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Color name
RGB 98 191 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 191 2 it is the complementary color RGB 157 64 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 191 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 191 2 shade: RGB 103 191 0, RGB 120 209 16, RGB 137 227 35, RGB 154 245 54 and RGB 171 255 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 191 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 191 2 shade: RGB 98 191 2, RGB 81 173 0, RGB 64 155 0, RGB 47 137 0 and RGB 30 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 191 2 shade: RGB 98 191 1, RGB 149 191 1, RGB 191 182 1, RGB 191 131 1 and RGB 191 80 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 191 2 shade: RGB 98 191 1, RGB 47 191 1, RGB 1 191 7, RGB 1 191 59 and RGB 1 191 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 191 2 shade matches the following richer shades: RGB 98 191 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 191 2 shade: RGB 98 191 1, RGB 98 176 17, RGB 97 160 33, RGB 97 144 48 and RGB 97 129 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 191 2 shade: RGB 191 182 1, RGB 150 191 1, RGB 100 191 1, RGB 49 191 1 and RGB 1 191 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 191 2 shade: RGB 56 110 1, RGB 77 151 1, RGB 98 191 1, RGB 119 232 2 and RGB 139 252 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 191 2 shade: RGB 98 191 2, RGB 1 191 131 and RGB 191 1 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 191 2 shade: RGB 98 191 2, RGB 1 100 191 and RGB 191 1 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 191 2 shade: RGB 98 191 2, RGB 1 191 131, RGB 93 1 191 and RGB 191 1 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 191 2 shade: RGB 98 191 2, RGB 1 191 188, RGB 93 1 191 and RGB 191 1 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

Complementary color

CMYK 38 / 75 / 0 / 1

HEX #9D40FD

RGB 157 64 253

HSL 269.52, 0.98%, 0.62%

LAB 49.41, 71.15, -78.09

 

CMYK 46 / 0 / 100 / 25

HEX #67BF00

RGB 103 191 0

HSL 87.64, 1%, 0.37%

LAB 69.57, -51.84, 69.49

 

CMYK 43 / 0 / 92 / 18

HEX #78D110

RGB 120 209 16

HSL 87.67, 0.86%, 0.44%

LAB 75.84, -53.04, 73.02

 

CMYK 40 / 0 / 85 / 11

HEX #89E323

RGB 137 227 35

HSL 88.13, 0.77%, 0.51%

LAB 82.04, -53.97, 75.23

 

CMYK 37 / 0 / 78 / 4

HEX #9AF536

RGB 154 245 54

HSL 88.59, 0.91%, 0.59%

LAB 88.18, -54.67, 76.3

 

CMYK 33 / 0 / 71 / 0

HEX #ABFF49

RGB 171 255 73

HSL 87.69, 1%, 0.64%

LAB 91.98, -51.94, 74.33

 

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

CMYK 53 / 0 / 100 / 32

HEX #51AD00

RGB 81 173 0

HSL 91.91, 1%, 0.34%

LAB 63.04, -51.78, 64

 

CMYK 59 / 0 / 100 / 39

HEX #409B00

RGB 64 155 0

HSL 95.23, 1%, 0.3%

LAB 56.62, -49.98, 58.68

 

CMYK 66 / 0 / 100 / 46

HEX #2F8900

RGB 47 137 0

HSL 99.42, 1%, 0.27%

LAB 50.09, -47.91, 53.3

 

CMYK 75 / 0 / 100 / 53

HEX #1E7700

RGB 30 119 0

HSL 104.87, 1%, 0.23%

LAB 43.46, -45.41, 47.85

 

CMYK 49 / 0 / 99 / 25

HEX #62BF01

RGB 98 191 1

HSL 89.37, 0.99%, 0.38%

LAB 69.37, -53.39, 69.13

 

CMYK 22 / 0 / 99 / 25

HEX #95BF01

RGB 149 191 1

HSL 73.26, 0.99%, 0.38%

LAB 72, -35.01, 72.29

 

CMYK 0 / 5 / 99 / 25

HEX #BFB601

RGB 191 182 1

HSL 57.16, 0.99%, 0.38%

LAB 72.58, -12.78, 74.13

 

CMYK 0 / 31 / 99 / 25

HEX #BF8301

RGB 191 131 1

HSL 41.05, 0.99%, 0.38%

LAB 59.26, 14.54, 64.75

 

CMYK 0 / 58 / 99 / 25

HEX #BF5001

RGB 191 80 1

HSL 24.95, 0.99%, 0.38%

LAB 48.03, 41.62, 57.7

 

CMYK 49 / 0 / 99 / 25

HEX #62BF01

RGB 98 191 1

HSL 89.37, 0.99%, 0.38%

LAB 69.37, -53.39, 69.13

 

CMYK 75 / 0 / 99 / 25

HEX #2FBF01

RGB 47 191 1

HSL 105.47, 0.99%, 0.38%

LAB 67.92, -65.3, 67.36

 

CMYK 99 / 0 / 96 / 25

HEX #01BF07

RGB 1 191 7

HSL 121.89, 0.99%, 0.38%

LAB 67.49, -69.16, 66.13

 

CMYK 99 / 0 / 69 / 25

HEX #01BF3B

RGB 1 191 59

HSL 138.32, 0.99%, 0.38%

LAB 67.71, -66.27, 53

 

CMYK 99 / 0 / 42 / 25

HEX #01BF6E

RGB 1 191 110

HSL 154.42, 0.99%, 0.38%

LAB 68.31, -58.95, 29.75

 

