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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 191 108 it is the complementary color RGB 157 64 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 191 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 191 108 shade: RGB 103 191 103, RGB 120 209 122, RGB 137 227 141, RGB 154 245 160 and RGB 171 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 191 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 191 108 shade: RGB 98 191 108, RGB 81 173 89, RGB 64 155 70, RGB 47 137 51 and RGB 30 119 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 191 108 shade: RGB 99 191 109, RGB 114 191 99, RGB 139 191 99, RGB 163 191 99 and RGB 188 191 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 191 108 shade: RGB 99 191 109, RGB 99 191 134, RGB 99 191 158, RGB 99 191 183 and RGB 99 174 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 191 108 shade matches the following richer shades: RGB 99 191 109, RGB 81 209 95, RGB 63 226 81 and RGB 46 244 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 191 108 shade: RGB 99 191 109, RGB 117 173 123, RGB 134 155 137, RGB 152 138 150 and RGB 170 120 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 191 108 shade: RGB 139 191 99, RGB 114 191 99, RGB 99 191 108, RGB 99 191 133 and RGB 99 191 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 191 108 shade: RGB 60 147 69, RGB 72 177 83, RGB 99 191 109, RGB 128 203 136 and RGB 157 215 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 191 108 shade: RGB 98 191 108, RGB 99 163 191 and RGB 191 99 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 191 108 shade: RGB 98 191 108, RGB 108 99 191 and RGB 191 108 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 191 108 shade: RGB 98 191 108, RGB 99 163 191, RGB 191 99 182 and RGB 191 126 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 191 108 shade: RGB 98 191 108, RGB 99 136 191, RGB 191 99 182 and RGB 191 154 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

Complementary color

CMYK 0 / 59 / 6 / 38

HEX #9D4093

RGB 157 64 147

HSL 306.45, 0.42%, 0.43%

LAB 42.67, 49.38, -27.51

 

CMYK 46 / 0 / 46 / 25

HEX #67BF67

RGB 103 191 103

HSL 120, 0.41%, 0.58%

LAB 70.26, -44.47, 36.26

 

CMYK 43 / 0 / 42 / 18

HEX #78D17A

RGB 120 209 122

HSL 121.35, 0.49%, 0.65%

LAB 76.68, -44.33, 34.98

 

CMYK 40 / 0 / 38 / 11

HEX #89E38D

RGB 137 227 141

HSL 122.67, 0.62%, 0.71%

LAB 83.01, -44.14, 33.76

 

CMYK 37 / 0 / 35 / 4

HEX #9AF5A0

RGB 154 245 160

HSL 123.96, 0.82%, 0.78%

LAB 89.26, -43.91, 32.59

 

CMYK 33 / 0 / 30 / 0

HEX #ABFFB3

RGB 171 255 179

HSL 125.71, 1%, 0.84%

LAB 93.2, -40.15, 28.47

 

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

CMYK 53 / 0 / 49 / 32

HEX #51AD59

RGB 81 173 89

HSL 125.22, 0.36%, 0.5%

LAB 63.64, -45.18, 34.86

 

CMYK 59 / 0 / 55 / 39

HEX #409B46

RGB 64 155 70

HSL 123.96, 0.42%, 0.43%

LAB 57.05, -45.03, 36.24

 

CMYK 66 / 0 / 63 / 46

HEX #2F8933

RGB 47 137 51

HSL 122.67, 0.49%, 0.36%

LAB 50.38, -44.56, 37.57

 

CMYK 75 / 0 / 73 / 53

HEX #1E7720

RGB 30 119 32

HSL 121.35, 0.6%, 0.29%

LAB 43.62, -43.53, 38.61

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6D

RGB 99 191 109

HSL 126.52, 0.42%, 0.57%

LAB 70.19, -44.71, 33.07

 

CMYK 40 / 0 / 48 / 25

HEX #72BF63

RGB 114 191 99

HSL 110.22, 0.42%, 0.57%

LAB 70.69, -41.68, 38.91

 

CMYK 27 / 0 / 48 / 25

HEX #8BBF63

RGB 139 191 99

HSL 93.91, 0.42%, 0.57%

LAB 71.99, -33.16, 40.81

 

CMYK 15 / 0 / 48 / 25

HEX #A3BF63

RGB 163 191 99

HSL 78.26, 0.42%, 0.57%

LAB 73.51, -24.11, 43.01

 

CMYK 2 / 0 / 48 / 25

HEX #BCBF63

RGB 188 191 99

HSL 61.96, 0.42%, 0.57%

LAB 75.36, -14.1, 45.68

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6D

RGB 99 191 109

HSL 126.52, 0.42%, 0.57%

LAB 70.19, -44.71, 33.07

 

CMYK 48 / 0 / 30 / 25

HEX #63BF86

RGB 99 191 134

HSL 142.83, 0.42%, 0.57%

LAB 70.62, -40.35, 20.5

 

CMYK 48 / 0 / 17 / 25

HEX #63BF9E

RGB 99 191 158

HSL 158.48, 0.42%, 0.57%

LAB 71.13, -35.34, 8.26

 

CMYK 48 / 0 / 4 / 25

HEX #63BFB7

RGB 99 191 183

HSL 174.78, 0.42%, 0.57%

LAB 71.78, -29.36, -4.44

 

CMYK 48 / 9 / 0 / 25

HEX #63AEBF

RGB 99 174 191

HSL 191.09, 0.42%, 0.57%

LAB 67.04, -18.7, -15.92

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6D

RGB 99 191 109

HSL 126.52, 0.42%, 0.57%

LAB 70.19, -44.71, 33.07

 

