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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 200 92 it is the complementary color RGB 157 55 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 200 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 200 92 shade: RGB 103 200 87, RGB 120 218 106, RGB 137 236 125, RGB 154 254 144 and RGB 171 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 200 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 200 92 shade: RGB 98 200 92, RGB 81 182 73, RGB 64 164 54, RGB 47 146 35 and RGB 30 128 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 200 92 shade: RGB 96 200 90, RGB 126 200 90, RGB 155 200 90, RGB 185 200 90 and RGB 200 185 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 200 92 shade: RGB 96 200 90, RGB 90 200 114, RGB 90 200 143, RGB 90 200 173 and RGB 90 197 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 200 92 shade matches the following richer shades: RGB 96 200 90, RGB 80 217 72, RGB 65 235 55 and RGB 49 253 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 200 92 shade: RGB 96 200 90, RGB 112 182 108, RGB 128 164 126, RGB 143 146 143 and RGB 159 129 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 200 92 shade: RGB 156 200 90, RGB 127 200 90, RGB 97 200 90, RGB 90 200 112 and RGB 90 200 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 200 92 shade: RGB 57 156 52, RGB 69 187 62, RGB 96 200 90, RGB 126 210 121 and RGB 156 220 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 200 92 shade: RGB 98 200 92, RGB 90 185 200 and RGB 200 90 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 200 92 shade: RGB 98 200 92, RGB 90 97 200 and RGB 200 90 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 200 92 shade: RGB 98 200 92, RGB 90 185 200, RGB 192 90 200 and RGB 200 105 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 200 92 shade: RGB 98 200 92, RGB 90 152 200, RGB 192 90 200 and RGB 200 138 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

Complementary color

CMYK 4 / 66 / 0 / 36

HEX #9D37A3

RGB 157 55 163

HSL 296.67, 0.5%, 0.43%

LAB 42.07, 56.15, -38.07

 

CMYK 49 / 0 / 57 / 22

HEX #67C857

RGB 103 200 87

HSL 111.5, 0.51%, 0.56%

LAB 72.81, -50.25, 47.14

 

CMYK 45 / 0 / 51 / 15

HEX #78DA6A

RGB 120 218 106

HSL 112.5, 0.6%, 0.64%

LAB 79.14, -50.29, 45.94

 

CMYK 42 / 0 / 47 / 7

HEX #89EC7D

RGB 137 236 125

HSL 113.51, 0.74%, 0.71%

LAB 85.4, -50.23, 44.72

 

CMYK 39 / 0 / 43 / 0

HEX #9AFE90

RGB 154 254 144

HSL 114.55, 0.98%, 0.78%

LAB 91.58, -50.1, 43.51

 

CMYK 33 / 0 / 36 / 0

HEX #ABFFA3

RGB 171 255 163

HSL 114.78, 1%, 0.82%

LAB 92.94, -42.63, 36.12

 

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

CMYK 55 / 0 / 60 / 29

HEX #51B649

RGB 81 182 73

HSL 115.6, 0.43%, 0.5%

LAB 66.28, -50.84, 45.79

 

CMYK 61 / 0 / 67 / 36

HEX #40A436

RGB 64 164 54

HSL 114.55, 0.5%, 0.43%

LAB 59.8, -50.35, 46.82

 

CMYK 68 / 0 / 76 / 43

HEX #2F9223

RGB 47 146 35

HSL 113.51, 0.61%, 0.35%

LAB 53.26, -49.42, 47.42

 

CMYK 77 / 0 / 88 / 50

HEX #1E8010

RGB 30 128 16

HSL 112.5, 0.78%, 0.28%

LAB 46.65, -47.77, 47

 

CMYK 52 / 0 / 55 / 22

HEX #60C85A

RGB 96 200 90

HSL 116.73, 0.5%, 0.57%

LAB 72.58, -51.83, 45.4

 

