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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 67 146 it is the complementary color RGB 157 188 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 67 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 67 146 shade: RGB 103 67 141, RGB 120 85 160, RGB 137 103 179, RGB 154 121 198 and RGB 171 139 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 67 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 81 49 127, RGB 64 31 108, RGB 47 13 89 and RGB 30 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 119 67 146, RGB 141 67 146, RGB 146 67 130 and RGB 146 67 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 77 67 146 and RGB 67 67 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 67 146 shade matches the following richer shades: RGB 98 67 146, RGB 94 50 164, RGB 91 32 181 and RGB 87 15 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 102 84 129, RGB 106 102 112, RGB 109 119 94 and RGB 113 136 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 67 146 shade: RGB 67 79 146, RGB 76 67 146, RGB 97 67 146, RGB 118 67 146 and RGB 140 67 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 67 146 shade: RGB 60 41 90, RGB 79 54 118, RGB 98 67 146, RGB 117 80 174 and RGB 139 108 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 146 67 100 and RGB 68 146 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 146 97 67 and RGB 67 146 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 146 67 100, RGB 116 146 67 and RGB 67 146 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 67 146 shade: RGB 98 67 146, RGB 146 67 76, RGB 116 146 67 and RGB 67 146 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

Complementary color

CMYK 16 / 0 / 42 / 26

HEX #9DBC6D

RGB 157 188 109

HSL 83.54, 0.37%, 0.58%

LAB 72.39, -23.8, 36.51

 

CMYK 27 / 52 / 0 / 45

HEX #67438D

RGB 103 67 141

HSL 269.19, 0.36%, 0.41%

LAB 35.64, 31.07, -35.44

 

CMYK 25 / 47 / 0 / 37

HEX #7855A0

RGB 120 85 160

HSL 268, 0.31%, 0.48%

LAB 42.81, 30.1, -35.43

 

CMYK 23 / 42 / 0 / 30

HEX #8967B3

RGB 137 103 179

HSL 266.84, 0.33%, 0.55%

LAB 49.83, 29.21, -35.42

 

CMYK 22 / 39 / 0 / 22

HEX #9A79C6

RGB 154 121 198

HSL 265.71, 0.4%, 0.63%

LAB 56.71, 28.39, -35.44

 

CMYK 21 / 36 / 0 / 15

HEX #AB8BD9

RGB 171 139 217

HSL 264.62, 0.51%, 0.7%

LAB 63.45, 27.65, -35.48

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 36 / 61 / 0 / 50

HEX #51317F

RGB 81 49 127

HSL 264.62, 0.44%, 0.35%

LAB 28.06, 32.13, -39.04

 

CMYK 41 / 71 / 0 / 58

HEX #401F6C

RGB 64 31 108

HSL 265.71, 0.55%, 0.27%

LAB 20.65, 33.2, -38.99

 

CMYK 47 / 85 / 0 / 65

HEX #2F0D59

RGB 47 13 89

HSL 266.84, 0.75%, 0.2%

LAB 13.31, 33.74, -38.47

 

CMYK 57 / 100 / 0 / 73

HEX #1E0046

RGB 30 0 70

HSL 265.71, 1%, 0.14%

LAB 6.49, 32.3, -36.68

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 18 / 54 / 0 / 43

HEX #774392

RGB 119 67 146

HSL 279.49, 0.37%, 0.42%

LAB 37.86, 36.85, -34.84

 

CMYK 3 / 54 / 0 / 43

HEX #8D4392

RGB 141 67 146

HSL 296.2, 0.37%, 0.42%

LAB 40.82, 43.17, -29.98

 

CMYK 0 / 54 / 11 / 43

HEX #924382

RGB 146 67 130

HSL 312.15, 0.37%, 0.42%

LAB 40.8, 41.74, -20.22

 

CMYK 0 / 54 / 25 / 43

HEX #92436D

RGB 146 67 109

HSL 328.1, 0.37%, 0.42%

LAB 39.96, 38.38, -8.52

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 47 / 54 / 0 / 43

HEX #4D4392

RGB 77 67 146

HSL 247.59, 0.37%, 0.42%

LAB 33.28, 25.62, -42.42

 

CMYK 54 / 54 / 0 / 43

HEX #434392

RGB 67 67 146

HSL 240, 0.37%, 0.42%

LAB 32.44, 23.32, -43.81

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 43 / 70 / 0 / 36

HEX #5E32A4

RGB 94 50 164

HSL 263.16, 0.53%, 0.42%

LAB 32.57, 44.62, -54.4

 

CMYK 50 / 82 / 0 / 29

HEX #5B20B5

RGB 91 32 181

HSL 263.76, 0.7%, 0.42%

LAB 30.86, 56.75, -67.39

 

