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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 92 84 it is the complementary color RGB 159 163 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 92 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 92 84 shade: RGB 101 92 79, RGB 118 110 98, RGB 135 128 117, RGB 152 146 136 and RGB 169 164 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 92 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 92 84 shade: RGB 96 92 84, RGB 79 74 65, RGB 62 56 46, RGB 45 38 27 and RGB 28 20 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 92 84 shade: RGB 95 91 83, RGB 95 87 83, RGB 95 84 83 and RGB 95 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 92 84 shade: RGB 95 91 83, RGB 95 94 83, RGB 92 95 83, RGB 89 95 83 and RGB 86 95 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 92 84 shade matches the following richer shades: RGB 95 91 83, RGB 109 96 68, RGB 124 100 54, RGB 138 105 39 and RGB 153 110 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 92 84 shade: RGB 95 91 83, RGB 81 86 97, RGB 66 81 111, RGB 52 76 126 and RGB 37 72 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 92 84 shade: RGB 95 84 83, RGB 95 88 83, RGB 95 91 83, RGB 95 94 83 and RGB 92 95 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 92 84 shade: RGB 51 49 44, RGB 73 70 63, RGB 95 91 83, RGB 117 112 102 and RGB 139 133 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 92 84 shade: RGB 96 92 84, RGB 84 95 83 and RGB 86 83 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 92 84 shade: RGB 96 92 84, RGB 83 95 91 and RGB 91 83 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 92 84 shade: RGB 96 92 84, RGB 84 95 83, RGB 83 87 95 and RGB 93 83 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 92 84 shade: RGB 96 92 84, RGB 83 95 85, RGB 83 87 95 and RGB 95 83 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

Complementary color

CMYK 7 / 5 / 0 / 33

HEX #9FA3AB

RGB 159 163 171

HSL 220, 0.07%, 0.65%

LAB 66.9, 0.17, -4.64

 

CMYK 0 / 9 / 22 / 60

HEX #655C4F

RGB 101 92 79

HSL 35.45, 0.12%, 0.35%

LAB 39.56, 1.25, 8.8

 

CMYK 0 / 7 / 17 / 54

HEX #766E62

RGB 118 110 98

HSL 36, 0.09%, 0.42%

LAB 46.82, 0.91, 7.81

 

CMYK 0 / 5 / 13 / 47

HEX #878075

RGB 135 128 117

HSL 36.67, 0.07%, 0.49%

LAB 53.89, 0.63, 6.91

 

CMYK 0 / 4 / 11 / 40

HEX #989288

RGB 152 146 136

HSL 37.5, 0.07%, 0.56%

LAB 60.79, 0.39, 6.08

 

CMYK 0 / 3 / 8 / 34

HEX #A9A49B

RGB 169 164 155

HSL 38.57, 0.08%, 0.64%

LAB 67.54, 0.17, 5.3

 

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

CMYK 0 / 6 / 18 / 69

HEX #4F4A41

RGB 79 74 65

HSL 38.57, 0.1%, 0.28%

LAB 31.67, 0.31, 6.12

 

CMYK 0 / 10 / 26 / 76

HEX #3E382E

RGB 62 56 46

HSL 37.5, 0.15%, 0.21%

LAB 23.84, 0.66, 7.21

 

CMYK 0 / 16 / 40 / 82

HEX #2D261B

RGB 45 38 27

HSL 36.67, 0.25%, 0.14%

LAB 15.61, 1.17, 8.51

 

CMYK 0 / 29 / 71 / 89

HEX #1C1408

RGB 28 20 8

HSL 36, 0.56%, 0.07%

LAB 6.91, 1.89, 7.1

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 0 / 8 / 13 / 63

HEX #5F5753

RGB 95 87 83

HSL 20, 0.07%, 0.35%

LAB 37.62, 2.47, 3.49

 

CMYK 0 / 12 / 13 / 63

HEX #5F5453

RGB 95 84 83

HSL 5, 0.07%, 0.35%

LAB 36.74, 4.32, 2.23

 

CMYK 0 / 13 / 13 / 63

HEX #5F5353

RGB 95 83 83

HSL 0, 0.07%, 0.35%

LAB 36.45, 4.93, 1.81

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 0 / 1 / 13 / 63

HEX #5F5E53

RGB 95 94 83

HSL 55, 0.07%, 0.35%

LAB 39.69, -1.77, 6.45

 

CMYK 3 / 0 / 13 / 63

HEX #5C5F53

RGB 92 95 83

HSL 75, 0.07%, 0.35%

LAB 39.72, -3.61, 6.47

 

CMYK 6 / 0 / 13 / 63

HEX #595F53

RGB 89 95 83

HSL 90, 0.07%, 0.35%

LAB 39.47, -4.84, 6.07

 

CMYK 9 / 0 / 13 / 63

HEX #565F53

RGB 86 95 83

HSL 105, 0.07%, 0.35%

LAB 39.22, -6.05, 5.68

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 0 / 12 / 38 / 57

HEX #6D6044

RGB 109 96 68

HSL 40.98, 0.23%, 0.35%

LAB 41.27, 0.68, 17.93

 

