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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 228 67 it is the complementary color RGB 159 27 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 228 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 228 67 shade: RGB 101 228 62, RGB 118 246 81, RGB 135 255 100, RGB 152 255 119 and RGB 169 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 228 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 79 210 48, RGB 62 192 29, RGB 45 174 10 and RGB 28 156 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 139 228 67, RGB 183 228 67, RGB 226 228 67 and RGB 228 186 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 67 228 81, RGB 67 228 125, RGB 67 228 168 and RGB 67 228 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 228 67 shade matches the following richer shades: RGB 96 228 67 and RGB 85 245 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 107 210 84, RGB 118 193 102, RGB 129 176 119 and RGB 140 158 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 228 67 shade: RGB 182 228 67, RGB 139 228 67, RGB 97 228 67, RGB 67 228 80 and RGB 67 228 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 228 67 shade: RGB 55 186 26, RGB 66 222 31, RGB 96 228 67, RGB 127 233 103 and RGB 157 238 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 67 225 228 and RGB 228 67 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 67 97 228 and RGB 228 67 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 67 225 228, RGB 198 67 228 and RGB 228 70 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 228 67 shade: RGB 96 228 67, RGB 67 177 228, RGB 198 67 228 and RGB 228 118 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

Complementary color

CMYK 15 / 86 / 0 / 26

HEX #9F1BBC

RGB 159 27 188

HSL 289.19, 0.75%, 0.42%

LAB 40.87, 69.86, -54.79

 

CMYK 56 / 0 / 73 / 11

HEX #65E43E

RGB 101 228 62

HSL 105.9, 0.75%, 0.57%

LAB 81.07, -63.55, 66.23

 

CMYK 52 / 0 / 67 / 4

HEX #76F651

RGB 118 246 81

HSL 106.55, 0.9%, 0.64%

LAB 87.17, -64.13, 65.82

 

CMYK 47 / 0 / 61 / 0

HEX #87FF64

RGB 135 255 100

HSL 106.45, 1%, 0.7%

LAB 90.59, -61.14, 62.13

 

CMYK 40 / 0 / 53 / 0

HEX #98FF77

RGB 152 255 119

HSL 105.44, 1%, 0.73%

LAB 91.47, -54.2, 55.07

 

CMYK 34 / 0 / 46 / 0

HEX #A9FF8A

RGB 169 255 138

HSL 104.1, 1%, 0.77%

LAB 92.48, -46.67, 47.67

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 62 / 0 / 77 / 18

HEX #4FD230

RGB 79 210 48

HSL 108.52, 0.64%, 0.51%

LAB 74.81, -63.51, 64.43

 

CMYK 68 / 0 / 85 / 25

HEX #3EC01D

RGB 62 192 29

HSL 107.85, 0.74%, 0.43%

LAB 68.61, -62.17, 63.74

 

CMYK 74 / 0 / 94 / 32

HEX #2DAE0A

RGB 45 174 10

HSL 107.2, 0.89%, 0.36%

LAB 62.38, -60.22, 61.73

 

CMYK 82 / 0 / 100 / 39

HEX #1C9C00

RGB 28 156 0

HSL 109.23, 1%, 0.31%

LAB 56.11, -57.46, 57.93

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 39 / 0 / 71 / 11

HEX #8BE443

RGB 139 228 67

HSL 93.17, 0.75%, 0.58%

LAB 82.58, -52.1, 66.49

 

CMYK 20 / 0 / 71 / 11

HEX #B7E443

RGB 183 228 67

HSL 76.77, 0.75%, 0.58%

LAB 84.98, -36.28, 69.67

 

CMYK 1 / 0 / 71 / 11

HEX #E2E443

RGB 226 228 67

HSL 60.75, 0.75%, 0.58%

LAB 88, -19.06, 73.66

 

CMYK 0 / 18 / 71 / 11

HEX #E4BA43

RGB 228 186 67

HSL 44.35, 0.75%, 0.58%

LAB 77.29, 3.03, 63.17

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 71 / 0 / 64 / 11

HEX #43E451

RGB 67 228 81

HSL 125.22, 0.75%, 0.58%

LAB 80.33, -69.06, 58.03

 

CMYK 71 / 0 / 45 / 11

HEX #43E47D

RGB 67 228 125

HSL 141.61, 0.75%, 0.58%

LAB 80.83, -63.26, 38.49

 

CMYK 71 / 0 / 26 / 11

HEX #43E4A8

RGB 67 228 168

HSL 157.64, 0.75%, 0.58%

LAB 81.57, -55.06, 17.53

 

CMYK 71 / 0 / 7 / 11

HEX #43E4D3

RGB 67 228 211

HSL 173.66, 0.75%, 0.58%

LAB 82.58, -44.65, -3.68

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 65 / 0 / 80 / 4

HEX #55F532

RGB 85 245 50

HSL 109.23, 0.91%, 0.58%

LAB 85.74, -73.53, 74.25

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 49 / 0 / 60 / 18

HEX #6BD254

RGB 107 210 84

HSL 109.05, 0.58%, 0.58%

LAB 75.98, -53.38, 52.19

 

