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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 174 228 it is the complementary color RGB 157 81 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 174 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 174 228 shade: RGB 103 174 223, RGB 120 192 242, RGB 137 210 255, RGB 154 228 255 and RGB 171 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 174 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 81 156 209, RGB 64 138 190, RGB 47 120 171 and RGB 30 102 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 98 139 228, RGB 98 103 228, RGB 127 98 228 and RGB 162 98 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 98 139 228, RGB 98 103 228 and RGB 98 98 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 174 228 shade matches the following richer shades: RGB 98 174 228 and RGB 83 176 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 112 171 213, RGB 127 169 198, RGB 142 166 183 and RGB 157 164 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 174 228 shade: RGB 98 228 210, RGB 98 210 228, RGB 98 176 228, RGB 98 141 228 and RGB 98 106 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 174 228 shade: RGB 35 136 208, RGB 62 156 222, RGB 98 174 228, RGB 133 192 234 and RGB 168 210 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 176 98 228 and RGB 228 228 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 228 98 176 and RGB 176 228 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 176 98 228, RGB 228 150 98 and RGB 150 228 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 174 228 shade: RGB 98 174 228, RGB 215 98 228, RGB 228 150 98 and RGB 111 228 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

Complementary color

CMYK 0 / 48 / 83 / 38

HEX #9D511B

RGB 157 81 27

HSL 24.92, 0.71%, 0.36%

LAB 42.96, 27.82, 43.53

 

CMYK 54 / 22 / 0 / 13

HEX #67AEDF

RGB 103 174 223

HSL 204.5, 0.65%, 0.64%

LAB 68.38, -8.58, -31.5

 

CMYK 50 / 21 / 0 / 5

HEX #78C0F2

RGB 120 192 242

HSL 204.59, 0.82%, 0.71%

LAB 74.89, -9.06, -31.71

 

CMYK 46 / 18 / 0 / 0

HEX #89D2FF

RGB 137 210 255

HSL 202.88, 1%, 0.77%

LAB 81.09, -11.09, -29.07

 

CMYK 40 / 11 / 0 / 0

HEX #9AE4FF

RGB 154 228 255

HSL 196.04, 1%, 0.8%

LAB 86.79, -16.25, -20.32

 

CMYK 33 / 4 / 0 / 0

HEX #ABF6FF

RGB 171 246 255

HSL 186.43, 1%, 0.84%

LAB 92.48, -20.84, -11.69

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 61 / 25 / 0 / 18

HEX #519CD1

RGB 81 156 209

HSL 204.84, 0.58%, 0.57%

LAB 61.77, -7.37, -34.09

 

CMYK 66 / 27 / 0 / 25

HEX #408ABE

RGB 64 138 190

HSL 204.76, 0.5%, 0.5%

LAB 55.06, -6.44, -33.89

 

CMYK 73 / 30 / 0 / 33

HEX #2F78AB

RGB 47 120 171

HSL 204.68, 0.57%, 0.43%

LAB 48.23, -5.23, -33.68

 

CMYK 80 / 33 / 0 / 40

HEX #1E6698

RGB 30 102 152

HSL 204.59, 0.67%, 0.36%

LAB 41.29, -3.61, -33.44

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 57 / 39 / 0 / 11

HEX #628BE4

RGB 98 139 228

HSL 221.08, 0.71%, 0.64%

LAB 58.66, 11.95, -49.5

 

CMYK 57 / 55 / 0 / 11

HEX #6267E4

RGB 98 103 228

HSL 237.69, 0.71%, 0.64%

LAB 49.37, 33.77, -64.38

 

CMYK 44 / 57 / 0 / 11

HEX #7F62E4

RGB 127 98 228

HSL 253.38, 0.71%, 0.64%

LAB 50.51, 42.5, -62.43

 

CMYK 29 / 57 / 0 / 11

HEX #A262E4

RGB 162 98 228

HSL 269.54, 0.71%, 0.64%

LAB 54.05, 50.46, -56.56

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 57 / 39 / 0 / 11

HEX #628BE4

RGB 98 139 228

HSL 221.08, 0.71%, 0.64%

LAB 58.66, 11.95, -49.5

 

CMYK 57 / 55 / 0 / 11

HEX #6267E4

RGB 98 103 228

HSL 237.69, 0.71%, 0.64%

LAB 49.37, 33.77, -64.38

 

