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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 227 89 it is the complementary color RGB 159 28 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 227 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 227 89 shade: RGB 101 227 84, RGB 118 245 103, RGB 135 255 122, RGB 152 255 141 and RGB 169 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 227 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 227 89 shade: RGB 96 227 89, RGB 79 209 70, RGB 62 191 51, RGB 45 173 32 and RGB 28 155 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 227 89 shade: RGB 96 226 89, RGB 133 226 89, RGB 170 226 89, RGB 207 226 89 and RGB 226 209 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 227 89 shade: RGB 96 226 89, RGB 89 226 119, RGB 89 226 156, RGB 89 226 193 and RGB 89 223 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 227 89 shade matches the following richer shades: RGB 96 226 89 and RGB 82 242 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 227 89 shade: RGB 96 226 89, RGB 110 211 104, RGB 124 195 120, RGB 138 179 136 and RGB 152 164 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 227 89 shade: RGB 171 226 89, RGB 135 226 89, RGB 98 226 89, RGB 89 226 116 and RGB 89 226 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 227 89 shade: RGB 42 199 33, RGB 62 220 54, RGB 96 226 89, RGB 130 232 124 and RGB 163 238 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 227 89 shade: RGB 96 227 89, RGB 89 208 226 and RGB 226 89 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 227 89 shade: RGB 96 227 89, RGB 89 98 226 and RGB 226 89 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 227 89 shade: RGB 96 227 89, RGB 89 208 226, RGB 217 89 226 and RGB 226 107 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 227 89 shade: RGB 96 227 89, RGB 89 167 226, RGB 217 89 226 and RGB 226 148 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

Complementary color

CMYK 4 / 83 / 0 / 35

HEX #9F1CA6

RGB 159 28 166

HSL 296.96, 0.71%, 0.38%

LAB 39.5, 65.86, -43.93

 

CMYK 56 / 0 / 63 / 11

HEX #65E354

RGB 101 227 84

HSL 112.87, 0.72%, 0.61%

LAB 80.93, -61.36, 57.69

 

CMYK 52 / 0 / 58 / 4

HEX #76F567

RGB 118 245 103

HSL 113.66, 0.88%, 0.68%

LAB 87.06, -61.68, 56.67

 

CMYK 47 / 0 / 52 / 0

HEX #87FF7A

RGB 135 255 122

HSL 114.14, 1%, 0.74%

LAB 90.81, -58.77, 52.75

 

CMYK 40 / 0 / 45 / 0

HEX #98FF8D

RGB 152 255 141

HSL 114.21, 1%, 0.78%

LAB 91.74, -51.51, 45.14

 

CMYK 34 / 0 / 37 / 0

HEX #A9FFA0

RGB 169 255 160

HSL 114.32, 1%, 0.81%

LAB 92.79, -43.7, 37.39

 

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

CMYK 62 / 0 / 67 / 18

HEX #4FD146

RGB 79 209 70

HSL 116.12, 0.6%, 0.55%

LAB 74.64, -61.47, 56.37

 

CMYK 68 / 0 / 73 / 25

HEX #3EBF33

RGB 62 191 51

HSL 115.29, 0.58%, 0.47%

LAB 68.41, -60.52, 56.98

 

CMYK 74 / 0 / 82 / 32

HEX #2DAD20

RGB 45 173 32

HSL 114.47, 0.69%, 0.4%

LAB 62.13, -59.03, 56.92

 

CMYK 82 / 0 / 92 / 39

HEX #1C9B0D

RGB 28 155 13

HSL 113.66, 0.85%, 0.33%

LAB 55.8, -56.78, 55.63

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 41 / 0 / 61 / 11

HEX #85E259

RGB 133 226 89

HSL 100.73, 0.7%, 0.62%

LAB 81.89, -51.45, 56.99

 

CMYK 25 / 0 / 61 / 11

HEX #AAE259

RGB 170 226 89

HSL 84.53, 0.7%, 0.62%

LAB 83.79, -38.77, 59.63

 

CMYK 8 / 0 / 61 / 11

HEX #CFE259

RGB 207 226 89

HSL 68.32, 0.7%, 0.62%

LAB 86.2, -24.52, 62.96

 

CMYK 0 / 8 / 61 / 11

HEX #E2D159

RGB 226 209 89

HSL 52.55, 0.7%, 0.62%

LAB 83.17, -8.39, 60.09

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 61 / 0 / 47 / 11

HEX #59E277

RGB 89 226 119

HSL 133.14, 0.7%, 0.62%

LAB 80.65, -59.44, 41.32

 

CMYK 61 / 0 / 31 / 11

HEX #59E29C

RGB 89 226 156

HSL 149.34, 0.7%, 0.62%

LAB 81.25, -53.04, 23.41

 

CMYK 61 / 0 / 15 / 11

HEX #59E2C1

RGB 89 226 193

HSL 165.55, 0.7%, 0.62%

LAB 82.04, -44.96, 5.11

 

