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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 212 210 it is the complementary color RGB 157 43 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 212 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 212 210 shade: RGB 103 212 205, RGB 120 230 224, RGB 137 248 243, RGB 154 255 255 and RGB 171 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 212 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 81 194 191, RGB 64 176 172, RGB 47 158 153 and RGB 30 140 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 98 212 179, RGB 98 212 149, RGB 98 212 118 and RGB 109 212 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 98 183 212, RGB 98 153 212, RGB 98 122 212 and RGB 98 98 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 212 210 shade matches the following richer shades: RGB 98 212 210, RGB 82 228 225 and RGB 66 244 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 114 196 194, RGB 131 180 179, RGB 147 163 163 and RGB 163 147 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 212 210 shade: RGB 98 212 147, RGB 98 212 178, RGB 98 212 208, RGB 98 185 212 and RGB 98 155 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 212 210 shade: RGB 49 179 177, RGB 66 203 200, RGB 98 212 210, RGB 131 221 219 and RGB 163 229 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 117 98 212 and RGB 212 163 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 208 98 212 and RGB 212 208 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 117 98 212, RGB 212 98 102 and RGB 193 212 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 212 210 shade: RGB 98 212 210, RGB 151 98 212, RGB 212 98 102 and RGB 159 212 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

Complementary color

CMYK 0 / 73 / 71 / 38

HEX #9D2B2D

RGB 157 43 45

HSL 358.95, 0.57%, 0.39%

LAB 36.15, 46.87, 26.73

 

CMYK 51 / 0 / 3 / 17

HEX #67D4CD

RGB 103 212 205

HSL 176.15, 0.56%, 0.62%

LAB 78.68, -32.93, -6.13

 

CMYK 48 / 0 / 3 / 10

HEX #78E6E0

RGB 120 230 224

HSL 176.73, 0.69%, 0.69%

LAB 84.98, -32.99, -6.85

 

CMYK 45 / 0 / 2 / 3

HEX #89F8F3

RGB 137 248 243

HSL 177.3, 0.89%, 0.75%

LAB 91.2, -33, -7.52

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 58 / 0 / 2 / 24

HEX #51C2BF

RGB 81 194 191

HSL 178.41, 0.48%, 0.54%

LAB 72.29, -32.41, -8.12

 

CMYK 64 / 0 / 2 / 31

HEX #40B0AC

RGB 64 176 172

HSL 177.86, 0.47%, 0.47%

LAB 65.84, -32.04, -7.3

 

CMYK 70 / 0 / 3 / 38

HEX #2F9E99

RGB 47 158 153

HSL 177.3, 0.54%, 0.4%

LAB 59.3, -31.47, -6.39

 

CMYK 79 / 0 / 4 / 45

HEX #1E8C86

RGB 30 140 134

HSL 176.73, 0.65%, 0.33%

LAB 52.68, -30.62, -5.37

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 54 / 0 / 16 / 17

HEX #62D4B3

RGB 98 212 179

HSL 162.63, 0.57%, 0.61%

LAB 77.84, -40.33, 6.54

 

CMYK 54 / 0 / 30 / 17

HEX #62D495

RGB 98 212 149

HSL 146.84, 0.57%, 0.61%

LAB 77.19, -46.74, 21.55

 

CMYK 54 / 0 / 44 / 17

HEX #62D476

RGB 98 212 118

HSL 130.53, 0.57%, 0.61%

LAB 76.67, -52.16, 36.82

 

CMYK 49 / 0 / 54 / 17

HEX #6DD462

RGB 109 212 98

HSL 114.21, 0.57%, 0.61%

LAB 76.81, -52.02, 46.8

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 54 / 14 / 0 / 17

HEX #62B7D4

RGB 98 183 212

HSL 195.26, 0.57%, 0.61%

LAB 70.33, -17.67, -22.5

 

CMYK 54 / 28 / 0 / 17

HEX #6299D4

RGB 98 153 212

HSL 211.05, 0.57%, 0.61%

LAB 61.77, -1.29, -35.7

 

CMYK 54 / 42 / 0 / 17

HEX #627AD4

RGB 98 122 212

HSL 227.37, 0.57%, 0.61%

LAB 53.24, 17.04, -49.13

 

CMYK 54 / 54 / 0 / 17

HEX #6262D4

RGB 98 98 212

HSL 240, 0.57%, 0.61%

LAB 47.09, 31.72, -59

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 64 / 0 / 1 / 11

HEX #52E4E1

RGB 82 228 225

HSL 178.77, 0.73%, 0.61%

LAB 83.29, -38.83, -10.01

 

CMYK 73 / 0 / 1 / 4

HEX #42F4F1

RGB 66 244 241

HSL 178.99, 0.89%, 0.61%

LAB 88.07, -43.68, -11.34

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 42 / 0 / 1 / 23

HEX #72C4C2

RGB 114 196 194

HSL 178.54, 0.41%, 0.61%

LAB 74.16, -25.46, -6.85

 

