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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 114 128 it is the complementary color RGB 160 141 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 114 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 114 128 shade: RGB 100 114 123, RGB 117 132 142, RGB 134 150 161, RGB 151 168 180 and RGB 168 186 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 114 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 114 128 shade: RGB 95 114 128, RGB 78 96 109, RGB 61 78 90, RGB 44 60 71 and RGB 27 42 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 114 128 shade: RGB 95 114 129, RGB 95 105 129, RGB 95 96 129, RGB 103 95 129 and RGB 112 95 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 114 128 shade: RGB 95 114 129, RGB 95 105 129, RGB 95 96 129 and RGB 95 95 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 114 128 shade matches the following richer shades: RGB 95 114 129, RGB 77 117 147, RGB 59 120 165, RGB 40 123 183 and RGB 22 125 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 114 128 shade: RGB 95 114 129, RGB 113 111 110, RGB 131 109 92, RGB 149 106 74 and RGB 167 103 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 114 128 shade: RGB 95 129 125, RGB 95 123 129, RGB 95 115 129, RGB 95 106 129 and RGB 95 97 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 114 128 shade: RGB 60 72 81, RGB 77 93 105, RGB 95 114 129, RGB 114 135 151 and RGB 138 155 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 114 128 shade: RGB 95 114 128, RGB 116 95 129 and RGB 128 129 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 114 128 shade: RGB 95 114 128, RGB 129 95 115 and RGB 115 129 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 114 128 shade: RGB 95 114 128, RGB 116 95 129, RGB 129 109 95 and RGB 108 129 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 114 128 shade: RGB 95 114 128, RGB 126 95 129, RGB 129 109 95 and RGB 98 129 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

Complementary color

CMYK 0 / 12 / 21 / 37

HEX #A08D7F

RGB 160 141 127

HSL 25.45, 0.15%, 0.56%

LAB 59.94, 4.79, 10.07

 

CMYK 19 / 7 / 0 / 52

HEX #64727B

RGB 100 114 123

HSL 203.48, 0.1%, 0.44%

LAB 47.2, -3.14, -6.73

 

CMYK 18 / 7 / 0 / 44

HEX #75848E

RGB 117 132 142

HSL 204, 0.1%, 0.51%

LAB 54.28, -3.22, -7.22

 

CMYK 17 / 7 / 0 / 37

HEX #8696A1

RGB 134 150 161

HSL 204.44, 0.13%, 0.58%

LAB 61.18, -3.3, -7.71

 

CMYK 16 / 7 / 0 / 29

HEX #97A8B4

RGB 151 168 180

HSL 204.83, 0.16%, 0.65%

LAB 67.93, -3.38, -8.19

 

CMYK 16 / 7 / 0 / 22

HEX #A8BAC7

RGB 168 186 199

HSL 205.16, 0.22%, 0.72%

LAB 74.55, -3.47, -8.66

 

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

CMYK 28 / 12 / 0 / 57

HEX #4E606D

RGB 78 96 109

HSL 205.16, 0.17%, 0.37%

LAB 39.73, -3.51, -9.62

 

CMYK 32 / 13 / 0 / 65

HEX #3D4E5A

RGB 61 78 90

HSL 204.83, 0.19%, 0.3%

LAB 32.21, -3.4, -9.22

 

CMYK 38 / 15 / 0 / 72

HEX #2C3C47

RGB 44 60 71

HSL 204.44, 0.23%, 0.23%

LAB 24.39, -3.26, -8.83

 

CMYK 48 / 19 / 0 / 80

HEX #1B2A34

RGB 27 42 52

HSL 204, 0.32%, 0.15%

LAB 16.19, -3.06, -8.46

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 26 / 19 / 0 / 49

HEX #5F6981

RGB 95 105 129

HSL 222.35, 0.15%, 0.44%

LAB 44.41, 2, -14.57

 

CMYK 26 / 26 / 0 / 49

HEX #5F6081

RGB 95 96 129

HSL 238.24, 0.15%, 0.44%

LAB 41.82, 7.5, -18.52

 

CMYK 20 / 26 / 0 / 49

HEX #675F81

RGB 103 95 129

HSL 254.12, 0.15%, 0.44%

LAB 42.24, 10.81, -17.82

 

CMYK 13 / 26 / 0 / 49

HEX #705F81

RGB 112 95 129

HSL 270, 0.15%, 0.44%

LAB 43.08, 13.94, -16.45

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 26 / 19 / 0 / 49

HEX #5F6981

RGB 95 105 129

HSL 222.35, 0.15%, 0.44%

LAB 44.41, 2, -14.57

 

CMYK 26 / 26 / 0 / 49

HEX #5F6081

RGB 95 96 129

HSL 238.24, 0.15%, 0.44%

LAB 41.82, 7.5, -18.52

 

CMYK 26 / 26 / 0 / 49

HEX #5F5F81

RGB 95 95 129

HSL 240, 0.15%, 0.44%

LAB 41.54, 8.11, -18.96

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 48 / 20 / 0 / 42

HEX #4D7593

RGB 77 117 147

HSL 205.71, 0.31%, 0.44%

LAB 47.5, -5.41, -20.65

 

CMYK 64 / 27 / 0 / 35

HEX #3B78A5

RGB 59 120 165

HSL 205.47, 0.47%, 0.44%

LAB 48.36, -5.35, -29.95

 

