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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 38 84 it is the complementary color RGB 160 217 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 38 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 38 84 shade: RGB 100 38 79, RGB 117 56 98, RGB 134 74 117, RGB 151 92 136 and RGB 168 110 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 38 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 38 84 shade: RGB 95 38 84, RGB 78 20 65, RGB 61 2 46, RGB 44 0 27 and RGB 27 0 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 38 84 shade: RGB 94 37 83, RGB 94 37 68, RGB 94 37 53 and RGB 94 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 38 84 shade: RGB 94 37 83, RGB 90 37 94, RGB 75 37 94, RGB 59 37 94 and RGB 44 37 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 38 84 shade matches the following richer shades: RGB 94 37 83, RGB 105 27 90, RGB 116 16 96 and RGB 126 5 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 38 84 shade: RGB 94 37 83, RGB 84 48 77, RGB 73 59 70, RGB 62 69 64 and RGB 51 80 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 38 84 shade: RGB 74 37 94, RGB 90 37 94, RGB 94 37 84, RGB 94 37 69 and RGB 94 37 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 38 84 shade: RGB 35 14 31, RGB 65 26 57, RGB 94 37 83, RGB 124 49 109 and RGB 153 61 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 38 84 shade: RGB 95 38 84, RGB 94 59 37 and RGB 37 94 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 38 84 shade: RGB 95 38 84, RGB 84 94 37 and RGB 37 84 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 38 84 shade: RGB 95 38 84, RGB 94 59 37, RGB 37 94 48 and RGB 37 72 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 38 84 shade: RGB 95 38 84, RGB 94 76 37, RGB 37 94 48 and RGB 37 55 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

Complementary color

CMYK 26 / 0 / 21 / 15

HEX #A0D9AB

RGB 160 217 171

HSL 131.58, 0.43%, 0.74%

LAB 81.86, -27.37, 16.87

 

CMYK 0 / 62 / 21 / 61

HEX #64264F

RGB 100 38 79

HSL 320.32, 0.45%, 0.27%

LAB 25.74, 33.19, -11.48

 

CMYK 0 / 52 / 16 / 54

HEX #753862

RGB 117 56 98

HSL 318.69, 0.35%, 0.34%

LAB 32.9, 32.54, -12.69

 

CMYK 0 / 45 / 13 / 47

HEX #864A75

RGB 134 74 117

HSL 317, 0.29%, 0.41%

LAB 40, 31.74, -13.59

 

CMYK 0 / 39 / 10 / 41

HEX #975C88

RGB 151 92 136

HSL 315.25, 0.24%, 0.48%

LAB 46.99, 30.93, -14.31

 

CMYK 0 / 35 / 8 / 34

HEX #A86E9B

RGB 168 110 155

HSL 313.45, 0.25%, 0.55%

LAB 53.86, 30.14, -14.93

 

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

CMYK 0 / 74 / 17 / 69

HEX #4E1441

RGB 78 20 65

HSL 313.45, 0.59%, 0.19%

LAB 17.93, 32.56, -14.32

 

CMYK 0 / 97 / 25 / 76

HEX #3D022E

RGB 61 2 46

HSL 315.25, 0.94%, 0.12%

LAB 10.8, 31.98, -12.08

 

CMYK 0 / 100 / 39 / 83

HEX #2C001B

RGB 44 0 27

HSL 323.18, 1%, 0.09%

LAB 5.55, 24.7, -5.95

 

CMYK 0 / 100 / 70 / 89

HEX #1B0008

RGB 27 0 8

HSL 342.22, 1%, 0.05%

LAB 2.26, 10.56, 0.3

 

CMYK 0 / 61 / 12 / 63

HEX #5E2553

RGB 94 37 83

HSL 311.58, 0.44%, 0.26%

LAB 24.73, 32.42, -15.79

 

CMYK 0 / 61 / 28 / 63

HEX #5E2544

RGB 94 37 68

HSL 327.37, 0.44%, 0.26%

LAB 24.06, 29.88, -6.74

 

CMYK 0 / 61 / 44 / 63

HEX #5E2535

RGB 94 37 53

HSL 343.16, 0.44%, 0.26%

LAB 23.54, 27.78, 2.69

 

CMYK 0 / 61 / 61 / 63

HEX #5E2525

RGB 94 37 37

HSL 0, 0.44%, 0.26%

LAB 23.12, 26.06, 13.02

 

CMYK 0 / 61 / 12 / 63

HEX #5E2553

RGB 94 37 83

HSL 311.58, 0.44%, 0.26%

LAB 24.73, 32.42, -15.79

 

CMYK 4 / 61 / 0 / 63

HEX #5A255E

RGB 90 37 94

HSL 295.79, 0.44%, 0.26%

LAB 24.65, 33.33, -23.21

 

CMYK 20 / 61 / 0 / 63

HEX #4B255E

RGB 75 37 94

HSL 280, 0.44%, 0.26%

LAB 22.4, 28.86, -26.93

 

CMYK 37 / 61 / 0 / 63

HEX #3B255E

RGB 59 37 94

HSL 263.16, 0.44%, 0.26%

LAB 20.29, 24.28, -30.43

 

CMYK 53 / 61 / 0 / 63

HEX #2C255E

RGB 44 37 94

HSL 247.37, 0.44%, 0.26%

LAB 18.66, 20.39, -33.14

 

CMYK 0 / 61 / 12 / 63

HEX #5E2553

RGB 94 37 83

HSL 311.58, 0.44%, 0.26%

LAB 24.73, 32.42, -15.79

 

CMYK 0 / 74 / 14 / 59

HEX #691B5A

RGB 105 27 90

HSL 311.54, 0.59%, 0.26%

LAB 25.34, 41.52, -19.33

 

