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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 134 208 it is the complementary color RGB 157 121 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 134 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 134 208 shade: RGB 103 134 203, RGB 120 152 222, RGB 137 170 241, RGB 154 188 255 and RGB 171 206 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 134 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 134 208 shade: RGB 98 134 208, RGB 81 116 189, RGB 64 98 170, RGB 47 80 151 and RGB 30 62 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 134 208 shade: RGB 97 133 208, RGB 97 104 208, RGB 121 97 208, RGB 150 97 208 and RGB 180 97 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 134 208 shade: RGB 97 133 208, RGB 97 104 208 and RGB 97 97 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 134 208 shade matches the following richer shades: RGB 97 133 208, RGB 81 128 224 and RGB 64 122 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 134 208 shade: RGB 97 133 208, RGB 114 139 191, RGB 130 145 175, RGB 147 151 158 and RGB 163 156 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 134 208 shade: RGB 97 193 208, RGB 97 164 208, RGB 97 134 208, RGB 97 105 208 and RGB 119 97 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 134 208 shade: RGB 51 90 172, RGB 66 109 198, RGB 97 133 208, RGB 129 158 217 and RGB 161 182 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 134 208 shade: RGB 98 134 208, RGB 193 97 208 and RGB 178 208 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 134 208 shade: RGB 98 134 208, RGB 208 97 134 and RGB 134 208 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 134 208 shade: RGB 98 134 208, RGB 193 97 208, RGB 208 171 97 and RGB 112 208 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 134 208 shade: RGB 98 134 208, RGB 208 97 189, RGB 208 171 97 and RGB 97 208 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

Complementary color

CMYK 0 / 23 / 70 / 38

HEX #9D792F

RGB 157 121 47

HSL 40.36, 0.54%, 0.4%

LAB 53, 6.07, 44.45

 

CMYK 49 / 34 / 0 / 20

HEX #6786CB

RGB 103 134 203

HSL 221.4, 0.49%, 0.6%

LAB 56.33, 8.14, -39.14

 

CMYK 46 / 32 / 0 / 13

HEX #7898DE

RGB 120 152 222

HSL 221.18, 0.61%, 0.67%

LAB 63.11, 7.4, -39.07

 

CMYK 43 / 29 / 0 / 5

HEX #89AAF1

RGB 137 170 241

HSL 220.96, 0.79%, 0.74%

LAB 69.77, 6.78, -39.04

 

CMYK 40 / 26 / 0 / 0

HEX #9ABCFF

RGB 154 188 255

HSL 219.8, 1%, 0.8%

LAB 76.1, 4.9, -36.68

 

CMYK 33 / 19 / 0 / 0

HEX #ABCEFF

RGB 171 206 255

HSL 215, 1%, 0.84%

LAB 81.85, -0.33, -27.75

 

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

CMYK 57 / 39 / 0 / 26

HEX #5174BD

RGB 81 116 189

HSL 220.56, 0.45%, 0.53%

LAB 49.39, 9.59, -42.18

 

CMYK 62 / 42 / 0 / 33

HEX #4062AA

RGB 64 98 170

HSL 220.75, 0.45%, 0.46%

LAB 42.35, 10.89, -42.35

 

CMYK 69 / 47 / 0 / 41

HEX #2F5097

RGB 47 80 151

HSL 220.96, 0.53%, 0.39%

LAB 35.15, 12.57, -42.56

 

CMYK 77 / 53 / 0 / 48

HEX #1E3E84

RGB 30 62 132

HSL 221.18, 0.63%, 0.32%

LAB 27.81, 14.82, -42.76

 

CMYK 53 / 36 / 0 / 18

HEX #6185D0

RGB 97 133 208

HSL 220.54, 0.54%, 0.6%

LAB 55.96, 8.92, -42.57

 

CMYK 53 / 50 / 0 / 18

HEX #6168D0

RGB 97 104 208

HSL 236.22, 0.54%, 0.6%

LAB 48.26, 26.58, -54.84

 

CMYK 42 / 53 / 0 / 18

HEX #7961D0

RGB 121 97 208

HSL 252.97, 0.54%, 0.6%

LAB 48.47, 36.13, -54.39

 

CMYK 28 / 53 / 0 / 18

HEX #9661D0

RGB 150 97 208

HSL 268.65, 0.54%, 0.6%

LAB 51.37, 43.25, -49.59

 

CMYK 13 / 53 / 0 / 18

HEX #B461D0

RGB 180 97 208

HSL 284.86, 0.54%, 0.6%

LAB 54.87, 51.12, -43.81

 

CMYK 53 / 36 / 0 / 18

HEX #6185D0

RGB 97 133 208

HSL 220.54, 0.54%, 0.6%

LAB 55.96, 8.92, -42.57

 

CMYK 53 / 50 / 0 / 18

HEX #6168D0

RGB 97 104 208

HSL 236.22, 0.54%, 0.6%

LAB 48.26, 26.58, -54.84

 

CMYK 53 / 53 / 0 / 18

HEX #6161D0

RGB 97 97 208

HSL 240, 0.54%, 0.6%

LAB 46.51, 30.87, -57.65

 

CMYK 53 / 36 / 0 / 18

HEX #6185D0

RGB 97 133 208

HSL 220.54, 0.54%, 0.6%

LAB 55.96, 8.92, -42.57

 

CMYK 64 / 43 / 0 / 12

HEX #5180E0

RGB 81 128 224

HSL 220.28, 0.7%, 0.6%

LAB 54.63, 14.08, -53.74

 

