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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 253 193 it is the complementary color RGB 161 2 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 253 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 253 193 shade: RGB 99 253 188, RGB 116 255 207, RGB 133 255 226, RGB 150 255 245 and RGB 167 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 253 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 253 193 shade: RGB 94 253 193, RGB 77 235 174, RGB 60 217 155, RGB 43 199 136 and RGB 26 181 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 253 193 shade: RGB 93 253 193, RGB 93 253 149, RGB 93 253 106, RGB 123 253 93 and RGB 166 253 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 253 193 shade: RGB 93 253 193, RGB 93 253 236, RGB 93 227 253, RGB 93 184 253 and RGB 93 141 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 253 193 shade matches the following richer shades: RGB 93 253 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 253 193 shade: RGB 93 253 193, RGB 106 240 189, RGB 119 226 186, RGB 133 213 183 and RGB 146 200 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 253 193 shade: RGB 93 253 106, RGB 93 253 149, RGB 93 253 192, RGB 93 253 234 and RGB 93 229 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 253 193 shade: RGB 11 252 161, RGB 52 252 177, RGB 93 253 193, RGB 134 253 208 and RGB 175 254 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 253 193 shade: RGB 94 253 193, RGB 93 122 253 and RGB 253 128 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 253 193 shade: RGB 94 253 193, RGB 192 93 253 and RGB 253 192 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 253 193 shade: RGB 94 253 193, RGB 93 122 253, RGB 253 93 154 and RGB 253 224 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 253 193 shade: RGB 94 253 193, RGB 112 93 253, RGB 253 93 154 and RGB 234 253 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

Complementary color

CMYK 0 / 99 / 61 / 37

HEX #A1023E

RGB 161 2 62

HSL 337.36, 0.98%, 0.32%

LAB 33.92, 58.54, 13.16

 

CMYK 61 / 0 / 26 / 1

HEX #63FDBC

RGB 99 253 188

HSL 154.68, 0.97%, 0.69%

LAB 90.11, -55.49, 19.2

 

CMYK 55 / 0 / 19 / 0

HEX #74FFCF

RGB 116 255 207

HSL 159.28, 1%, 0.73%

LAB 91.57, -48.96, 11.57

 

CMYK 48 / 0 / 11 / 0

HEX #85FFE2

RGB 133 255 226

HSL 165.74, 1%, 0.76%

LAB 92.57, -41.08, 3.29

 

CMYK 41 / 0 / 4 / 0

HEX #96FFF5

RGB 150 255 245

HSL 174.29, 1%, 0.79%

LAB 93.71, -32.78, -4.8

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

CMYK 67 / 0 / 26 / 8

HEX #4DEBAE

RGB 77 235 174

HSL 156.84, 0.8%, 0.61%

LAB 83.99, -55.03, 17.81

 

CMYK 72 / 0 / 29 / 15

HEX #3CD99B

RGB 60 217 155

HSL 156.31, 0.67%, 0.54%

LAB 77.85, -54.54, 19.15

 

CMYK 78 / 0 / 32 / 22

HEX #2BC788

RGB 43 199 136

HSL 155.77, 0.64%, 0.47%

LAB 71.65, -53.79, 20.61

 

CMYK 86 / 0 / 35 / 29

HEX #1AB575

RGB 26 181 117

HSL 155.23, 0.75%, 0.41%

LAB 65.4, -52.66, 22.21

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC1

RGB 93 253 193

HSL 157.5, 0.98%, 0.68%

LAB 90.06, -55.51, 16.55

 

CMYK 63 / 0 / 41 / 1

HEX #5DFD95

RGB 93 253 149

HSL 141, 0.98%, 0.68%

LAB 89.27, -63.89, 37.69

 

CMYK 63 / 0 / 58 / 1

HEX #5DFD6A

RGB 93 253 106

HSL 124.88, 0.98%, 0.68%

LAB 88.74, -69.91, 57.12

 

CMYK 51 / 0 / 63 / 1

HEX #7BFD5D

RGB 123 253 93

HSL 108.75, 0.98%, 0.68%

LAB 89.51, -64.31, 63.68

 

CMYK 34 / 0 / 63 / 1

HEX #A6FD5D

RGB 166 253 93

HSL 92.63, 0.98%, 0.68%

LAB 91.3, -51.41, 66.15

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC1

RGB 93 253 193

HSL 157.5, 0.98%, 0.68%

LAB 90.06, -55.51, 16.55

 

CMYK 63 / 0 / 7 / 1

HEX #5DFDEC

RGB 93 253 236

HSL 173.63, 0.98%, 0.68%

LAB 91.07, -45.4, -4.23

 

CMYK 63 / 10 / 0 / 1

HEX #5DE3FD

RGB 93 227 253

HSL 189.75, 0.98%, 0.68%

LAB 84.15, -28.83, -23.48

 

CMYK 63 / 27 / 0 / 1

HEX #5DB8FD

RGB 93 184 253

HSL 205.88, 0.98%, 0.68%

LAB 72.03, -6.67, -42.17

 

