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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 73 21 it is the complementary color RGB 160 182 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 73 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 73 21 shade: RGB 100 73 16, RGB 117 91 35, RGB 134 109 54, RGB 151 127 73 and RGB 168 145 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 73 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 73 21 shade: RGB 95 73 21, RGB 78 55 2, RGB 61 37 0, RGB 44 19 0 and RGB 27 1 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 73 21 shade: RGB 96 73 21, RGB 96 53 21, RGB 96 33 21 and RGB 96 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 73 21 shade: RGB 96 73 21, RGB 96 94 21, RGB 78 96 21, RGB 57 96 21 and RGB 37 96 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 73 21 shade matches the following richer shades: RGB 96 73 21, RGB 105 77 11 and RGB 115 81 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 73 21 shade: RGB 96 73 21, RGB 86 70 30, RGB 77 66 40, RGB 67 62 49 and RGB 58 58 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 73 21 shade: RGB 96 33 21, RGB 96 53 21, RGB 96 73 21, RGB 96 93 21 and RGB 78 96 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 73 21 shade: RGB 28 21 6, RGB 62 47 13, RGB 96 73 21, RGB 130 99 28 and RGB 163 125 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 73 21 shade: RGB 95 73 21, RGB 28 96 21 and RGB 43 21 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 73 21 shade: RGB 95 73 21, RGB 21 96 73 and RGB 73 21 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 73 21 shade: RGB 95 73 21, RGB 28 96 21, RGB 21 43 96 and RGB 88 21 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 73 21 shade: RGB 95 73 21, RGB 21 96 36, RGB 21 43 96 and RGB 96 21 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

Complementary color

CMYK 32 / 22 / 0 / 8

HEX #A0B6EA

RGB 160 182 234

HSL 222.16, 0.64%, 0.77%

LAB 74.11, 4.39, -28.41

 

CMYK 0 / 27 / 84 / 61

HEX #644910

RGB 100 73 16

HSL 40.71, 0.72%, 0.23%

LAB 32.94, 5.68, 36.1

 

CMYK 0 / 22 / 70 / 54

HEX #755B23

RGB 117 91 35

HSL 40.98, 0.54%, 0.3%

LAB 40.22, 4.1, 35.29

 

CMYK 0 / 19 / 60 / 47

HEX #866D36

RGB 134 109 54

HSL 41.25, 0.43%, 0.37%

LAB 47.33, 2.91, 33.98

 

CMYK 0 / 16 / 52 / 41

HEX #977F49

RGB 151 127 73

HSL 41.54, 0.35%, 0.44%

LAB 54.28, 1.98, 32.59

 

CMYK 0 / 14 / 45 / 34

HEX #A8915C

RGB 168 145 92

HSL 41.84, 0.3%, 0.51%

LAB 61.09, 1.23, 31.24

 

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

CMYK 0 / 29 / 97 / 69

HEX #4E3702

RGB 78 55 2

HSL 41.84, 0.95%, 0.16%

LAB 24.82, 5.2, 33.34

 

CMYK 0 / 39 / 100 / 76

HEX #3D2500

RGB 61 37 0

HSL 36.39, 1%, 0.12%

LAB 17.06, 7.88, 24.97

 

CMYK 0 / 57 / 100 / 83

HEX #2C1300

RGB 44 19 0

HSL 25.91, 1%, 0.09%

LAB 9, 10.93, 13.71

 

CMYK 0 / 96 / 100 / 89

HEX #1B0100

RGB 27 1 0

HSL 2.22, 1%, 0.05%

LAB 2.3, 9.04, 3.61

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 45 / 78 / 62

HEX #603515

RGB 96 53 21

HSL 25.6, 0.64%, 0.23%

LAB 26.98, 16.36, 27.67

 

CMYK 0 / 66 / 78 / 62

HEX #602115

RGB 96 33 21

HSL 9.6, 0.64%, 0.23%

LAB 22.4, 27.9, 22.72

 

CMYK 0 / 78 / 78 / 62

HEX #601515

RGB 96 21 21

HSL 0, 0.64%, 0.23%

LAB 20.35, 33.46, 20.4

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 2 / 78 / 62

HEX #605E15

RGB 96 94 21

HSL 58.4, 0.64%, 0.23%

LAB 38.81, -8.66, 39.43

 

CMYK 19 / 0 / 78 / 62

HEX #4E6015

RGB 78 96 21

HSL 74.4, 0.64%, 0.23%

LAB 37.91, -18.31, 38.04

 

CMYK 41 / 0 / 78 / 62

HEX #396015

RGB 57 96 21

HSL 91.2, 0.64%, 0.23%

LAB 36.54, -27.3, 36.22

 

CMYK 61 / 0 / 78 / 62

HEX #256015

RGB 37 96 21

HSL 107.2, 0.64%, 0.23%

LAB 35.62, -34.15, 35.01

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 27 / 90 / 59

HEX #694D0B

RGB 105 77 11

HSL 42.13, 0.81%, 0.23%

LAB 34.67, 5.53, 39.68

 

