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Color name
RGB 95 160 35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 160 35 it is the complementary color RGB 160 95 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 160 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 160 35 shade: RGB 100 160 30, RGB 117 178 49, RGB 134 196 68, RGB 151 214 87 and RGB 168 232 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 160 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 160 35 shade: RGB 95 160 35, RGB 78 142 16, RGB 61 124 0, RGB 44 106 0 and RGB 27 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 160 35 shade: RGB 94 158 34, RGB 127 158 34, RGB 158 156 34, RGB 158 123 34 and RGB 158 89 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 160 35 shade: RGB 94 158 34, RGB 60 158 34, RGB 34 158 42, RGB 34 158 75 and RGB 34 158 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 160 35 shade matches the following richer shades: RGB 94 158 34, RGB 93 174 19 and RGB 93 190 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 160 35 shade: RGB 94 158 34, RGB 95 143 50, RGB 95 127 66, RGB 96 111 81 and RGB 96 96 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 160 35 shade: RGB 158 156 34, RGB 127 158 34, RGB 94 158 34, RGB 61 158 34 and RGB 34 158 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 160 35 shade: RGB 54 91 20, RGB 74 125 27, RGB 94 158 34, RGB 114 192 42 and RGB 135 212 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 160 35 shade: RGB 95 160 35, RGB 34 158 123 and RGB 158 34 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 160 35 shade: RGB 95 160 35, RGB 34 94 158 and RGB 158 34 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 160 35 shade: RGB 95 160 35, RGB 34 158 123, RGB 98 34 158 and RGB 158 34 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 160 35 shade: RGB 95 160 35, RGB 34 156 158, RGB 98 34 158 and RGB 158 36 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

Complementary color

CMYK 27 / 57 / 0 / 14

HEX #A05FDC

RGB 160 95 220

HSL 271.2, 0.64%, 0.62%

LAB 52.76, 49.67, -54.12

 

CMYK 38 / 0 / 81 / 37

HEX #64A01E

RGB 100 160 30

HSL 87.69, 0.68%, 0.37%

LAB 59.84, -39.44, 56.07

 

CMYK 34 / 0 / 72 / 30

HEX #75B231

RGB 117 178 49

HSL 88.37, 0.57%, 0.45%

LAB 66.4, -39.98, 56.36

 

CMYK 32 / 0 / 65 / 23

HEX #86C444

RGB 134 196 68

HSL 89.06, 0.52%, 0.52%

LAB 72.87, -40.31, 55.93

 

CMYK 29 / 0 / 59 / 16

HEX #97D657

RGB 151 214 87

HSL 89.76, 0.61%, 0.59%

LAB 79.25, -40.51, 55.13

 

CMYK 28 / 0 / 54 / 9

HEX #A8E86A

RGB 168 232 106

HSL 90.48, 0.73%, 0.66%

LAB 85.54, -40.61, 54.14

 

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

CMYK 45 / 0 / 89 / 44

HEX #4E8E10

RGB 78 142 16

HSL 90.48, 0.8%, 0.31%

LAB 52.95, -40.2, 53.16

 

CMYK 51 / 0 / 100 / 51

HEX #3D7C00

RGB 61 124 0

HSL 90.48, 1%, 0.24%

LAB 46.19, -39.04, 50.43

 

CMYK 58 / 0 / 100 / 58

HEX #2C6A00

RGB 44 106 0

HSL 95.09, 1%, 0.21%

LAB 39.32, -37.23, 44.74

 

CMYK 69 / 0 / 100 / 65

HEX #1B5800

RGB 27 88 0

HSL 101.59, 1%, 0.17%

LAB 32.29, -35.06, 38.94

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 20 / 0 / 78 / 38

HEX #7F9E22

RGB 127 158 34

HSL 75, 0.65%, 0.38%

LAB 60.85, -27.71, 56.37

 

CMYK 0 / 1 / 78 / 38

HEX #9E9C22

RGB 158 156 34

HSL 59.03, 0.65%, 0.38%

LAB 62.64, -13.26, 58.88

 

CMYK 0 / 22 / 78 / 38

HEX #9E7B22

RGB 158 123 34

HSL 43.06, 0.65%, 0.38%

LAB 53.55, 4.75, 50.55

 

CMYK 0 / 44 / 78 / 38

HEX #9E5922

RGB 158 89 34

HSL 26.61, 0.65%, 0.38%

LAB 44.98, 24.07, 42.34

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 62 / 0 / 78 / 38

HEX #3C9E22

RGB 60 158 34

HSL 107.42, 0.65%, 0.38%

LAB 57.59, -50.77, 52.13

 

CMYK 78 / 0 / 73 / 38

HEX #229E2A

RGB 34 158 42

HSL 123.87, 0.65%, 0.38%

LAB 57.04, -55.21, 48.54

 

CMYK 78 / 0 / 53 / 38

HEX #229E4B

RGB 34 158 75

HSL 139.84, 0.65%, 0.38%

LAB 57.37, -51.2, 33.93

 

