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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 61 132 it is the complementary color RGB 159 194 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 61 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 61 132 shade: RGB 101 61 127, RGB 118 79 146, RGB 135 97 165, RGB 152 115 184 and RGB 169 133 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 61 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 79 43 113, RGB 62 25 94, RGB 45 7 75 and RGB 28 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 115 61 132, RGB 132 61 130, RGB 132 61 111 and RGB 132 61 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 77 61 132 and RGB 61 61 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 61 132 shade matches the following richer shades: RGB 96 61 132, RGB 96 45 148, RGB 95 29 164 and RGB 95 14 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 96 76 117, RGB 96 92 101, RGB 97 108 85 and RGB 97 123 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 61 132 shade: RGB 61 64 132, RGB 76 61 132, RGB 95 61 132, RGB 114 61 132 and RGB 132 61 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 61 132 shade: RGB 55 35 76, RGB 75 48 104, RGB 96 61 132, RGB 116 74 161 and RGB 137 94 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 132 61 83 and RGB 61 132 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 132 95 61 and RGB 61 132 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 132 61 83, RGB 98 132 61 and RGB 61 132 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 61 132 shade: RGB 96 61 132, RGB 132 61 62, RGB 98 132 61 and RGB 61 132 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

Complementary color

CMYK 18 / 0 / 37 / 24

HEX #9FC27B

RGB 159 194 123

HSL 89.58, 0.37%, 0.62%

LAB 74.44, -24.18, 31.96

 

CMYK 20 / 52 / 0 / 50

HEX #653D7F

RGB 101 61 127

HSL 276.36, 0.35%, 0.37%

LAB 33.21, 30.54, -30.66

 

CMYK 19 / 46 / 0 / 43

HEX #764F92

RGB 118 79 146

HSL 274.93, 0.3%, 0.44%

LAB 40.44, 29.63, -30.78

 

CMYK 18 / 41 / 0 / 35

HEX #8761A5

RGB 135 97 165

HSL 273.53, 0.27%, 0.51%

LAB 47.52, 28.77, -30.87

 

CMYK 17 / 38 / 0 / 28

HEX #9873B8

RGB 152 115 184

HSL 272.17, 0.33%, 0.59%

LAB 54.45, 27.98, -30.98

 

CMYK 17 / 34 / 0 / 20

HEX #A985CB

RGB 169 133 203

HSL 270.86, 0.4%, 0.66%

LAB 61.24, 27.25, -31.09

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 30 / 62 / 0 / 56

HEX #4F2B71

RGB 79 43 113

HSL 270.86, 0.45%, 0.31%

LAB 25.51, 31.35, -34.27

 

CMYK 34 / 73 / 0 / 63

HEX #3E195E

RGB 62 25 94

HSL 272.17, 0.58%, 0.23%

LAB 18.04, 32.18, -34.02

 

CMYK 40 / 91 / 0 / 71

HEX #2D074B

RGB 45 7 75

HSL 273.53, 0.83%, 0.16%

LAB 10.69, 32.22, -33.19

 

CMYK 50 / 100 / 0 / 78

HEX #1C0038

RGB 28 0 56

HSL 270, 1%, 0.11%

LAB 4.81, 26.5, -29.37

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 13 / 54 / 0 / 48

HEX #733D84

RGB 115 61 132

HSL 285.63, 0.37%, 0.38%

LAB 35.3, 35.87, -30.35

 

CMYK 0 / 54 / 2 / 48

HEX #843D82

RGB 132 61 130

HSL 301.69, 0.37%, 0.38%

LAB 37.58, 40.53, -25.37

 

CMYK 0 / 54 / 16 / 48

HEX #843D6F

RGB 132 61 111

HSL 317.75, 0.37%, 0.38%

LAB 36.73, 37.13, -14.88

 

CMYK 0 / 54 / 31 / 48

HEX #843D5B

RGB 132 61 91

HSL 334.65, 0.37%, 0.38%

LAB 35.98, 34.04, -3.37

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 42 / 54 / 0 / 48

HEX #4D3D84

RGB 77 61 132

HSL 253.52, 0.37%, 0.38%

LAB 30.83, 25.13, -37.72

 

CMYK 54 / 54 / 0 / 48

HEX #3D3D84

RGB 61 61 132

HSL 240, 0.37%, 0.38%

LAB 29.4, 21.2, -40.1

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 35 / 70 / 0 / 42

HEX #602D94

RGB 96 45 148

HSL 269.71, 0.53%, 0.38%

LAB 30.64, 43.4, -47.79

 

CMYK 42 / 82 / 0 / 36

HEX #5F1DA4

RGB 95 29 164

HSL 269.33, 0.7%, 0.38%

LAB 29.39, 54.19, -59.59

 

