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Color name
RGB 96 214 122

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 214 122 it is the complementary color RGB 159 41 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 214 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 214 122 shade: RGB 101 214 117, RGB 118 232 136, RGB 135 250 155, RGB 152 255 174 and RGB 169 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 214 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 79 196 103, RGB 62 178 84, RGB 45 160 65 and RGB 28 142 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 102 214 96, RGB 134 214 96, RGB 165 214 96 and RGB 197 214 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 96 214 154, RGB 96 214 186, RGB 96 210 214 and RGB 96 179 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 214 122 shade matches the following richer shades: RGB 96 214 122, RGB 80 230 113 and RGB 64 246 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 112 198 131, RGB 129 182 140, RGB 145 165 149 and RGB 161 149 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 214 122 shade: RGB 134 214 96, RGB 102 214 96, RGB 96 214 122, RGB 96 214 153 and RGB 96 214 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 214 122 shade: RGB 46 181 76, RGB 64 205 95, RGB 96 214 122, RGB 129 222 150 and RGB 162 231 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 96 165 214 and RGB 214 96 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 122 96 214 and RGB 214 122 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 96 165 214, RGB 214 96 188 and RGB 214 145 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 214 122 shade: RGB 96 214 122, RGB 96 130 214, RGB 214 96 188 and RGB 214 180 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

Complementary color

CMYK 0 / 74 / 16 / 38

HEX #9F2985

RGB 159 41 133

HSL 313.22, 0.59%, 0.39%

LAB 38.99, 57, -24.7

 

CMYK 53 / 0 / 45 / 16

HEX #65D675

RGB 101 214 117

HSL 128.5, 0.58%, 0.62%

LAB 77.37, -52.36, 38.22

 

CMYK 49 / 0 / 41 / 9

HEX #76E888

RGB 118 232 136

HSL 129.47, 0.71%, 0.69%

LAB 83.62, -52.32, 36.92

 

CMYK 46 / 0 / 38 / 2

HEX #87FA9B

RGB 135 250 155

HSL 130.43, 0.92%, 0.75%

LAB 89.81, -52.19, 35.67

 

CMYK 40 / 0 / 32 / 0

HEX #98FFAE

RGB 152 255 174

HSL 132.82, 1%, 0.8%

LAB 92.24, -46.53, 29.54

 

CMYK 34 / 0 / 24 / 0

HEX #A9FFC1

RGB 169 255 193

HSL 136.74, 1%, 0.83%

LAB 93.37, -38.36, 21.58

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 60 / 0 / 47 / 23

HEX #4FC467

RGB 79 196 103

HSL 132.31, 0.5%, 0.54%

LAB 70.95, -52.69, 36.95

 

CMYK 65 / 0 / 53 / 30

HEX #3EB254

RGB 62 178 84

HSL 131.38, 0.48%, 0.47%

LAB 64.57, -52.34, 38.38

 

CMYK 72 / 0 / 59 / 37

HEX #2DA041

RGB 45 160 65

HSL 130.43, 0.56%, 0.4%

LAB 58.11, -51.64, 39.81

 

CMYK 80 / 0 / 68 / 44

HEX #1C8E2E

RGB 28 142 46

HSL 129.47, 0.67%, 0.33%

LAB 51.6, -50.36, 41.11

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 52 / 0 / 55 / 16

HEX #66D660

RGB 102 214 96

HSL 116.95, 0.59%, 0.61%

LAB 77.14, -54.94, 48.06

 

CMYK 37 / 0 / 55 / 16

HEX #86D660

RGB 134 214 96

HSL 100.68, 0.59%, 0.61%

LAB 78.47, -45.45, 49.96

 

CMYK 23 / 0 / 55 / 16

HEX #A5D660

RGB 165 214 96

HSL 84.92, 0.59%, 0.61%

LAB 80.14, -34.56, 52.34

 

CMYK 8 / 0 / 55 / 16

HEX #C5D660

RGB 197 214 96

HSL 68.64, 0.59%, 0.61%

LAB 82.28, -22.18, 55.35

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 55 / 0 / 28 / 16

HEX #60D69A

RGB 96 214 154

HSL 149.49, 0.59%, 0.61%

LAB 77.82, -47.05, 19.78

 

CMYK 55 / 0 / 13 / 16

HEX #60D6BA

RGB 96 214 186

HSL 165.76, 0.59%, 0.61%

LAB 78.53, -40, 3.79

 

CMYK 55 / 2 / 0 / 16

HEX #60D2D6

RGB 96 210 214

HSL 182.03, 0.59%, 0.61%

LAB 78.13, -31.02, -11.81

 

