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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 50 80 it is the complementary color RGB 157 205 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 50 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 50 80 shade: RGB 103 50 75, RGB 120 68 94, RGB 137 86 113, RGB 154 104 132 and RGB 171 122 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 50 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 50 80 shade: RGB 98 50 80, RGB 81 32 61, RGB 64 14 42, RGB 47 0 23 and RGB 30 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 50 80 shade: RGB 97 50 79, RGB 97 50 67, RGB 97 50 54 and RGB 97 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 50 80 shade: RGB 97 50 79, RGB 97 50 92, RGB 89 50 97, RGB 77 50 97 and RGB 64 50 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 50 80 shade matches the following richer shades: RGB 97 50 79, RGB 109 38 82, RGB 121 26 85, RGB 133 14 88 and RGB 145 2 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 50 80 shade: RGB 97 50 79, RGB 85 62 76, RGB 73 74 73, RGB 61 86 70 and RGB 49 98 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 50 80 shade: RGB 89 50 97, RGB 97 50 92, RGB 97 50 80, RGB 97 50 67 and RGB 97 50 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 50 80 shade: RGB 43 22 35, RGB 70 36 57, RGB 97 50 79, RGB 124 64 102 and RGB 152 78 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 50 80 shade: RGB 98 50 80, RGB 97 77 50 and RGB 50 97 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 50 80 shade: RGB 98 50 80, RGB 80 97 50 and RGB 50 80 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 50 80 shade: RGB 98 50 80, RGB 97 77 50, RGB 50 97 67 and RGB 50 70 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 50 80 shade: RGB 98 50 80, RGB 97 91 50, RGB 50 97 67 and RGB 50 56 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

Complementary color

CMYK 23 / 0 / 15 / 20

HEX #9DCDAF

RGB 157 205 175

HSL 142.5, 0.32%, 0.71%

LAB 78.42, -21.73, 9.87

 

CMYK 0 / 51 / 27 / 60

HEX #67324B

RGB 103 50 75

HSL 331.7, 0.35%, 0.3%

LAB 28.57, 27.04, -4.51

 

CMYK 0 / 43 / 22 / 53

HEX #78445E

RGB 120 68 94

HSL 330, 0.28%, 0.37%

LAB 35.86, 26.13, -5.64

 

CMYK 0 / 37 / 18 / 46

HEX #895671

RGB 137 86 113

HSL 328.24, 0.23%, 0.44%

LAB 43.01, 25.26, -6.55

 

CMYK 0 / 32 / 14 / 40

HEX #9A6884

RGB 154 104 132

HSL 326.4, 0.2%, 0.51%

LAB 50.02, 24.46, -7.33

 

CMYK 0 / 29 / 12 / 33

HEX #AB7A97

RGB 171 122 151

HSL 324.49, 0.23%, 0.57%

LAB 56.89, 23.73, -8.02

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 0 / 60 / 25 / 68

HEX #51203D

RGB 81 32 61

HSL 324.49, 0.43%, 0.22%

LAB 20.52, 26.81, -7.53

 

CMYK 0 / 78 / 34 / 75

HEX #400E2A

RGB 64 14 42

HSL 326.4, 0.64%, 0.15%

LAB 13.05, 27.13, -5.61

 

CMYK 0 / 100 / 51 / 82

HEX #2F0017

RGB 47 0 23

HSL 330.64, 1%, 0.09%

LAB 6.02, 25.49, -2.06

 

CMYK 0 / 100 / 87 / 88

HEX #1E0004

RGB 30 0 4

HSL 352, 1%, 0.06%

LAB 2.57, 11.74, 2.43

 

CMYK 0 / 48 / 19 / 62

HEX #61324F

RGB 97 50 79

HSL 322.98, 0.32%, 0.29%

LAB 27.81, 25.45, -8.38

 

CMYK 0 / 48 / 31 / 62

HEX #613243

RGB 97 50 67

HSL 338.3, 0.32%, 0.29%

LAB 27.37, 23.46, -1.09

 

CMYK 0 / 48 / 44 / 62

HEX #613236

RGB 97 50 54

HSL 354.89, 0.32%, 0.29%

LAB 26.99, 21.63, 6.99

 

CMYK 0 / 48 / 48 / 62

HEX #613232

RGB 97 50 50

HSL 0, 0.32%, 0.29%

LAB 26.88, 21.14, 9.5

 

CMYK 0 / 48 / 19 / 62

HEX #61324F

RGB 97 50 79

HSL 322.98, 0.32%, 0.29%

LAB 27.81, 25.45, -8.38

 

CMYK 0 / 48 / 5 / 62

HEX #61325C

RGB 97 50 92

HSL 306.38, 0.32%, 0.29%

LAB 28.37, 27.9, -16.04

 

CMYK 8 / 48 / 0 / 62

HEX #593261

RGB 89 50 97

HSL 289.79, 0.32%, 0.29%

LAB 27.49, 26.24, -20.74

 

CMYK 21 / 48 / 0 / 62

HEX #4D3261

RGB 77 50 97

HSL 274.47, 0.32%, 0.29%

LAB 25.93, 22.26, -23.29

 

CMYK 34 / 48 / 0 / 62

HEX #403261

RGB 64 50 97

HSL 257.87, 0.32%, 0.29%

LAB 24.43, 18.09, -25.76

 

CMYK 0 / 48 / 19 / 62

HEX #61324F

RGB 97 50 79

HSL 322.98, 0.32%, 0.29%

LAB 27.81, 25.45, -8.38

 

