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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 175 153 it is the complementary color RGB 157 80 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 175 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 175 153 shade: RGB 103 175 148, RGB 120 193 167, RGB 137 211 186, RGB 154 229 205 and RGB 171 247 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 175 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 175 153 shade: RGB 98 175 153, RGB 81 157 134, RGB 64 139 115, RGB 47 121 96 and RGB 30 103 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 175 153 shade: RGB 100 175 153, RGB 100 175 133, RGB 100 175 113, RGB 107 175 100 and RGB 127 175 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 175 153 shade: RGB 100 175 153, RGB 100 175 174, RGB 100 156 175, RGB 100 135 175 and RGB 100 115 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 175 153 shade matches the following richer shades: RGB 100 175 153, RGB 81 194 161, RGB 62 213 170, RGB 43 232 178 and RGB 24 251 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 175 153 shade: RGB 100 175 153, RGB 119 156 145, RGB 138 137 137, RGB 157 118 129 and RGB 176 99 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 175 153 shade: RGB 100 175 112, RGB 100 175 132, RGB 100 175 152, RGB 100 175 172 and RGB 100 157 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 175 153 shade: RGB 65 127 109, RGB 79 154 133, RGB 100 175 153, RGB 127 189 171 and RGB 154 203 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 175 153 shade: RGB 98 175 153, RGB 100 107 175 and RGB 175 122 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 175 153 shade: RGB 98 175 153, RGB 152 100 175 and RGB 175 152 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 175 153 shade: RGB 98 175 153, RGB 100 107 175, RGB 175 100 122 and RGB 175 167 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 175 153 shade: RGB 98 175 153, RGB 115 100 175, RGB 175 100 122 and RGB 160 175 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

Complementary color

CMYK 0 / 49 / 35 / 38

HEX #9D5066

RGB 157 80 102

HSL 342.86, 0.32%, 0.46%

LAB 44.04, 34.45, 2

 

CMYK 41 / 0 / 15 / 31

HEX #67AF94

RGB 103 175 148

HSL 157.5, 0.31%, 0.55%

LAB 66.28, -28.95, 6.81

 

CMYK 38 / 0 / 13 / 24

HEX #78C1A7

RGB 120 193 167

HSL 158.63, 0.37%, 0.61%

LAB 72.84, -28.73, 5.93

 

CMYK 35 / 0 / 12 / 17

HEX #89D3BA

RGB 137 211 186

HSL 159.73, 0.46%, 0.68%

LAB 79.3, -28.52, 5.11

 

CMYK 33 / 0 / 10 / 10

HEX #9AE5CD

RGB 154 229 205

HSL 160.8, 0.59%, 0.75%

LAB 85.66, -28.31, 4.34

 

CMYK 31 / 0 / 9 / 3

HEX #ABF7E0

RGB 171 247 224

HSL 161.84, 0.83%, 0.82%

LAB 91.94, -28.12, 3.6

 

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

CMYK 48 / 0 / 15 / 38

HEX #519D86

RGB 81 157 134

HSL 161.84, 0.32%, 0.47%

LAB 59.51, -29.31, 4.79

 

CMYK 54 / 0 / 17 / 45

HEX #408B73

RGB 64 139 115

HSL 160.8, 0.37%, 0.4%

LAB 52.72, -29.41, 5.81

 

CMYK 61 / 0 / 21 / 53

HEX #2F7960

RGB 47 121 96

HSL 159.73, 0.44%, 0.33%

LAB 45.8, -29.4, 6.95

 

CMYK 71 / 0 / 25 / 60

HEX #1E674D

RGB 30 103 77

HSL 158.63, 0.55%, 0.26%

LAB 38.75, -29.17, 8.26

 

CMYK 43 / 0 / 13 / 31

HEX #64AF99

RGB 100 175 153

HSL 162.4, 0.32%, 0.54%

LAB 66.27, -28.63, 4.01

 

