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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 163 114 it is the complementary color RGB 157 92 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 163 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 163 114 shade: RGB 103 163 109, RGB 120 181 128, RGB 137 199 147, RGB 154 217 166 and RGB 171 235 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 163 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 163 114 shade: RGB 98 163 114, RGB 81 145 95, RGB 64 127 76, RGB 47 109 57 and RGB 30 91 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 163 114 shade: RGB 97 162 113, RGB 99 162 97, RGB 116 162 97, RGB 134 162 97 and RGB 151 162 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 163 114 shade: RGB 97 162 113, RGB 97 162 131, RGB 97 162 148, RGB 97 158 162 and RGB 97 141 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 163 114 shade matches the following richer shades: RGB 97 162 113, RGB 77 182 103, RGB 57 202 93, RGB 36 223 82 and RGB 16 243 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 163 114 shade: RGB 97 162 113, RGB 117 142 123, RGB 137 122 134, RGB 158 101 144 and RGB 178 81 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 163 114 shade: RGB 117 162 97, RGB 99 162 97, RGB 97 162 112, RGB 97 162 130 and RGB 97 162 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 163 114 shade: RGB 65 111 77, RGB 80 137 94, RGB 97 162 113, RGB 123 177 136 and RGB 149 193 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 163 114 shade: RGB 98 163 114, RGB 97 134 162 and RGB 162 97 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 163 114 shade: RGB 98 163 114, RGB 112 97 162 and RGB 162 112 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 163 114 shade: RGB 98 163 114, RGB 97 134 162, RGB 162 97 147 and RGB 162 125 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 163 114 shade: RGB 98 163 114, RGB 97 114 162, RGB 162 97 147 and RGB 162 145 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

Complementary color

CMYK 0 / 41 / 10 / 38

HEX #9D5C8D

RGB 157 92 141

HSL 314.77, 0.26%, 0.49%

LAB 47.94, 33.89, -15.79

 

CMYK 37 / 0 / 33 / 36

HEX #67A36D

RGB 103 163 109

HSL 126, 0.25%, 0.52%

LAB 61.81, -30.97, 22.08

 

CMYK 34 / 0 / 29 / 29

HEX #78B580

RGB 120 181 128

HSL 127.87, 0.29%, 0.59%

LAB 68.46, -30.7, 20.93

 

CMYK 31 / 0 / 26 / 22

HEX #89C793

RGB 137 199 147

HSL 129.68, 0.36%, 0.66%

LAB 75, -30.44, 19.86

 

CMYK 29 / 0 / 24 / 15

HEX #9AD9A6

RGB 154 217 166

HSL 131.43, 0.45%, 0.73%

LAB 81.43, -30.19, 18.85

 

CMYK 27 / 0 / 21 / 8

HEX #ABEBB9

RGB 171 235 185

HSL 133.13, 0.62%, 0.8%

LAB 87.76, -29.95, 17.9

 

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

CMYK 44 / 0 / 34 / 43

HEX #51915F

RGB 81 145 95

HSL 133.13, 0.28%, 0.44%

LAB 54.89, -31.91, 20.31

 

CMYK 50 / 0 / 40 / 50

HEX #407F4C

RGB 64 127 76

HSL 131.43, 0.33%, 0.37%

LAB 48, -32.12, 21.64

 

CMYK 57 / 0 / 48 / 57

HEX #2F6D39

RGB 47 109 57

HSL 129.68, 0.4%, 0.31%

LAB 40.96, -32.2, 23.09

 

CMYK 67 / 0 / 58 / 64

HEX #1E5B26

RGB 30 91 38

HSL 127.87, 0.5%, 0.24%

LAB 33.77, -31.97, 24.65

 

CMYK 40 / 0 / 30 / 36

HEX #61A271

RGB 97 162 113

HSL 134.77, 0.26%, 0.51%

LAB 61.29, -31.67, 19.12

 

CMYK 39 / 0 / 40 / 36

HEX #63A261

RGB 99 162 97

HSL 118.15, 0.26%, 0.51%

LAB 61.09, -33.81, 27.58

 

CMYK 28 / 0 / 40 / 36

HEX #74A261

RGB 116 162 97

HSL 102.46, 0.26%, 0.51%

LAB 62.01, -27.97, 28.95

 

CMYK 17 / 0 / 40 / 36

HEX #86A261

RGB 134 162 97

HSL 85.85, 0.26%, 0.51%

LAB 63.15, -21.21, 30.65

 

CMYK 7 / 0 / 40 / 36

HEX #97A261

RGB 151 162 97

HSL 70.15, 0.26%, 0.51%

LAB 64.39, -14.45, 32.48

 

CMYK 40 / 0 / 30 / 36

HEX #61A271

RGB 97 162 113

HSL 134.77, 0.26%, 0.51%

LAB 61.29, -31.67, 19.12

 

CMYK 40 / 0 / 19 / 36

HEX #61A283

RGB 97 162 131

HSL 151.38, 0.26%, 0.51%

LAB 61.67, -28.05, 9.66

 

CMYK 40 / 0 / 9 / 36

HEX #61A294

RGB 97 162 148

HSL 167.08, 0.26%, 0.51%

LAB 62.1, -24.18, 0.74

 

CMYK 40 / 2 / 0 / 36

HEX #619EA2

RGB 97 158 162

HSL 183.69, 0.26%, 0.51%

LAB 61.31, -18.63, -8.31

 

CMYK 40 / 13 / 0 / 36

HEX #618DA2

RGB 97 141 162

HSL 199.38, 0.26%, 0.51%

LAB 56.29, -9.43, -15.87

 