CMYK 55 / 16 / 0 / 16

HEX #60B3D6

RGB 96 179 214

HSL 197.8, 0.59%, 0.61%

LAB 69.17, -15.4, -25.37

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 65 / 0 / 51 / 10

HEX #50E671

RGB 80 230 113

HSL 133.2, 0.75%, 0.61%

LAB 81.56, -63.56, 45.28

 

CMYK 74 / 0 / 58 / 4

HEX #40F668

RGB 64 246 104

HSL 133.19, 0.91%, 0.61%

LAB 86.01, -72.74, 54.66

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 43 / 0 / 34 / 22

HEX #70C683

RGB 112 198 131

HSL 133.26, 0.43%, 0.61%

LAB 73.2, -40.42, 25.68

 

CMYK 29 / 0 / 23 / 29

HEX #81B68C

RGB 129 182 140

HSL 132.45, 0.27%, 0.61%

LAB 69.48, -26.08, 15.91

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 0 / 7 / 2 / 37

HEX #A1959E

RGB 161 149 158

HSL 315, 0.06%, 0.61%

LAB 62.96, 6.09, -3.13

 

CMYK 37 / 0 / 55 / 16

HEX #86D660

RGB 134 214 96

HSL 100.68, 0.59%, 0.61%

LAB 78.47, -45.45, 49.96

 

CMYK 52 / 0 / 55 / 16

HEX #66D660

RGB 102 214 96

HSL 116.95, 0.59%, 0.61%

LAB 77.14, -54.94, 48.06

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 55 / 0 / 29 / 16

HEX #60D699

RGB 96 214 153

HSL 148.98, 0.59%, 0.61%

LAB 77.8, -47.25, 20.28

 

CMYK 55 / 0 / 14 / 16

HEX #60D6B8

RGB 96 214 184

HSL 164.75, 0.59%, 0.61%

LAB 78.49, -40.47, 4.79

 

CMYK 75 / 0 / 58 / 29

HEX #2EB54C

RGB 46 181 76

HSL 133.33, 0.59%, 0.45%

LAB 65.08, -57.37, 42.77

 

CMYK 69 / 0 / 54 / 20

HEX #40CD5F

RGB 64 205 95

HSL 133.19, 0.59%, 0.53%

LAB 73.27, -60.17, 43.64

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 42 / 0 / 32 / 13

HEX #81DE96

RGB 129 222 150

HSL 133.55, 0.58%, 0.69%

LAB 81.35, -42.82, 26.89

 

CMYK 30 / 0 / 23 / 9

HEX #A2E7B1

RGB 162 231 177

HSL 133.04, 0.59%, 0.77%

LAB 86.01, -32.31, 19.54

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 55 / 23 / 0 / 16

HEX #60A5D6

RGB 96 165 214

HSL 204.92, 0.59%, 0.61%

LAB 65.16, -7.84, -31.54

 

CMYK 0 / 55 / 45 / 16

HEX #D66076

RGB 214 96 118

HSL 348.81, 0.59%, 0.61%

LAB 56.06, 48.42, 10.72

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 43 / 55 / 0 / 16

HEX #7A60D6

RGB 122 96 214

HSL 253.22, 0.59%, 0.61%

LAB 48.71, 38.63, -57.43

 

CMYK 0 / 43 / 55 / 16

HEX #D67A60

RGB 214 122 96

HSL 13.22, 0.59%, 0.61%

LAB 60.83, 33.25, 29.79

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 55 / 23 / 0 / 16

HEX #60A5D6

RGB 96 165 214

HSL 204.92, 0.59%, 0.61%

LAB 65.16, -7.84, -31.54

 

CMYK 0 / 55 / 12 / 16

HEX #D660BC

RGB 214 96 188

HSL 313.22, 0.59%, 0.61%

LAB 58.31, 57.45, -26.68

 

CMYK 0 / 32 / 55 / 16

HEX #D69160

RGB 214 145 96

HSL 24.92, 0.59%, 0.61%

LAB 66.05, 20.92, 36.39

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 55 / 39 / 0 / 16

HEX #6082D6

RGB 96 130 214

HSL 222.71, 0.59%, 0.61%

LAB 55.39, 12.42, -46.86

 

CMYK 0 / 55 / 12 / 16

HEX #D660BC

RGB 214 96 188

HSL 313.22, 0.59%, 0.61%

LAB 58.31, 57.45, -26.68

 

CMYK 0 / 16 / 55 / 16

HEX #D6B460

RGB 214 180 96

HSL 42.71, 0.59%, 0.61%

LAB 74.69, 2.13, 46.89

 

Description

Color code: RGB 96 214 122 | qconv.com Color code: RGB 96 214 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 214 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 214 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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