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Color name
RGB 98 147 157

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 147 157 it is the complementary color RGB 157 108 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 147 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 147 157 shade: RGB 103 147 152, RGB 120 165 171, RGB 137 183 190, RGB 154 201 209 and RGB 171 219 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 147 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 147 157 shade: RGB 98 147 157, RGB 81 129 138, RGB 64 111 119, RGB 47 93 100 and RGB 30 75 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 147 157 shade: RGB 98 146 156, RGB 98 131 156, RGB 98 115 156, RGB 98 99 156 and RGB 112 98 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 147 157 shade: RGB 98 146 156, RGB 98 131 156, RGB 98 115 156, RGB 98 99 156 and RGB 98 98 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 147 157 shade matches the following richer shades: RGB 98 146 156, RGB 77 160 177, RGB 56 174 198, RGB 36 187 218 and RGB 15 201 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 147 157 shade: RGB 98 146 156, RGB 118 133 136, RGB 139 119 115, RGB 160 105 94 and RGB 180 92 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 147 157 shade: RGB 98 156 135, RGB 98 156 150, RGB 98 147 156, RGB 98 131 156 and RGB 98 115 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 147 157 shade: RGB 66 99 106, RGB 82 123 131, RGB 98 146 156, RGB 123 164 172 and RGB 148 181 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 147 157 shade: RGB 98 147 157, RGB 119 98 156 and RGB 156 143 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 147 157 shade: RGB 98 147 157, RGB 156 98 147 and RGB 147 156 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 147 157 shade: RGB 98 147 157, RGB 119 98 156, RGB 156 107 98 and RGB 135 156 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 147 157 shade: RGB 98 147 157, RGB 137 98 156, RGB 156 107 98 and RGB 117 156 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

Complementary color

CMYK 0 / 31 / 38 / 38

HEX #9D6C62

RGB 157 108 98

HSL 10.17, 0.23%, 0.5%

LAB 50.42, 18.21, 13.46

 

CMYK 32 / 3 / 0 / 40

HEX #679398

RGB 103 147 152

HSL 186.12, 0.19%, 0.5%

LAB 58.05, -13.63, -7.45

 

CMYK 30 / 4 / 0 / 33

HEX #78A5AB

RGB 120 165 171

HSL 187.06, 0.23%, 0.57%

LAB 64.84, -13.58, -7.99

 

CMYK 28 / 4 / 0 / 25

HEX #89B7BE

RGB 137 183 190

HSL 187.92, 0.29%, 0.64%

LAB 71.49, -13.53, -8.51

 

CMYK 26 / 4 / 0 / 18

HEX #9AC9D1

RGB 154 201 209

HSL 188.73, 0.37%, 0.71%

LAB 78.02, -13.49, -9.01

 

CMYK 25 / 4 / 0 / 11

HEX #ABDBE4

RGB 171 219 228

HSL 189.47, 0.51%, 0.78%

LAB 84.44, -13.46, -9.5

 

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

CMYK 41 / 7 / 0 / 46

HEX #51818A

RGB 81 129 138

HSL 189.47, 0.26%, 0.43%

LAB 51.02, -13.77, -10

 

CMYK 46 / 7 / 0 / 53

HEX #406F77

RGB 64 111 119

HSL 188.73, 0.3%, 0.36%

LAB 43.93, -13.72, -9.46

 

CMYK 53 / 7 / 0 / 61

HEX #2F5D64

RGB 47 93 100

HSL 187.92, 0.36%, 0.29%

LAB 36.66, -13.59, -8.88

 

CMYK 63 / 7 / 0 / 68

HEX #1E4B51

RGB 30 75 81

HSL 187.06, 0.46%, 0.22%

LAB 29.16, -13.3, -8.22

 

CMYK 37 / 6 / 0 / 39

HEX #62929C

RGB 98 146 156

HSL 190.34, 0.23%, 0.5%

LAB 57.61, -13.51, -10.43

 