CMYK 40 / 0 / 30 / 36

HEX #61A271

RGB 97 162 113

HSL 134.77, 0.26%, 0.51%

LAB 61.29, -31.67, 19.12

 

CMYK 58 / 0 / 43 / 29

HEX #4DB667

RGB 77 182 103

HSL 134.86, 0.42%, 0.51%

LAB 66.53, -47.64, 31.3

 

CMYK 72 / 0 / 54 / 21

HEX #39CA5D

RGB 57 202 93

HSL 134.9, 0.58%, 0.51%

LAB 72.16, -60.58, 43.22

 

CMYK 84 / 0 / 63 / 13

HEX #24DF52

RGB 36 223 82

HSL 134.76, 0.75%, 0.51%

LAB 78.32, -71.36, 55.25

 

CMYK 93 / 0 / 70 / 5

HEX #10F348

RGB 16 243 72

HSL 134.8, 0.9%, 0.51%

LAB 84.32, -79.45, 65.58

 

CMYK 40 / 0 / 30 / 36

HEX #61A271

RGB 97 162 113

HSL 134.77, 0.26%, 0.51%

LAB 61.29, -31.67, 19.12

 

CMYK 18 / 0 / 13 / 44

HEX #758E7B

RGB 117 142 123

HSL 134.4, 0.1%, 0.51%

LAB 56.64, -12.85, 7.19

 

CMYK 0 / 11 / 2 / 46

HEX #897A86

RGB 137 122 134

HSL 312, 0.06%, 0.51%

LAB 52.9, 8.02, -4.42

 

CMYK 0 / 36 / 9 / 38

HEX #9E6590

RGB 158 101 144

HSL 314.74, 0.23%, 0.51%

LAB 50.2, 29.73, -14.12

 

CMYK 0 / 54 / 13 / 30

HEX #B2519A

RGB 178 81 154

HSL 314.85, 0.39%, 0.51%

LAB 49.11, 48.59, -21.48

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 39 / 0 / 40 / 36

HEX #63A261

RGB 99 162 97

HSL 118.15, 0.26%, 0.51%

LAB 61.09, -33.81, 27.58

 

CMYK 40 / 0 / 31 / 36

HEX #61A270

RGB 97 162 112

HSL 133.85, 0.26%, 0.51%

LAB 61.27, -31.86, 19.64

 

CMYK 40 / 0 / 20 / 36

HEX #61A282

RGB 97 162 130

HSL 150.46, 0.26%, 0.51%

LAB 61.65, -28.26, 10.19

 

CMYK 40 / 0 / 9 / 36

HEX #61A293

RGB 97 162 147

HSL 166.15, 0.26%, 0.51%

LAB 62.07, -24.42, 1.26

 

CMYK 41 / 0 / 31 / 56

HEX #416F4D

RGB 65 111 77

HSL 135.65, 0.26%, 0.35%

LAB 42.81, -23.87, 14.1

 

CMYK 42 / 0 / 31 / 46

HEX #50895E

RGB 80 137 94

HSL 134.74, 0.26%, 0.43%

LAB 52.29, -28.59, 17.34

 

CMYK 40 / 0 / 30 / 36

HEX #61A271

RGB 97 162 113

HSL 134.77, 0.26%, 0.51%

LAB 61.29, -31.67, 19.12

 

CMYK 31 / 0 / 23 / 31

HEX #7BB188

RGB 123 177 136

HSL 134.44, 0.26%, 0.59%

LAB 67.6, -26.33, 15.42

 

CMYK 23 / 0 / 17 / 24

HEX #95C1A0

RGB 149 193 160

HSL 135, 0.26%, 0.67%

LAB 74.23, -21.21, 11.92

 

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 0 / 40 / 33 / 36

HEX #A2616C

RGB 162 97 108

HSL 349.85, 0.26%, 0.51%

LAB 48.65, 27.77, 5.11

 

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

CMYK 31 / 40 / 0 / 36

HEX #7061A2

RGB 112 97 162

HSL 253.85, 0.26%, 0.51%

LAB 45.09, 21.03, -33.08

 

CMYK 0 / 31 / 40 / 36

HEX #A27061

RGB 162 112 97

HSL 13.85, 0.26%, 0.51%

LAB 51.99, 17.86, 16.3

 

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 0 / 40 / 9 / 36

HEX #A26193

RGB 162 97 147

HSL 313.85, 0.26%, 0.51%

LAB 49.9, 33.89, -16.31

 

CMYK 0 / 23 / 40 / 36

HEX #A27D61

RGB 162 125 97

HSL 25.85, 0.26%, 0.51%

LAB 55.29, 10.46, 20.77

 

CMYK 40 / 0 / 30 / 36

HEX #62A372

RGB 98 163 114

HSL 134.77, 0.26%, 0.51%

LAB 61.66, -31.65, 19.09

 

CMYK 40 / 30 / 0 / 36

HEX #6172A2

RGB 97 114 162

HSL 224.31, 0.26%, 0.51%

LAB 48.49, 6.3, -27.84

 

CMYK 0 / 40 / 9 / 36

HEX #A26193

RGB 162 97 147

HSL 313.85, 0.26%, 0.51%

LAB 49.9, 33.89, -16.31

 

CMYK 0 / 10 / 40 / 36

HEX #A29161

RGB 162 145 97

HSL 44.31, 0.26%, 0.51%

LAB 60.6, -0.75, 27.79

 

Description

Color code: RGB 98 163 114 | qconv.com Color code: RGB 98 163 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 163 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 163 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 30 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 30% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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