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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 225 250 it is the complementary color RGB 160 30 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 225 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 225 250 shade: RGB 100 225 245, RGB 117 243 255, RGB 134 255 255, RGB 151 255 255 and RGB 168 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 225 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 225 250 shade: RGB 95 225 250, RGB 78 207 231, RGB 61 189 212, RGB 44 171 193 and RGB 27 153 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 225 250 shade: RGB 96 225 250, RGB 96 183 250, RGB 96 142 250, RGB 96 101 250 and RGB 133 96 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 225 250 shade: RGB 96 225 250, RGB 96 183 250, RGB 96 142 250, RGB 96 101 250 and RGB 96 96 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 225 250 shade matches the following richer shades: RGB 96 225 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 225 250 shade: RGB 96 225 250, RGB 109 216 236, RGB 123 207 223, RGB 136 198 210 and RGB 149 189 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 225 250 shade: RGB 96 250 191, RGB 96 250 232, RGB 96 227 250, RGB 96 186 250 and RGB 96 145 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 225 250 shade: RGB 16 210 247, RGB 56 217 248, RGB 96 225 250, RGB 136 232 251 and RGB 176 240 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 225 250 shade: RGB 95 225 250, RGB 150 96 250 and RGB 250 211 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 225 250 shade: RGB 95 225 250, RGB 250 96 227 and RGB 227 250 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 225 250 shade: RGB 95 225 250, RGB 150 96 250, RGB 250 119 96 and RGB 196 250 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 225 250 shade: RGB 95 225 250, RGB 196 96 250, RGB 250 119 96 and RGB 150 250 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

Complementary color

CMYK 0 / 81 / 97 / 37

HEX #A01E05

RGB 160 30 5

HSL 9.68, 0.94%, 0.32%

LAB 34.83, 51.04, 46.07

 

CMYK 59 / 8 / 0 / 4

HEX #64E1F5

RGB 100 225 245

HSL 188.28, 0.88%, 0.68%

LAB 83.52, -28.98, -20.2

 

CMYK 54 / 5 / 0 / 0

HEX #75F3FF

RGB 117 243 255

HSL 185.22, 1%, 0.73%

LAB 89.44, -31.77, -16.47

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

CMYK 66 / 10 / 0 / 9

HEX #4ECFE7

RGB 78 207 231

HSL 189.41, 0.76%, 0.61%

LAB 77.29, -27.8, -22.25

 

CMYK 71 / 11 / 0 / 17

HEX #3DBDD4

RGB 61 189 212

HSL 189.14, 0.64%, 0.54%

LAB 70.97, -27.01, -21.62

 

CMYK 77 / 11 / 0 / 24

HEX #2CABC1

RGB 44 171 193

HSL 188.86, 0.63%, 0.46%

LAB 64.57, -25.97, -20.93

 

CMYK 84 / 12 / 0 / 32

HEX #1B99AE

RGB 27 153 174

HSL 188.57, 0.73%, 0.39%

LAB 58.1, -24.61, -20.15

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 62 / 27 / 0 / 2

HEX #60B7FA

RGB 96 183 250

HSL 206.1, 0.94%, 0.68%

LAB 71.73, -6.55, -41.01

 

CMYK 62 / 43 / 0 / 2

HEX #608EFA

RGB 96 142 250

HSL 222.08, 0.94%, 0.68%

LAB 60.55, 16.99, -58.67

 

CMYK 62 / 60 / 0 / 2

HEX #6065FA

RGB 96 101 250

HSL 238.05, 0.94%, 0.68%

LAB 50.33, 41.69, -75.15

 

CMYK 47 / 62 / 0 / 2

HEX #8560FA

RGB 133 96 250

HSL 254.42, 0.94%, 0.68%

LAB 52.12, 50.95, -72.11

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 62 / 27 / 0 / 2

HEX #60B7FA

RGB 96 183 250

HSL 206.1, 0.94%, 0.68%

LAB 71.73, -6.55, -41.01

 

CMYK 62 / 43 / 0 / 2

HEX #608EFA

RGB 96 142 250

HSL 222.08, 0.94%, 0.68%

LAB 60.55, 16.99, -58.67

 

CMYK 62 / 60 / 0 / 2

HEX #6065FA

RGB 96 101 250

HSL 238.05, 0.94%, 0.68%

LAB 50.33, 41.69, -75.15

 

CMYK 62 / 62 / 0 / 2

HEX #6060FA

RGB 96 96 250

HSL 240, 0.94%, 0.68%

LAB 49.2, 44.64, -77

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 54 / 8 / 0 / 7

HEX #6DD8EC

RGB 109 216 236

HSL 189.45, 0.77%, 0.68%

LAB 80.97, -25.41, -19.25

 