CMYK 56 / 92 / 0 / 22

HEX #570FC6

RGB 87 15 198

HSL 263.61, 0.86%, 0.42%

LAB 30.51, 65.43, -78.04

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 21 / 35 / 0 / 49

HEX #665481

RGB 102 84 129

HSL 264, 0.21%, 0.42%

LAB 39.16, 17.28, -22.58

 

CMYK 5 / 9 / 0 / 56

HEX #6A6670

RGB 106 102 112

HSL 264, 0.05%, 0.42%

LAB 43.85, 3.66, -5.05

 

CMYK 8 / 0 / 21 / 53

HEX #6D775E

RGB 109 119 94

HSL 84, 0.12%, 0.42%

LAB 48.58, -8.61, 12.52

 

CMYK 17 / 0 / 43 / 47

HEX #71884D

RGB 113 136 77

HSL 83.39, 0.28%, 0.42%

LAB 53.66, -18.8, 28.95

 

CMYK 54 / 46 / 0 / 43

HEX #434F92

RGB 67 79 146

HSL 230.89, 0.37%, 0.42%

LAB 35.71, 15.47, -38.57

 

CMYK 48 / 54 / 0 / 43

HEX #4C4392

RGB 76 67 146

HSL 246.84, 0.37%, 0.42%

LAB 33.19, 25.39, -42.57

 

CMYK 34 / 54 / 0 / 43

HEX #614392

RGB 97 67 146

HSL 262.78, 0.37%, 0.42%

LAB 35.26, 30.74, -39.13

 

CMYK 19 / 54 / 0 / 43

HEX #764392

RGB 118 67 146

HSL 278.73, 0.37%, 0.42%

LAB 37.74, 36.56, -35.05

 

CMYK 4 / 54 / 0 / 43

HEX #8C4392

RGB 140 67 146

HSL 295.44, 0.37%, 0.42%

LAB 40.68, 42.88, -30.21

 

CMYK 33 / 54 / 0 / 65

HEX #3C295A

RGB 60 41 90

HSL 263.27, 0.37%, 0.26%

LAB 21.15, 20.78, -26.39

 

CMYK 33 / 54 / 0 / 54

HEX #4F3676

RGB 79 54 118

HSL 263.44, 0.37%, 0.34%

LAB 28.4, 26.02, -32.82

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 33 / 54 / 0 / 32

HEX #7550AE

RGB 117 80 174

HSL 263.62, 0.37%, 0.5%

LAB 42.12, 35.8, -44.84

 

CMYK 26 / 42 / 0 / 27

HEX #8B6CBB

RGB 139 108 187

HSL 263.54, 0.37%, 0.58%

LAB 51.61, 28.84, -37.23

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 0 / 54 / 32 / 43

HEX #924364

RGB 146 67 100

HSL 334.94, 0.37%, 0.42%

LAB 39.66, 37.1, -3.37

 

CMYK 53 / 0 / 54 / 43

HEX #449243

RGB 68 146 67

HSL 119.24, 0.37%, 0.42%

LAB 54.23, -40.71, 34.38

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 0 / 34 / 54 / 43

HEX #926143

RGB 146 97 67

HSL 22.78, 0.37%, 0.42%

LAB 45.72, 16.44, 25.12

 

CMYK 54 / 0 / 34 / 43

HEX #439261

RGB 67 146 97

HSL 142.78, 0.37%, 0.42%

LAB 54.67, -35.92, 18.79

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 0 / 54 / 32 / 43

HEX #924364

RGB 146 67 100

HSL 334.94, 0.37%, 0.42%

LAB 39.66, 37.1, -3.37

 

CMYK 21 / 0 / 54 / 43

HEX #749243

RGB 116 146 67

HSL 82.78, 0.37%, 0.42%

LAB 56.76, -23.88, 38.01

 

CMYK 54 / 0 / 23 / 43

HEX #439271

RGB 67 146 113

HSL 154.94, 0.37%, 0.42%

LAB 55.01, -32.49, 10.23

 

CMYK 33 / 54 / 0 / 43

HEX #624392

RGB 98 67 146

HSL 263.54, 0.37%, 0.42%

LAB 35.37, 31.01, -38.95

 

CMYK 0 / 54 / 48 / 43

HEX #92434C

RGB 146 67 76

HSL 353.16, 0.37%, 0.42%

LAB 38.98, 34.21, 10.7

 

CMYK 21 / 0 / 54 / 43

HEX #749243

RGB 116 146 67

HSL 82.78, 0.37%, 0.42%

LAB 56.76, -23.88, 38.01

 

CMYK 54 / 0 / 6 / 43

HEX #439289

RGB 67 146 137

HSL 173.16, 0.37%, 0.42%

LAB 55.64, -26.49, -2.61

 

Description

Color code: RGB 98 67 146 | qconv.com Color code: RGB 98 67 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 67 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 67 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 54 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 54% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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