CMYK 78 / 33 / 0 / 28

HEX #287BB7

RGB 40 123 183

HSL 205.17, 0.64%, 0.44%

LAB 49.54, -3.55, -38.59

 

CMYK 89 / 38 / 0 / 21

HEX #167DC9

RGB 22 125 201

HSL 205.47, 0.8%, 0.44%

LAB 50.75, 0.51, -47.02

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 0 / 2 / 3 / 56

HEX #716F6E

RGB 113 111 110

HSL 20, 0.01%, 0.44%

LAB 46.98, 0.57, 0.82

 

CMYK 0 / 17 / 30 / 49

HEX #836D5C

RGB 131 109 92

HSL 26.15, 0.17%, 0.44%

LAB 47.67, 5.95, 12.74

 

CMYK 0 / 29 / 50 / 42

HEX #956A4A

RGB 149 106 74

HSL 25.6, 0.34%, 0.44%

LAB 48.5, 13.22, 24.72

 

CMYK 0 / 38 / 66 / 35

HEX #A76738

RGB 167 103 56

HSL 25.41, 0.5%, 0.44%

LAB 49.74, 21.29, 36.73

 

CMYK 26 / 0 / 3 / 49

HEX #5F817D

RGB 95 129 125

HSL 172.94, 0.15%, 0.44%

LAB 51.4, -12.88, -1.74

 

CMYK 26 / 5 / 0 / 49

HEX #5F7B81

RGB 95 123 129

HSL 190.59, 0.15%, 0.44%

LAB 49.72, -8.55, -6.57

 

CMYK 26 / 11 / 0 / 49

HEX #5F7381

RGB 95 115 129

HSL 204.71, 0.15%, 0.44%

LAB 47.34, -3.94, -10.13

 

CMYK 26 / 18 / 0 / 49

HEX #5F6A81

RGB 95 106 129

HSL 220.59, 0.15%, 0.44%

LAB 44.7, 1.4, -14.12

 

CMYK 26 / 25 / 0 / 49

HEX #5F6181

RGB 95 97 129

HSL 236.47, 0.15%, 0.44%

LAB 42.1, 6.88, -18.08

 

CMYK 26 / 11 / 0 / 68

HEX #3C4851

RGB 60 72 81

HSL 205.71, 0.15%, 0.28%

LAB 29.89, -2.46, -6.97

 

CMYK 27 / 11 / 0 / 59

HEX #4D5D69

RGB 77 93 105

HSL 205.71, 0.15%, 0.36%

LAB 38.6, -3.09, -8.87

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 25 / 11 / 0 / 41

HEX #728797

RGB 114 135 151

HSL 205.95, 0.15%, 0.52%

LAB 55.22, -3.79, -11.05

 

CMYK 18 / 8 / 0 / 34

HEX #8A9BA8

RGB 138 155 168

HSL 206, 0.15%, 0.6%

LAB 63.07, -3.18, -8.81

 

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

CMYK 10 / 26 / 0 / 49

HEX #745F81

RGB 116 95 129

HSL 277.06, 0.15%, 0.44%

LAB 43.48, 15.35, -15.81

 

CMYK 1 / 0 / 26 / 49

HEX #80815F

RGB 128 129 95

HSL 61.76, 0.15%, 0.44%

LAB 53.08, -6.33, 18.37

 

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

CMYK 0 / 26 / 11 / 49

HEX #815F73

RGB 129 95 115

HSL 324.71, 0.15%, 0.44%

LAB 44.36, 17.27, -5.86

 

CMYK 11 / 0 / 26 / 49

HEX #73815F

RGB 115 129 95

HSL 84.71, 0.15%, 0.44%

LAB 52.03, -11.6, 16.77

 

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

CMYK 10 / 26 / 0 / 49

HEX #745F81

RGB 116 95 129

HSL 277.06, 0.15%, 0.44%

LAB 43.48, 15.35, -15.81

 

CMYK 0 / 16 / 26 / 49

HEX #816D5F

RGB 129 109 95

HSL 24.71, 0.15%, 0.44%

LAB 47.53, 5.56, 10.75

 

CMYK 16 / 0 / 26 / 49

HEX #6C815F

RGB 108 129 95

HSL 97.06, 0.15%, 0.44%

LAB 51.51, -14.35, 15.98

 

CMYK 26 / 11 / 0 / 50

HEX #5F7280

RGB 95 114 128

HSL 205.45, 0.15%, 0.44%

LAB 47.01, -3.61, -10.03

 

CMYK 2 / 26 / 0 / 49

HEX #7E5F81

RGB 126 95 129

HSL 294.71, 0.15%, 0.44%

LAB 44.53, 18.93, -14.12

 

CMYK 0 / 16 / 26 / 49

HEX #816D5F

RGB 129 109 95

HSL 24.71, 0.15%, 0.44%

LAB 47.53, 5.56, 10.75

 

CMYK 24 / 0 / 26 / 49

HEX #62815F

RGB 98 129 95

HSL 114.71, 0.15%, 0.44%

LAB 50.83, -18.15, 14.94

 

Description

Color code: RGB 95 114 128 | qconv.com Color code: RGB 95 114 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 114 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 114 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 11 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 11% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Минфин России
Link: http://minfin.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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