CMYK 73 / 49 / 0 / 5

HEX #407AF1

RGB 64 122 241

HSL 220.34, 0.86%, 0.6%

LAB 53.34, 21.27, -65.34

 

CMYK 53 / 36 / 0 / 18

HEX #6185D0

RGB 97 133 208

HSL 220.54, 0.54%, 0.6%

LAB 55.96, 8.92, -42.57

 

CMYK 40 / 27 / 0 / 25

HEX #728BBF

RGB 114 139 191

HSL 220.52, 0.38%, 0.6%

LAB 57.85, 4.48, -29.92

 

CMYK 26 / 17 / 0 / 31

HEX #8291AF

RGB 130 145 175

HSL 220, 0.22%, 0.6%

LAB 59.97, 1.5, -17.49

 

CMYK 7 / 4 / 0 / 38

HEX #93979E

RGB 147 151 158

HSL 218.18, 0.05%, 0.6%

LAB 62.34, -0.03, -4.18

 

CMYK 0 / 4 / 13 / 36

HEX #A39C8E

RGB 163 156 142

HSL 40, 0.1%, 0.6%

LAB 64.58, 0.07, 8.24

 

CMYK 53 / 7 / 0 / 18

HEX #61C1D0

RGB 97 193 208

HSL 188.11, 0.54%, 0.6%

LAB 73.05, -24.13, -16.19

 

CMYK 53 / 21 / 0 / 18

HEX #61A4D0

RGB 97 164 208

HSL 203.78, 0.54%, 0.6%

LAB 64.68, -8.89, -28.96

 

CMYK 53 / 36 / 0 / 18

HEX #6186D0

RGB 97 134 208

HSL 220, 0.54%, 0.6%

LAB 56.23, 8.32, -42.14

 

CMYK 53 / 50 / 0 / 18

HEX #6169D0

RGB 97 105 208

HSL 235.68, 0.54%, 0.6%

LAB 48.51, 25.96, -54.43

 

CMYK 43 / 53 / 0 / 18

HEX #7761D0

RGB 119 97 208

HSL 251.89, 0.54%, 0.6%

LAB 48.29, 35.66, -54.69

 

CMYK 70 / 48 / 0 / 33

HEX #335AAC

RGB 51 90 172

HSL 220.66, 0.54%, 0.44%

LAB 39.57, 14.52, -48.01

 

CMYK 67 / 45 / 0 / 22

HEX #426DC6

RGB 66 109 198

HSL 220.45, 0.54%, 0.52%

LAB 47.2, 14.23, -50.9

 

CMYK 53 / 36 / 0 / 18

HEX #6185D0

RGB 97 133 208

HSL 220.54, 0.54%, 0.6%

LAB 55.96, 8.92, -42.57

 

CMYK 41 / 27 / 0 / 15

HEX #819ED9

RGB 129 158 217

HSL 220.23, 0.54%, 0.68%

LAB 65.07, 4.83, -33.22

 

CMYK 29 / 20 / 0 / 11

HEX #A1B6E3

RGB 161 182 227

HSL 220.91, 0.54%, 0.76%

LAB 73.92, 2.95, -24.89

 

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

CMYK 7 / 53 / 0 / 18

HEX #C161D0

RGB 193 97 208

HSL 291.89, 0.54%, 0.6%

LAB 56.53, 54.6, -41.09

 

CMYK 14 / 0 / 53 / 18

HEX #B2D061

RGB 178 208 97

HSL 76.22, 0.54%, 0.6%

LAB 79.29, -26.69, 51.11

 

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

CMYK 0 / 53 / 36 / 18

HEX #D06186

RGB 208 97 134

HSL 340, 0.54%, 0.6%

LAB 55.77, 47.64, 0.78

 

CMYK 36 / 0 / 53 / 18

HEX #86D061

RGB 134 208 97

HSL 100, 0.54%, 0.6%

LAB 76.71, -42.77, 47.41

 

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

CMYK 7 / 53 / 0 / 18

HEX #C161D0

RGB 193 97 208

HSL 291.89, 0.54%, 0.6%

LAB 56.53, 54.6, -41.09

 

CMYK 0 / 18 / 53 / 18

HEX #D0AB61

RGB 208 171 97

HSL 40, 0.54%, 0.6%

LAB 71.82, 4.49, 42.82

 

CMYK 46 / 0 / 53 / 18

HEX #70D061

RGB 112 208 97

HSL 111.89, 0.54%, 0.6%

LAB 75.71, -49.68, 45.98

 

CMYK 53 / 36 / 0 / 18

HEX #6286D0

RGB 98 134 208

HSL 220.36, 0.54%, 0.6%

LAB 56.29, 8.55, -42.05

 

CMYK 0 / 53 / 9 / 18

HEX #D061BD

RGB 208 97 189

HSL 310.27, 0.54%, 0.6%

LAB 57.69, 55.42, -28.29

 

CMYK 0 / 18 / 53 / 18

HEX #D0AB61

RGB 208 171 97

HSL 40, 0.54%, 0.6%

LAB 71.82, 4.49, 42.82

 

CMYK 53 / 0 / 44 / 18

HEX #61D074

RGB 97 208 116

HSL 130.27, 0.54%, 0.6%

LAB 75.4, -51.13, 36.19

 

Description

Color code: RGB 98 134 208 | qconv.com Color code: RGB 98 134 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 134 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 134 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 36 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 36% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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