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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 65 255 it is the complementary color RGB 159 190 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 65 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 65 255 shade: RGB 101 65 250, RGB 118 83 255, RGB 135 101 255, RGB 152 119 255 and RGB 169 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 65 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 65 255 shade: RGB 96 65 255, RGB 79 47 236, RGB 62 29 217, RGB 45 11 198 and RGB 28 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 65 255 shade: RGB 97 66 255, RGB 147 66 255, RGB 198 66 255, RGB 249 66 255 and RGB 255 66 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 65 255 shade: RGB 97 66 255 and RGB 66 66 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 65 255 shade matches the following richer shades: RGB 97 66 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 65 255 shade: RGB 97 66 255, RGB 107 81 239, RGB 117 96 224, RGB 127 112 209 and RGB 138 127 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 65 255 shade: RGB 66 138 255, RGB 66 88 255, RGB 94 66 255, RGB 144 66 255 and RGB 195 66 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 65 255 shade: RGB 38 0 238, RGB 62 25 255, RGB 97 66 255, RGB 131 107 255 and RGB 166 148 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 65 255 shade: RGB 96 65 255, RGB 255 66 188 and RGB 113 255 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 65 255 shade: RGB 96 65 255, RGB 255 94 66 and RGB 66 255 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 65 255 shade: RGB 96 65 255, RGB 255 66 188, RGB 226 255 66 and RGB 66 255 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 65 255 shade: RGB 96 65 255, RGB 255 66 132, RGB 226 255 66 and RGB 66 255 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

Complementary color

CMYK 16 / 0 / 100 / 25

HEX #9FBE00

RGB 159 190 0

HSL 69.79, 1%, 0.37%

LAB 72.36, -30.47, 72.97

 

CMYK 60 / 74 / 0 / 2

HEX #6541FA

RGB 101 65 250

HSL 251.68, 0.95%, 0.62%

LAB 43.43, 62.09, -86.43

 

CMYK 54 / 67 / 0 / 0

HEX #7653FF

RGB 118 83 255

HSL 252.21, 1%, 0.66%

LAB 48.58, 56.73, -80.71

 

CMYK 47 / 60 / 0 / 0

HEX #8765FF

RGB 135 101 255

HSL 253.25, 1%, 0.7%

LAB 53.68, 49.98, -72.34

 

CMYK 40 / 53 / 0 / 0

HEX #9877FF

RGB 152 119 255

HSL 254.56, 1%, 0.73%

LAB 59.06, 43.51, -63.6

 

CMYK 34 / 46 / 0 / 0

HEX #A989FF

RGB 169 137 255

HSL 256.27, 1%, 0.77%

LAB 64.6, 37.48, -54.66

 

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

CMYK 67 / 80 / 0 / 7

HEX #4F2FEC

RGB 79 47 236

HSL 250.16, 0.83%, 0.55%

LAB 37.39, 64.16, -88.58

 

CMYK 71 / 87 / 0 / 15

HEX #3E1DD9

RGB 62 29 217

HSL 250.53, 0.76%, 0.48%

LAB 31.61, 64.7, -87.34

 

CMYK 77 / 94 / 0 / 22

HEX #2D0BC6

RGB 45 11 198

HSL 250.91, 0.89%, 0.41%

LAB 26.37, 63.9, -85.02

 

CMYK 84 / 100 / 0 / 30

HEX #1C00B3

RGB 28 0 179

HSL 249.39, 1%, 0.35%

LAB 21.95, 61.03, -81.16

 

CMYK 62 / 74 / 0 / 0

HEX #6142FF

RGB 97 66 255

HSL 249.84, 1%, 0.63%

LAB 43.74, 62.56, -88.74

 

CMYK 42 / 74 / 0 / 0

HEX #9342FF

RGB 147 66 255

HSL 265.71, 1%, 0.63%

LAB 48.66, 69.24, -80.47

 

CMYK 22 / 74 / 0 / 0

HEX #C642FF

RGB 198 66 255

HSL 281.9, 1%, 0.63%

LAB 55.2, 77.8, -69.55

 

CMYK 2 / 74 / 0 / 0

HEX #F942FF

RGB 249 66 255

HSL 298.1, 1%, 0.63%

LAB 62.72, 87.35, -57.06

 

CMYK 0 / 74 / 18 / 0

HEX #FF42D1

RGB 255 66 209

HSL 314.6, 1%, 0.63%

LAB 61.45, 82.07, -33.29

 

CMYK 62 / 74 / 0 / 0

HEX #6142FF

RGB 97 66 255

HSL 249.84, 1%, 0.63%

LAB 43.74, 62.56, -88.74

 

CMYK 74 / 74 / 0 / 0

HEX #4242FF

RGB 66 66 255

HSL 240, 1%, 0.63%

LAB 41.65, 59.64, -92.25

 

CMYK 62 / 74 / 0 / 0

HEX #6142FF

RGB 97 66 255

HSL 249.84, 1%, 0.63%

LAB 43.74, 62.56, -88.74

 

