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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 157 135 it is the complementary color RGB 159 98 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 157 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 157 135 shade: RGB 101 157 130, RGB 118 175 149, RGB 135 193 168, RGB 152 211 187 and RGB 169 229 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 157 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 157 135 shade: RGB 96 157 135, RGB 79 139 116, RGB 62 121 97, RGB 45 103 78 and RGB 28 85 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 157 135 shade: RGB 96 158 136, RGB 96 158 119, RGB 96 158 103, RGB 107 158 96 and RGB 123 158 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 157 135 shade: RGB 96 158 136, RGB 96 158 152, RGB 96 147 158, RGB 96 130 158 and RGB 96 114 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 157 135 shade matches the following richer shades: RGB 96 158 136, RGB 76 178 141, RGB 55 199 147, RGB 35 219 153 and RGB 14 240 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 157 135 shade: RGB 96 158 136, RGB 117 137 130, RGB 138 116 124, RGB 158 96 118 and RGB 179 75 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 157 135 shade: RGB 96 158 103, RGB 96 158 119, RGB 96 158 135, RGB 96 158 151 and RGB 96 147 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 157 135 shade: RGB 65 106 92, RGB 81 132 114, RGB 96 158 136, RGB 122 173 155 and RGB 148 189 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 157 135 shade: RGB 96 157 135, RGB 96 107 158 and RGB 158 111 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 157 135 shade: RGB 96 157 135, RGB 135 96 158 and RGB 158 135 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 157 135 shade: RGB 96 157 135, RGB 96 107 158, RGB 158 96 119 and RGB 158 147 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 157 135 shade: RGB 96 157 135, RGB 105 96 158, RGB 158 96 119 and RGB 149 158 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

Complementary color

CMYK 0 / 38 / 25 / 38

HEX #9F6278

RGB 159 98 120

HSL 338.36, 0.24%, 0.5%

LAB 48.84, 27.78, -1.86

 

CMYK 36 / 0 / 17 / 38

HEX #659D82

RGB 101 157 130

HSL 151.07, 0.22%, 0.51%

LAB 60.33, -24.58, 8.35

 

CMYK 33 / 0 / 15 / 31

HEX #76AF95

RGB 118 175 149

HSL 152.63, 0.26%, 0.57%

LAB 67.04, -24.33, 7.45

 

CMYK 30 / 0 / 13 / 24

HEX #87C1A8

RGB 135 193 168

HSL 154.14, 0.32%, 0.64%

LAB 73.62, -24.11, 6.61

 

CMYK 28 / 0 / 11 / 17

HEX #98D3BB

RGB 152 211 187

HSL 155.59, 0.4%, 0.71%

LAB 80.1, -23.9, 5.82

 

CMYK 26 / 0 / 10 / 10

HEX #A9E5CE

RGB 169 229 206

HSL 157, 0.54%, 0.78%

LAB 86.47, -23.71, 5.07

 

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

CMYK 43 / 0 / 17 / 45

HEX #4F8B74

RGB 79 139 116

HSL 157, 0.28%, 0.43%

LAB 53.37, -25.21, 6.24

 

CMYK 49 / 0 / 20 / 53

HEX #3E7961

RGB 62 121 97

HSL 155.59, 0.32%, 0.36%

LAB 46.39, -25.42, 7.27

 

CMYK 56 / 0 / 24 / 60

HEX #2D674E

RGB 45 103 78

HSL 154.14, 0.39%, 0.29%

LAB 39.26, -25.56, 8.44

 

CMYK 67 / 0 / 31 / 67

HEX #1C553B

RGB 28 85 59

HSL 152.63, 0.5%, 0.22%

LAB 31.94, -25.54, 9.81

 

CMYK 39 / 0 / 14 / 38

HEX #609E88

RGB 96 158 136

HSL 158.71, 0.24%, 0.5%

LAB 60.53, -25.25, 5.22

 

