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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 174 232 it is the complementary color RGB 157 81 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 174 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 174 232 shade: RGB 103 174 227, RGB 120 192 246, RGB 137 210 255, RGB 154 228 255 and RGB 171 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 174 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 174 232 shade: RGB 98 174 232, RGB 81 156 213, RGB 64 138 194, RGB 47 120 175 and RGB 30 102 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 174 232 shade: RGB 99 174 231, RGB 99 139 231, RGB 99 103 231, RGB 131 99 231 and RGB 167 99 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 174 232 shade: RGB 99 174 231, RGB 99 139 231, RGB 99 103 231 and RGB 99 99 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 174 232 shade matches the following richer shades: RGB 99 174 231 and RGB 85 176 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 174 232 shade: RGB 99 174 231, RGB 114 172 217, RGB 128 170 202, RGB 143 168 188 and RGB 157 166 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 174 232 shade: RGB 99 231 216, RGB 99 211 231, RGB 99 176 231, RGB 99 141 231 and RGB 99 106 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 174 232 shade: RGB 32 136 216, RGB 63 156 226, RGB 99 174 231, RGB 135 193 237 and RGB 171 211 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 174 232 shade: RGB 98 174 232, RGB 181 99 231 and RGB 229 231 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 174 232 shade: RGB 98 174 232, RGB 231 99 176 and RGB 176 231 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 174 232 shade: RGB 98 174 232, RGB 181 99 231, RGB 231 154 99 and RGB 150 231 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 174 232 shade: RGB 98 174 232, RGB 220 99 231, RGB 231 154 99 and RGB 110 231 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

Complementary color

CMYK 0 / 48 / 85 / 38

HEX #9D5117

RGB 157 81 23

HSL 25.97, 0.74%, 0.35%

LAB 42.94, 27.69, 45.18

 

CMYK 55 / 23 / 0 / 11

HEX #67AEE3

RGB 103 174 227

HSL 205.65, 0.69%, 0.65%

LAB 68.53, -7.38, -33.45

 

CMYK 51 / 22 / 0 / 4

HEX #78C0F6

RGB 120 192 246

HSL 205.71, 0.88%, 0.72%

LAB 75.04, -7.91, -33.63

 

CMYK 46 / 18 / 0 / 0

HEX #89D2FF

RGB 137 210 255

HSL 202.88, 1%, 0.77%

LAB 81.09, -11.09, -29.07

 

CMYK 40 / 11 / 0 / 0

HEX #9AE4FF

RGB 154 228 255

HSL 196.04, 1%, 0.8%

LAB 86.79, -16.25, -20.32

 

CMYK 33 / 4 / 0 / 0

HEX #ABF6FF

RGB 171 246 255

HSL 186.43, 1%, 0.84%

LAB 92.48, -20.84, -11.69

 

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

CMYK 62 / 27 / 0 / 16

HEX #519CD5

RGB 81 156 213

HSL 205.91, 0.61%, 0.58%

LAB 61.94, -6.08, -36.05

 

CMYK 67 / 29 / 0 / 24

HEX #408AC2

RGB 64 138 194

HSL 205.85, 0.52%, 0.51%

LAB 55.24, -5.08, -35.88

 

CMYK 73 / 31 / 0 / 31

HEX #2F78AF

RGB 47 120 175

HSL 205.78, 0.58%, 0.44%

LAB 48.43, -3.79, -35.7

 

CMYK 81 / 35 / 0 / 39

HEX #1E669C

RGB 30 102 156

HSL 205.71, 0.68%, 0.36%

LAB 41.5, -2.07, -35.49

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 57 / 40 / 0 / 9

HEX #638BE7

RGB 99 139 231

HSL 221.82, 0.73%, 0.65%

LAB 58.87, 13.12, -50.84

 

CMYK 57 / 55 / 0 / 9

HEX #6367E7

RGB 99 103 231

HSL 238.18, 0.73%, 0.65%

LAB 49.64, 34.91, -65.63

 

CMYK 43 / 57 / 0 / 9

HEX #8363E7

RGB 131 99 231

HSL 254.55, 0.73%, 0.65%

LAB 51.29, 43.63, -62.85

 

CMYK 28 / 57 / 0 / 9

HEX #A763E7

RGB 167 99 231

HSL 270.91, 0.73%, 0.65%

LAB 54.98, 51.83, -56.72

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 57 / 40 / 0 / 9

HEX #638BE7

RGB 99 139 231

HSL 221.82, 0.73%, 0.65%

LAB 58.87, 13.12, -50.84

 

CMYK 57 / 55 / 0 / 9

HEX #6367E7

RGB 99 103 231

HSL 238.18, 0.73%, 0.65%

LAB 49.64, 34.91, -65.63

 