CMYK 57 / 57 / 0 / 11

HEX #6262E4

RGB 98 98 228

HSL 240, 0.71%, 0.64%

LAB 48.18, 36.79, -66.32

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 66 / 28 / 0 / 5

HEX #53B0F3

RGB 83 176 243

HSL 205.13, 0.87%, 0.64%

LAB 69.01, -7.13, -41.49

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 47 / 20 / 0 / 16

HEX #70ABD5

RGB 112 171 213

HSL 204.95, 0.55%, 0.64%

LAB 67.56, -7.83, -27.23

 

CMYK 36 / 15 / 0 / 22

HEX #7FA9C6

RGB 127 169 198

HSL 204.51, 0.38%, 0.64%

LAB 67.25, -6.95, -19.35

 

CMYK 22 / 9 / 0 / 28

HEX #8EA6B7

RGB 142 166 183

HSL 204.88, 0.22%, 0.64%

LAB 66.86, -4.52, -11.52

 

CMYK 7 / 2 / 0 / 34

HEX #9DA4A8

RGB 157 164 168

HSL 201.82, 0.06%, 0.64%

LAB 66.94, -1.68, -2.94

 

CMYK 57 / 0 / 8 / 11

HEX #62E4D2

RGB 98 228 210

HSL 171.69, 0.71%, 0.64%

LAB 83.3, -40.04, -2.01

 

CMYK 57 / 8 / 0 / 11

HEX #62D2E4

RGB 98 210 228

HSL 188.31, 0.71%, 0.64%

LAB 78.63, -26.79, -18.55

 

CMYK 57 / 23 / 0 / 11

HEX #62B0E4

RGB 98 176 228

HSL 204, 0.71%, 0.64%

LAB 68.93, -9.19, -33.4

 

CMYK 57 / 38 / 0 / 11

HEX #628DE4

RGB 98 141 228

HSL 220.15, 0.71%, 0.64%

LAB 59.2, 10.77, -48.64

 

CMYK 57 / 54 / 0 / 11

HEX #626AE4

RGB 98 106 228

HSL 236.31, 0.71%, 0.64%

LAB 50.1, 31.95, -63.2

 

CMYK 83 / 35 / 0 / 18

HEX #2388D0

RGB 35 136 208

HSL 204.97, 0.71%, 0.48%

LAB 54.57, -2.49, -44.91

 

CMYK 72 / 30 / 0 / 13

HEX #3E9CDE

RGB 62 156 222

HSL 204.75, 0.71%, 0.56%

LAB 61.72, -6.07, -41.44

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 43 / 18 / 0 / 8

HEX #85C0EA

RGB 133 192 234

HSL 204.95, 0.71%, 0.72%

LAB 75.22, -8.24, -26.84

 

CMYK 30 / 13 / 0 / 6

HEX #A8D2F0

RGB 168 210 240

HSL 205, 0.71%, 0.8%

LAB 82.22, -6.91, -19.22

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 23 / 57 / 0 / 11

HEX #B062E4

RGB 176 98 228

HSL 276, 0.71%, 0.64%

LAB 55.65, 53.84, -53.9

 

CMYK 0 / 0 / 57 / 11

HEX #E4E462

RGB 228 228 98

HSL 60, 0.71%, 0.64%

LAB 88.38, -16.42, 61.98

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 0 / 57 / 23 / 11

HEX #E462B0

RGB 228 98 176

HSL 324, 0.71%, 0.64%

LAB 60.22, 58.85, -16.7

 

CMYK 23 / 0 / 57 / 11

HEX #B0E462

RGB 176 228 98

HSL 84, 0.71%, 0.64%

LAB 84.79, -36.68, 56.96

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 23 / 57 / 0 / 11

HEX #B062E4

RGB 176 98 228

HSL 276, 0.71%, 0.64%

LAB 55.65, 53.84, -53.9

 

CMYK 0 / 34 / 57 / 11

HEX #E49662

RGB 228 150 98

HSL 24, 0.71%, 0.64%

LAB 68.89, 24.11, 39.21

 

CMYK 34 / 0 / 57 / 11

HEX #96E462

RGB 150 228 98

HSL 96, 0.71%, 0.64%

LAB 83.36, -45.88, 54.95

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 6 / 57 / 0 / 11

HEX #D762E4

RGB 215 98 228

HSL 294, 0.71%, 0.64%

LAB 60.59, 63.55, -45.75

 

CMYK 0 / 34 / 57 / 11

HEX #E49662

RGB 228 150 98

HSL 24, 0.71%, 0.64%

LAB 68.89, 24.11, 39.21

 

CMYK 51 / 0 / 57 / 11

HEX #6FE462

RGB 111 228 98

HSL 114, 0.71%, 0.64%

LAB 81.7, -57.68, 52.6

 

Description

Color code: RGB 98 174 228 | qconv.com Color code: RGB 98 174 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 174 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 174 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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