CMYK 47 / 92 / 0 / 30

HEX #5F0EB3

RGB 95 14 179

HSL 269.45, 0.85%, 0.38%

LAB 29.42, 61.94, -68.57

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 18 / 35 / 0 / 54

HEX #604C75

RGB 96 76 117

HSL 269.27, 0.21%, 0.38%

LAB 35.87, 17.25, -20.33

 

CMYK 5 / 9 / 0 / 60

HEX #605C65

RGB 96 92 101

HSL 266.67, 0.05%, 0.38%

LAB 39.72, 3.51, -4.57

 

CMYK 10 / 0 / 21 / 58

HEX #616C55

RGB 97 108 85

HSL 88.7, 0.12%, 0.38%

LAB 44.12, -8.79, 11.5

 

CMYK 21 / 0 / 43 / 52

HEX #617B46

RGB 97 123 70

HSL 89.43, 0.27%, 0.38%

LAB 48.45, -19.4, 25.93

 

CMYK 54 / 52 / 0 / 48

HEX #3D4084

RGB 61 64 132

HSL 237.46, 0.37%, 0.38%

LAB 30.22, 19.2, -38.79

 

CMYK 42 / 54 / 0 / 48

HEX #4C3D84

RGB 76 61 132

HSL 252.68, 0.37%, 0.38%

LAB 30.74, 24.87, -37.89

 

CMYK 28 / 54 / 0 / 48

HEX #5F3D84

RGB 95 61 132

HSL 268.73, 0.37%, 0.38%

LAB 32.78, 30.06, -34.5

 

CMYK 14 / 54 / 0 / 48

HEX #723D84

RGB 114 61 132

HSL 284.79, 0.37%, 0.38%

LAB 35.16, 35.57, -30.57

 

CMYK 0 / 54 / 1 / 48

HEX #843D83

RGB 132 61 131

HSL 300.85, 0.37%, 0.38%

LAB 37.63, 40.72, -25.91

 

CMYK 28 / 54 / 0 / 70

HEX #37234C

RGB 55 35 76

HSL 269.27, 0.37%, 0.22%

LAB 18.08, 19.15, -21.9

 

CMYK 28 / 54 / 0 / 59

HEX #4B3068

RGB 75 48 104

HSL 268.93, 0.37%, 0.3%

LAB 25.59, 24.75, -28.38

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 28 / 54 / 0 / 37

HEX #744AA1

RGB 116 74 161

HSL 268.97, 0.37%, 0.46%

LAB 39.89, 35.66, -40.68

 

CMYK 24 / 48 / 0 / 29

HEX #895EB5

RGB 137 94 181

HSL 269.66, 0.37%, 0.54%

LAB 47.83, 34.91, -39.74

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 0 / 54 / 37 / 48

HEX #843D53

RGB 132 61 83

HSL 341.41, 0.37%, 0.38%

LAB 35.73, 32.96, 1.35

 

CMYK 54 / 0 / 49 / 48

HEX #3D8443

RGB 61 132 67

HSL 125.07, 0.37%, 0.38%

LAB 49.37, -36.74, 28.34

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 0 / 28 / 54 / 48

HEX #845F3D

RGB 132 95 61

HSL 28.73, 0.37%, 0.38%

LAB 43.4, 10.83, 25.28

 

CMYK 54 / 0 / 28 / 48

HEX #3D845F

RGB 61 132 95

HSL 148.73, 0.37%, 0.38%

LAB 49.88, -31.48, 13.33

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 0 / 54 / 37 / 48

HEX #843D53

RGB 132 61 83

HSL 341.41, 0.37%, 0.38%

LAB 35.73, 32.96, 1.35

 

CMYK 26 / 0 / 54 / 48

HEX #62843D

RGB 98 132 61

HSL 88.73, 0.37%, 0.38%

LAB 51.19, -24.75, 34.15

 

CMYK 54 / 0 / 17 / 48

HEX #3D846E

RGB 61 132 110

HSL 161.41, 0.37%, 0.38%

LAB 50.24, -27.97, 5.13

 

CMYK 27 / 54 / 0 / 48

HEX #603D84

RGB 96 61 132

HSL 269.58, 0.37%, 0.38%

LAB 32.9, 30.34, -34.31

 

CMYK 0 / 54 / 53 / 48

HEX #843D3E

RGB 132 61 62

HSL 359.15, 0.37%, 0.38%

LAB 35.18, 30.59, 13.96

 

CMYK 26 / 0 / 54 / 48

HEX #62843D

RGB 98 132 61

HSL 88.73, 0.37%, 0.38%

LAB 51.19, -24.75, 34.15

 

CMYK 54 / 0 / 1 / 48

HEX #3D8483

RGB 61 132 131

HSL 179.15, 0.37%, 0.38%

LAB 50.84, -22.36, -6.26

 

Description

Color code: RGB 96 61 132 | qconv.com Color code: RGB 96 61 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 61 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 61 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 54 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 54% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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