CMYK 61 / 0 / 55 / 18

HEX #51D15F

RGB 81 209 95

HSL 126.56, 0.58%, 0.57%

LAB 74.94, -58.25, 45.74

 

CMYK 72 / 0 / 64 / 11

HEX #3FE251

RGB 63 226 81

HSL 126.63, 0.74%, 0.57%

LAB 79.64, -69.06, 57.24

 

CMYK 81 / 0 / 73 / 4

HEX #2EF443

RGB 46 244 67

HSL 126.36, 0.9%, 0.57%

LAB 84.84, -78.01, 67.94

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6D

RGB 99 191 109

HSL 126.52, 0.42%, 0.57%

LAB 70.19, -44.71, 33.07

 

CMYK 32 / 0 / 29 / 32

HEX #75AD7B

RGB 117 173 123

HSL 126.43, 0.25%, 0.57%

LAB 65.83, -28.73, 20.01

 

CMYK 14 / 0 / 12 / 39

HEX #869B89

RGB 134 155 137

HSL 128.57, 0.1%, 0.57%

LAB 61.93, -11.03, 6.95

 

CMYK 0 / 9 / 1 / 40

HEX #988A96

RGB 152 138 150

HSL 308.57, 0.06%, 0.57%

LAB 59.02, 7.49, -4.48

 

CMYK 0 / 29 / 4 / 33

HEX #AA78A4

RGB 170 120 164

HSL 307.2, 0.23%, 0.57%

LAB 56.74, 26.87, -15.76

 

CMYK 27 / 0 / 48 / 25

HEX #8BBF63

RGB 139 191 99

HSL 93.91, 0.42%, 0.57%

LAB 71.99, -33.16, 40.81

 

CMYK 40 / 0 / 48 / 25

HEX #72BF63

RGB 114 191 99

HSL 110.22, 0.42%, 0.57%

LAB 70.69, -41.68, 38.91

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6C

RGB 99 191 108

HSL 125.87, 0.42%, 0.57%

LAB 70.17, -44.87, 33.57

 

CMYK 48 / 0 / 30 / 25

HEX #63BF85

RGB 99 191 133

HSL 142.17, 0.42%, 0.57%

LAB 70.6, -40.54, 21.01

 

CMYK 48 / 0 / 18 / 25

HEX #63BF9D

RGB 99 191 157

HSL 157.83, 0.42%, 0.57%

LAB 71.11, -35.57, 8.77

 

CMYK 59 / 0 / 53 / 42

HEX #3C9345

RGB 60 147 69

HSL 126.21, 0.42%, 0.41%

LAB 54.3, -42.97, 33.38

 

CMYK 59 / 0 / 53 / 31

HEX #48B153

RGB 72 177 83

HSL 126.29, 0.42%, 0.49%

LAB 64.52, -49.9, 38.88

 

CMYK 48 / 0 / 43 / 25

HEX #63BF6D

RGB 99 191 109

HSL 126.52, 0.42%, 0.57%

LAB 70.19, -44.71, 33.07

 

CMYK 37 / 0 / 33 / 20

HEX #80CB88

RGB 128 203 136

HSL 126.4, 0.42%, 0.65%

LAB 75.5, -37.04, 26.28

 

CMYK 27 / 0 / 24 / 16

HEX #9DD7A4

RGB 157 215 164

HSL 127.24, 0.42%, 0.73%

LAB 80.99, -28.63, 19.32

 

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

CMYK 48 / 15 / 0 / 25

HEX #63A3BF

RGB 99 163 191

HSL 198.26, 0.42%, 0.57%

LAB 63.84, -12.86, -20.77

 

CMYK 0 / 48 / 34 / 25

HEX #BF637E

RGB 191 99 126

HSL 342.39, 0.42%, 0.57%

LAB 53.5, 39.78, 1.89

 

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

CMYK 43 / 48 / 0 / 25

HEX #6C63BF

RGB 108 99 191

HSL 245.87, 0.42%, 0.57%

LAB 46.81, 26.92, -47.33

 

CMYK 0 / 43 / 48 / 25

HEX #BF6C63

RGB 191 108 99

HSL 5.87, 0.42%, 0.57%

LAB 54.76, 31.98, 19.52

 

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

CMYK 48 / 15 / 0 / 25

HEX #63A3BF

RGB 99 163 191

HSL 198.26, 0.42%, 0.57%

LAB 63.84, -12.86, -20.77

 

CMYK 0 / 48 / 5 / 25

HEX #BF63B6

RGB 191 99 182

HSL 305.87, 0.42%, 0.57%

LAB 55.46, 48.28, -27.9

 

CMYK 0 / 34 / 48 / 25

HEX #BF7E63

RGB 191 126 99

HSL 17.61, 0.42%, 0.57%

LAB 58.88, 22.15, 25.01

 

CMYK 49 / 0 / 43 / 25

HEX #62BF6C

RGB 98 191 108

HSL 126.45, 0.42%, 0.57%

LAB 70.13, -45.14, 33.51

 

CMYK 48 / 29 / 0 / 25

HEX #6388BF

RGB 99 136 191

HSL 215.87, 0.42%, 0.57%

LAB 56.11, 2.35, -32.7

 

CMYK 0 / 48 / 5 / 25

HEX #BF63B6

RGB 191 99 182

HSL 305.87, 0.42%, 0.57%

LAB 55.46, 48.28, -27.9

 

CMYK 0 / 19 / 48 / 25

HEX #BF9A63

RGB 191 154 99

HSL 35.87, 0.42%, 0.57%

LAB 65.82, 6.72, 33.97

 

Description

Color code: RGB 98 191 108 | qconv.com Color code: RGB 98 191 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 191 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 191 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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