CMYK 37 / 16 / 0 / 39

HEX #62839C

RGB 98 131 156

HSL 205.86, 0.23%, 0.5%

LAB 53.2, -5.13, -17.09

 

CMYK 37 / 26 / 0 / 39

HEX #62739C

RGB 98 115 156

HSL 222.41, 0.23%, 0.5%

LAB 48.58, 4.26, -24.17

 

CMYK 37 / 37 / 0 / 39

HEX #62639C

RGB 98 99 156

HSL 238.97, 0.23%, 0.5%

LAB 44.12, 14.04, -31.13

 

CMYK 28 / 37 / 0 / 39

HEX #70629C

RGB 112 98 156

HSL 254.48, 0.23%, 0.5%

LAB 45.05, 18.83, -29.57

 

CMYK 37 / 6 / 0 / 39

HEX #62929C

RGB 98 146 156

HSL 190.34, 0.23%, 0.5%

LAB 57.61, -13.51, -10.43

 

CMYK 37 / 16 / 0 / 39

HEX #62839C

RGB 98 131 156

HSL 205.86, 0.23%, 0.5%

LAB 53.2, -5.13, -17.09

 

CMYK 37 / 26 / 0 / 39

HEX #62739C

RGB 98 115 156

HSL 222.41, 0.23%, 0.5%

LAB 48.58, 4.26, -24.17

 

CMYK 37 / 37 / 0 / 39

HEX #62639C

RGB 98 99 156

HSL 238.97, 0.23%, 0.5%

LAB 44.12, 14.04, -31.13

 

CMYK 37 / 37 / 0 / 39

HEX #62629C

RGB 98 98 156

HSL 240, 0.23%, 0.5%

LAB 43.85, 14.65, -31.55

 

CMYK 37 / 6 / 0 / 39

HEX #62929C

RGB 98 146 156

HSL 190.34, 0.23%, 0.5%

LAB 57.61, -13.51, -10.43

 

CMYK 56 / 10 / 0 / 31

HEX #4DA0B1

RGB 77 160 177

HSL 190.2, 0.39%, 0.5%

LAB 61.56, -20.2, -16.48

 

CMYK 72 / 12 / 0 / 22

HEX #38AEC6

RGB 56 174 198

HSL 190.14, 0.56%, 0.5%

LAB 65.9, -24.48, -21.67

 

CMYK 83 / 14 / 0 / 15

HEX #24BBDA

RGB 36 187 218

HSL 190.22, 0.72%, 0.5%

LAB 70.16, -26.64, -26.17

 

CMYK 94 / 16 / 0 / 6

HEX #0FC9EF

RGB 15 201 239

HSL 190.18, 0.88%, 0.5%

LAB 74.89, -27.8, -30.3

 

CMYK 37 / 6 / 0 / 39

HEX #62929C

RGB 98 146 156

HSL 190.34, 0.23%, 0.5%

LAB 57.61, -13.51, -10.43

 

CMYK 13 / 2 / 0 / 47

HEX #768588

RGB 118 133 136

HSL 190, 0.07%, 0.5%

LAB 54.45, -4.79, -3.47

 

CMYK 0 / 14 / 17 / 45

HEX #8B7773

RGB 139 119 115

HSL 10, 0.09%, 0.5%

LAB 51.75, 7.05, 5.06

 

CMYK 0 / 34 / 41 / 37

HEX #A0695E

RGB 160 105 94

HSL 10, 0.26%, 0.5%

LAB 49.96, 20.67, 15.24

 

CMYK 0 / 49 / 59 / 29

HEX #B45C4A

RGB 180 92 74

HSL 10.19, 0.42%, 0.5%

LAB 49.32, 33.99, 26.59

 

CMYK 37 / 0 / 13 / 39

HEX #629C87

RGB 98 156 135

HSL 158.28, 0.23%, 0.5%

LAB 60, -23.89, 5.03

 

