 23.53

 

CMYK 79 / 0 / 82 / 22

HEX #2AC623

RGB 42 198 35

HSL 117.42, 0.7%, 0.46%

LAB 70.18, -67.03, 63.53

 

CMYK 72 / 0 / 75 / 14

HEX #3EDB37

RGB 62 219 55

HSL 117.44, 0.69%, 0.54%

LAB 77.26, -69.25, 64.46

 

CMYK 57 / 0 / 60 / 12

HEX #60E15A

RGB 96 225 90

HSL 117.33, 0.69%, 0.62%

LAB 80.22, -61.23, 54.3

 

CMYK 44 / 0 / 46 / 9

HEX #82E87D

RGB 130 232 125

HSL 117.2, 0.7%, 0.7%

LAB 83.93, -50.63, 42.82

 

CMYK 32 / 0 / 33 / 7

HEX #A3EEA0

RGB 163 238 160

HSL 117.69, 0.7%, 0.78%

LAB 87.71, -38.04, 30.61

 

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

CMYK 60 / 9 / 0 / 12

HEX #5ACDE1

RGB 90 205 225

HSL 188.89, 0.69%, 0.62%

LAB 76.84, -26.63, -19.67

 

CMYK 0 / 60 / 33 / 12

HEX #E15A97

RGB 225 90 151

HSL 332.89, 0.69%, 0.62%

LAB 57.61, 58.32, -6.18

 

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

CMYK 60 / 57 / 0 / 12

HEX #5A61E1

RGB 90 97 225

HSL 236.89, 0.69%, 0.62%

LAB 47.18, 35.04, -66.26

 

CMYK 0 / 60 / 57 / 12

HEX #E15A61

RGB 225 90 97

HSL 356.89, 0.69%, 0.62%

LAB 56.27, 53.13, 23.58

 

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

CMYK 60 / 9 / 0 / 12

HEX #5ACDE1

RGB 90 205 225

HSL 188.89, 0.69%, 0.62%

LAB 76.84, -26.63, -19.67

 

CMYK 3 / 60 / 0 / 12

HEX #DB5AE1

RGB 219 90 225

HSL 297.33, 0.69%, 0.62%

LAB 59.72, 67.51, -45.42

 

CMYK 0 / 51 / 60 / 12

HEX #E16E5A

RGB 225 110 90

HSL 8.89, 0.69%, 0.62%

LAB 59.8, 43.16, 32.13

 

CMYK 57 / 0 / 59 / 11

HEX #62E25C

RGB 98 226 92

HSL 117.31, 0.7%, 0.62%

LAB 80.61, -60.9, 53.88

 

CMYK 60 / 27 / 0 / 12

HEX #5AA4E1

RGB 90 164 225

HSL 207.11, 0.69%, 0.62%

LAB 65.09, -5.05, -37.75

 

CMYK 3 / 60 / 0 / 12

HEX #DB5AE1

RGB 219 90 225

HSL 297.33, 0.69%, 0.62%

LAB 59.72, 67.51, -45.42

 

CMYK 0 / 33 / 60 / 12

HEX #E1975A

RGB 225 151 90

HSL 27.11, 0.69%, 0.62%

LAB 68.66, 21.75, 43

 

Description

Color code: RGB 98 226 92 | qconv.com Color code: RGB 98 226 92 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 226 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 226 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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