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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 121 210 it is the complementary color RGB 159 134 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 121 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 121 210 shade: RGB 101 121 205, RGB 118 139 224, RGB 135 157 243, RGB 152 175 255 and RGB 169 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 121 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 121 210 shade: RGB 96 121 210, RGB 79 103 191, RGB 62 85 172, RGB 45 67 153 and RGB 28 49 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 121 210 shade: RGB 95 120 210, RGB 101 95 210, RGB 132 95 210, RGB 163 95 210 and RGB 194 95 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 121 210 shade: RGB 95 120 210 and RGB 95 95 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 121 210 shade matches the following richer shades: RGB 95 120 210, RGB 79 111 226 and RGB 62 102 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 121 210 shade: RGB 95 120 210, RGB 112 130 193, RGB 128 139 177, RGB 145 148 160 and RGB 161 157 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 121 210 shade: RGB 95 183 210, RGB 95 153 210, RGB 95 122 210, RGB 99 95 210 and RGB 130 95 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 121 210 shade: RGB 49 76 174, RGB 63 93 201, RGB 95 120 210, RGB 128 148 219 and RGB 160 175 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 121 210 shade: RGB 96 121 210, RGB 206 95 210 and RGB 168 210 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 121 210 shade: RGB 96 121 210, RGB 210 95 122 and RGB 122 210 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 121 210 shade: RGB 96 121 210, RGB 206 95 210, RGB 210 183 95 and RGB 99 210 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 121 210 shade: RGB 96 121 210, RGB 210 95 179, RGB 210 183 95 and RGB 95 210 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

Complementary color

CMYK 0 / 16 / 72 / 38

HEX #9F862D

RGB 159 134 45

HSL 46.84, 0.56%, 0.4%

LAB 56.69, -0.42, 49.21

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 47 / 38 / 0 / 12

HEX #768BE0

RGB 118 139 224

HSL 228.11, 0.63%, 0.67%

LAB 59.62, 15.1, -45.69

 

CMYK 44 / 35 / 0 / 5

HEX #879DF3

RGB 135 157 243

HSL 227.78, 0.82%, 0.74%

LAB 66.32, 14.25, -45.55

 

CMYK 40 / 31 / 0 / 0

HEX #98AFFF

RGB 152 175 255

HSL 226.6, 1%, 0.8%

LAB 72.6, 11.61, -42.15

 

CMYK 34 / 24 / 0 / 0

HEX #A9C1FF

RGB 169 193 255

HSL 223.26, 1%, 0.83%

LAB 78.34, 6.14, -33.15

 

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

CMYK 59 / 46 / 0 / 25

HEX #4F67BF

RGB 79 103 191

HSL 227.14, 0.47%, 0.53%

LAB 45.8, 17.94, -49.06

 

CMYK 64 / 51 / 0 / 33

HEX #3E55AC

RGB 62 85 172

HSL 227.45, 0.47%, 0.46%

LAB 38.72, 19.61, -49.35

 

CMYK 71 / 56 / 0 / 40

HEX #2D4399

RGB 45 67 153

HSL 227.78, 0.55%, 0.39%

LAB 31.51, 21.73, -49.65

 

CMYK 79 / 63 / 0 / 47

HEX #1C3186

RGB 28 49 134

HSL 228.11, 0.65%, 0.32%

LAB 24.21, 24.44, -49.87

 

CMYK 55 / 43 / 0 / 18

HEX #5F78D2

RGB 95 120 210

HSL 226.96, 0.56%, 0.6%

LAB 52.42, 16.98, -49.32

 

CMYK 52 / 55 / 0 / 18

HEX #655FD2

RGB 101 95 210

HSL 243.13, 0.56%, 0.6%

LAB 46.45, 33.53, -58.87

 

CMYK 37 / 55 / 0 / 18

HEX #845FD2

RGB 132 95 210

HSL 259.3, 0.56%, 0.6%

LAB 49.18, 40.42, -54.33

 

CMYK 22 / 55 / 0 / 18

HEX #A35FD2

RGB 163 95 210

HSL 275.48, 0.56%, 0.6%

LAB 52.54, 48.13, -48.78

 

CMYK 8 / 55 / 0 / 18

HEX #C25FD2

RGB 194 95 210

HSL 291.65, 0.56%, 0.6%

LAB 56.39, 56.21, -42.42

 

CMYK 55 / 43 / 0 / 18

HEX #5F78D2

RGB 95 120 210

HSL 226.96, 0.56%, 0.6%

LAB 52.42, 16.98, -49.32

 

CMYK 55 / 55 / 0 / 18

HEX #5F5FD2

RGB 95 95 210

HSL 240, 0.56%, 0.6%

LAB 46, 32.33, -59.62

 

CMYK 55 / 43 / 0 / 18

HEX #5F78D2

RGB 95 120 210

HSL 226.96, 0.56%, 0.6%

LAB 52.42, 16.98, -49.32

 

CMYK 65 / 51 / 0 / 11

HEX #4F6FE2

RGB 79 111 226

HSL 226.94, 0.72%, 0.6%

LAB 50.12, 24.91, -62.1

 

CMYK 74 / 58 / 0 / 5

HEX #3E66F3

RGB 62 102 243

HSL 226.74, 0.88%, 0.6%

LAB 48.26, 34.22, -74.7

 