CMYK 49 / 0 / 99 / 25

HEX #62BF01

RGB 98 191 1

HSL 89.37, 0.99%, 0.38%

LAB 69.37, -53.39, 69.13

 

CMYK 49 / 0 / 99 / 25

HEX #62BF01

RGB 98 191 1

HSL 89.37, 0.99%, 0.38%

LAB 69.37, -53.39, 69.13

 

CMYK 44 / 0 / 90 / 31

HEX #62B011

RGB 98 176 17

HSL 89.43, 0.82%, 0.38%

LAB 64.71, -47.26, 63.29

 

CMYK 39 / 0 / 79 / 37

HEX #61A021

RGB 97 160 33

HSL 89.76, 0.66%, 0.38%

LAB 59.7, -40.37, 54.98

 

CMYK 33 / 0 / 67 / 44

HEX #619030

RGB 97 144 48

HSL 89.38, 0.5%, 0.38%

LAB 54.76, -32.22, 44.39

 

CMYK 25 / 0 / 50 / 49

HEX #618140

RGB 97 129 64

HSL 89.54, 0.34%, 0.38%

LAB 50.23, -23.28, 31.41

 

CMYK 0 / 5 / 99 / 25

HEX #BFB601

RGB 191 182 1

HSL 57.16, 0.99%, 0.38%

LAB 72.58, -12.78, 74.13

 

CMYK 21 / 0 / 99 / 25

HEX #96BF01

RGB 150 191 1

HSL 72.95, 0.99%, 0.38%

LAB 72.06, -34.6, 72.37

 

CMYK 48 / 0 / 99 / 25

HEX #64BF01

RGB 100 191 1

HSL 88.74, 0.99%, 0.38%

LAB 69.45, -52.77, 69.22

 

CMYK 74 / 0 / 99 / 25

HEX #31BF01

RGB 49 191 1

HSL 104.84, 0.99%, 0.38%

LAB 67.96, -64.98, 67.41

 

CMYK 99 / 0 / 97 / 25

HEX #01BF05

RGB 1 191 5

HSL 121.26, 0.99%, 0.38%

LAB 67.49, -69.2, 66.36

 

CMYK 49 / 0 / 99 / 57

HEX #386E01

RGB 56 110 1

HSL 89.72, 0.98%, 0.22%

LAB 41.21, -34.9, 46.18

 

CMYK 49 / 0 / 99 / 41

HEX #4D9701

RGB 77 151 1

HSL 89.6, 0.99%, 0.3%

LAB 55.8, -44.59, 58.09

 

CMYK 49 / 0 / 99 / 25

HEX #62BF01

RGB 98 191 1

HSL 89.37, 0.99%, 0.38%

LAB 69.37, -53.39, 69.13

 

CMYK 49 / 0 / 99 / 9

HEX #77E802

RGB 119 232 2

HSL 89.48, 0.98%, 0.46%

LAB 82.72, -62.17, 79.88

 

CMYK 45 / 0 / 91 / 1

HEX #8BFC17

RGB 139 252 23

HSL 89.61, 0.97%, 0.54%

LAB 89.47, -63.17, 83.58

 

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

CMYK 99 / 0 / 31 / 25

HEX #01BF83

RGB 1 191 131

HSL 161.05, 0.99%, 0.38%

LAB 68.68, -54.62, 19.15

 

CMYK 0 / 99 / 8 / 25

HEX #BF01B0

RGB 191 1 176

HSL 304.74, 0.99%, 0.38%

LAB 44.56, 76.84, -41.48

 

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

CMYK 99 / 48 / 0 / 25

HEX #0164BF

RGB 1 100 191

HSL 208.74, 0.99%, 0.38%

LAB 42.59, 11.37, -54.35

 

CMYK 0 / 99 / 48 / 25

HEX #BF0164

RGB 191 1 100

HSL 328.74, 0.99%, 0.38%

LAB 41.24, 68.39, -0.09

 

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

CMYK 99 / 0 / 31 / 25

HEX #01BF83

RGB 1 191 131

HSL 161.05, 0.99%, 0.38%

LAB 68.68, -54.62, 19.15

 

CMYK 51 / 99 / 0 / 25

HEX #5D01BF

RGB 93 1 191

HSL 269.05, 0.99%, 0.38%

LAB 29.69, 66.67, -75.25

 

CMYK 0 / 99 / 68 / 25

HEX #BF013E

RGB 191 1 62

HSL 340.74, 0.99%, 0.38%

LAB 40.32, 65.92, 22.78

 

CMYK 49 / 0 / 99 / 25

HEX #62BF02

RGB 98 191 2

HSL 89.52, 0.98%, 0.38%

LAB 69.37, -53.37, 69.01

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBC

RGB 1 191 188

HSL 179.05, 0.99%, 0.38%

LAB 70.11, -39.56, -9.86

 

CMYK 51 / 99 / 0 / 25

HEX #5D01BF

RGB 93 1 191

HSL 269.05, 0.99%, 0.38%

LAB 29.69, 66.67, -75.25

 

CMYK 0 / 99 / 97 / 25

HEX #BF0105

RGB 191 1 5

HSL 358.74, 0.99%, 0.38%

LAB 39.76, 64.41, 52.22

 

Description

Color code: RGB 98 191 2 | qconv.com Color code: RGB 98 191 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 191 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 191 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 99 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 99% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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