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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 126 88 it is the complementary color RGB 159 129 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 126 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 126 88 shade: RGB 101 126 83, RGB 118 144 102, RGB 135 162 121, RGB 152 180 140 and RGB 169 198 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 126 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 126 88 shade: RGB 96 126 88, RGB 79 108 69, RGB 62 90 50, RGB 45 72 31 and RGB 28 54 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 126 88 shade: RGB 95 126 87, RGB 106 126 87, RGB 116 126 87, RGB 126 125 87 and RGB 126 115 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 126 88 shade: RGB 95 126 87, RGB 87 126 90, RGB 87 126 100, RGB 87 126 110 and RGB 87 126 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 126 88 shade matches the following richer shades: RGB 95 126 87, RGB 85 143 70, RGB 75 161 53, RGB 65 178 35 and RGB 55 195 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 126 88 shade: RGB 95 126 87, RGB 105 109 105, RGB 116 91 122, RGB 126 74 139 and RGB 136 57 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 126 88 shade: RGB 116 126 87, RGB 106 126 87, RGB 96 126 87, RGB 87 126 89 and RGB 87 126 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 126 88 shade: RGB 58 77 53, RGB 77 102 70, RGB 95 126 87, RGB 114 150 104 and RGB 137 167 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 126 88 shade: RGB 96 126 88, RGB 87 126 125 and RGB 126 87 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 126 88 shade: RGB 96 126 88, RGB 87 96 126 and RGB 126 87 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 126 88 shade: RGB 96 126 88, RGB 87 126 125, RGB 118 87 126 and RGB 126 87 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 126 88 shade: RGB 96 126 88, RGB 87 115 126, RGB 118 87 126 and RGB 126 98 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

Complementary color

CMYK 5 / 23 / 0 / 35

HEX #9F81A7

RGB 159 129 167

HSL 287.37, 0.18%, 0.58%

LAB 57.91, 18.53, -15.84

 

CMYK 20 / 0 / 34 / 51

HEX #657E53

RGB 101 126 83

HSL 94.88, 0.21%, 0.41%

LAB 49.87, -17.46, 20.54

 

CMYK 18 / 0 / 29 / 44

HEX #769066

RGB 118 144 102

HSL 97.14, 0.17%, 0.48%

LAB 56.84, -17.34, 19.38

 

CMYK 17 / 0 / 25 / 36

HEX #87A279

RGB 135 162 121

HSL 99.51, 0.18%, 0.55%

LAB 63.65, -17.24, 18.3

 

CMYK 16 / 0 / 22 / 29

HEX #98B48C

RGB 152 180 140

HSL 102, 0.21%, 0.63%

LAB 70.32, -17.14, 17.3

 

CMYK 15 / 0 / 20 / 22

HEX #A9C69F

RGB 169 198 159

HSL 104.62, 0.25%, 0.7%

LAB 76.88, -17.05, 16.36

 

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

CMYK 27 / 0 / 36 / 58

HEX #4F6C45

RGB 79 108 69

HSL 104.62, 0.22%, 0.35%

LAB 42.49, -18.75, 18.51

 

CMYK 31 / 0 / 44 / 65

HEX #3E5A32

RGB 62 90 50

HSL 102, 0.29%, 0.27%

LAB 35.14, -18.94, 19.83

 

CMYK 38 / 0 / 57 / 72

HEX #2D481F

RGB 45 72 31

HSL 99.51, 0.4%, 0.2%

LAB 27.55, -19.07, 21.23

 

CMYK 48 / 0 / 78 / 79

HEX #1C360C

RGB 28 54 12

HSL 97.14, 0.64%, 0.13%

LAB 19.69, -18.98, 22.33

 

CMYK 25 / 0 / 31 / 51

HEX #5F7E57

RGB 95 126 87

HSL 107.69, 0.18%, 0.42%

LAB 49.55, -19.1, 17.75

 