CMYK 37 / 0 / 55 / 22

HEX #7EC85A

RGB 126 200 90

HSL 100.36, 0.5%, 0.57%

LAB 73.86, -42.76, 47.22

 

CMYK 23 / 0 / 55 / 22

HEX #9BC85A

RGB 155 200 90

HSL 84.55, 0.5%, 0.57%

LAB 75.46, -32.41, 49.5

 

CMYK 8 / 0 / 55 / 22

HEX #B9C85A

RGB 185 200 90

HSL 68.18, 0.5%, 0.57%

LAB 77.5, -20.64, 52.38

 

CMYK 0 / 8 / 55 / 22

HEX #C8B95A

RGB 200 185 90

HSL 51.82, 0.5%, 0.57%

LAB 74.65, -6.83, 49.41

 

CMYK 52 / 0 / 55 / 22

HEX #60C85A

RGB 96 200 90

HSL 116.73, 0.5%, 0.57%

LAB 72.58, -51.83, 45.4

 

CMYK 55 / 0 / 43 / 22

HEX #5AC872

RGB 90 200 114

HSL 133.09, 0.5%, 0.57%

LAB 72.69, -49.97, 33.67

 

CMYK 55 / 0 / 29 / 22

HEX #5AC88F

RGB 90 200 143

HSL 148.91, 0.5%, 0.57%

LAB 73.2, -44.69, 19.19

 

CMYK 55 / 0 / 14 / 22

HEX #5AC8AD

RGB 90 200 173

HSL 165.27, 0.5%, 0.57%

LAB 73.87, -38.04, 4.01

 

CMYK 55 / 1 / 0 / 22

HEX #5AC5C8

RGB 90 197 200

HSL 181.64, 0.5%, 0.57%

LAB 73.72, -29.7, -10.85

 

CMYK 52 / 0 / 55 / 22

HEX #60C85A

RGB 96 200 90

HSL 116.73, 0.5%, 0.57%

LAB 72.58, -51.83, 45.4

 

CMYK 63 / 0 / 67 / 15

HEX #50D948

RGB 80 217 72

HSL 116.69, 0.66%, 0.57%

LAB 77.16, -63.83, 58.29

 

CMYK 72 / 0 / 77 / 8

HEX #41EB37

RGB 65 235 55

HSL 116.67, 0.82%, 0.57%

LAB 82.28, -73.7, 69.39

 

CMYK 81 / 0 / 85 / 1

HEX #31FD25

RGB 49 253 37

HSL 116.67, 0.98%, 0.57%

LAB 87.5, -81.96, 78.66

 

CMYK 52 / 0 / 55 / 22

HEX #60C85A

RGB 96 200 90

HSL 116.73, 0.5%, 0.57%

LAB 72.58, -51.83, 45.4

 

CMYK 38 / 0 / 41 / 29

HEX #70B66C

RGB 112 182 108

HSL 116.76, 0.34%, 0.57%

LAB 68.01, -37.04, 30.88

 

CMYK 22 / 0 / 23 / 36

HEX #80A47E

RGB 128 164 126

HSL 116.84, 0.17%, 0.57%

LAB 63.87, -19.94, 15.78

 

CMYK 2 / 0 / 2 / 43

HEX #8F928F

RGB 143 146 143

HSL 120, 0.01%, 0.57%

LAB 60.23, -1.67, 1.2

 

CMYK 1 / 20 / 0 / 37

HEX #9F81A1

RGB 159 129 161

HSL 296.25, 0.15%, 0.57%

LAB 57.7, 17.31, -12.7

 

CMYK 22 / 0 / 55 / 22

HEX #9CC85A

RGB 156 200 90

HSL 84, 0.5%, 0.57%

LAB 75.52, -32.03, 49.59

 

CMYK 37 / 0 / 55 / 22

HEX #7FC85A

RGB 127 200 90

HSL 99.82, 0.5%, 0.57%

LAB 73.91, -42.42, 47.29

 

