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Color name
RGB 96 229 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 229 149 it is the complementary color RGB 159 26 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 229 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 229 149 shade: RGB 101 229 144, RGB 118 247 163, RGB 135 255 182, RGB 152 255 201 and RGB 169 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 229 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 229 149 shade: RGB 96 229 149, RGB 79 211 130, RGB 62 193 111, RGB 45 175 92 and RGB 28 157 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 229 149 shade: RGB 97 229 149, RGB 97 229 114, RGB 115 229 97, RGB 151 229 97 and RGB 187 229 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 229 149 shade: RGB 97 229 149, RGB 97 229 185, RGB 97 229 221, RGB 97 201 229 and RGB 97 166 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 229 149 shade matches the following richer shades: RGB 97 229 149 and RGB 82 244 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 229 149 shade: RGB 97 229 149, RGB 111 214 152, RGB 126 199 155, RGB 141 184 158 and RGB 156 169 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 229 149 shade: RGB 116 229 97, RGB 97 229 112, RGB 97 229 147, RGB 97 229 183 and RGB 97 229 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 229 149 shade: RGB 34 209 104, RGB 61 223 126, RGB 97 229 149, RGB 132 235 173 and RGB 168 240 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 229 149 shade: RGB 96 229 149, RGB 97 152 229 and RGB 229 97 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 229 149 shade: RGB 96 229 149, RGB 147 97 229 and RGB 229 147 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 229 149 shade: RGB 96 229 149, RGB 97 152 229, RGB 229 97 178 and RGB 229 174 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 229 149 shade: RGB 96 229 149, RGB 97 112 229, RGB 229 97 178 and RGB 229 213 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

Complementary color

CMYK 0 / 84 / 33 / 38

HEX #9F1A6A

RGB 159 26 106

HSL 323.91, 0.72%, 0.36%

LAB 36.27, 57.88, -11.99

 

CMYK 56 / 0 / 37 / 10

HEX #65E590

RGB 101 229 144

HSL 140.16, 0.71%, 0.65%

LAB 82.28, -53.93, 31.03

 

CMYK 52 / 0 / 34 / 3

HEX #76F7A3

RGB 118 247 163

HSL 140.93, 0.89%, 0.72%

LAB 88.46, -53.89, 29.76

 

CMYK 47 / 0 / 29 / 0

HEX #87FFB6

RGB 135 255 182

HSL 143.5, 1%, 0.76%

LAB 91.71, -49.64, 24.65

 

CMYK 40 / 0 / 21 / 0

HEX #98FFC9

RGB 152 255 201

HSL 148.54, 1%, 0.8%

LAB 92.76, -41.65, 16.52

 

CMYK 34 / 0 / 14 / 0

HEX #A9FFDC

RGB 169 255 220

HSL 155.58, 1%, 0.83%

LAB 93.94, -33.25, 8.54

 

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

CMYK 63 / 0 / 38 / 17

HEX #4FD382

RGB 79 211 130

HSL 143.18, 0.6%, 0.57%

LAB 75.98, -53.99, 29.72

 

CMYK 68 / 0 / 42 / 24

HEX #3EC16F

RGB 62 193 111

HSL 142.44, 0.51%, 0.5%

LAB 69.69, -53.65, 31.17

 

CMYK 74 / 0 / 47 / 31

HEX #2DAF5C

RGB 45 175 92

HSL 141.69, 0.59%, 0.43%

LAB 63.34, -53.01, 32.73

 

CMYK 82 / 0 / 54 / 38

HEX #1C9D49

RGB 28 157 73

HSL 140.93, 0.7%, 0.36%

LAB 56.92, -51.91, 34.38

 

CMYK 58 / 0 / 35 / 10

HEX #61E595

RGB 97 229 149

HSL 143.64, 0.72%, 0.64%

LAB 82.24, -53.92, 28.41

 

CMYK 58 / 0 / 50 / 10

HEX #61E572

RGB 97 229 114

HSL 127.73, 0.72%, 0.64%

LAB 81.73, -59.52, 45.11

 

CMYK 50 / 0 / 58 / 10

HEX #73E561

RGB 115 229 97

HSL 111.82, 0.72%, 0.64%

LAB 82.13, -57.1, 53.58

 

CMYK 34 / 0 / 58 / 10

HEX #97E561

RGB 151 229 97

HSL 95.45, 0.72%, 0.64%

LAB 83.69, -46.06, 55.79

 

CMYK 18 / 0 / 58 / 10

HEX #BBE561

RGB 187 229 97

HSL 79.09, 0.72%, 0.64%

LAB 85.74, -33.11, 58.66

 

CMYK 58 / 0 / 35 / 10

HEX #61E595

RGB 97 229 149

HSL 143.64, 0.72%, 0.64%

LAB 82.24, -53.92, 28.41

 

CMYK 58 / 0 / 19 / 10

HEX #61E5B9

RGB 97 229 185

HSL 160, 0.72%, 0.64%

LAB 82.96, -46.59, 10.68

 

CMYK 58 / 0 / 3 / 10

HEX #61E5DD

RGB 97 229 221

HSL 176.36, 0.72%, 0.64%

LAB 83.86, -37.87, -7.01

 

CMYK 58 / 12 / 0 / 10

HEX #61C9E5

RGB 97 201 229

HSL 192.73, 0.72%, 0.64%

LAB 76.05, -22.21, -23.01

 

CMYK 58 / 28 / 0 / 10

HEX #61A6E5

RGB 97 166 229

HSL 208.64, 0.72%, 0.64%

LAB 66.11, -3.55, -38.33

 