CMYK 39 / 0 / 25 / 38

HEX #609E77

RGB 96 158 119

HSL 142.26, 0.24%, 0.5%

LAB 60.13, -28.89, 14.2

 

CMYK 39 / 0 / 35 / 38

HEX #609E67

RGB 96 158 103

HSL 126.77, 0.24%, 0.5%

LAB 59.82, -31.9, 22.62

 

CMYK 32 / 0 / 39 / 38

HEX #6B9E60

RGB 107 158 96

HSL 109.35, 0.24%, 0.5%

LAB 60.27, -29.38, 27.12

 

CMYK 22 / 0 / 39 / 38

HEX #7B9E60

RGB 123 158 96

HSL 93.87, 0.24%, 0.5%

LAB 61.23, -23.55, 28.55

 

CMYK 39 / 0 / 14 / 38

HEX #609E88

RGB 96 158 136

HSL 158.71, 0.24%, 0.5%

LAB 60.53, -25.25, 5.22

 

CMYK 39 / 0 / 4 / 38

HEX #609E98

RGB 96 158 152

HSL 174.19, 0.24%, 0.5%

LAB 60.96, -21.44, -3.18

 

CMYK 39 / 7 / 0 / 38

HEX #60939E

RGB 96 147 158

HSL 190.65, 0.24%, 0.5%

LAB 57.87, -14.08, -11.2

 

CMYK 39 / 18 / 0 / 38

HEX #60829E

RGB 96 130 158

HSL 207.1, 0.24%, 0.5%

LAB 52.86, -4.58, -18.78

 

CMYK 39 / 28 / 0 / 38

HEX #60729E

RGB 96 114 158

HSL 222.58, 0.24%, 0.5%

LAB 48.25, 4.85, -25.88

 

CMYK 39 / 0 / 14 / 38

HEX #609E88

RGB 96 158 136

HSL 158.71, 0.24%, 0.5%

LAB 60.53, -25.25, 5.22

 

CMYK 57 / 0 / 21 / 30

HEX #4CB28D

RGB 76 178 141

HSL 158.24, 0.4%, 0.5%

LAB 65.98, -38.62, 10.11

 

CMYK 72 / 0 / 26 / 22

HEX #37C793

RGB 55 199 147

HSL 158.33, 0.57%, 0.5%

LAB 72.07, -49.86, 15.35

 

CMYK 84 / 0 / 30 / 14

HEX #23DB99

RGB 35 219 153

HSL 158.48, 0.72%, 0.5%

LAB 78.06, -58.43, 20.44

 

CMYK 94 / 0 / 34 / 6

HEX #0EF09F

RGB 14 240 159

HSL 158.5, 0.89%, 0.5%

LAB 84.44, -65.89, 26.04

 

CMYK 39 / 0 / 14 / 38

HEX #609E88

RGB 96 158 136

HSL 158.71, 0.24%, 0.5%

LAB 60.53, -25.25, 5.22

 

CMYK 15 / 0 / 5 / 46

HEX #758982

RGB 117 137 130

HSL 159, 0.08%, 0.5%

LAB 55.36, -8.68, 1.33

 

CMYK 0 / 16 / 10 / 46

HEX #8A747C

RGB 138 116 124

HSL 338.18, 0.09%, 0.5%

LAB 51.09, 10, -1.2

 

CMYK 0 / 39 / 25 / 38

HEX #9E6076

RGB 158 96 118

HSL 338.71, 0.24%, 0.5%

LAB 48.19, 28.23, -1.63

 

CMYK 0 / 58 / 37 / 30

HEX #B34B71

RGB 179 75 113

HSL 338.08, 0.41%, 0.5%

LAB 46.72, 46.06, -0.4

 

CMYK 39 / 0 / 35 / 38

HEX #609E67

RGB 96 158 103

HSL 126.77, 0.24%, 0.5%

LAB 59.82, -31.9, 22.62

 

CMYK 39 / 0 / 25 / 38

HEX #609E77

RGB 96 158 119

HSL 142.26, 0.24%, 0.5%

LAB 60.13, -28.89, 14.2

 

