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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 127 31 it is the complementary color RGB 157 128 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 127 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 127 31 shade: RGB 103 127 26, RGB 120 145 45, RGB 137 163 64, RGB 154 181 83 and RGB 171 199 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 127 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 127 31 shade: RGB 98 127 31, RGB 81 109 12, RGB 64 91 0, RGB 47 73 0 and RGB 30 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 127 31 shade: RGB 98 127 30, RGB 124 127 30, RGB 127 104 30, RGB 127 78 30 and RGB 127 52 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 127 31 shade: RGB 98 127 30, RGB 72 127 30, RGB 46 127 30, RGB 30 127 41 and RGB 30 127 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 127 31 shade matches the following richer shades: RGB 98 127 30, RGB 103 140 18 and RGB 108 152 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 127 31 shade: RGB 98 127 30, RGB 93 114 43, RGB 88 101 56, RGB 82 88 69 and RGB 77 76 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 127 31 shade: RGB 127 104 30, RGB 124 127 30, RGB 98 127 30, RGB 72 127 30 and RGB 46 127 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 127 31 shade: RGB 46 60 14, RGB 72 94 22, RGB 98 127 30, RGB 123 160 38 and RGB 149 193 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 127 31 shade: RGB 98 127 31, RGB 30 127 79 and RGB 117 30 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 127 31 shade: RGB 98 127 31, RGB 30 98 127 and RGB 127 30 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 127 31 shade: RGB 98 127 31, RGB 30 127 79, RGB 59 30 127 and RGB 127 30 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 127 31 shade: RGB 98 127 31, RGB 30 127 107, RGB 59 30 127 and RGB 127 30 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

Complementary color

CMYK 30 / 43 / 0 / 12

HEX #9D80E0

RGB 157 128 224

HSL 258.13, 0.61%, 0.69%

LAB 59.88, 31.59, -45.08

 

CMYK 19 / 0 / 80 / 50

HEX #677F1A

RGB 103 127 26

HSL 74.26, 0.66%, 0.3%

LAB 49.66, -22.99, 48

 

CMYK 17 / 0 / 69 / 43

HEX #78912D

RGB 120 145 45

HSL 75, 0.53%, 0.37%

LAB 56.52, -23.63, 47.96

 

CMYK 16 / 0 / 61 / 36

HEX #89A340

RGB 137 163 64

HSL 75.76, 0.44%, 0.45%

LAB 63.25, -24.07, 47.24

 

CMYK 15 / 0 / 54 / 29

HEX #9AB553

RGB 154 181 83

HSL 76.53, 0.4%, 0.52%

LAB 69.85, -24.37, 46.24

 

CMYK 14 / 0 / 49 / 22

HEX #ABC766

RGB 171 199 102

HSL 77.32, 0.46%, 0.59%

LAB 76.35, -24.58, 45.12

 

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

CMYK 26 / 0 / 89 / 57

HEX #516D0C

RGB 81 109 12

HSL 77.32, 0.8%, 0.24%

LAB 42.33, -24.12, 45.03

 

CMYK 30 / 0 / 100 / 64

HEX #405B00

RGB 64 91 0

HSL 77.8, 1%, 0.18%

LAB 35.15, -22.99, 41.94

 

CMYK 36 / 0 / 100 / 71

HEX #2F4900

RGB 47 73 0

HSL 81.37, 1%, 0.14%

LAB 27.76, -21.42, 35.72

 

CMYK 45 / 0 / 100 / 78

HEX #1E3700

RGB 30 55 0

HSL 87.27, 1%, 0.11%

LAB 20.08, -19.77, 27.74

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 2 / 0 / 76 / 50

HEX #7C7F1E

RGB 124 127 30

HSL 61.86, 0.62%, 0.31%

LAB 51.33, -13.37, 48.77

 

CMYK 0 / 18 / 76 / 50

HEX #7F681E

RGB 127 104 30

HSL 45.77, 0.62%, 0.31%

LAB 44.95, 0.94, 42.77

 

CMYK 0 / 39 / 76 / 50

HEX #7F4E1E

RGB 127 78 30

HSL 29.69, 0.62%, 0.31%

LAB 37.94, 16.3, 35.77

 

CMYK 0 / 59 / 76 / 50

HEX #7F341E

RGB 127 52 30

HSL 13.61, 0.62%, 0.31%

LAB 31.95, 31.05, 29.44

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 43 / 0 / 76 / 50

HEX #487F1E

RGB 72 127 30

HSL 94.02, 0.62%, 0.31%

LAB 47.82, -35.19, 44.16

 

CMYK 64 / 0 / 76 / 50

HEX #2E7F1E

RGB 46 127 30

HSL 110.1, 0.62%, 0.31%

LAB 46.78, -43.13, 42.79

 

CMYK 76 / 0 / 68 / 50

HEX #1E7F29

RGB 30 127 41

HSL 126.8, 0.62%, 0.31%

LAB 46.47, -45.43, 37.73

 

CMYK 76 / 0 / 47 / 50

HEX #1E7F43

RGB 30 127 67

HSL 142.89, 0.62%, 0.31%

LAB 46.79, -41.59, 24.88

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 26 / 0 / 87 / 45

HEX #678C12

RGB 103 140 18

HSL 78.2, 0.77%, 0.31%

LAB 53.69, -29.7, 53.88

 