CMYK 0 / 65 / 25 / 57

HEX #6D2652

RGB 109 38 82

HSL 322.82, 0.48%, 0.29%

LAB 27.43, 36.61, -10.76

 

CMYK 0 / 79 / 30 / 53

HEX #791A55

RGB 121 26 85

HSL 322.74, 0.65%, 0.29%

LAB 28.01, 45.53, -11.66

 

CMYK 0 / 89 / 34 / 48

HEX #850E58

RGB 133 14 88

HSL 322.69, 0.81%, 0.29%

LAB 29.43, 52.15, -11.25

 

CMYK 0 / 99 / 37 / 43

HEX #91025B

RGB 145 2 91

HSL 322.66, 0.97%, 0.29%

LAB 31.39, 57.17, -10

 

CMYK 0 / 48 / 19 / 62

HEX #61324F

RGB 97 50 79

HSL 322.98, 0.32%, 0.29%

LAB 27.81, 25.45, -8.38

 

CMYK 0 / 27 / 11 / 67

HEX #553E4C

RGB 85 62 76

HSL 323.48, 0.16%, 0.29%

LAB 29.15, 12.67, -4.56

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 29 / 0 / 19 / 66

HEX #3D5646

RGB 61 86 70

HSL 141.6, 0.17%, 0.29%

LAB 34.17, -13.28, 6.3

 

CMYK 50 / 0 / 32 / 62

HEX #316243

RGB 49 98 67

HSL 142.04, 0.33%, 0.29%

LAB 37.47, -24.47, 12.64

 

CMYK 8 / 48 / 0 / 62

HEX #593261

RGB 89 50 97

HSL 289.79, 0.32%, 0.29%

LAB 27.49, 26.24, -20.74

 

CMYK 0 / 48 / 5 / 62

HEX #61325C

RGB 97 50 92

HSL 306.38, 0.32%, 0.29%

LAB 28.37, 27.9, -16.04

 

CMYK 0 / 48 / 18 / 62

HEX #613250

RGB 97 50 80

HSL 321.7, 0.32%, 0.29%

LAB 27.85, 25.62, -8.98

 

CMYK 0 / 48 / 31 / 62

HEX #613243

RGB 97 50 67

HSL 338.3, 0.32%, 0.29%

LAB 27.37, 23.46, -1.09

 

CMYK 0 / 48 / 43 / 62

HEX #613237

RGB 97 50 55

HSL 353.62, 0.32%, 0.29%

LAB 27.01, 21.76, 6.36

 

CMYK 0 / 49 / 19 / 83

HEX #2B1623

RGB 43 22 35

HSL 322.86, 0.32%, 0.13%

LAB 10.62, 13.03, -4.47

 

CMYK 0 / 49 / 19 / 73

HEX #462439

RGB 70 36 57

HSL 322.94, 0.32%, 0.21%

LAB 19.47, 19.49, -6.51

 

CMYK 0 / 48 / 19 / 62

HEX #61324F

RGB 97 50 79

HSL 322.98, 0.32%, 0.29%

LAB 27.81, 25.45, -8.38

 

CMYK 0 / 48 / 18 / 51

HEX #7C4066

RGB 124 64 102

HSL 322, 0.32%, 0.37%

LAB 35.81, 31.24, -10.71

 

CMYK 0 / 49 / 18 / 40

HEX #984E7C

RGB 152 78 124

HSL 322.7, 0.32%, 0.45%

LAB 43.62, 36.94, -12.15

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 0 / 21 / 48 / 62

HEX #614D32

RGB 97 77 50

HSL 34.47, 0.32%, 0.29%

LAB 34.15, 4.41, 19.17

 

CMYK 48 / 0 / 1 / 62

HEX #326160

RGB 50 97 96

HSL 178.72, 0.32%, 0.29%

LAB 37.97, -16.27, -4.42

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 18 / 0 / 48 / 62

HEX #506132

RGB 80 97 50

HSL 81.7, 0.32%, 0.29%

LAB 38.7, -15.21, 24.6

 

CMYK 48 / 18 / 0 / 62

HEX #325061

RGB 50 80 97

HSL 201.7, 0.32%, 0.29%

LAB 32.43, -5.97, -13.39

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 0 / 21 / 48 / 62

HEX #614D32

RGB 97 77 50

HSL 34.47, 0.32%, 0.29%

LAB 34.15, 4.41, 19.17

 

CMYK 48 / 0 / 31 / 62

HEX #326143

RGB 50 97 67

HSL 141.7, 0.32%, 0.29%

LAB 37.18, -23.66, 12.25

 

CMYK 48 / 28 / 0 / 62

HEX #324661

RGB 50 70 97

HSL 214.47, 0.32%, 0.29%

LAB 29.21, 0.4, -18.34

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 0 / 6 / 48 / 62

HEX #615B32

RGB 97 91 50

HSL 52.34, 0.32%, 0.29%

LAB 38.29, -4.07, 24.41

 

CMYK 48 / 0 / 31 / 62

HEX #326143

RGB 50 97 67

HSL 141.7, 0.32%, 0.29%

LAB 37.18, -23.66, 12.25

 

CMYK 48 / 42 / 0 / 62

HEX #323861

RGB 50 56 97

HSL 232.34, 0.32%, 0.29%

LAB 24.86, 9.82, -25.17

 

Description

Color code: RGB 98 50 80 | qconv.com Color code: RGB 98 50 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 50 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 50 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 18 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 18% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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