CMYK 45 / 7 / 0 / 13

HEX #7BCFDF

RGB 123 207 223

HSL 189.6, 0.61%, 0.68%

LAB 78.56, -21.37, -15.89

 

CMYK 35 / 6 / 0 / 18

HEX #88C6D2

RGB 136 198 210

HSL 189.73, 0.45%, 0.68%

LAB 76.24, -16.8, -12.31

 

CMYK 24 / 4 / 0 / 23

HEX #95BDC5

RGB 149 189 197

HSL 190, 0.29%, 0.68%

LAB 74.07, -11.47, -8.41

 

CMYK 62 / 0 / 24 / 2

HEX #60FABF

RGB 96 250 191

HSL 157.01, 0.94%, 0.68%

LAB 89.21, -54.2, 16.4

 

CMYK 62 / 0 / 7 / 2

HEX #60FAE8

RGB 96 250 232

HSL 172.99, 0.94%, 0.68%

LAB 90.18, -44.63, -3.46

 

CMYK 62 / 9 / 0 / 2

HEX #60E3FA

RGB 96 227 250

HSL 188.96, 0.94%, 0.68%

LAB 84.14, -29.21, -21.92

 

CMYK 62 / 26 / 0 / 2

HEX #60BAFA

RGB 96 186 250

HSL 204.94, 0.94%, 0.68%

LAB 72.57, -8.19, -39.71

 

CMYK 62 / 42 / 0 / 2

HEX #6091FA

RGB 96 145 250

HSL 220.91, 0.94%, 0.68%

LAB 61.34, 15.2, -57.4

 

CMYK 94 / 15 / 0 / 3

HEX #10D2F7

RGB 16 210 247

HSL 189.61, 0.94%, 0.52%

LAB 77.83, -29.58, -30.07

 

CMYK 77 / 13 / 0 / 3

HEX #38D9F8

RGB 56 217 248

HSL 189.69, 0.93%, 0.6%

LAB 80.32, -30.17, -26.76

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 46 / 8 / 0 / 2

HEX #88E8FB

RGB 136 232 251

HSL 189.91, 0.93%, 0.76%

LAB 86.95, -23.55, -18.05

 

CMYK 30 / 5 / 0 / 1

HEX #B0F0FC

RGB 176 240 252

HSL 189.47, 0.93%, 0.84%

LAB 91.04, -17.21, -12.25

 

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

CMYK 40 / 62 / 0 / 2

HEX #9660FA

RGB 150 96 250

HSL 261.04, 0.94%, 0.68%

LAB 53.76, 54.29, -69.38

 

CMYK 0 / 16 / 62 / 2

HEX #FAD360

RGB 250 211 96

HSL 44.81, 0.94%, 0.68%

LAB 85.88, 0.97, 60.61

 

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

CMYK 0 / 62 / 9 / 2

HEX #FA60E3

RGB 250 96 227

HSL 308.96, 0.94%, 0.68%

LAB 65.15, 73.03, -37.69

 

CMYK 9 / 0 / 62 / 2

HEX #E3FA60

RGB 227 250 96

HSL 68.96, 0.94%, 0.68%

LAB 94.12, -27.51, 69.05

 

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

CMYK 40 / 62 / 0 / 2

HEX #9660FA

RGB 150 96 250

HSL 261.04, 0.94%, 0.68%

LAB 53.76, 54.29, -69.38

 

CMYK 0 / 52 / 62 / 2

HEX #FA7760

RGB 250 119 96

HSL 8.96, 0.94%, 0.68%

LAB 65.25, 48.33, 36.42

 

CMYK 22 / 0 / 62 / 2

HEX #C4FA60

RGB 196 250 96

HSL 81.04, 0.94%, 0.68%

LAB 92.11, -39.32, 66.29

 

CMYK 62 / 10 / 0 / 2

HEX #5FE1FA

RGB 95 225 250

HSL 189.68, 0.94%, 0.68%

LAB 83.54, -28.41, -22.83

 

CMYK 22 / 62 / 0 / 2

HEX #C460FA

RGB 196 96 250

HSL 278.96, 0.94%, 0.68%

LAB 58.98, 64.2, -60.71

 

CMYK 0 / 52 / 62 / 2

HEX #FA7760

RGB 250 119 96

HSL 8.96, 0.94%, 0.68%

LAB 65.25, 48.33, 36.42

 

CMYK 40 / 0 / 62 / 2

HEX #96FA60

RGB 150 250 96

HSL 98.96, 0.94%, 0.68%

LAB 89.72, -55.11, 62.99

 

Description

Color code: RGB 95 225 250 | qconv.com Color code: RGB 95 225 250 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 225 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 225 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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