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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 251 245 it is the complementary color RGB 161 4 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 251 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 251 245 shade: RGB 99 251 240, RGB 116 255 255, RGB 133 255 255, RGB 150 255 255 and RGB 167 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 251 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 251 245 shade: RGB 94 251 245, RGB 77 233 226, RGB 60 215 207, RGB 43 197 188 and RGB 26 179 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 251 245 shade: RGB 95 250 245, RGB 95 250 203, RGB 95 250 161, RGB 95 250 119 and RGB 113 250 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 251 245 shade: RGB 95 250 245, RGB 95 215 250, RGB 95 173 250, RGB 95 131 250 and RGB 95 95 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 251 245 shade matches the following richer shades: RGB 95 250 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 251 245 shade: RGB 95 250 245, RGB 109 237 232, RGB 122 224 220, RGB 135 211 208 and RGB 148 198 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 251 245 shade: RGB 95 250 160, RGB 95 250 201, RGB 95 250 243, RGB 95 217 250 and RGB 95 175 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 251 245 shade: RGB 15 248 239, RGB 55 249 242, RGB 95 250 245, RGB 136 251 247 and RGB 176 252 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 251 245 shade: RGB 94 251 245, RGB 119 95 250 and RGB 250 181 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 251 245 shade: RGB 94 251 245, RGB 243 95 250 and RGB 250 243 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 251 245 shade: RGB 94 251 245, RGB 119 95 250, RGB 250 95 103 and RGB 227 250 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 251 245 shade: RGB 94 251 245, RGB 165 95 250, RGB 250 95 103 and RGB 181 250 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

Complementary color

CMYK 0 / 98 / 94 / 37

HEX #A1040A

RGB 161 4 10

HSL 357.71, 0.95%, 0.32%

LAB 33.32, 56.39, 43.28

 

CMYK 61 / 0 / 4 / 2

HEX #63FBF0

RGB 99 251 240

HSL 175.66, 0.95%, 0.69%

LAB 90.75, -42.55, -6.76

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

CMYK 67 / 0 / 3 / 9

HEX #4DE9E2

RGB 77 233 226

HSL 177.31, 0.78%, 0.61%

LAB 84.66, -41.53, -8.51

 

CMYK 72 / 0 / 4 / 16

HEX #3CD7CF

RGB 60 215 207

HSL 176.9, 0.66%, 0.54%

LAB 78.5, -40.85, -7.6

 

CMYK 78 / 0 / 5 / 23

HEX #2BC5BC

RGB 43 197 188

HSL 176.49, 0.64%, 0.47%

LAB 72.28, -39.93, -6.59

 

CMYK 85 / 0 / 6 / 30

HEX #1AB3A9

RGB 26 179 169

HSL 176.08, 0.75%, 0.4%

LAB 66, -38.71, -5.47

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF5

RGB 95 250 245

HSL 178.06, 0.94%, 0.68%

LAB 90.5, -41.44, -9.74

 

CMYK 62 / 0 / 19 / 2

HEX #5FFACB

RGB 95 250 203

HSL 161.81, 0.94%, 0.68%

LAB 89.45, -51.74, 10.53

 

CMYK 62 / 0 / 36 / 2

HEX #5FFAA1

RGB 95 250 161

HSL 145.55, 0.94%, 0.68%

LAB 88.63, -60.31, 30.88

 

CMYK 62 / 0 / 52 / 2

HEX #5FFA77

RGB 95 250 119

HSL 129.29, 0.94%, 0.68%

LAB 88.03, -66.88, 50.47

 

CMYK 55 / 0 / 62 / 2

HEX #71FA5F

RGB 113 250 95

HSL 113.03, 0.94%, 0.68%

LAB 88.31, -65.59, 61.44

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF5

RGB 95 250 245

HSL 178.06, 0.94%, 0.68%

LAB 90.5, -41.44, -9.74

 

CMYK 62 / 14 / 0 / 2

HEX #5FD7FA

RGB 95 215 250

HSL 193.55, 0.94%, 0.68%

LAB 80.7, -23.48, -27.15

 

CMYK 62 / 31 / 0 / 2

HEX #5FADFA

RGB 95 173 250

HSL 209.81, 0.94%, 0.68%

LAB 68.91, -1.19, -45.42

 

CMYK 62 / 48 / 0 / 2

HEX #5F83FA

RGB 95 131 250

HSL 226.06, 0.94%, 0.68%

LAB 57.62, 23.43, -63.36

 