CMYK 0 / 30 / 98 / 55

HEX #735102

RGB 115 81 2

HSL 41.95, 0.97%, 0.23%

LAB 36.99, 7.81, 44.86

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 19 / 65 / 66

HEX #56461E

RGB 86 70 30

HSL 42.86, 0.48%, 0.23%

LAB 30.53, 1.4, 26.21

 

CMYK 0 / 14 / 48 / 70

HEX #4D4228

RGB 77 66 40

HSL 42.16, 0.32%, 0.23%

LAB 28.45, 0.51, 17.54

 

CMYK 0 / 7 / 27 / 74

HEX #433E31

RGB 67 62 49

HSL 43.33, 0.16%, 0.23%

LAB 26.33, -0.37, 8.79

 

CMYK 2 / 2 / 0 / 77

HEX #3A3A3B

RGB 58 58 59

HSL 240, 0.01%, 0.23%

LAB 24.45, 0.23, -0.62

 

CMYK 0 / 66 / 78 / 62

HEX #602115

RGB 96 33 21

HSL 9.6, 0.64%, 0.23%

LAB 22.4, 27.9, 22.72

 

CMYK 0 / 45 / 78 / 62

HEX #603515

RGB 96 53 21

HSL 25.6, 0.64%, 0.23%

LAB 26.98, 16.36, 27.67

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 3 / 78 / 62

HEX #605D15

RGB 96 93 21

HSL 57.6, 0.64%, 0.23%

LAB 38.5, -8.08, 39.13

 

CMYK 19 / 0 / 78 / 62

HEX #4E6015

RGB 78 96 21

HSL 74.4, 0.64%, 0.23%

LAB 37.91, -18.31, 38.04

 

CMYK 0 / 25 / 79 / 89

HEX #1C1506

RGB 28 21 6

HSL 40.91, 0.65%, 0.07%

LAB 7.19, 0.94, 8.33

 

CMYK 0 / 24 / 79 / 76

HEX #3E2F0D

RGB 62 47 13

HSL 41.63, 0.65%, 0.15%

LAB 20.39, 2.5, 23.5

 

CMYK 0 / 24 / 78 / 62

HEX #604915

RGB 96 73 21

HSL 41.6, 0.64%, 0.23%

LAB 32.49, 3.92, 33.3

 

CMYK 0 / 24 / 78 / 49

HEX #82631C

RGB 130 99 28

HSL 41.76, 0.65%, 0.31%

LAB 43.88, 5.19, 42.68

 

CMYK 0 / 23 / 79 / 36

HEX #A37D23

RGB 163 125 35

HSL 42.19, 0.65%, 0.39%

LAB 54.63, 5.96, 51.38

 

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

CMYK 71 / 0 / 78 / 62

HEX #1C6015

RGB 28 96 21

HSL 114.4, 0.64%, 0.23%

LAB 35.33, -36.49, 34.62

 

CMYK 55 / 78 / 0 / 62

HEX #2B1560

RGB 43 21 96

HSL 257.6, 0.64%, 0.23%

LAB 14.92, 31.06, -40.54

 

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

CMYK 78 / 0 / 24 / 62

HEX #156049

RGB 21 96 73

HSL 161.6, 0.64%, 0.23%

LAB 36, -28.47, 6.79

 

CMYK 24 / 78 / 0 / 62

HEX #491560

RGB 73 21 96

HSL 281.6, 0.64%, 0.23%

LAB 19.21, 37.14, -33.37

 

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

CMYK 71 / 0 / 78 / 62

HEX #1C6015

RGB 28 96 21

HSL 114.4, 0.64%, 0.23%

LAB 35.33, -36.49, 34.62

 

CMYK 78 / 55 / 0 / 62

HEX #152B60

RGB 21 43 96

HSL 222.4, 0.64%, 0.23%

LAB 18.94, 12.27, -34.09

 

CMYK 8 / 78 / 0 / 62

HEX #581560

RGB 88 21 96

HSL 293.6, 0.64%, 0.23%

LAB 21.78, 40.6, -29.11

 

CMYK 0 / 23 / 78 / 63

HEX #5F4915

RGB 95 73 21

HSL 42.16, 0.64%, 0.23%

LAB 32.37, 3.42, 33.15

 

CMYK 78 / 0 / 63 / 62

HEX #156024

RGB 21 96 36

HSL 132, 0.64%, 0.23%

LAB 35.31, -36.2, 27.48

 

CMYK 78 / 55 / 0 / 62

HEX #152B60

RGB 21 43 96

HSL 222.4, 0.64%, 0.23%

LAB 18.94, 12.27, -34.09

 

CMYK 0 / 78 / 16 / 62

HEX #601551

RGB 96 21 81

HSL 312, 0.64%, 0.23%

LAB 22.36, 39.92, -18.1

 

Description

Color code: RGB 95 73 21 | qconv.com Color code: RGB 95 73 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 73 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 73 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 78 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 78% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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