CMYK 43 / 0 / 24 / 31

HEX #64AF85

RGB 100 175 133

HSL 146.4, 0.32%, 0.54%

LAB 65.8, -32.99, 14.38

 

CMYK 43 / 0 / 35 / 31

HEX #64AF71

RGB 100 175 113

HSL 130.4, 0.32%, 0.54%

LAB 65.41, -36.77, 24.71

 

CMYK 39 / 0 / 43 / 31

HEX #6BAF64

RGB 107 175 100

HSL 114.4, 0.32%, 0.54%

LAB 65.52, -36.7, 31.8

 

CMYK 27 / 0 / 43 / 31

HEX #7FAF64

RGB 127 175 100

HSL 98.4, 0.32%, 0.54%

LAB 66.59, -29.83, 33.38

 

CMYK 43 / 0 / 13 / 31

HEX #64AF99

RGB 100 175 153

HSL 162.4, 0.32%, 0.54%

LAB 66.27, -28.63, 4.01

 

CMYK 43 / 0 / 1 / 31

HEX #64AFAE

RGB 100 175 174

HSL 179.2, 0.32%, 0.54%

LAB 66.84, -23.5, -6.79

 

CMYK 43 / 11 / 0 / 31

HEX #649CAF

RGB 100 156 175

HSL 195.2, 0.32%, 0.54%

LAB 61.29, -13.3, -15.67

 

CMYK 43 / 23 / 0 / 31

HEX #6487AF

RGB 100 135 175

HSL 212, 0.32%, 0.54%

LAB 55.21, -1.54, -24.96

 

CMYK 43 / 34 / 0 / 31

HEX #6473AF

RGB 100 115 175

HSL 228, 0.32%, 0.54%

LAB 49.58, 10.33, -33.71

 

CMYK 43 / 0 / 13 / 31

HEX #64AF99

RGB 100 175 153

HSL 162.4, 0.32%, 0.54%

LAB 66.27, -28.63, 4.01

 

CMYK 58 / 0 / 17 / 24

HEX #51C2A1

RGB 81 194 161

HSL 162.48, 0.48%, 0.54%

LAB 71.49, -40.05, 7.05

 

CMYK 71 / 0 / 20 / 16

HEX #3ED5AA

RGB 62 213 170

HSL 162.91, 0.64%, 0.54%

LAB 76.99, -49.27, 10

 

CMYK 81 / 0 / 23 / 9

HEX #2BE8B2

RGB 43 232 178

HSL 162.86, 0.8%, 0.54%

LAB 82.62, -57.08, 13.71

 

CMYK 90 / 0 / 26 / 2

HEX #18FBBA

RGB 24 251 186

HSL 162.82, 0.97%, 0.54%

LAB 88.32, -63.64, 17.56

 

CMYK 43 / 0 / 13 / 31

HEX #64AF99

RGB 100 175 153

HSL 162.4, 0.32%, 0.54%

LAB 66.27, -28.63, 4.01

 

CMYK 24 / 0 / 7 / 39

HEX #779C91

RGB 119 156 145

HSL 162.16, 0.16%, 0.54%

LAB 61.43, -15.09, 1.6

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 0 / 25 / 18 / 38

HEX #9D7681

RGB 157 118 129

HSL 343.08, 0.17%, 0.54%

LAB 53.72, 17.03, -0.06

 

CMYK 0 / 44 / 31 / 31

HEX #B06379

RGB 176 99 121

HSL 342.86, 0.33%, 0.54%

LAB 51.31, 33.7, 1.42

 

CMYK 43 / 0 / 36 / 31

HEX #64AF70

RGB 100 175 112

HSL 129.6, 0.32%, 0.54%

LAB 65.39, -36.95, 25.22

 

CMYK 43 / 0 / 25 / 31

HEX #64AF84

RGB 100 175 132

HSL 145.6, 0.32%, 0.54%

LAB 65.78, -33.19, 14.9

 