CMYK 55 / 43 / 0 / 18

HEX #5F78D2

RGB 95 120 210

HSL 226.96, 0.56%, 0.6%

LAB 52.42, 16.98, -49.32

 

CMYK 42 / 33 / 0 / 24

HEX #7082C1

RGB 112 130 193

HSL 226.67, 0.4%, 0.6%

LAB 55.34, 9.8, -34.98

 

CMYK 28 / 21 / 0 / 31

HEX #808BB1

RGB 128 139 177

HSL 226.53, 0.24%, 0.6%

LAB 58.25, 4.81, -21.26

 

CMYK 9 / 7 / 0 / 37

HEX #9194A0

RGB 145 148 160

HSL 228, 0.07%, 0.6%

LAB 61.43, 1.36, -6.68

 

CMYK 0 / 2 / 11 / 37

HEX #A19D90

RGB 161 157 144

HSL 45.88, 0.08%, 0.6%

LAB 64.73, -0.89, 7.31

RGB 161 157 144

CMYK 55 / 13 / 0 / 18

HEX #5FB7D2

RGB 95 183 210

HSL 194.09, 0.56%, 0.6%

LAB 70.14, -18.87, -21.69

 

CMYK 55 / 27 / 0 / 18

HEX #5F99D2

RGB 95 153 210

HSL 209.74, 0.56%, 0.6%

LAB 61.54, -2.55, -34.95

 

CMYK 55 / 42 / 0 / 18

HEX #5F7AD2

RGB 95 122 210

HSL 225.91, 0.56%, 0.6%

LAB 52.96, 15.76, -48.47

 

CMYK 53 / 55 / 0 / 18

HEX #635FD2

RGB 99 95 210

HSL 242.09, 0.56%, 0.6%

LAB 46.3, 33.12, -59.12

 

CMYK 38 / 55 / 0 / 18

HEX #825FD2

RGB 130 95 210

HSL 258.26, 0.56%, 0.6%

LAB 48.99, 39.95, -54.66

 

CMYK 72 / 56 / 0 / 32

HEX #314CAE

RGB 49 76 174

HSL 227.04, 0.56%, 0.44%

LAB 35.75, 24.18, -55.38

 

CMYK 69 / 54 / 0 / 21

HEX #3F5DC9

RGB 63 93 201

HSL 226.96, 0.56%, 0.52%

LAB 42.92, 25.01, -59.53

 

CMYK 55 / 43 / 0 / 18

HEX #5F78D2

RGB 95 120 210

HSL 226.96, 0.56%, 0.6%

LAB 52.42, 16.98, -49.32

 

CMYK 42 / 32 / 0 / 14

HEX #8094DB

RGB 128 148 219

HSL 226.81, 0.56%, 0.68%

LAB 62.41, 10.87, -38.47

 

CMYK 30 / 23 / 0 / 11

HEX #A0AFE4

RGB 160 175 228

HSL 226.76, 0.56%, 0.76%

LAB 72.05, 6.76, -28.3

 

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

CMYK 2 / 55 / 0 / 18

HEX #CE5FD2

RGB 206 95 210

HSL 297.91, 0.56%, 0.6%

LAB 58, 59.38, -39.79

 

CMYK 20 / 0 / 55 / 18

HEX #A8D25F

RGB 168 210 95

HSL 81.91, 0.56%, 0.6%

LAB 79.18, -31.68, 51.73

 

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

CMYK 0 / 55 / 42 / 18

HEX #D25F7A

RGB 210 95 122

HSL 345.91, 0.56%, 0.6%

LAB 55.37, 47.94, 7.31

 

CMYK 42 / 0 / 55 / 18

HEX #7AD25F

RGB 122 210 95

HSL 105.91, 0.56%, 0.6%

LAB 76.71, -47.72, 48.22

 

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

CMYK 2 / 55 / 0 / 18

HEX #CE5FD2

RGB 206 95 210

HSL 297.91, 0.56%, 0.6%

LAB 58, 59.38, -39.79

 

CMYK 0 / 13 / 55 / 18

HEX #D2B75F

RGB 210 183 95

HSL 45.91, 0.56%, 0.6%

LAB 75.07, -1.2, 47.74

 

CMYK 53 / 0 / 55 / 18

HEX #63D25F

RGB 99 210 95

HSL 117.91, 0.56%, 0.6%

LAB 75.81, -54.31, 46.92

 

CMYK 54 / 42 / 0 / 18

HEX #6079D2

RGB 96 121 210

HSL 226.84, 0.56%, 0.6%

LAB 52.75, 16.58, -48.8

 

CMYK 0 / 55 / 15 / 18

HEX #D25FB3

RGB 210 95 179

HSL 316.17, 0.56%, 0.6%

LAB 57.21, 55.36, -23.25

 

CMYK 0 / 13 / 55 / 18

HEX #D2B75F

RGB 210 183 95

HSL 45.91, 0.56%, 0.6%

LAB 75.07, -1.2, 47.74

 

CMYK 55 / 0 / 40 / 18

HEX #5FD27E

RGB 95 210 126

HSL 136.17, 0.56%, 0.6%

LAB 76.09, -50.81, 32

 

Description

Color code: RGB 96 121 210 | qconv.com Color code: RGB 96 121 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 121 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 121 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 42 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 42% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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