CMYK 29 / 0 / 97 / 40

HEX #6C9805

RGB 108 152 5

HSL 77.96, 0.94%, 0.31%

LAB 57.71, -33.59, 59.63

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 18 / 0 / 62 / 55

HEX #5D722B

RGB 93 114 43

HSL 77.75, 0.45%, 0.31%

LAB 44.99, -19.48, 35.94

 

CMYK 13 / 0 / 45 / 60

HEX #586538

RGB 88 101 56

HSL 77.33, 0.29%, 0.31%

LAB 40.68, -13.16, 23.8

 

CMYK 7 / 0 / 22 / 65

HEX #525845

RGB 82 88 69

HSL 78.95, 0.12%, 0.31%

LAB 36.37, -6.22, 10.24

 

CMYK 5 / 6 / 0 / 68

HEX #4D4C51

RGB 77 76 81

HSL 252, 0.03%, 0.31%

LAB 32.57, 1.52, -2.81

 

CMYK 0 / 18 / 76 / 50

HEX #7F681E

RGB 127 104 30

HSL 45.77, 0.62%, 0.31%

LAB 44.95, 0.94, 42.77

 

CMYK 2 / 0 / 76 / 50

HEX #7C7F1E

RGB 124 127 30

HSL 61.86, 0.62%, 0.31%

LAB 51.33, -13.37, 48.77

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 43 / 0 / 76 / 50

HEX #487F1E

RGB 72 127 30

HSL 94.02, 0.62%, 0.31%

LAB 47.82, -35.19, 44.16

 

CMYK 64 / 0 / 76 / 50

HEX #2E7F1E

RGB 46 127 30

HSL 110.1, 0.62%, 0.31%

LAB 46.78, -43.13, 42.79

 

CMYK 23 / 0 / 77 / 76

HEX #2E3C0E

RGB 46 60 14

HSL 78.26, 0.62%, 0.15%

LAB 23.15, -13.93, 25.49

 

CMYK 23 / 0 / 77 / 63

HEX #485E16

RGB 72 94 22

HSL 78.33, 0.62%, 0.23%

LAB 36.82, -19.9, 36.42

 

CMYK 23 / 0 / 76 / 50

HEX #627F1E

RGB 98 127 30

HSL 77.94, 0.62%, 0.31%

LAB 49.34, -24.93, 46.17

 

CMYK 23 / 0 / 76 / 37

HEX #7BA026

RGB 123 160 38

HSL 78.2, 0.62%, 0.39%

LAB 61.21, -30.12, 55.3

 

CMYK 23 / 0 / 76 / 24

HEX #95C12E

RGB 149 193 46

HSL 77.96, 0.62%, 0.47%

LAB 72.71, -34.7, 64.14

 

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

CMYK 76 / 0 / 38 / 50

HEX #1E7F4F

RGB 30 127 79

HSL 150.31, 0.62%, 0.31%

LAB 47, -39.22, 18.43

 

CMYK 8 / 76 / 0 / 50

HEX #751E7F

RGB 117 30 127

HSL 293.81, 0.62%, 0.31%

LAB 30.02, 49.89, -35.61

 

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

CMYK 76 / 23 / 0 / 50

HEX #1E627F

RGB 30 98 127

HSL 197.94, 0.62%, 0.31%

LAB 38.8, -10.58, -22.26

 

CMYK 0 / 76 / 23 / 50

HEX #7F1E62

RGB 127 30 98

HSL 317.94, 0.62%, 0.31%

LAB 30.21, 47.55, -16.67

 

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

CMYK 76 / 0 / 38 / 50

HEX #1E7F4F

RGB 30 127 79

HSL 150.31, 0.62%, 0.31%

LAB 47, -39.22, 18.43

 

CMYK 54 / 76 / 0 / 50

HEX #3B1E7F

RGB 59 30 127

HSL 257.94, 0.62%, 0.31%

LAB 21.55, 38.34, -49.73

 

CMYK 0 / 76 / 38 / 50

HEX #7F1E4F

RGB 127 30 79

HSL 329.69, 0.62%, 0.31%

LAB 29.43, 45.08, -5.43

 

CMYK 23 / 0 / 76 / 50

HEX #627F1F

RGB 98 127 31

HSL 78.13, 0.61%, 0.31%

LAB 49.34, -24.87, 45.8

 

CMYK 76 / 0 / 16 / 50

HEX #1E7F6B

RGB 30 127 107

HSL 167.63, 0.62%, 0.31%

LAB 47.64, -32.31, 3.04

 

CMYK 54 / 76 / 0 / 50

HEX #3B1E7F

RGB 59 30 127

HSL 257.94, 0.62%, 0.31%

LAB 21.55, 38.34, -49.73

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E32

RGB 127 30 50

HSL 347.63, 0.62%, 0.31%

LAB 28.57, 42.3, 12.67

 

Description

Color code: RGB 98 127 31 | qconv.com Color code: RGB 98 127 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 127 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 127 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 76 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 76% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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