CMYK 62 / 74 / 0 / 0

HEX #6142FF

RGB 97 66 255

HSL 249.84, 1%, 0.63%

LAB 43.74, 62.56, -88.74

 

CMYK 55 / 66 / 0 / 6

HEX #6B51EF

RGB 107 81 239

HSL 249.87, 0.83%, 0.63%

LAB 45.96, 51.49, -76.09

 

CMYK 48 / 57 / 0 / 12

HEX #7560E0

RGB 117 96 224

HSL 249.84, 0.67%, 0.63%

LAB 48.92, 40.42, -62.78

 

CMYK 39 / 46 / 0 / 18

HEX #7F70D1

RGB 127 112 209

HSL 249.28, 0.51%, 0.63%

LAB 52.62, 29.01, -48.29

 

CMYK 28 / 34 / 0 / 24

HEX #8A7FC1

RGB 138 127 193

HSL 250, 0.35%, 0.63%

LAB 56.52, 18.91, -32.99

 

CMYK 74 / 46 / 0 / 0

HEX #428AFF

RGB 66 138 255

HSL 217.14, 1%, 0.63%

LAB 58.56, 16.71, -64.67

 

CMYK 74 / 65 / 0 / 0

HEX #4258FF

RGB 66 88 255

HSL 233.02, 1%, 0.63%

LAB 46.12, 47.33, -84.89

 

CMYK 63 / 74 / 0 / 0

HEX #5E42FF

RGB 94 66 255

HSL 248.89, 1%, 0.63%

LAB 43.5, 62.23, -89.13

 

CMYK 44 / 74 / 0 / 0

HEX #9042FF

RGB 144 66 255

HSL 264.76, 1%, 0.63%

LAB 48.32, 68.78, -81.04

 

CMYK 24 / 74 / 0 / 0

HEX #C342FF

RGB 195 66 255

HSL 280.95, 1%, 0.63%

LAB 54.78, 77.26, -70.24

 

CMYK 84 / 100 / 0 / 7

HEX #2600EE

RGB 38 0 238

HSL 249.58, 1%, 0.47%

LAB 30.84, 75.49, -100.68

 

CMYK 76 / 90 / 0 / 0

HEX #3E19FF

RGB 62 25 255

HSL 249.65, 1%, 0.55%

LAB 35.87, 75.72, -101.86

 

CMYK 62 / 74 / 0 / 0

HEX #6142FF

RGB 97 66 255

HSL 249.84, 1%, 0.63%

LAB 43.74, 62.56, -88.74

 

CMYK 49 / 58 / 0 / 0

HEX #836BFF

RGB 131 107 255

HSL 249.73, 1%, 0.71%

LAB 54.62, 45.86, -70.85

 

CMYK 35 / 42 / 0 / 0

HEX #A694FF

RGB 166 148 255

HSL 250.09, 1%, 0.79%

LAB 66.91, 30.51, -51.02

 

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

CMYK 0 / 74 / 26 / 0

HEX #FF42BC

RGB 255 66 188

HSL 321.27, 1%, 0.63%

LAB 60.59, 79.49, -22.63

 

CMYK 56 / 0 / 74 / 0

HEX #71FF42

RGB 113 255 66

HSL 105.08, 1%, 0.63%

LAB 89.59, -69.66, 73.49

 

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

CMYK 0 / 63 / 74 / 0

HEX #FF5E42

RGB 255 94 66

HSL 8.89, 1%, 0.63%

LAB 61.36, 59.76, 48.09

 

CMYK 74 / 0 / 63 / 0

HEX #42FF5E

RGB 66 255 94

HSL 128.89, 1%, 0.63%

LAB 88.68, -76.42, 61.95

 

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

CMYK 0 / 74 / 26 / 0

HEX #FF42BC

RGB 255 66 188

HSL 321.27, 1%, 0.63%

LAB 60.59, 79.49, -22.63

 

CMYK 11 / 0 / 74 / 0

HEX #E2FF42

RGB 226 255 66

HSL 69.21, 1%, 0.63%

LAB 95.2, -31.86, 80.81

 

CMYK 74 / 0 / 48 / 0

HEX #42FF84

RGB 66 255 132

HSL 140.95, 1%, 0.63%

LAB 89.08, -71.6, 45.55

 

CMYK 62 / 75 / 0 / 0

HEX #6041FF

RGB 96 65 255

HSL 249.79, 1%, 0.63%

LAB 43.49, 62.93, -89.15

 

CMYK 0 / 74 / 48 / 0

HEX #FF4284

RGB 255 66 132

HSL 339.05, 1%, 0.63%

LAB 58.81, 73.92, 7.32

 

CMYK 11 / 0 / 74 / 0

HEX #E2FF42

RGB 226 255 66

HSL 69.21, 1%, 0.63%

LAB 95.2, -31.86, 80.81

 

CMYK 74 / 0 / 26 / 0

HEX #42FFBC

RGB 66 255 188

HSL 158.73, 1%, 0.63%

LAB 90, -61.29, 18.95

 

Description

Color code: RGB 96 65 255 | qconv.com Color code: RGB 96 65 255 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 65 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 65 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 75 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 75% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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