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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 78 225 it is the complementary color RGB 160 177 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 78 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 78 225 shade: RGB 100 78 220, RGB 117 96 239, RGB 134 114 255, RGB 151 132 255 and RGB 168 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 78 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 78 225 shade: RGB 95 78 225, RGB 78 60 206, RGB 61 42 187, RGB 44 24 168 and RGB 27 6 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 78 225 shade: RGB 93 76 224, RGB 133 76 224, RGB 173 76 224, RGB 213 76 224 and RGB 224 76 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 78 225 shade: RGB 93 76 224 and RGB 76 76 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 78 225 shade matches the following richer shades: RGB 93 76 224 and RGB 80 59 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 78 225 shade: RGB 93 76 224, RGB 106 93 207, RGB 119 110 190, RGB 132 126 173 and RGB 145 143 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 78 225 shade: RGB 76 140 224, RGB 76 100 224, RGB 91 76 224, RGB 130 76 224 and RGB 170 76 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 78 225 shade: RGB 49 31 186, RGB 61 40 218, RGB 93 76 224, RGB 125 111 230 and RGB 157 146 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 78 225 shade: RGB 95 78 225, RGB 224 76 180 and RGB 120 224 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 78 225 shade: RGB 95 78 225, RGB 224 91 76 and RGB 76 224 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 78 225 shade: RGB 95 78 225, RGB 224 76 180, RGB 209 224 76 and RGB 76 224 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 78 225 shade: RGB 95 78 225, RGB 224 76 135, RGB 209 224 76 and RGB 76 224 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

Complementary color

CMYK 10 / 0 / 83 / 31

HEX #A0B11E

RGB 160 177 30

HSL 66.94, 0.71%, 0.41%

LAB 68.76, -23.2, 65.44

 

CMYK 55 / 65 / 0 / 14

HEX #644EDC

RGB 100 78 220

HSL 249.3, 0.67%, 0.58%

LAB 43.25, 46.4, -69.78

 

CMYK 51 / 60 / 0 / 6

HEX #7560EF

RGB 117 96 239

HSL 248.81, 0.82%, 0.66%

LAB 49.95, 44.8, -69.56

 

CMYK 47 / 55 / 0 / 0

HEX #8672FF

RGB 134 114 255

HSL 248.51, 1%, 0.72%

LAB 56.41, 42.47, -67.94

 

CMYK 41 / 48 / 0 / 0

HEX #9784FF

RGB 151 132 255

HSL 249.27, 1%, 0.76%

LAB 61.91, 35.91, -59.03

 

CMYK 34 / 41 / 0 / 0

HEX #A896FF

RGB 168 150 255

HSL 250.29, 1%, 0.79%

LAB 67.54, 29.89, -50

 

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

CMYK 62 / 71 / 0 / 19

HEX #4E3CCE

RGB 78 60 206

HSL 247.4, 0.6%, 0.52%

LAB 36.57, 48.9, -72.74

 

CMYK 67 / 78 / 0 / 27

HEX #3D2ABB

RGB 61 42 187

HSL 247.86, 0.63%, 0.45%

LAB 30, 50.61, -72.48

 

CMYK 74 / 86 / 0 / 34

HEX #2C18A8

RGB 44 24 168

HSL 248.33, 0.75%, 0.38%

LAB 23.72, 51.78, -71.55

 

CMYK 82 / 96 / 0 / 42

HEX #1B0695

RGB 27 6 149

HSL 248.81, 0.92%, 0.3%

LAB 18.07, 51.6, -69.36

 

CMYK 58 / 66 / 0 / 12

HEX #5D4CE0

RGB 93 76 224

HSL 246.89, 0.7%, 0.59%

LAB 42.58, 47.62, -73.18

 

CMYK 41 / 66 / 0 / 12

HEX #854CE0

RGB 133 76 224

HSL 263.11, 0.7%, 0.59%

LAB 46.36, 54.57, -66.86

 

CMYK 23 / 66 / 0 / 12

HEX #AD4CE0

RGB 173 76 224

HSL 279.32, 0.7%, 0.59%

LAB 51.19, 62.76, -58.81

 

CMYK 5 / 66 / 0 / 12

HEX #D54CE0

RGB 213 76 224

HSL 295.54, 0.7%, 0.59%

LAB 56.78, 71.56, -49.56

 

CMYK 0 / 66 / 13 / 12

HEX #E04CC3

RGB 224 76 195

HSL 311.76, 0.7%, 0.59%

LAB 57.03, 69.56, -32.56

 

CMYK 58 / 66 / 0 / 12

HEX #5D4CE0

RGB 93 76 224

HSL 246.89, 0.7%, 0.59%

LAB 42.58, 47.62, -73.18

 

CMYK 66 / 66 / 0 / 12

HEX #4C4CE0

RGB 76 76 224

HSL 240, 0.7%, 0.59%

LAB 41.35, 45.24, -75.24

 

CMYK 58 / 66 / 0 / 12

HEX #5D4CE0

RGB 93 76 224

HSL 246.89, 0.7%, 0.59%

LAB 42.58, 47.62, -73.18

 

CMYK 67 / 76 / 0 / 5

HEX #503BF1

RGB 80 59 241

HSL 246.92, 0.87%, 0.59%

LAB 39.89, 60.16, -87.28

 