CMYK 58 / 0 / 35 / 10

HEX #61E595

RGB 97 229 149

HSL 143.64, 0.72%, 0.64%

LAB 82.24, -53.92, 28.41

 

CMYK 66 / 0 / 40 / 4

HEX #52F492

RGB 82 244 146

HSL 143.7, 0.88%, 0.64%

LAB 86.29, -63.06, 35.22

 

CMYK 58 / 0 / 35 / 10

HEX #61E595

RGB 97 229 149

HSL 143.64, 0.72%, 0.64%

LAB 82.24, -53.92, 28.41

 

CMYK 48 / 0 / 29 / 16

HEX #6FD698

RGB 111 214 152

HSL 143.88, 0.56%, 0.64%

LAB 78.31, -43.84, 21.59

 

CMYK 37 / 0 / 22 / 22

HEX #7EC79B

RGB 126 199 155

HSL 143.84, 0.39%, 0.64%

LAB 74.6, -32.34, 14.95

 

CMYK 23 / 0 / 14 / 28

HEX #8DB89E

RGB 141 184 158

HSL 143.72, 0.23%, 0.64%

LAB 71.15, -19.7, 8.56

 

CMYK 8 / 0 / 5 / 34

HEX #9CA9A1

RGB 156 169 161

HSL 143.08, 0.07%, 0.64%

LAB 68.03, -6.13, 2.55

 

CMYK 49 / 0 / 58 / 10

HEX #74E561

RGB 116 229 97

HSL 111.36, 0.72%, 0.64%

LAB 82.17, -56.83, 53.64

 

CMYK 58 / 0 / 51 / 10

HEX #61E570

RGB 97 229 112

HSL 126.82, 0.72%, 0.64%

LAB 81.7, -59.79, 46.03

 

CMYK 58 / 0 / 36 / 10

HEX #61E593

RGB 97 229 147

HSL 142.73, 0.72%, 0.64%

LAB 82.21, -54.28, 29.38

 

CMYK 58 / 0 / 20 / 10

HEX #61E5B7

RGB 97 229 183

HSL 159.09, 0.72%, 0.64%

LAB 82.91, -47.04, 11.67

 

CMYK 58 / 0 / 5 / 10

HEX #61E5DA

RGB 97 229 218

HSL 175, 0.72%, 0.64%

LAB 83.78, -38.65, -5.54

 

CMYK 84 / 0 / 50 / 18

HEX #22D168

RGB 34 209 104

HSL 144, 0.72%, 0.48%

LAB 74.15, -64.18, 40.27

 

CMYK 73 / 0 / 43 / 13

HEX #3DDF7E

RGB 61 223 126

HSL 144.07, 0.72%, 0.56%

LAB 79.2, -62.22, 35.88

 

CMYK 58 / 0 / 35 / 10

HEX #61E595

RGB 97 229 149

HSL 143.64, 0.72%, 0.64%

LAB 82.24, -53.92, 28.41

 

CMYK 44 / 0 / 26 / 8

HEX #84EBAD

RGB 132 235 173

HSL 143.88, 0.72%, 0.72%

LAB 85.68, -43.52, 20.93

 

CMYK 30 / 0 / 18 / 6

HEX #A8F0C5

RGB 168 240 197

HSL 144.17, 0.71%, 0.8%

LAB 89.24, -31.03, 13.73

 

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

CMYK 58 / 34 / 0 / 10

HEX #6198E5

RGB 97 152 229

HSL 215, 0.72%, 0.64%

LAB 62.22, 4.43, -44.44

 

CMYK 0 / 58 / 57 / 10

HEX #E56163

RGB 229 97 99

HSL 359.09, 0.72%, 0.64%

LAB 58.14, 51.47, 25

 

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

CMYK 36 / 58 / 0 / 10

HEX #9361E5

RGB 147 97 229

HSL 262.73, 0.72%, 0.64%

LAB 52.3, 47.74, -60.02

 

CMYK 0 / 36 / 58 / 10

HEX #E59361

RGB 229 147 97

HSL 22.73, 0.72%, 0.64%

LAB 68.31, 26.03, 39.05

 

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

CMYK 58 / 34 / 0 / 10

HEX #6198E5

RGB 97 152 229

HSL 215, 0.72%, 0.64%

LAB 62.22, 4.43, -44.44

 

CMYK 0 / 58 / 22 / 10

HEX #E561B2

RGB 229 97 178

HSL 323.18, 0.72%, 0.64%

LAB 60.27, 59.87, -17.76

 

CMYK 0 / 24 / 58 / 10

HEX #E5AE61

RGB 229 174 97

HSL 35, 0.72%, 0.64%

LAB 74.69, 11.64, 46.77

 

CMYK 58 / 0 / 35 / 10

HEX #60E595

RGB 96 229 149

HSL 143.91, 0.72%, 0.64%

LAB 82.21, -54.13, 28.36

 

CMYK 58 / 51 / 0 / 10

HEX #6170E5

RGB 97 112 229

HSL 233.18, 0.72%, 0.64%

LAB 51.6, 28.43, -61.36

 

CMYK 0 / 58 / 22 / 10

HEX #E561B2

RGB 229 97 178

HSL 323.18, 0.72%, 0.64%

LAB 60.27, 59.87, -17.76

 

CMYK 0 / 7 / 58 / 10

HEX #E5D561

RGB 229 213 97

HSL 52.73, 0.72%, 0.64%

LAB 84.54, -8.62, 58.15

 

Description

Color code: RGB 96 229 149 | qconv.com Color code: RGB 96 229 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 229 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 229 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 35 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 35% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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