CMYK 39 / 0 / 15 / 38

HEX #609E87

RGB 96 158 135

HSL 157.74, 0.24%, 0.5%

LAB 60.51, -25.48, 5.75

 

CMYK 39 / 0 / 4 / 38

HEX #609E97

RGB 96 158 151

HSL 173.23, 0.24%, 0.5%

LAB 60.94, -21.69, -2.66

 

CMYK 39 / 7 / 0 / 38

HEX #60939E

RGB 96 147 158

HSL 190.65, 0.24%, 0.5%

LAB 57.87, -14.08, -11.2

 

CMYK 39 / 0 / 13 / 58

HEX #416A5C

RGB 65 106 92

HSL 159.51, 0.24%, 0.34%

LAB 41.54, -17.9, 3.34

 

CMYK 39 / 0 / 14 / 48

HEX #518472

RGB 81 132 114

HSL 158.82, 0.24%, 0.42%

LAB 51.23, -21.5, 4.34

 

CMYK 39 / 0 / 14 / 38

HEX #609E88

RGB 96 158 136

HSL 158.71, 0.24%, 0.5%

LAB 60.53, -25.25, 5.22

 

CMYK 29 / 0 / 10 / 32

HEX #7AAD9B

RGB 122 173 155

HSL 158.82, 0.24%, 0.58%

LAB 66.82, -20.81, 3.84

 

CMYK 22 / 0 / 8 / 26

HEX #94BDAE

RGB 148 189 174

HSL 158.05, 0.24%, 0.66%

LAB 73.38, -16.76, 3.1

 

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

CMYK 39 / 32 / 0 / 38

HEX #606B9E

RGB 96 107 158

HSL 229.35, 0.24%, 0.5%

LAB 46.27, 9.11, -28.95

 

CMYK 0 / 30 / 39 / 38

HEX #9E6F60

RGB 158 111 96

HSL 14.52, 0.24%, 0.5%

LAB 51.25, 16.65, 15.79

 

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

CMYK 15 / 39 / 0 / 38

HEX #87609E

RGB 135 96 158

HSL 277.74, 0.24%, 0.5%

LAB 46.96, 27.74, -27.62

 

CMYK 0 / 15 / 39 / 38

HEX #9E8760

RGB 158 135 96

HSL 37.74, 0.24%, 0.5%

LAB 57.5, 3, 24.21

 

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

CMYK 39 / 32 / 0 / 38

HEX #606B9E

RGB 96 107 158

HSL 229.35, 0.24%, 0.5%

LAB 46.27, 9.11, -28.95

 

CMYK 0 / 39 / 25 / 38

HEX #9E6077

RGB 158 96 119

HSL 337.74, 0.24%, 0.5%

LAB 48.22, 28.38, -2.18

 

CMYK 0 / 7 / 39 / 38

HEX #9E9360

RGB 158 147 96

HSL 49.35, 0.24%, 0.5%

LAB 60.76, -3.64, 28.48

 

CMYK 39 / 0 / 14 / 38

HEX #609D87

RGB 96 157 135

HSL 158.36, 0.24%, 0.5%

LAB 60.2, -24.98, 5.31

 

CMYK 34 / 39 / 0 / 38

HEX #69609E

RGB 105 96 158

HSL 248.71, 0.24%, 0.5%

LAB 44, 18.49, -32.46

 

CMYK 0 / 39 / 25 / 38

HEX #9E6077

RGB 158 96 119

HSL 337.74, 0.24%, 0.5%

LAB 48.22, 28.38, -2.18

 

CMYK 6 / 0 / 39 / 38

HEX #959E60

RGB 149 158 96

HSL 68.71, 0.24%, 0.5%

LAB 63.08, -13.28, 31.31

 

Description

Color code: RGB 96 157 135 | qconv.com Color code: RGB 96 157 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 157 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 157 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 14 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 14% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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