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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 179 128 it is the complementary color RGB 160 76 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 179 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 179 128 shade: RGB 100 179 123, RGB 117 197 142, RGB 134 215 161, RGB 151 233 180 and RGB 168 251 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 179 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 78 161 109, RGB 61 143 90, RGB 44 125 71 and RGB 27 107 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 95 179 105, RGB 107 179 95, RGB 130 179 95 and RGB 153 179 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 95 179 151, RGB 95 179 174, RGB 95 162 179 and RGB 95 140 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 179 128 shade matches the following richer shades: RGB 95 179 128, RGB 76 198 124, RGB 57 217 120 and RGB 38 236 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 114 160 132, RGB 133 141 136, RGB 152 122 140 and RGB 171 104 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 179 128 shade: RGB 108 179 95, RGB 95 179 105, RGB 95 179 127, RGB 95 179 150 and RGB 95 179 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 179 128 shade: RGB 61 131 88, RGB 74 159 108, RGB 95 179 128, RGB 123 193 150 and RGB 151 206 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 95 130 179 and RGB 179 95 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 127 95 179 and RGB 179 127 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 95 130 179, RGB 179 95 147 and RGB 179 144 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 179 128 shade: RGB 95 179 128, RGB 95 105 179, RGB 179 95 147 and RGB 179 170 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

Complementary color

CMYK 0 / 53 / 21 / 37

HEX #A04C7F

RGB 160 76 127

HSL 323.57, 0.36%, 0.46%

LAB 44.48, 41.15, -12.57

 

CMYK 44 / 0 / 31 / 30

HEX #64B37B

RGB 100 179 123

HSL 137.47, 0.34%, 0.55%

LAB 66.81, -36.79, 21.22

 

CMYK 41 / 0 / 28 / 23

HEX #75C58E

RGB 117 197 142

HSL 138.75, 0.41%, 0.62%

LAB 73.33, -36.54, 20.07

 

CMYK 38 / 0 / 25 / 16

HEX #86D7A1

RGB 134 215 161

HSL 140, 0.5%, 0.68%

LAB 79.75, -36.27, 19

 

CMYK 35 / 0 / 23 / 9

HEX #97E9B4

RGB 151 233 180

HSL 141.22, 0.65%, 0.75%

LAB 86.08, -36.01, 18

 

CMYK 33 / 0 / 21 / 2

HEX #A8FBC7

RGB 168 251 199

HSL 142.41, 0.91%, 0.82%

LAB 92.33, -35.75, 17.05

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 52 / 0 / 32 / 37

HEX #4EA16D

RGB 78 161 109

HSL 142.41, 0.35%, 0.47%

LAB 60.08, -37.4, 19.55

 

CMYK 57 / 0 / 37 / 44

HEX #3D8F5A

RGB 61 143 90

HSL 141.22, 0.4%, 0.4%

LAB 53.36, -37.49, 20.89

 

CMYK 65 / 0 / 43 / 51

HEX #2C7D47

RGB 44 125 71

HSL 140, 0.48%, 0.33%

LAB 46.52, -37.37, 22.38

 

CMYK 75 / 0 / 51 / 58

HEX #1B6B34

RGB 27 107 52

HSL 138.75, 0.6%, 0.26%

LAB 39.57, -36.88, 24.02

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 47 / 0 / 41 / 30

HEX #5FB369

RGB 95 179 105

HSL 127.14, 0.36%, 0.54%

LAB 66.28, -41.35, 30.07

 

CMYK 40 / 0 / 47 / 30

HEX #6BB35F

RGB 107 179 95

HSL 111.43, 0.36%, 0.54%

LAB 66.67, -39.2, 35.83

 

CMYK 27 / 0 / 47 / 30

HEX #82B35F

RGB 130 179 95

HSL 95, 0.36%, 0.54%

LAB 67.88, -31.3, 37.61

 

CMYK 15 / 0 / 47 / 30

HEX #99B35F

RGB 153 179 95

HSL 78.57, 0.36%, 0.54%

LAB 69.35, -22.54, 39.75

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 47 / 0 / 16 / 30

HEX #5FB397

RGB 95 179 151

HSL 160, 0.36%, 0.54%

LAB 67.21, -32.32, 6.45

 

CMYK 47 / 0 / 3 / 30

HEX #5FB3AE

RGB 95 179 174

HSL 176.43, 0.36%, 0.54%

LAB 67.82, -26.71, -5.36

 

CMYK 47 / 9 / 0 / 30

HEX #5FA2B3

RGB 95 162 179

HSL 192.14, 0.36%, 0.54%

LAB 62.95, -16.66, -15.43

 

CMYK 47 / 22 / 0 / 30

HEX #5F8CB3

RGB 95 140 179

HSL 207.86, 0.36%, 0.54%

LAB 56.53, -4.55, -25.23

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 62 / 0 / 37 / 22

HEX #4CC67C

RGB 76 198 124

HSL 143.61, 0.52%, 0.54%

LAB 71.81, -50.58, 27.27

 

