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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 121 20 it is the complementary color RGB 160 134 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 121 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 121 20 shade: RGB 100 121 15, RGB 117 139 34, RGB 134 157 53, RGB 151 175 72 and RGB 168 193 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 121 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 121 20 shade: RGB 95 121 20, RGB 78 103 1, RGB 61 85 0, RGB 44 67 0 and RGB 27 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 121 20 shade: RGB 96 122 19, RGB 122 121 19, RGB 122 93 19, RGB 122 66 19 and RGB 122 38 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 121 20 shade: RGB 96 122 19, RGB 68 122 19, RGB 40 122 19, RGB 19 122 26 and RGB 19 122 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 121 20 shade matches the following richer shades: RGB 96 122 19 and RGB 101 134 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 121 20 shade: RGB 96 122 19, RGB 90 111 31, RGB 85 99 43, RGB 79 88 54 and RGB 73 76 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 121 20 shade: RGB 122 93 19, RGB 122 121 19, RGB 97 122 19, RGB 69 122 19 and RGB 42 122 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 121 20 shade: RGB 40 51 8, RGB 68 87 14, RGB 96 122 19, RGB 124 158 25 and RGB 151 193 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 121 20 shade: RGB 95 121 20, RGB 19 122 66 and RGB 107 19 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 121 20 shade: RGB 95 121 20, RGB 19 97 122 and RGB 122 19 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 121 20 shade: RGB 95 121 20, RGB 19 122 66, RGB 45 19 122 and RGB 122 19 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 121 20 shade: RGB 95 121 20, RGB 19 122 97, RGB 45 19 122 and RGB 122 19 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

Complementary color

CMYK 32 / 43 / 0 / 8

HEX #A086EB

RGB 160 134 235

HSL 255.45, 0.72%, 0.72%

LAB 62.1, 31.75, -47.66

 

CMYK 17 / 0 / 88 / 53

HEX #64790F

RGB 100 121 15

HSL 71.89, 0.78%, 0.27%

LAB 47.52, -21.71, 49.25

 

CMYK 16 / 0 / 76 / 45

HEX #758B22

RGB 117 139 34

HSL 72.57, 0.61%, 0.34%

LAB 54.41, -22.57, 50.06

 

CMYK 15 / 0 / 66 / 38

HEX #869D35

RGB 134 157 53

HSL 73.27, 0.5%, 0.41%

LAB 61.17, -23.17, 49.76

 

CMYK 14 / 0 / 59 / 31

HEX #97AF48

RGB 151 175 72

HSL 73.98, 0.42%, 0.48%

LAB 67.8, -23.61, 48.96

 

CMYK 13 / 0 / 53 / 24

HEX #A8C15B

RGB 168 193 91

HSL 74.71, 0.45%, 0.56%

LAB 74.33, -23.92, 47.93

 

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

CMYK 24 / 0 / 99 / 60

HEX #4E6701

RGB 78 103 1

HSL 74.71, 0.98%, 0.2%

LAB 40.12, -22.79, 45.88

 

CMYK 28 / 0 / 100 / 67

HEX #3D5500

RGB 61 85 0

HSL 76.94, 1%, 0.17%

LAB 32.9, -21.27, 40.13

 

CMYK 34 / 0 / 100 / 74

HEX #2C4300

RGB 44 67 0

HSL 80.6, 1%, 0.13%

LAB 25.41, -19.68, 33.55

 

CMYK 45 / 0 / 100 / 81

HEX #1B3100

RGB 27 49 0

HSL 86.94, 1%, 0.1%

LAB 17.6, -18.01, 24.8

 

CMYK 21 / 0 / 84 / 52

HEX #607A13

RGB 96 122 19

HSL 75.15, 0.73%, 0.28%

LAB 47.56, -23.84, 48.1

 

CMYK 0 / 1 / 84 / 52

HEX #7A7913

RGB 122 121 19

HSL 59.42, 0.73%, 0.28%

LAB 49.33, -11.49, 50.44

 

CMYK 0 / 24 / 84 / 52

HEX #7A5D13

RGB 122 93 19

HSL 43.11, 0.73%, 0.28%

LAB 41.24, 4.52, 43.4

 

CMYK 0 / 46 / 84 / 52

HEX #7A4213

RGB 122 66 19

HSL 27.38, 0.73%, 0.28%

LAB 34.15, 20.59, 37.04

 

CMYK 0 / 69 / 84 / 52

HEX #7A2613

RGB 122 38 19

HSL 11.07, 0.73%, 0.28%

LAB 28.3, 35.55, 31.56

 

CMYK 21 / 0 / 84 / 52

HEX #607A13

RGB 96 122 19

HSL 75.15, 0.73%, 0.28%

LAB 47.56, -23.84, 48.1

 

CMYK 44 / 0 / 84 / 52

HEX #447A13

RGB 68 122 19

HSL 91.46, 0.73%, 0.28%

LAB 45.9, -35.09, 45.98

 

CMYK 67 / 0 / 84 / 52

HEX #287A13

RGB 40 122 19

HSL 107.77, 0.73%, 0.28%

LAB 44.83, -43.49, 44.6

 

CMYK 84 / 0 / 79 / 52

HEX #137A1A

RGB 19 122 26

HSL 124.08, 0.73%, 0.28%

LAB 44.42, -46.8, 41.73

 

CMYK 84 / 0 / 56 / 52

HEX #137A36

RGB 19 122 54

HSL 140.39, 0.73%, 0.28%

LAB 44.69, -43.46, 29.23

 