CMYK 37 / 0 / 4 / 39

HEX #629C96

RGB 98 156 150

HSL 173.79, 0.23%, 0.5%

LAB 60.41, -20.35, -2.86

 

CMYK 37 / 6 / 0 / 39

HEX #62939C

RGB 98 147 156

HSL 189.31, 0.23%, 0.5%

LAB 57.91, -14.05, -9.98

 

CMYK 37 / 16 / 0 / 39

HEX #62839C

RGB 98 131 156

HSL 205.86, 0.23%, 0.5%

LAB 53.2, -5.13, -17.09

 

CMYK 37 / 26 / 0 / 39

HEX #62739C

RGB 98 115 156

HSL 222.41, 0.23%, 0.5%

LAB 48.58, 4.26, -24.17

 

CMYK 38 / 7 / 0 / 58

HEX #42636A

RGB 66 99 106

HSL 190.5, 0.23%, 0.34%

LAB 39.79, -9.97, -7.78

 

CMYK 37 / 6 / 0 / 49

HEX #527B83

RGB 82 123 131

HSL 189.8, 0.23%, 0.42%

LAB 49.01, -12.06, -8.9

 

CMYK 37 / 6 / 0 / 39

HEX #62929C

RGB 98 146 156

HSL 190.34, 0.23%, 0.5%

LAB 57.61, -13.51, -10.43

 

CMYK 28 / 5 / 0 / 33

HEX #7BA4AC

RGB 123 164 172

HSL 189.8, 0.23%, 0.58%

LAB 64.76, -11.9, -8.65

 

CMYK 21 / 4 / 0 / 26

HEX #94B5BC

RGB 148 181 188

HSL 190.5, 0.23%, 0.66%

LAB 71.54, -9.58, -7.26

 

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

CMYK 24 / 37 / 0 / 39

HEX #77629C

RGB 119 98 156

HSL 261.72, 0.23%, 0.5%

LAB 45.71, 21, -28.5

 

CMYK 0 / 8 / 37 / 39

HEX #9C8F62

RGB 156 143 98

HSL 46.55, 0.23%, 0.5%

LAB 59.52, -2.04, 25.72

 

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

CMYK 0 / 37 / 6 / 39

HEX #9C6293

RGB 156 98 147

HSL 309.31, 0.23%, 0.5%

LAB 49.39, 31.29, -17.16

 

CMYK 6 / 0 / 37 / 39

HEX #939C62

RGB 147 156 98

HSL 69.31, 0.23%, 0.5%

LAB 62.39, -12.79, 29.32

 

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

CMYK 24 / 37 / 0 / 39

HEX #77629C

RGB 119 98 156

HSL 261.72, 0.23%, 0.5%

LAB 45.71, 21, -28.5

 

CMYK 0 / 31 / 37 / 39

HEX #9C6B62

RGB 156 107 98

HSL 9.31, 0.23%, 0.5%

LAB 50.06, 18.38, 12.94

 

CMYK 13 / 0 / 37 / 39

HEX #879C62

RGB 135 156 98

HSL 81.72, 0.23%, 0.5%

LAB 61.49, -17.61, 27.98

 

CMYK 38 / 6 / 0 / 38

HEX #62939D

RGB 98 147 157

HSL 190.17, 0.23%, 0.5%

LAB 57.94, -13.79, -10.51

 

CMYK 12 / 37 / 0 / 39

HEX #89629C

RGB 137 98 156

HSL 280.34, 0.23%, 0.5%

LAB 47.56, 26.77, -25.48

 

CMYK 0 / 31 / 37 / 39

HEX #9C6B62

RGB 156 107 98

HSL 9.31, 0.23%, 0.5%

LAB 50.06, 18.38, 12.94

 

CMYK 25 / 0 / 37 / 39

HEX #759C62

RGB 117 156 98

HSL 100.34, 0.23%, 0.5%

LAB 60.28, -24.5, 26.17

 

Description

Color code: RGB 98 147 157 | qconv.com Color code: RGB 98 147 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 147 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 147 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 6 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 6% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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