CMYK 61 / 1 / 0 / 11

HEX #59DFE2

RGB 89 223 226

HSL 181.31, 0.7%, 0.62%

LAB 82.05, -35.15, -12.37

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 66 / 0 / 70 / 5

HEX #52F249

RGB 82 242 73

HSL 116.8, 0.87%, 0.62%

LAB 84.88, -71.63, 66.07

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 48 / 0 / 51 / 17

HEX #6ED368

RGB 110 211 104

HSL 116.64, 0.55%, 0.62%

LAB 76.62, -50.58, 43.73

 

CMYK 36 / 0 / 38 / 24

HEX #7CC378

RGB 124 195 120

HSL 116.8, 0.38%, 0.62%

LAB 72.67, -37.24, 30.84

 

CMYK 23 / 0 / 24 / 30

HEX #8AB388

RGB 138 179 136

HSL 117.21, 0.22%, 0.62%

LAB 69.06, -22.28, 17.58

 

CMYK 7 / 0 / 7 / 36

HEX #98A498

RGB 152 164 152

HSL 120, 0.06%, 0.62%

LAB 66.13, -6.57, 4.76

 

CMYK 24 / 0 / 61 / 11

HEX #ABE259

RGB 171 226 89

HSL 84.09, 0.7%, 0.62%

LAB 83.85, -38.4, 59.71

 

CMYK 40 / 0 / 61 / 11

HEX #87E259

RGB 135 226 89

HSL 99.85, 0.7%, 0.62%

LAB 81.98, -50.82, 57.12

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 61 / 0 / 32 / 11

HEX #59E299

RGB 89 226 153

HSL 148.03, 0.7%, 0.62%

LAB 81.19, -53.63, 24.89

 

CMYK 79 / 0 / 83 / 22

HEX #2AC721

RGB 42 199 33

HSL 116.75, 0.72%, 0.45%

LAB 70.49, -67.43, 64.32

 

CMYK 72 / 0 / 75 / 14

HEX #3EDC36

RGB 62 220 54

HSL 117.11, 0.7%, 0.54%

LAB 77.57, -69.64, 65.08

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 44 / 0 / 47 / 9

HEX #82E87C

RGB 130 232 124

HSL 116.67, 0.7%, 0.7%

LAB 83.92, -50.76, 43.29

 

CMYK 32 / 0 / 33 / 7

HEX #A3EE9F

RGB 163 238 159

HSL 116.96, 0.7%, 0.78%

LAB 87.7, -38.2, 31.09

 

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

CMYK 61 / 8 / 0 / 11

HEX #59D0E2

RGB 89 208 226

HSL 187.88, 0.7%, 0.62%

LAB 77.71, -27.99, -18.9

 

CMYK 0 / 61 / 32 / 11

HEX #E25999

RGB 226 89 153

HSL 331.97, 0.7%, 0.62%

LAB 57.67, 59.29, -7.24

 

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

CMYK 61 / 57 / 0 / 11

HEX #5962E2

RGB 89 98 226

HSL 236.06, 0.7%, 0.62%

LAB 47.43, 34.58, -66.43

 

CMYK 0 / 61 / 57 / 11

HEX #E25962

RGB 226 89 98

HSL 356.06, 0.7%, 0.62%

LAB 56.28, 53.98, 23.04

 

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

CMYK 61 / 8 / 0 / 11

HEX #59D0E2

RGB 89 208 226

HSL 187.88, 0.7%, 0.62%

LAB 77.71, -27.99, -18.9

 

CMYK 4 / 61 / 0 / 11

HEX #D959E2

RGB 217 89 226

HSL 296.06, 0.7%, 0.62%

LAB 59.33, 67.62, -46.61

 

CMYK 0 / 53 / 61 / 11

HEX #E26B59

RGB 226 107 89

HSL 7.88, 0.7%, 0.62%

LAB 59.35, 44.94, 32.15

 

CMYK 58 / 0 / 61 / 11

HEX #60E359

RGB 96 227 89

HSL 116.96, 0.71%, 0.62%

LAB 80.82, -62.06, 55.41

 

CMYK 61 / 26 / 0 / 11

HEX #59A7E2

RGB 89 167 226

HSL 205.84, 0.7%, 0.62%

LAB 65.94, -6.59, -36.97

 

CMYK 4 / 61 / 0 / 11

HEX #D959E2

RGB 217 89 226

HSL 296.06, 0.7%, 0.62%

LAB 59.33, 67.62, -46.61

 

CMYK 0 / 35 / 61 / 11

HEX #E29459

RGB 226 148 89

HSL 25.84, 0.7%, 0.62%

LAB 68.07, 23.7, 42.83

 

Description

Color code: RGB 96 227 89 | qconv.com Color code: RGB 96 227 89 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 227 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 227 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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