CMYK 57 / 57 / 0 / 9

HEX #6363E7

RGB 99 99 231

HSL 240, 0.73%, 0.65%

LAB 48.69, 37.32, -67.17

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 65 / 28 / 0 / 4

HEX #55B0F6

RGB 85 176 246

HSL 206.09, 0.9%, 0.65%

LAB 69.21, -5.83, -42.81

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 47 / 21 / 0 / 15

HEX #72ACD9

RGB 114 172 217

HSL 206.21, 0.58%, 0.65%

LAB 68.09, -6.76, -28.61

 

CMYK 37 / 16 / 0 / 21

HEX #80AACA

RGB 128 170 202

HSL 205.95, 0.41%, 0.65%

LAB 67.73, -6.17, -20.83

 

CMYK 24 / 11 / 0 / 26

HEX #8FA8BC

RGB 143 168 188

HSL 206.67, 0.25%, 0.65%

LAB 67.63, -4.14, -13.13

 

CMYK 10 / 5 / 0 / 32

HEX #9DA6AE

RGB 157 166 174

HSL 208.24, 0.09%, 0.65%

LAB 67.65, -1.55, -5.23

 

CMYK 57 / 0 / 6 / 9

HEX #63E7D8

RGB 99 231 216

HSL 173.18, 0.73%, 0.65%

LAB 84.36, -39.7, -3.62

 

CMYK 57 / 9 / 0 / 9

HEX #63D3E7

RGB 99 211 231

HSL 189.09, 0.73%, 0.65%

LAB 79.05, -26.26, -19.53

 

CMYK 57 / 24 / 0 / 9

HEX #63B0E7

RGB 99 176 231

HSL 205, 0.73%, 0.65%

LAB 69.09, -8.07, -34.78

 

CMYK 57 / 39 / 0 / 9

HEX #638DE7

RGB 99 141 231

HSL 220.91, 0.73%, 0.65%

LAB 59.41, 11.93, -49.98

 

CMYK 57 / 54 / 0 / 9

HEX #636AE7

RGB 99 106 231

HSL 236.82, 0.73%, 0.65%

LAB 50.37, 33.1, -64.46

 

CMYK 85 / 37 / 0 / 15

HEX #2088D8

RGB 32 136 216

HSL 206.09, 0.74%, 0.49%

LAB 54.94, 0.25, -48.84

 

CMYK 72 / 31 / 0 / 11

HEX #3F9CE2

RGB 63 156 226

HSL 205.77, 0.74%, 0.57%

LAB 61.93, -4.56, -43.31

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 43 / 19 / 0 / 7

HEX #87C1ED

RGB 135 193 237

HSL 205.88, 0.74%, 0.73%

LAB 75.7, -7.46, -27.71

 

CMYK 29 / 13 / 0 / 5

HEX #ABD3F2

RGB 171 211 242

HSL 206.2, 0.73%, 0.81%

LAB 82.73, -6.11, -19.5

 

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

CMYK 22 / 57 / 0 / 9

HEX #B563E7

RGB 181 99 231

HSL 277.27, 0.73%, 0.65%

LAB 56.6, 55.22, -54.03

 

CMYK 1 / 0 / 57 / 9

HEX #E5E763

RGB 229 231 99

HSL 60.91, 0.73%, 0.65%

LAB 89.26, -17.42, 62.54

 

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

CMYK 22 / 57 / 0 / 9

HEX #B563E7

RGB 181 99 231

HSL 277.27, 0.73%, 0.65%

LAB 56.6, 55.22, -54.03

 

CMYK 0 / 33 / 57 / 9

HEX #E79A63

RGB 231 154 99

HSL 25, 0.73%, 0.65%

LAB 70.18, 23.27, 40.35

 

CMYK 35 / 0 / 57 / 9

HEX #96E763

RGB 150 231 99

HSL 96.82, 0.73%, 0.65%

LAB 84.24, -47.05, 55.52

 

CMYK 58 / 25 / 0 / 9

HEX #62AEE8

RGB 98 174 232

HSL 205.97, 0.74%, 0.65%

LAB 68.53, -6.86, -36.21

 

CMYK 5 / 57 / 0 / 9

HEX #DC63E7

RGB 220 99 231

HSL 295, 0.73%, 0.65%

LAB 61.58, 64.9, -45.83

 

CMYK 0 / 33 / 57 / 9

HEX #E79A63

RGB 231 154 99

HSL 25, 0.73%, 0.65%

LAB 70.18, 23.27, 40.35

 

CMYK 52 / 0 / 57 / 9

HEX #6EE763

RGB 110 231 99

HSL 115, 0.73%, 0.65%

LAB 82.58, -58.97, 53.16

 

Description

Color code: RGB 98 174 232 | qconv.com Color code: RGB 98 174 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 174 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 174 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 25 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 25% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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