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Color name
RGB 95 145 14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 145 14 it is the complementary color RGB 160 110 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 145 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 145 14 shade: RGB 100 145 9, RGB 117 163 28, RGB 134 181 47, RGB 151 199 66 and RGB 168 217 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 145 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 145 14 shade: RGB 95 145 14, RGB 78 127 0, RGB 61 109 0, RGB 44 91 0 and RGB 27 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 145 14 shade: RGB 94 143 14, RGB 129 143 14, RGB 143 123 14, RGB 143 88 14 and RGB 143 53 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 145 14 shade: RGB 94 143 14, RGB 59 143 14, RGB 24 143 14, RGB 14 143 38 and RGB 14 143 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 145 14 shade matches the following richer shades: RGB 94 143 14 and RGB 97 156 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 145 14 shade: RGB 94 143 14, RGB 91 131 27, RGB 88 118 39, RGB 85 105 52 and RGB 82 92 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 145 14 shade: RGB 143 122 14, RGB 130 143 14, RGB 96 143 14, RGB 61 143 14 and RGB 27 143 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 145 14 shade: RGB 45 68 6, RGB 69 106 10, RGB 94 143 14, RGB 119 181 17 and RGB 143 218 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 145 14 shade: RGB 95 145 14, RGB 14 143 87 and RGB 139 14 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 145 14 shade: RGB 95 145 14, RGB 14 96 143 and RGB 143 14 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 145 14 shade: RGB 95 145 14, RGB 14 143 87, RGB 61 14 143 and RGB 143 14 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 145 14 shade: RGB 95 145 14, RGB 14 143 126, RGB 61 14 143 and RGB 143 14 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

Complementary color

CMYK 34 / 54 / 0 / 5

HEX #A06EF1

RGB 160 110 241

HSL 262.9, 0.82%, 0.69%

LAB 57.05, 46.72, -59.03

 

CMYK 31 / 0 / 94 / 43

HEX #649109

RGB 100 145 9

HSL 79.85, 0.88%, 0.3%

LAB 55.05, -33.5, 56.68

 

CMYK 28 / 0 / 83 / 36

HEX #75A31C

RGB 117 163 28

HSL 80.44, 0.71%, 0.37%

LAB 61.71, -34.39, 58.67

 

CMYK 26 / 0 / 74 / 29

HEX #86B52F

RGB 134 181 47

HSL 81.04, 0.59%, 0.45%

LAB 68.26, -35.03, 59.23

 

CMYK 24 / 0 / 67 / 22

HEX #97C742

RGB 151 199 66

HSL 81.65, 0.54%, 0.52%

LAB 74.71, -35.47, 58.98

 

CMYK 23 / 0 / 61 / 15

HEX #A8D955

RGB 168 217 85

HSL 82.27, 0.63%, 0.59%

LAB 81.07, -35.78, 58.3

 

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

CMYK 39 / 0 / 100 / 50

HEX #4E7F00

RGB 78 127 0

HSL 83.15, 1%, 0.25%

LAB 48.01, -34.22, 52.2

 

CMYK 44 / 0 / 100 / 57

HEX #3D6D00

RGB 61 109 0

HSL 86.42, 1%, 0.21%

LAB 41.1, -32.7, 46.46

 

CMYK 52 / 0 / 100 / 64

HEX #2C5B00

RGB 44 91 0

HSL 90.99, 1%, 0.18%

LAB 34.02, -31.05, 40.58

 

CMYK 63 / 0 / 100 / 71

HEX #1B4900

RGB 27 73 0

HSL 97.81, 1%, 0.14%

LAB 26.73, -29.12, 34.42

 

CMYK 34 / 0 / 90 / 44

HEX #5E8F0E

RGB 94 143 14

HSL 82.79, 0.82%, 0.31%

LAB 54.09, -34.82, 54.87

 

CMYK 10 / 0 / 90 / 44

HEX #818F0E

RGB 129 143 14

HSL 66.51, 0.82%, 0.31%

LAB 56.43, -20.08, 57.76

 

CMYK 0 / 14 / 90 / 44

HEX #8F7B0E

RGB 143 123 14

HSL 50.7, 0.82%, 0.31%

LAB 51.88, -2.87, 54.62

 

CMYK 0 / 38 / 90 / 44

HEX #8F580E

RGB 143 88 14

HSL 34.42, 0.82%, 0.31%

LAB 42.54, 17.26, 47.2

 

CMYK 0 / 63 / 90 / 44

HEX #8F350E

RGB 143 53 14

HSL 18.14, 0.82%, 0.31%

LAB 34.84, 36.36, 41.11

 

CMYK 34 / 0 / 90 / 44

HEX #5E8F0E

RGB 94 143 14

HSL 82.79, 0.82%, 0.31%

LAB 54.09, -34.82, 54.87

 

CMYK 59 / 0 / 90 / 44

HEX #3B8F0E

RGB 59 143 14

HSL 99.07, 0.82%, 0.31%

LAB 52.52, -46.56, 52.91

 

CMYK 83 / 0 / 90 / 44

HEX #188F0E

RGB 24 143 14

HSL 115.35, 0.82%, 0.31%

LAB 51.69, -53.56, 51.87

 

CMYK 90 / 0 / 73 / 44

HEX #0E8F26

RGB 14 143 38

HSL 131.16, 0.82%, 0.31%

LAB 51.7, -53.02, 44.51

 

CMYK 90 / 0 / 49 / 44

HEX #0E8F49

RGB 14 143 73

HSL 147.44, 0.82%, 0.31%

LAB 52.08, -48.29, 28.32

 