CMYK 0 / 19 / 56 / 51

HEX #7C6436

RGB 124 100 54

HSL 39.43, 0.39%, 0.35%

LAB 43.75, 3.56, 29.47

 

CMYK 0 / 24 / 72 / 46

HEX #8A6927

RGB 138 105 39

HSL 40, 0.56%, 0.35%

LAB 46.52, 6.03, 40.74

 

CMYK 0 / 28 / 84 / 40

HEX #996E19

RGB 153 110 25

HSL 39.84, 0.72%, 0.35%

LAB 49.49, 9.5, 49.95

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 16 / 11 / 0 / 62

HEX #515661

RGB 81 86 97

HSL 221.25, 0.09%, 0.35%

LAB 36.5, 0.6, -7.03

 

CMYK 41 / 27 / 0 / 56

HEX #42516F

RGB 66 81 111

HSL 220, 0.25%, 0.35%

LAB 34.38, 2.51, -19.11

 

CMYK 59 / 40 / 0 / 51

HEX #344C7E

RGB 52 76 126

HSL 220.54, 0.42%, 0.35%

LAB 32.71, 7, -31.12

 

CMYK 74 / 49 / 0 / 45

HEX #25488C

RGB 37 72 140

HSL 219.61, 0.58%, 0.35%

LAB 31.63, 12.12, -41.54

 

CMYK 0 / 12 / 13 / 63

HEX #5F5453

RGB 95 84 83

HSL 5, 0.07%, 0.35%

LAB 36.74, 4.32, 2.23

 

CMYK 0 / 7 / 13 / 63

HEX #5F5853

RGB 95 88 83

HSL 25, 0.07%, 0.35%

LAB 37.91, 1.86, 3.91

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 0 / 1 / 13 / 63

HEX #5F5E53

RGB 95 94 83

HSL 55, 0.07%, 0.35%

LAB 39.69, -1.77, 6.45

 

CMYK 3 / 0 / 13 / 63

HEX #5C5F53

RGB 92 95 83

HSL 75, 0.07%, 0.35%

LAB 39.72, -3.61, 6.47

 

CMYK 0 / 4 / 14 / 80

HEX #33312C

RGB 51 49 44

HSL 42.86, 0.07%, 0.19%

LAB 20.37, -0.2, 3.51

 

CMYK 0 / 4 / 14 / 71

HEX #49463F

RGB 73 70 63

HSL 42, 0.07%, 0.27%

LAB 29.8, -0.18, 4.67

 

CMYK 0 / 4 / 13 / 63

HEX #5F5B53

RGB 95 91 83

HSL 40, 0.07%, 0.35%

LAB 38.79, 0.03, 5.18

 

CMYK 0 / 4 / 13 / 54

HEX #757066

RGB 117 112 102

HSL 40, 0.07%, 0.43%

LAB 47.4, 0.05, 6.24

 

CMYK 0 / 4 / 13 / 45

HEX #8B8579

RGB 139 133 121

HSL 40, 0.07%, 0.51%

LAB 55.73, 0.06, 7.27

 

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

CMYK 12 / 0 / 13 / 63

HEX #545F53

RGB 84 95 83

HSL 115, 0.07%, 0.35%

LAB 39.06, -6.85, 5.43

 

CMYK 9 / 13 / 0 / 63

HEX #56535F

RGB 86 83 95

HSL 255, 0.07%, 0.35%

LAB 35.97, 3.87, -6.52

 

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

CMYK 13 / 0 / 4 / 63

HEX #535F5B

RGB 83 95 91

HSL 160, 0.07%, 0.35%

LAB 39.21, -5.52, 0.71

 

CMYK 4 / 13 / 0 / 63

HEX #5B535F

RGB 91 83 95

HSL 280, 0.07%, 0.35%

LAB 36.44, 5.8, -5.77

 

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

CMYK 12 / 0 / 13 / 63

HEX #545F53

RGB 84 95 83

HSL 115, 0.07%, 0.35%

LAB 39.06, -6.85, 5.43

 

CMYK 13 / 8 / 0 / 63

HEX #53575F

RGB 83 87 95

HSL 220, 0.07%, 0.35%

LAB 36.9, 0.24, -5.17

 

CMYK 2 / 13 / 0 / 63

HEX #5D535F

RGB 93 83 95

HSL 290, 0.07%, 0.35%

LAB 36.63, 6.59, -5.46

 

CMYK 0 / 4 / 13 / 62

HEX #605C54

RGB 96 92 84

HSL 40, 0.07%, 0.35%

LAB 39.21, 0.03, 5.17

 

CMYK 13 / 0 / 11 / 63

HEX #535F55

RGB 83 95 85

HSL 130, 0.07%, 0.35%

LAB 39.03, -6.83, 4.16

 

CMYK 13 / 8 / 0 / 63

HEX #53575F

RGB 83 87 95

HSL 220, 0.07%, 0.35%

LAB 36.9, 0.24, -5.17

 

CMYK 0 / 13 / 2 / 63

HEX #5F535D

RGB 95 83 93

HSL 310, 0.07%, 0.35%

LAB 36.76, 6.95, -4

 

Description

Color code: RGB 96 92 84 | qconv.com Color code: RGB 96 92 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 92 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 92 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 13 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 13% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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