CMYK 43 / 0 / 13 / 31

HEX #64AF98

RGB 100 175 152

HSL 161.6, 0.32%, 0.54%

LAB 66.24, -28.86, 4.53

 

CMYK 43 / 0 / 2 / 31

HEX #64AFAC

RGB 100 175 172

HSL 177.6, 0.32%, 0.54%

LAB 66.78, -24.01, -5.76

 

CMYK 43 / 10 / 0 / 31

HEX #649DAF

RGB 100 157 175

HSL 194.4, 0.32%, 0.54%

LAB 61.58, -13.84, -15.22

 

CMYK 49 / 0 / 14 / 50

HEX #417F6D

RGB 65 127 109

HSL 162.58, 0.32%, 0.38%

LAB 48.77, -24.7, 3.62

 

CMYK 49 / 0 / 14 / 40

HEX #4F9A85

RGB 79 154 133

HSL 163.2, 0.32%, 0.46%

LAB 58.48, -28.6, 3.86

 

CMYK 43 / 0 / 13 / 31

HEX #64AF99

RGB 100 175 153

HSL 162.4, 0.32%, 0.54%

LAB 66.27, -28.63, 4.01

 

CMYK 33 / 0 / 10 / 26

HEX #7FBDAB

RGB 127 189 171

HSL 162.58, 0.32%, 0.62%

LAB 72.13, -23.88, 2.76

 

CMYK 24 / 0 / 7 / 20

HEX #9ACBBD

RGB 154 203 189

HSL 162.86, 0.32%, 0.7%

LAB 78.03, -18.88, 1.77

 

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

CMYK 43 / 39 / 0 / 31

HEX #646BAF

RGB 100 107 175

HSL 234.4, 0.32%, 0.54%

LAB 47.39, 15.22, -37.15

 

CMYK 0 / 30 / 43 / 31

HEX #AF7A64

RGB 175 122 100

HSL 17.6, 0.32%, 0.54%

LAB 56.04, 17.92, 20.32

 

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

CMYK 13 / 43 / 0 / 31

HEX #9864AF

RGB 152 100 175

HSL 281.6, 0.32%, 0.54%

LAB 50.55, 34.53, -31.84

 

CMYK 0 / 13 / 43 / 31

HEX #AF9864

RGB 175 152 100

HSL 41.6, 0.32%, 0.54%

LAB 63.75, 1.21, 30.47

 

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

CMYK 43 / 39 / 0 / 31

HEX #646BAF

RGB 100 107 175

HSL 234.4, 0.32%, 0.54%

LAB 47.39, 15.22, -37.15

 

CMYK 0 / 43 / 30 / 31

HEX #AF647A

RGB 175 100 122

HSL 342.4, 0.32%, 0.54%

LAB 51.42, 32.92, 0.97

 

CMYK 0 / 5 / 43 / 31

HEX #AFA764

RGB 175 167 100

HSL 53.6, 0.32%, 0.54%

LAB 67.78, -6.88, 35.61

 

CMYK 44 / 0 / 13 / 31

HEX #62AF99

RGB 98 175 153

HSL 162.86, 0.32%, 0.54%

LAB 66.18, -29.16, 3.88

 

CMYK 34 / 43 / 0 / 31

HEX #7364AF

RGB 115 100 175

HSL 252, 0.32%, 0.54%

LAB 46.78, 23.6, -38.03

 

CMYK 0 / 43 / 30 / 31

HEX #AF647A

RGB 175 100 122

HSL 342.4, 0.32%, 0.54%

LAB 51.42, 32.92, 0.97

 

CMYK 9 / 0 / 43 / 31

HEX #A0AF64

RGB 160 175 100

HSL 72, 0.32%, 0.54%

LAB 68.79, -17.18, 36.62

 

Description

Color code: RGB 98 175 153 | qconv.com Color code: RGB 98 175 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 175 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 175 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 13 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 13% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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