CMYK 58 / 66 / 0 / 12

HEX #5D4CE0

RGB 93 76 224

HSL 246.89, 0.7%, 0.59%

LAB 42.58, 47.62, -73.18

 

CMYK 49 / 55 / 0 / 19

HEX #6A5DCF

RGB 106 93 207

HSL 246.84, 0.54%, 0.59%

LAB 46.17, 34.86, -57.58

 

CMYK 37 / 42 / 0 / 25

HEX #776EBE

RGB 119 110 190

HSL 246.75, 0.38%, 0.59%

LAB 50.44, 22.81, -40.93

 

CMYK 24 / 27 / 0 / 32

HEX #847EAD

RGB 132 126 173

HSL 247.66, 0.22%, 0.59%

LAB 54.91, 12.64, -24.08

 

CMYK 8 / 9 / 0 / 38

HEX #918F9D

RGB 145 143 157

HSL 248.57, 0.07%, 0.59%

LAB 59.98, 3.55, -7.13

 

CMYK 66 / 38 / 0 / 12

HEX #4C8CE0

RGB 76 140 224

HSL 214.05, 0.7%, 0.59%

LAB 57.73, 6.01, -48.82

 

CMYK 66 / 55 / 0 / 12

HEX #4C64E0

RGB 76 100 224

HSL 230.27, 0.7%, 0.59%

LAB 47.02, 30.61, -66

 

CMYK 59 / 66 / 0 / 12

HEX #5B4CE0

RGB 91 76 224

HSL 246.08, 0.7%, 0.59%

LAB 42.42, 47.32, -73.45

 

CMYK 42 / 66 / 0 / 12

HEX #824CE0

RGB 130 76 224

HSL 261.89, 0.7%, 0.59%

LAB 46.04, 54, -67.4

 

CMYK 24 / 66 / 0 / 12

HEX #AA4CE0

RGB 170 76 224

HSL 278.11, 0.7%, 0.59%

LAB 50.8, 62.12, -59.46

 

CMYK 74 / 83 / 0 / 27

HEX #311FBA

RGB 49 31 186

HSL 246.97, 0.71%, 0.43%

LAB 27.24, 54.46, -76.49

 

CMYK 72 / 82 / 0 / 15

HEX #3D28DA

RGB 61 40 218

HSL 247.08, 0.71%, 0.51%

LAB 33.07, 60.69, -85.49

 

CMYK 58 / 66 / 0 / 12

HEX #5D4CE0

RGB 93 76 224

HSL 246.89, 0.7%, 0.59%

LAB 42.58, 47.62, -73.18

 

CMYK 46 / 52 / 0 / 10

HEX #7D6FE6

RGB 125 111 230

HSL 247.06, 0.7%, 0.67%

LAB 53.43, 35.1, -58.87

 

CMYK 33 / 38 / 0 / 7

HEX #9D92EC

RGB 157 146 236

HSL 247.33, 0.7%, 0.75%

LAB 64.79, 24.34, -44

 

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

CMYK 0 / 66 / 20 / 12

HEX #E04CB4

RGB 224 76 180

HSL 317.84, 0.7%, 0.59%

LAB 56.4, 67.45, -24.9

 

CMYK 46 / 0 / 66 / 12

HEX #78E04C

RGB 120 224 76

HSL 102.16, 0.7%, 0.59%

LAB 80.64, -55.78, 60.83

 

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

CMYK 0 / 59 / 66 / 12

HEX #E05B4C

RGB 224 91 76

HSL 6.08, 0.7%, 0.59%

LAB 55.94, 50.97, 35.16

 

CMYK 66 / 0 / 59 / 12

HEX #4CE05B

RGB 76 224 91

HSL 126.08, 0.7%, 0.59%

LAB 79.39, -65.05, 52.76

 

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

CMYK 0 / 66 / 20 / 12

HEX #E04CB4

RGB 224 76 180

HSL 317.84, 0.7%, 0.59%

LAB 56.4, 67.45, -24.9

 

CMYK 7 / 0 / 66 / 12

HEX #D1E04C

RGB 209 224 76

HSL 66.08, 0.7%, 0.59%

LAB 85.7, -23.6, 67.68

 

CMYK 66 / 0 / 46 / 12

HEX #4CE078

RGB 76 224 120

HSL 137.84, 0.7%, 0.59%

LAB 79.73, -61.11, 39.59

 

CMYK 58 / 65 / 0 / 12

HEX #5F4EE1

RGB 95 78 225

HSL 246.94, 0.71%, 0.59%

LAB 43.24, 47.1, -72.67

 

CMYK 0 / 66 / 40 / 12

HEX #E04C87

RGB 224 76 135

HSL 336.08, 0.7%, 0.59%

LAB 54.83, 62.06, -0.88

 

CMYK 7 / 0 / 66 / 12

HEX #D1E04C

RGB 209 224 76

HSL 66.08, 0.7%, 0.59%

LAB 85.7, -23.6, 67.68

 

CMYK 66 / 0 / 26 / 12

HEX #4CE0A5

RGB 76 224 165

HSL 156.08, 0.7%, 0.59%

LAB 80.5, -52.74, 17.63

 

Description

Color code: RGB 95 78 225 | qconv.com Color code: RGB 95 78 225 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 78 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 78 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 65 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 65% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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