CMYK 52 / 0 / 55 / 22

HEX #61C85A

RGB 97 200 90

HSL 116.18, 0.5%, 0.57%

LAB 72.62, -51.56, 45.45

 

CMYK 55 / 0 / 44 / 22

HEX #5AC870

RGB 90 200 112

HSL 132, 0.5%, 0.57%

LAB 72.66, -50.28, 34.65

 

CMYK 55 / 0 / 30 / 22

HEX #5AC88D

RGB 90 200 141

HSL 147.82, 0.5%, 0.57%

LAB 73.16, -45.09, 20.2

 

CMYK 63 / 0 / 67 / 39

HEX #399C34

RGB 57 156 52

HSL 117.12, 0.5%, 0.41%

LAB 56.97, -49.25, 44.54

 

CMYK 63 / 0 / 67 / 27

HEX #45BB3E

RGB 69 187 62

HSL 116.64, 0.5%, 0.49%

LAB 67.39, -56.73, 51.73

 

CMYK 52 / 0 / 55 / 22

HEX #60C85A

RGB 96 200 90

HSL 116.73, 0.5%, 0.57%

LAB 72.58, -51.83, 45.4

 

CMYK 40 / 0 / 42 / 18

HEX #7ED279

RGB 126 210 121

HSL 116.63, 0.5%, 0.65%

LAB 77.23, -43.11, 36.25

 

CMYK 29 / 0 / 31 / 14

HEX #9CDC98

RGB 156 220 152

HSL 116.47, 0.49%, 0.73%

LAB 82.12, -33.32, 27.12

 

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

CMYK 55 / 8 / 0 / 22

HEX #5AB9C8

RGB 90 185 200

HSL 188.18, 0.5%, 0.57%

LAB 70.21, -23.77, -16.14

 

CMYK 0 / 55 / 30 / 22

HEX #C85A8D

RGB 200 90 141

HSL 332.18, 0.5%, 0.57%

LAB 53.51, 49.25, -6.81

 

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

CMYK 55 / 52 / 0 / 22

HEX #5A61C8

RGB 90 97 200

HSL 236.18, 0.5%, 0.57%

LAB 45.49, 26.89, -54.72

 

CMYK 0 / 55 / 52 / 22

HEX #C85A61

RGB 200 90 97

HSL 356.18, 0.5%, 0.57%

LAB 52.35, 44.44, 17.63

 

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

CMYK 55 / 8 / 0 / 22

HEX #5AB9C8

RGB 90 185 200

HSL 188.18, 0.5%, 0.57%

LAB 70.21, -23.77, -16.14

 

CMYK 4 / 55 / 0 / 22

HEX #C05AC8

RGB 192 90 200

HSL 295.64, 0.5%, 0.57%

LAB 54.75, 56.2, -39.33

 

CMYK 0 / 48 / 55 / 22

HEX #C8695A

RGB 200 105 90

HSL 8.18, 0.5%, 0.57%

LAB 55.2, 36.24, 25.51

 

CMYK 51 / 0 / 54 / 22

HEX #62C85C

RGB 98 200 92

HSL 116.67, 0.5%, 0.57%

LAB 72.68, -51.05, 44.59

 

CMYK 55 / 24 / 0 / 22

HEX #5A98C8

RGB 90 152 200

HSL 206.18, 0.5%, 0.57%

LAB 60.6, -6.16, -30.83

 

CMYK 4 / 55 / 0 / 22

HEX #C05AC8

RGB 192 90 200

HSL 295.64, 0.5%, 0.57%

LAB 54.75, 56.2, -39.33

 

CMYK 0 / 31 / 55 / 22

HEX #C88A5A

RGB 200 138 90

HSL 26.18, 0.5%, 0.57%

LAB 62.67, 18.44, 35.03

 

Description

Color code: RGB 98 200 92 | qconv.com Color code: RGB 98 200 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 200 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 200 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 54 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 54% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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