CMYK 21 / 0 / 84 / 52

HEX #607A13

RGB 96 122 19

HSL 75.15, 0.73%, 0.28%

LAB 47.56, -23.84, 48.1

 

CMYK 25 / 0 / 94 / 47

HEX #658608

RGB 101 134 8

HSL 75.71, 0.89%, 0.28%

LAB 51.65, -27.94, 54.13

 

CMYK 21 / 0 / 84 / 52

HEX #607A13

RGB 96 122 19

HSL 75.15, 0.73%, 0.28%

LAB 47.56, -23.84, 48.1

 

CMYK 19 / 0 / 72 / 56

HEX #5A6F1F

RGB 90 111 31

HSL 75.75, 0.56%, 0.28%

LAB 43.71, -20.19, 40.01

 

CMYK 14 / 0 / 57 / 61

HEX #55632B

RGB 85 99 43

HSL 75, 0.39%, 0.28%

LAB 39.63, -14.93, 29.66

 

CMYK 10 / 0 / 39 / 65

HEX #4F5836

RGB 79 88 54

HSL 75.88, 0.24%, 0.28%

LAB 35.81, -10, 18.57

 

CMYK 4 / 0 / 13 / 70

HEX #494C42

RGB 73 76 66

HSL 78, 0.07%, 0.28%

LAB 31.76, -3.34, 5.53

 

CMYK 0 / 24 / 84 / 52

HEX #7A5D13

RGB 122 93 19

HSL 43.11, 0.73%, 0.28%

LAB 41.24, 4.52, 43.4

 

CMYK 0 / 1 / 84 / 52

HEX #7A7913

RGB 122 121 19

HSL 59.42, 0.73%, 0.28%

LAB 49.33, -11.49, 50.44

 

CMYK 20 / 0 / 84 / 52

HEX #617A13

RGB 97 122 19

HSL 74.56, 0.73%, 0.28%

LAB 47.63, -23.4, 48.19

 

CMYK 43 / 0 / 84 / 52

HEX #457A13

RGB 69 122 19

HSL 90.87, 0.73%, 0.28%

LAB 45.95, -34.73, 46.04

 

CMYK 66 / 0 / 84 / 52

HEX #2A7A13

RGB 42 122 19

HSL 106.6, 0.73%, 0.28%

LAB 44.88, -43.01, 44.68

 

CMYK 22 / 0 / 84 / 80

HEX #283308

RGB 40 51 8

HSL 75.35, 0.73%, 0.12%

LAB 19.38, -12.12, 23.88

 

CMYK 22 / 0 / 84 / 66

HEX #44570E

RGB 68 87 14

HSL 75.62, 0.72%, 0.2%

LAB 34.14, -18.48, 36.81

 

CMYK 21 / 0 / 84 / 52

HEX #607A13

RGB 96 122 19

HSL 75.15, 0.73%, 0.28%

LAB 47.56, -23.84, 48.1

 

CMYK 22 / 0 / 84 / 38

HEX #7C9E19

RGB 124 158 25

HSL 75.34, 0.73%, 0.36%

LAB 60.61, -29.33, 58.66

 

CMYK 22 / 0 / 84 / 24

HEX #97C11F

RGB 151 193 31

HSL 75.56, 0.72%, 0.44%

LAB 72.77, -34.51, 68.4

 

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

CMYK 84 / 0 / 46 / 52

HEX #137A42

RGB 19 122 66

HSL 147.38, 0.73%, 0.28%

LAB 44.87, -41.35, 22.93

 

CMYK 12 / 84 / 0 / 52

HEX #6B137A

RGB 107 19 122

HSL 291.26, 0.73%, 0.28%

LAB 26.73, 50.37, -37.82

 

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

CMYK 84 / 20 / 0 / 52

HEX #13617A

RGB 19 97 122

HSL 194.56, 0.73%, 0.28%

LAB 38.01, -13.16, -20.45

 

CMYK 0 / 84 / 20 / 52

HEX #7A1361

RGB 122 19 97

HSL 314.56, 0.73%, 0.28%

LAB 28.02, 49.52, -19.49

 

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

CMYK 84 / 0 / 46 / 52

HEX #137A42

RGB 19 122 66

HSL 147.38, 0.73%, 0.28%

LAB 44.87, -41.35, 22.93

 

CMYK 63 / 84 / 0 / 52

HEX #2D137A

RGB 45 19 122

HSL 255.15, 0.73%, 0.28%

LAB 17.59, 40.37, -53.11

 

CMYK 0 / 84 / 38 / 52

HEX #7A134C

RGB 122 19 76

HSL 326.8, 0.73%, 0.28%

LAB 27.09, 46.83, -7.04

 

CMYK 21 / 0 / 83 / 53

HEX #5F7914

RGB 95 121 20

HSL 75.45, 0.72%, 0.28%

LAB 47.18, -23.73, 47.44

 

CMYK 84 / 0 / 20 / 52

HEX #137A61

RGB 19 122 97

HSL 165.44, 0.73%, 0.28%

LAB 45.53, -34.09, 5.87

 

CMYK 63 / 84 / 0 / 52

HEX #2D137A

RGB 45 19 122

HSL 255.15, 0.73%, 0.28%

LAB 17.59, 40.37, -53.11

 

CMYK 0 / 84 / 63 / 52

HEX #7A132D

RGB 122 19 45

HSL 344.85, 0.73%, 0.28%

LAB 26.14, 44, 12.6

 

Description

Color code: RGB 95 121 20 | qconv.com Color code: RGB 95 121 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 121 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 121 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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