CMYK 63 / 44 / 0 / 1

HEX #5D8DFD

RGB 93 141 253

HSL 222, 0.98%, 0.68%

LAB 60.31, 18.07, -60.71

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC1

RGB 93 253 193

HSL 157.5, 0.98%, 0.68%

LAB 90.06, -55.51, 16.55

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC1

RGB 93 253 193

HSL 157.5, 0.98%, 0.68%

LAB 90.06, -55.51, 16.55

 

CMYK 56 / 0 / 21 / 6

HEX #6AF0BD

RGB 106 240 189

HSL 157.16, 0.82%, 0.68%

LAB 86.53, -48.57, 13.7

 

CMYK 47 / 0 / 18 / 11

HEX #77E2BA

RGB 119 226 186

HSL 157.57, 0.65%, 0.68%

LAB 82.84, -40.22, 10.08

 

CMYK 38 / 0 / 14 / 16

HEX #85D5B7

RGB 133 213 183

HSL 157.5, 0.49%, 0.68%

LAB 79.61, -31.23, 7.13

 

CMYK 27 / 0 / 10 / 22

HEX #92C8B4

RGB 146 200 180

HSL 157.78, 0.33%, 0.68%

LAB 76.51, -21.72, 4.35

 

CMYK 63 / 0 / 58 / 1

HEX #5DFD6A

RGB 93 253 106

HSL 124.88, 0.98%, 0.68%

LAB 88.74, -69.91, 57.12

 

CMYK 63 / 0 / 41 / 1

HEX #5DFD95

RGB 93 253 149

HSL 141, 0.98%, 0.68%

LAB 89.27, -63.89, 37.69

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC0

RGB 93 253 192

HSL 157.13, 0.98%, 0.68%

LAB 90.04, -55.72, 17.03

 

CMYK 63 / 0 / 8 / 1

HEX #5DFDEA

RGB 93 253 234

HSL 172.88, 0.98%, 0.68%

LAB 91.02, -45.91, -3.27

 

CMYK 63 / 9 / 0 / 1

HEX #5DE5FD

RGB 93 229 253

HSL 189, 0.98%, 0.68%

LAB 84.72, -29.8, -22.62

 

CMYK 96 / 0 / 36 / 1

HEX #0BFCA1

RGB 11 252 161

HSL 157.34, 0.98%, 0.52%

LAB 88.1, -69.73, 29.97

 

CMYK 79 / 0 / 30 / 1

HEX #34FCB1

RGB 52 252 177

HSL 157.5, 0.97%, 0.6%

LAB 88.7, -64.02, 22.73

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC1

RGB 93 253 193

HSL 157.5, 0.98%, 0.68%

LAB 90.06, -55.51, 16.55

 

CMYK 47 / 0 / 18 / 1

HEX #86FDD0

RGB 134 253 208

HSL 157.31, 0.97%, 0.76%

LAB 91.63, -43.9, 11.22

 

CMYK 31 / 0 / 12 / 0

HEX #AFFEE0

RGB 175 254 224

HSL 157.22, 0.98%, 0.84%

LAB 94.05, -30.29, 6.68

 

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

CMYK 63 / 52 / 0 / 1

HEX #5D7AFD

RGB 93 122 253

HSL 229.13, 0.98%, 0.68%

LAB 55.42, 29.55, -68.57

 

CMYK 0 / 49 / 63 / 1

HEX #FD805D

RGB 253 128 93

HSL 13.13, 0.98%, 0.68%

LAB 67.36, 44.86, 40.72

 

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

CMYK 24 / 63 / 0 / 1

HEX #C05DFD

RGB 192 93 253

HSL 277.13, 0.98%, 0.68%

LAB 58.16, 65.33, -63.71

 

CMYK 0 / 24 / 63 / 1

HEX #FDC05D

RGB 253 192 93

HSL 37.13, 0.98%, 0.68%

LAB 81.5, 11.83, 57.16

 

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

CMYK 63 / 52 / 0 / 1

HEX #5D7AFD

RGB 93 122 253

HSL 229.13, 0.98%, 0.68%

LAB 55.42, 29.55, -68.57

 

CMYK 0 / 63 / 39 / 1

HEX #FD5D9A

RGB 253 93 154

HSL 337.13, 0.98%, 0.68%

LAB 62.55, 65.76, -0.15

 

CMYK 0 / 11 / 63 / 1

HEX #FDE05D

RGB 253 224 93

HSL 49.13, 0.98%, 0.68%

LAB 89.39, -4.57, 65.81

 

CMYK 63 / 0 / 24 / 1

HEX #5EFDC1

RGB 94 253 193

HSL 157.36, 0.98%, 0.68%

LAB 90.08, -55.33, 16.59

 

CMYK 56 / 63 / 0 / 1

HEX #705DFD

RGB 112 93 253

HSL 247.13, 0.98%, 0.68%

LAB 49.94, 49.77, -77.41

 

CMYK 0 / 63 / 39 / 1

HEX #FD5D9A

RGB 253 93 154

HSL 337.13, 0.98%, 0.68%

LAB 62.55, 65.76, -0.15

 

CMYK 8 / 0 / 63 / 1

HEX #EAFD5D

RGB 234 253 93

HSL 67.13, 0.98%, 0.68%

LAB 95.39, -26.36, 71.73

 

Description

Color code: RGB 94 253 193 | qconv.com Color code: RGB 94 253 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 253 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 253 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 24 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 24% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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