CMYK 34 / 0 / 90 / 44

HEX #5E8F0E

RGB 94 143 14

HSL 82.79, 0.82%, 0.31%

LAB 54.09, -34.82, 54.87

 

CMYK 38 / 0 / 99 / 39

HEX #619C01

RGB 97 156 1

HSL 82.84, 0.99%, 0.31%

LAB 58.34, -39.7, 60.48

 

CMYK 34 / 0 / 90 / 44

HEX #5E8F0E

RGB 94 143 14

HSL 82.79, 0.82%, 0.31%

LAB 54.09, -34.82, 54.87

 

CMYK 31 / 0 / 79 / 49

HEX #5B831B

RGB 91 131 27

HSL 83.08, 0.66%, 0.31%

LAB 50.14, -29.95, 47.83

 

CMYK 25 / 0 / 67 / 54

HEX #587627

RGB 88 118 39

HSL 82.78, 0.5%, 0.31%

LAB 45.88, -24.02, 38.7

 

CMYK 19 / 0 / 50 / 59

HEX #556934

RGB 85 105 52

HSL 82.64, 0.34%, 0.31%

LAB 41.66, -17.17, 27.21

 

CMYK 11 / 0 / 29 / 64

HEX #525C41

RGB 82 92 65

HSL 82.22, 0.17%, 0.31%

LAB 37.54, -9.28, 14.29

 

CMYK 0 / 15 / 90 / 44

HEX #8F7A0E

RGB 143 122 14

HSL 50.23, 0.82%, 0.31%

LAB 51.6, -2.31, 54.4

 

CMYK 9 / 0 / 90 / 44

HEX #828F0E

RGB 130 143 14

HSL 66.05, 0.82%, 0.31%

LAB 56.51, -19.63, 57.86

 

CMYK 33 / 0 / 90 / 44

HEX #608F0E

RGB 96 143 14

HSL 81.86, 0.82%, 0.31%

LAB 54.2, -34.04, 55.01

 

CMYK 57 / 0 / 90 / 44

HEX #3D8F0E

RGB 61 143 14

HSL 98.14, 0.82%, 0.31%

LAB 52.59, -46.01, 53

 

CMYK 81 / 0 / 90 / 44

HEX #1B8F0E

RGB 27 143 14

HSL 113.95, 0.82%, 0.31%

LAB 51.73, -53.17, 51.93

 

CMYK 34 / 0 / 91 / 73

HEX #2D4406

RGB 45 68 6

HSL 82.26, 0.84%, 0.15%

LAB 25.88, -19.36, 31.56

 

CMYK 35 / 0 / 91 / 58

HEX #456A0A

RGB 69 106 10

HSL 83.13, 0.83%, 0.23%

LAB 40.57, -27.81, 43.71

 

CMYK 34 / 0 / 90 / 44

HEX #5E8F0E

RGB 94 143 14

HSL 82.79, 0.82%, 0.31%

LAB 54.09, -34.82, 54.87

 

CMYK 34 / 0 / 91 / 29

HEX #77B511

RGB 119 181 17

HSL 82.68, 0.83%, 0.39%

LAB 67.28, -41.94, 65.84

 

CMYK 34 / 0 / 90 / 15

HEX #8FDA15

RGB 143 218 21

HSL 82.84, 0.82%, 0.47%

LAB 79.63, -48.67, 75.87

 

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

CMYK 90 / 0 / 39 / 44

HEX #0E8F57

RGB 14 143 87

HSL 153.95, 0.82%, 0.31%

LAB 52.32, -45.57, 21

 

CMYK 3 / 90 / 0 / 44

HEX #8B0E8F

RGB 139 14 143

HSL 298.14, 0.82%, 0.31%

LAB 33.53, 61.2, -39.72

 

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

CMYK 90 / 33 / 0 / 44

HEX #0E608F

RGB 14 96 143

HSL 201.86, 0.82%, 0.31%

LAB 38.62, -4.87, -32.26

 

CMYK 0 / 90 / 33 / 44

HEX #8F0E60

RGB 143 14 96

HSL 321.86, 0.82%, 0.31%

LAB 31.8, 55.45, -12.67

 

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

CMYK 90 / 0 / 39 / 44

HEX #0E8F57

RGB 14 143 87

HSL 153.95, 0.82%, 0.31%

LAB 52.32, -45.57, 21

 

CMYK 57 / 90 / 0 / 44

HEX #3D0E8F

RGB 61 14 143

HSL 261.86, 0.82%, 0.31%

LAB 21.17, 49.77, -60.4

 

CMYK 0 / 90 / 51 / 44

HEX #8F0E46

RGB 143 14 70

HSL 333.95, 0.82%, 0.31%

LAB 30.87, 52.86, 3.03

 

CMYK 34 / 0 / 90 / 43

HEX #5F910E

RGB 95 145 14

HSL 82.9, 0.82%, 0.31%

LAB 54.78, -35.33, 55.47

 

CMYK 90 / 0 / 12 / 44

HEX #0E8F7E

RGB 14 143 126

HSL 172.09, 0.82%, 0.31%

LAB 53.22, -35.74, 0.03

 

CMYK 57 / 90 / 0 / 44

HEX #3D0E8F

RGB 61 14 143

HSL 261.86, 0.82%, 0.31%

LAB 21.17, 49.77, -60.4

 

CMYK 0 / 90 / 78 / 44

HEX #8F0E1F

RGB 143 14 31

HSL 352.09, 0.82%, 0.31%

LAB 30.04, 50.5, 27.64

 

Description

Color code: RGB 95 145 14 | qconv.com Color code: RGB 95 145 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 145 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 145 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 90 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 90% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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