CMYK 16 / 0 / 31 / 51

HEX #6A7E57

RGB 106 126 87

HSL 90.77, 0.18%, 0.42%

LAB 50.3, -14.84, 18.9

 

CMYK 8 / 0 / 31 / 51

HEX #747E57

RGB 116 126 87

HSL 75.38, 0.18%, 0.42%

LAB 51.06, -10.8, 20.05

 

CMYK 0 / 1 / 31 / 51

HEX #7E7D57

RGB 126 125 87

HSL 58.46, 0.18%, 0.42%

LAB 51.6, -6.08, 20.91

 

CMYK 0 / 9 / 31 / 51

HEX #7E7357

RGB 126 115 87

HSL 43.08, 0.18%, 0.42%

LAB 48.74, -0.39, 17.07

 

CMYK 25 / 0 / 31 / 51

HEX #5F7E57

RGB 95 126 87

HSL 107.69, 0.18%, 0.42%

LAB 49.55, -19.1, 17.75

 

CMYK 31 / 0 / 29 / 51

HEX #577E5A

RGB 87 126 90

HSL 124.62, 0.18%, 0.42%

LAB 49.11, -21.49, 15.35

 

CMYK 31 / 0 / 21 / 51

HEX #577E64

RGB 87 126 100

HSL 140, 0.18%, 0.42%

LAB 49.34, -19.51, 9.85

 

CMYK 31 / 0 / 13 / 51

HEX #577E6E

RGB 87 126 110

HSL 155.38, 0.18%, 0.42%

LAB 49.59, -17.35, 4.36

 

CMYK 31 / 0 / 4 / 51

HEX #577E79

RGB 87 126 121

HSL 172.31, 0.18%, 0.42%

LAB 49.89, -14.76, -1.66

 

CMYK 25 / 0 / 31 / 51

HEX #5F7E57

RGB 95 126 87

HSL 107.69, 0.18%, 0.42%

LAB 49.55, -19.1, 17.75

 

CMYK 41 / 0 / 51 / 44

HEX #558F46

RGB 85 143 70

HSL 107.67, 0.34%, 0.42%

LAB 54.05, -33.69, 32.78

 

CMYK 53 / 0 / 67 / 37

HEX #4BA135

RGB 75 161 53

HSL 107.78, 0.5%, 0.42%

LAB 59.2, -46.4, 46.7

 

CMYK 63 / 0 / 80 / 30

HEX #41B223

RGB 65 178 35

HSL 107.41, 0.67%, 0.42%

LAB 64.23, -56.56, 58.18

 

CMYK 72 / 0 / 91 / 24

HEX #37C312

RGB 55 195 18

HSL 107.46, 0.83%, 0.42%

LAB 69.39, -64.83, 66.52

 

CMYK 25 / 0 / 31 / 51

HEX #5F7E57

RGB 95 126 87

HSL 107.69, 0.18%, 0.42%

LAB 49.55, -19.1, 17.75

 

CMYK 4 / 0 / 4 / 57

HEX #696D69

RGB 105 109 105

HSL 120, 0.02%, 0.42%

LAB 45.58, -2.36, 1.69

 

CMYK 5 / 25 / 0 / 52

HEX #745B7A

RGB 116 91 122

HSL 288.39, 0.15%, 0.42%

LAB 42.15, 16.23, -13.58

 

CMYK 9 / 47 / 0 / 45

HEX #7E4A8B

RGB 126 74 139

HSL 288, 0.31%, 0.42%

LAB 39.91, 33.42, -27.3

 

CMYK 13 / 64 / 0 / 38

HEX #88399D

RGB 136 57 157

HSL 287.4, 0.47%, 0.42%

LAB 38.89, 48.95, -39.72

 

CMYK 8 / 0 / 31 / 51

HEX #747E57

RGB 116 126 87

HSL 75.38, 0.18%, 0.42%

LAB 51.06, -10.8, 20.05

 

CMYK 16 / 0 / 31 / 51

HEX #6A7E57

RGB 106 126 87

HSL 90.77, 0.18%, 0.42%

LAB 50.3, -14.84, 18.9

 