CMYK 39 / 0 / 47 / 24

HEX #76C166

RGB 118 193 102

HSL 109.45, 0.42%, 0.58%

LAB 71.52, -40.88, 38.48

 

CMYK 27 / 0 / 32 / 31

HEX #81B077

RGB 129 176 119

HSL 109.47, 0.27%, 0.58%

LAB 67.31, -26.78, 24.3

 

CMYK 11 / 0 / 14 / 38

HEX #8C9E88

RGB 140 158 136

HSL 109.09, 0.1%, 0.58%

LAB 63.18, -10.66, 9.36

 

CMYK 20 / 0 / 71 / 11

HEX #B6E443

RGB 182 228 67

HSL 77.14, 0.75%, 0.58%

LAB 84.91, -36.67, 69.59

 

CMYK 39 / 0 / 71 / 11

HEX #8BE443

RGB 139 228 67

HSL 93.17, 0.75%, 0.58%

LAB 82.58, -52.1, 66.49

 

CMYK 57 / 0 / 71 / 11

HEX #61E443

RGB 97 228 67

HSL 108.82, 0.75%, 0.58%

LAB 80.98, -64.17, 64.34

 

CMYK 71 / 0 / 65 / 11

HEX #43E450

RGB 67 228 80

HSL 124.84, 0.75%, 0.58%

LAB 80.33, -69.16, 58.42

 

CMYK 71 / 0 / 46 / 11

HEX #43E47B

RGB 67 228 123

HSL 140.87, 0.75%, 0.58%

LAB 80.8, -63.59, 39.44

 

CMYK 70 / 0 / 86 / 27

HEX #37BA1A

RGB 55 186 26

HSL 109.13, 0.75%, 0.42%

LAB 66.52, -61.71, 62.51

 

CMYK 70 / 0 / 86 / 13

HEX #42DE1F

RGB 66 222 31

HSL 109.01, 0.75%, 0.5%

LAB 78.17, -70.79, 71.78

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 45 / 0 / 56 / 9

HEX #7FE967

RGB 127 233 103

HSL 108.92, 0.75%, 0.66%

LAB 83.85, -54.62, 53.01

 

CMYK 34 / 0 / 42 / 7

HEX #9DEE8B

RGB 157 238 139

HSL 109.09, 0.74%, 0.74%

LAB 87.09, -43.04, 40.23

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 71 / 1 / 0 / 11

HEX #43E1E4

RGB 67 225 228

HSL 181.12, 0.75%, 0.58%

LAB 82.19, -38.66, -13.28

 

CMYK 0 / 71 / 29 / 11

HEX #E443A1

RGB 228 67 161

HSL 324.97, 0.75%, 0.58%

LAB 55.16, 69.34, -15.67

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 71 / 57 / 0 / 11

HEX #4361E4

RGB 67 97 228

HSL 228.82, 0.75%, 0.58%

LAB 46.1, 32.63, -69.77

 

CMYK 0 / 71 / 57 / 11

HEX #E44361

RGB 228 67 97

HSL 348.82, 0.75%, 0.58%

LAB 53.35, 63.36, 19.78

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 71 / 1 / 0 / 11

HEX #43E1E4

RGB 67 225 228

HSL 181.12, 0.75%, 0.58%

LAB 82.19, -38.66, -13.28

 

CMYK 13 / 71 / 0 / 11

HEX #C643E4

RGB 198 67 228

HSL 288.82, 0.75%, 0.58%

LAB 53.62, 72.39, -56.98

 

CMYK 0 / 69 / 71 / 11

HEX #E44643

RGB 228 70 67

HSL 1.12, 0.75%, 0.58%

LAB 53.25, 60.55, 37.19

 

CMYK 58 / 0 / 71 / 11

HEX #60E443

RGB 96 228 67

HSL 109.19, 0.75%, 0.58%

LAB 80.95, -64.41, 64.3

 

CMYK 71 / 22 / 0 / 11

HEX #43B1E4

RGB 67 177 228

HSL 199.01, 0.75%, 0.58%

LAB 68.2, -14.93, -34.62

 

CMYK 13 / 71 / 0 / 11

HEX #C643E4

RGB 198 67 228

HSL 288.82, 0.75%, 0.58%

LAB 53.62, 72.39, -56.98

 

CMYK 0 / 48 / 71 / 11

HEX #E47643

RGB 228 118 67

HSL 19.01, 0.75%, 0.58%

LAB 61.53, 38.9, 46.58

 

Description

Color code: RGB 96 228 67 | qconv.com Color code: RGB 96 228 67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 228 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 228 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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