CMYK 27 / 0 / 1 / 29

HEX #83B4B3

RGB 131 180 179

HSL 178.78, 0.25%, 0.61%

LAB 69.98, -16.31, -4.73

 

CMYK 10 / 0 / 0 / 36

HEX #93A3A3

RGB 147 163 163

HSL 180, 0.08%, 0.61%

LAB 65.78, -5.61, -1.93

 

CMYK 0 / 10 / 9 / 36

HEX #A39394

RGB 163 147 148

HSL 356.25, 0.08%, 0.61%

LAB 62.33, 6.1, 1.62

 

CMYK 54 / 0 / 31 / 17

HEX #62D493

RGB 98 212 147

HSL 145.79, 0.57%, 0.61%

LAB 77.16, -47.13, 22.55

 

CMYK 54 / 0 / 16 / 17

HEX #62D4B2

RGB 98 212 178

HSL 162.11, 0.57%, 0.61%

LAB 77.81, -40.56, 7.04

 

CMYK 54 / 0 / 2 / 17

HEX #62D4D0

RGB 98 212 208

HSL 177.89, 0.57%, 0.61%

LAB 78.6, -33.17, -7.88

 

CMYK 54 / 13 / 0 / 17

HEX #62B9D4

RGB 98 185 212

HSL 194.21, 0.57%, 0.61%

LAB 70.9, -18.71, -21.62

 

CMYK 54 / 27 / 0 / 17

HEX #629BD4

RGB 98 155 212

HSL 210, 0.57%, 0.61%

LAB 62.33, -2.42, -34.82

 

CMYK 73 / 0 / 1 / 30

HEX #31B3B1

RGB 49 179 177

HSL 179.08, 0.57%, 0.45%

LAB 66.57, -34.18, -9.02

 

CMYK 67 / 0 / 1 / 20

HEX #42CBC8

RGB 66 203 200

HSL 178.69, 0.57%, 0.53%

LAB 74.85, -36.56, -9.24

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 41 / 0 / 1 / 13

HEX #83DDDB

RGB 131 221 219

HSL 178.67, 0.57%, 0.69%

LAB 82.73, -27.37, -7.49

 

CMYK 29 / 0 / 0 / 10

HEX #A3E5E4

RGB 163 229 228

HSL 179.09, 0.56%, 0.77%

LAB 86.71, -20.78, -6.18

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 45 / 54 / 0 / 17

HEX #7562D4

RGB 117 98 212

HSL 250, 0.57%, 0.61%

LAB 48.6, 35.76, -56.48

 

CMYK 0 / 23 / 54 / 17

HEX #D4A362

RGB 212 163 98

HSL 34.21, 0.57%, 0.61%

LAB 70.23, 10.53, 40.46

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 2 / 54 / 0 / 17

HEX #D062D4

RGB 208 98 212

HSL 297.89, 0.57%, 0.61%

LAB 58.88, 58.87, -39.52

 

CMYK 0 / 2 / 54 / 17

HEX #D4D062

RGB 212 208 98

HSL 57.89, 0.57%, 0.61%

LAB 81.83, -12.99, 54.24

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 45 / 54 / 0 / 17

HEX #7562D4

RGB 117 98 212

HSL 250, 0.57%, 0.61%

LAB 48.6, 35.76, -56.48

 

CMYK 0 / 54 / 52 / 17

HEX #D46266

RGB 212 98 102

HSL 357.89, 0.57%, 0.61%

LAB 55.78, 45.26, 19.65

 

CMYK 9 / 0 / 54 / 17

HEX #C1D462

RGB 193 212 98

HSL 70, 0.57%, 0.61%

LAB 81.46, -22.63, 53.43

 

CMYK 54 / 0 / 1 / 17

HEX #62D4D2

RGB 98 212 210

HSL 178.95, 0.57%, 0.61%

LAB 78.66, -32.65, -8.87

 

CMYK 29 / 54 / 0 / 17

HEX #9762D4

RGB 151 98 212

HSL 267.89, 0.57%, 0.61%

LAB 51.91, 43.93, -50.99

 

CMYK 0 / 54 / 52 / 17

HEX #D46266

RGB 212 98 102

HSL 357.89, 0.57%, 0.61%

LAB 55.78, 45.26, 19.65

 

CMYK 25 / 0 / 54 / 17

HEX #9FD462

RGB 159 212 98

HSL 87.89, 0.57%, 0.61%

LAB 79.24, -35.66, 50.27

 

Description

Color code: RGB 98 212 210 | qconv.com Color code: RGB 98 212 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 212 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 212 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 1 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 1% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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