CMYK 24 / 0 / 31 / 51

HEX #607E57

RGB 96 126 87

HSL 106.15, 0.18%, 0.42%

LAB 49.61, -18.73, 17.85

 

CMYK 31 / 0 / 29 / 51

HEX #577E59

RGB 87 126 89

HSL 123.08, 0.18%, 0.42%

LAB 49.09, -21.68, 15.9

 

CMYK 31 / 0 / 21 / 51

HEX #577E64

RGB 87 126 100

HSL 140, 0.18%, 0.42%

LAB 49.34, -19.51, 9.85

 

CMYK 25 / 0 / 31 / 70

HEX #3A4D35

RGB 58 77 53

HSL 107.5, 0.18%, 0.25%

LAB 30.55, -12.81, 11.89

 

CMYK 25 / 0 / 31 / 60

HEX #4D6646

RGB 77 102 70

HSL 106.88, 0.19%, 0.34%

LAB 40.45, -16.11, 15.16

 

CMYK 25 / 0 / 31 / 51

HEX #5F7E57

RGB 95 126 87

HSL 107.69, 0.18%, 0.42%

LAB 49.55, -19.1, 17.75

 

CMYK 24 / 0 / 31 / 41

HEX #729668

RGB 114 150 104

HSL 106.96, 0.18%, 0.5%

LAB 58.41, -21.62, 20.34

 

CMYK 18 / 0 / 23 / 35

HEX #89A781

RGB 137 167 129

HSL 107.37, 0.18%, 0.58%

LAB 65.39, -17.74, 16.32

 

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

CMYK 31 / 0 / 1 / 51

HEX #577E7D

RGB 87 126 125

HSL 178.46, 0.18%, 0.42%

LAB 50.01, -13.78, -3.84

 

CMYK 0 / 31 / 12 / 51

HEX #7E576F

RGB 126 87 111

HSL 323.08, 0.18%, 0.42%

LAB 41.84, 20.16, -7.21

 

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

CMYK 31 / 24 / 0 / 51

HEX #57607E

RGB 87 96 126

HSL 226.15, 0.18%, 0.42%

LAB 41.05, 4.07, -17.93

 

CMYK 0 / 31 / 24 / 51

HEX #7E5760

RGB 126 87 96

HSL 346.15, 0.18%, 0.42%

LAB 41.37, 17.55, 1.3

 

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

CMYK 31 / 0 / 1 / 51

HEX #577E7D

RGB 87 126 125

HSL 178.46, 0.18%, 0.42%

LAB 50.01, -13.78, -3.84

 

CMYK 6 / 31 / 0 / 51

HEX #76577E

RGB 118 87 126

HSL 287.69, 0.18%, 0.42%

LAB 41.49, 20.25, -17.01

 

CMYK 0 / 31 / 30 / 51

HEX #7E5758

RGB 126 87 88

HSL 358.46, 0.18%, 0.42%

LAB 41.15, 16.31, 5.91

 

CMYK 24 / 0 / 30 / 51

HEX #607E58

RGB 96 126 88

HSL 107.37, 0.18%, 0.42%

LAB 49.63, -18.55, 17.3

 

CMYK 31 / 9 / 0 / 51

HEX #57737E

RGB 87 115 126

HSL 196.92, 0.18%, 0.42%

LAB 46.7, -7.31, -9.35

 

CMYK 6 / 31 / 0 / 51

HEX #76577E

RGB 118 87 126

HSL 287.69, 0.18%, 0.42%

LAB 41.49, 20.25, -17.01

 

CMYK 0 / 22 / 31 / 51

HEX #7E6257

RGB 126 98 87

HSL 16.92, 0.18%, 0.42%

LAB 44.03, 9.59, 10.59

 

Description

Color code: RGB 96 126 88 | qconv.com Color code: RGB 96 126 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 126 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 126 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 30 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 30% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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