CMYK 78 / 0 / 31 / 38

HEX #229E6D

RGB 34 158 109

HSL 156.29, 0.65%, 0.38%

LAB 57.94, -44.68, 16.43

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 47 / 0 / 89 / 32

HEX #5DAE13

RGB 93 174 19

HSL 91.35, 0.8%, 0.38%

LAB 63.87, -48.04, 62.14

 

CMYK 51 / 0 / 98 / 25

HEX #5DBE03

RGB 93 190 3

HSL 91.12, 0.97%, 0.38%

LAB 68.87, -54.48, 68.42

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 34 / 0 / 65 / 44

HEX #5F8F32

RGB 95 143 50

HSL 90.97, 0.48%, 0.38%

LAB 54.35, -32.34, 43.02

 

CMYK 25 / 0 / 48 / 50

HEX #5F7F42

RGB 95 127 66

HSL 91.48, 0.32%, 0.38%

LAB 49.5, -22.81, 29.42

 

CMYK 14 / 0 / 27 / 56

HEX #606F51

RGB 96 111 81

HSL 90, 0.16%, 0.38%

LAB 44.87, -11.59, 14.89

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 0 / 1 / 78 / 38

HEX #9E9C22

RGB 158 156 34

HSL 59.03, 0.65%, 0.38%

LAB 62.64, -13.26, 58.88

 

CMYK 20 / 0 / 78 / 38

HEX #7F9E22

RGB 127 158 34

HSL 75, 0.65%, 0.38%

LAB 60.85, -27.71, 56.37

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 61 / 0 / 78 / 38

HEX #3D9E22

RGB 61 158 34

HSL 106.94, 0.65%, 0.38%

LAB 57.62, -50.52, 52.17

 

CMYK 78 / 0 / 74 / 38

HEX #229E29

RGB 34 158 41

HSL 123.39, 0.65%, 0.38%

LAB 57.03, -55.29, 48.91

 

CMYK 41 / 0 / 78 / 64

HEX #365B14

RGB 54 91 20

HSL 91.27, 0.64%, 0.22%

LAB 34.63, -26.17, 34.68

 

CMYK 41 / 0 / 78 / 51

HEX #4A7D1B

RGB 74 125 27

HSL 91.22, 0.64%, 0.3%

LAB 47.24, -33.77, 44.73

 

CMYK 41 / 0 / 78 / 38

HEX #5E9E22

RGB 94 158 34

HSL 90.97, 0.65%, 0.38%

LAB 58.93, -40.52, 53.88

 

CMYK 41 / 0 / 78 / 25

HEX #72C02A

RGB 114 192 42

HSL 91.2, 0.64%, 0.46%

LAB 70.49, -47.35, 62.61

 

CMYK 36 / 0 / 70 / 17

HEX #87D43F

RGB 135 212 63

HSL 91.01, 0.63%, 0.54%

LAB 77.64, -47.17, 62.86

 

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

CMYK 78 / 0 / 22 / 38

HEX #229E7B

RGB 34 158 123

HSL 163.06, 0.65%, 0.38%

LAB 58.25, -41.33, 9.02

 

CMYK 0 / 78 / 9 / 38

HEX #9E2290

RGB 158 34 144

HSL 306.77, 0.65%, 0.38%

LAB 38.6, 60.6, -32.07

 

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

CMYK 78 / 41 / 0 / 38

HEX #225E9E

RGB 34 94 158

HSL 210.97, 0.65%, 0.38%

LAB 39.27, 4.22, -40.22

 

CMYK 0 / 78 / 41 / 38

HEX #9E225E

RGB 158 34 94

HSL 330.97, 0.65%, 0.38%

LAB 36.41, 54.11, -4.15

 

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

CMYK 78 / 0 / 22 / 38

HEX #229E7B

RGB 34 158 123

HSL 163.06, 0.65%, 0.38%

LAB 58.25, -41.33, 9.02

 

CMYK 38 / 78 / 0 / 38

HEX #62229E

RGB 98 34 158

HSL 270.97, 0.65%, 0.38%

LAB 29.93, 51.3, -55.04

 

CMYK 0 / 78 / 56 / 38

HEX #9E2246

RGB 158 34 70

HSL 342.58, 0.65%, 0.38%

LAB 35.7, 51.93, 10.3

 

CMYK 41 / 0 / 78 / 37

HEX #5FA023

RGB 95 160 35

HSL 91.2, 0.64%, 0.38%

LAB 59.61, -40.96, 54.22

 

CMYK 78 / 1 / 0 / 38

HEX #229C9E

RGB 34 156 158

HSL 180.97, 0.65%, 0.38%

LAB 58.59, -30.59, -10.32

 

CMYK 38 / 78 / 0 / 38

HEX #62229E

RGB 98 34 158

HSL 270.97, 0.65%, 0.38%

LAB 29.93, 51.3, -55.04

 

CMYK 0 / 77 / 78 / 38

HEX #9E2422

RGB 158 36 34

HSL 0.97, 0.65%, 0.38%

LAB 35.29, 49.23, 32.44

 

Description

Color code: RGB 95 160 35 | qconv.com Color code: RGB 95 160 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 160 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 160 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 78 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 78% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - 淘特网_优惠券_省钱更省心_生活好助手
Link: http://www.taotewang.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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