CMYK 0 / 86 / 17 / 55

HEX #741060

RGB 116 16 96

HSL 312, 0.76%, 0.26%

LAB 26.53, 48.72, -21.26

 

CMYK 0 / 96 / 18 / 51

HEX #7E0567

RGB 126 5 103

HSL 311.4, 0.92%, 0.26%

LAB 28.18, 54.03, -23.1

 

CMYK 0 / 61 / 12 / 63

HEX #5E2553

RGB 94 37 83

HSL 311.58, 0.44%, 0.26%

LAB 24.73, 32.42, -15.79

 

CMYK 0 / 43 / 8 / 67

HEX #54304D

RGB 84 48 77

HSL 311.67, 0.27%, 0.26%

LAB 25.37, 21.37, -10.95

 

CMYK 0 / 19 / 4 / 71

HEX #493B46

RGB 73 59 70

HSL 312.86, 0.11%, 0.26%

LAB 26.7, 8.38, -4.44

 

CMYK 10 / 0 / 7 / 73

HEX #3E4540

RGB 62 69 64

HSL 137.14, 0.05%, 0.26%

LAB 28.51, -4.02, 2.04

 

CMYK 36 / 0 / 29 / 69

HEX #335039

RGB 51 80 57

HSL 132.41, 0.22%, 0.26%

LAB 31.2, -16.44, 10.2

 

CMYK 21 / 61 / 0 / 63

HEX #4A255E

RGB 74 37 94

HSL 278.95, 0.44%, 0.26%

LAB 22.26, 28.57, -27.17

 

CMYK 4 / 61 / 0 / 63

HEX #5A255E

RGB 90 37 94

HSL 295.79, 0.44%, 0.26%

LAB 24.65, 33.33, -23.21

 

CMYK 0 / 61 / 11 / 63

HEX #5E2554

RGB 94 37 84

HSL 310.53, 0.44%, 0.26%

LAB 24.77, 32.61, -16.38

 

CMYK 0 / 61 / 27 / 63

HEX #5E2545

RGB 94 37 69

HSL 326.32, 0.44%, 0.26%

LAB 24.1, 30.04, -7.35

 

CMYK 0 / 61 / 44 / 63

HEX #5E2535

RGB 94 37 53

HSL 343.16, 0.44%, 0.26%

LAB 23.54, 27.78, 2.69

 

CMYK 0 / 60 / 11 / 86

HEX #230E1F

RGB 35 14 31

HSL 311.43, 0.43%, 0.1%

LAB 6.96, 14.05, -7.13

 

CMYK 0 / 60 / 12 / 75

HEX #411A39

RGB 65 26 57

HSL 312.31, 0.43%, 0.18%

LAB 16.3, 23.71, -11.43

 

CMYK 0 / 61 / 12 / 63

HEX #5E2553

RGB 94 37 83

HSL 311.58, 0.44%, 0.26%

LAB 24.73, 32.42, -15.79

 

CMYK 0 / 60 / 12 / 51

HEX #7C316D

RGB 124 49 109

HSL 312, 0.43%, 0.34%

LAB 33.11, 40.36, -19.29

 

CMYK 0 / 60 / 12 / 40

HEX #993D87

RGB 153 61 135

HSL 311.74, 0.43%, 0.42%

LAB 40.99, 47.62, -22.89

 

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

CMYK 0 / 37 / 61 / 63

HEX #5E3B25

RGB 94 59 37

HSL 23.16, 0.44%, 0.26%

LAB 28.49, 12.86, 19.89

 

CMYK 61 / 0 / 13 / 63

HEX #255E52

RGB 37 94 82

HSL 167.37, 0.44%, 0.26%

LAB 36, -21.91, 1.29

 

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

CMYK 11 / 0 / 61 / 63

HEX #545E25

RGB 84 94 37

HSL 70.53, 0.44%, 0.26%

LAB 37.89, -13.21, 30.78

 

CMYK 61 / 11 / 0 / 63

HEX #25545E

RGB 37 84 94

HSL 190.53, 0.44%, 0.26%

LAB 33.01, -12.68, -10.67

 

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

CMYK 0 / 37 / 61 / 63

HEX #5E3B25

RGB 94 59 37

HSL 23.16, 0.44%, 0.26%

LAB 28.49, 12.86, 19.89

 

CMYK 61 / 0 / 49 / 63

HEX #255E30

RGB 37 94 48

HSL 131.58, 0.44%, 0.26%

LAB 35.23, -29.79, 20.86

 

CMYK 61 / 23 / 0 / 63

HEX #25485E

RGB 37 72 94

HSL 203.16, 0.44%, 0.26%

LAB 29, -5.35, -16.82

 

CMYK 0 / 60 / 12 / 63

HEX #5F2654

RGB 95 38 84

HSL 311.58, 0.43%, 0.26%

LAB 25.13, 32.4, -15.81

 

CMYK 0 / 19 / 61 / 63

HEX #5E4C25

RGB 94 76 37

HSL 41.05, 0.44%, 0.26%

LAB 33.31, 2.24, 25.74

 

CMYK 61 / 0 / 49 / 63

HEX #255E30

RGB 37 94 48

HSL 131.58, 0.44%, 0.26%

LAB 35.23, -29.79, 20.86

 

CMYK 61 / 41 / 0 / 63

HEX #25375E

RGB 37 55 94

HSL 221.05, 0.44%, 0.26%

LAB 23.45, 6.01, -25.49

 

Description

Color code: RGB 95 38 84 | qconv.com Color code: RGB 95 38 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 38 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 38 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 12 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 12% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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