CMYK 74 / 0 / 45 / 15

HEX #39D978

RGB 57 217 120

HSL 143.63, 0.68%, 0.54%

LAB 77.19, -61.67, 36.28

 

CMYK 84 / 0 / 51 / 7

HEX #26EC74

RGB 38 236 116

HSL 143.64, 0.84%, 0.54%

LAB 82.73, -70.83, 45.15

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 29 / 0 / 18 / 37

HEX #72A084

RGB 114 160 132

HSL 143.48, 0.19%, 0.54%

LAB 61.98, -21.55, 9.67

 

CMYK 6 / 0 / 4 / 45

HEX #858D88

RGB 133 141 136

HSL 142.5, 0.03%, 0.54%

LAB 57.86, -3.91, 1.65

 

CMYK 0 / 20 / 8 / 40

HEX #987A8C

RGB 152 122 140

HSL 324, 0.13%, 0.54%

LAB 54.54, 14.77, -5.34

 

CMYK 0 / 39 / 16 / 33

HEX #AB6890

RGB 171 104 144

HSL 324.18, 0.29%, 0.54%

LAB 52.48, 32.62, -10.53

 

CMYK 40 / 0 / 47 / 30

HEX #6CB35F

RGB 108 179 95

HSL 110.71, 0.36%, 0.54%

LAB 66.71, -38.88, 35.9

 

CMYK 47 / 0 / 41 / 30

HEX #5FB369

RGB 95 179 105

HSL 127.14, 0.36%, 0.54%

LAB 66.28, -41.35, 30.07

 

CMYK 47 / 0 / 29 / 30

HEX #5FB37F

RGB 95 179 127

HSL 142.86, 0.36%, 0.54%

LAB 66.68, -37.42, 18.84

 

CMYK 47 / 0 / 16 / 30

HEX #5FB396

RGB 95 179 150

HSL 159.29, 0.36%, 0.54%

LAB 67.18, -32.55, 6.96

 

CMYK 47 / 0 / 4 / 30

HEX #5FB3AC

RGB 95 179 172

HSL 175, 0.36%, 0.54%

LAB 67.76, -27.23, -4.34

 

CMYK 53 / 0 / 33 / 49

HEX #3D8358

RGB 61 131 88

HSL 143.14, 0.36%, 0.38%

LAB 49.41, -32.49, 16.7

 

CMYK 53 / 0 / 32 / 38

HEX #4A9F6C

RGB 74 159 108

HSL 144, 0.36%, 0.46%

LAB 59.28, -37.74, 18.99

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 36 / 0 / 22 / 24

HEX #7BC196

RGB 123 193 150

HSL 143.14, 0.36%, 0.62%

LAB 72.6, -31.37, 14.81

 

CMYK 27 / 0 / 16 / 19

HEX #97CEAD

RGB 151 206 173

HSL 144, 0.36%, 0.7%

LAB 78.31, -24.53, 10.73

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 47 / 27 / 0 / 30

HEX #5F82B3

RGB 95 130 179

HSL 215, 0.36%, 0.54%

LAB 53.66, 1.25, -29.68

 

CMYK 0 / 47 / 46 / 30

HEX #B35F60

RGB 179 95 96

HSL 359.29, 0.36%, 0.54%

LAB 50.23, 34, 14.83

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 29 / 47 / 0 / 30

HEX #7F5FB3

RGB 127 95 179

HSL 262.86, 0.36%, 0.54%

LAB 46.91, 31.02, -40.09

 

CMYK 0 / 29 / 47 / 30

HEX #B37F5F

RGB 179 127 95

HSL 22.86, 0.36%, 0.54%

LAB 57.64, 16.23, 25.37

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 47 / 27 / 0 / 30

HEX #5F82B3

RGB 95 130 179

HSL 215, 0.36%, 0.54%

LAB 53.66, 1.25, -29.68

 

CMYK 0 / 47 / 18 / 30

HEX #B35F93

RGB 179 95 147

HSL 322.86, 0.36%, 0.54%

LAB 51.7, 40.7, -13.38

 

CMYK 0 / 20 / 47 / 30

HEX #B3905F

RGB 179 144 95

HSL 35, 0.36%, 0.54%

LAB 61.96, 6.76, 30.96

 

CMYK 47 / 0 / 28 / 30

HEX #5FB380

RGB 95 179 128

HSL 143.57, 0.36%, 0.54%

LAB 66.7, -37.22, 18.32

 

CMYK 47 / 41 / 0 / 30

HEX #5F69B3

RGB 95 105 179

HSL 232.86, 0.36%, 0.54%

LAB 46.7, 16.39, -40.6

 

CMYK 0 / 47 / 18 / 30

HEX #B35F93

RGB 179 95 147

HSL 322.86, 0.36%, 0.54%

LAB 51.7, 40.7, -13.38

 

CMYK 0 / 5 / 47 / 30

HEX #B3AA5F

RGB 179 170 95

HSL 53.57, 0.36%, 0.54%

LAB 68.87, -7.32, 39.61

 

Description

Color code: RGB 95 179 128 | qconv.com Color code: RGB 95 179 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 179 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 179 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 28 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 28% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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