CMYK 62 / 62 / 0 / 2

HEX #5F5FFA

RGB 95 95 250

HSL 240, 0.94%, 0.68%

LAB 48.91, 45.08, -77.47

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF5

RGB 95 250 245

HSL 178.06, 0.94%, 0.68%

LAB 90.5, -41.44, -9.74

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF5

RGB 95 250 245

HSL 178.06, 0.94%, 0.68%

LAB 90.5, -41.44, -9.74

 

CMYK 54 / 0 / 2 / 7

HEX #6DEDE8

RGB 109 237 232

HSL 177.66, 0.78%, 0.68%

LAB 86.82, -36.49, -8.37

 

CMYK 46 / 0 / 2 / 12

HEX #7AE0DC

RGB 122 224 220

HSL 177.65, 0.62%, 0.68%

LAB 83.24, -30.7, -7.3

 

CMYK 36 / 0 / 1 / 17

HEX #87D3D0

RGB 135 211 208

HSL 177.63, 0.46%, 0.68%

LAB 79.78, -24.1, -5.97

 

CMYK 25 / 0 / 1 / 22

HEX #94C6C4

RGB 148 198 196

HSL 177.6, 0.3%, 0.68%

LAB 76.48, -16.66, -4.31

 

CMYK 62 / 0 / 36 / 2

HEX #5FFAA0

RGB 95 250 160

HSL 145.16, 0.94%, 0.68%

LAB 88.61, -60.49, 31.36

 

CMYK 62 / 0 / 20 / 2

HEX #5FFAC9

RGB 95 250 201

HSL 161.03, 0.94%, 0.68%

LAB 89.4, -52.19, 11.5

 

CMYK 62 / 0 / 3 / 2

HEX #5FFAF3

RGB 95 250 243

HSL 177.29, 0.94%, 0.68%

LAB 90.45, -41.96, -8.78

 

CMYK 62 / 13 / 0 / 2

HEX #5FD9FA

RGB 95 217 250

HSL 192.77, 0.94%, 0.68%

LAB 81.27, -24.48, -26.28

 

CMYK 62 / 30 / 0 / 2

HEX #5FAFFA

RGB 95 175 250

HSL 209.03, 0.94%, 0.68%

LAB 69.47, -2.31, -44.55

 

CMYK 94 / 0 / 4 / 3

HEX #0FF8EF

RGB 15 248 239

HSL 177.68, 0.94%, 0.52%

LAB 88.67, -49.31, -9.46

 

CMYK 78 / 0 / 3 / 2

HEX #37F9F2

RGB 55 249 242

HSL 177.84, 0.94%, 0.6%

LAB 89.38, -46.66, -9.93

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF5

RGB 95 250 245

HSL 178.06, 0.94%, 0.68%

LAB 90.5, -41.44, -9.74

 

CMYK 46 / 0 / 2 / 2

HEX #88FBF7

RGB 136 251 247

HSL 177.91, 0.93%, 0.76%

LAB 92.11, -33.66, -8.26

 

CMYK 30 / 0 / 1 / 1

HEX #B0FCFA

RGB 176 252 250

HSL 178.42, 0.93%, 0.84%

LAB 94.21, -23.56, -6.51

 

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

CMYK 52 / 62 / 0 / 2

HEX #775FFA

RGB 119 95 250

HSL 249.29, 0.94%, 0.68%

LAB 50.7, 48.95, -74.48

 

CMYK 0 / 28 / 62 / 2

HEX #FAB55F

RGB 250 181 95

HSL 33.29, 0.94%, 0.68%

LAB 78.58, 16.47, 52.83

 

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

CMYK 3 / 62 / 0 / 2

HEX #F35FFA

RGB 243 95 250

HSL 297.29, 0.94%, 0.68%

LAB 65.07, 75.39, -50.63

 

CMYK 0 / 3 / 62 / 2

HEX #FAF35F

RGB 250 243 95

HSL 57.29, 0.94%, 0.68%

LAB 93.99, -15.08, 69.83

 

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

CMYK 52 / 62 / 0 / 2

HEX #775FFA

RGB 119 95 250

HSL 249.29, 0.94%, 0.68%

LAB 50.7, 48.95, -74.48

 

CMYK 0 / 62 / 59 / 2

HEX #FA5F67

RGB 250 95 103

HSL 356.9, 0.94%, 0.68%

LAB 61.21, 59.66, 27.36

 

CMYK 9 / 0 / 62 / 2

HEX #E3FA5F

RGB 227 250 95

HSL 68.9, 0.94%, 0.68%

LAB 94.11, -27.58, 69.45

 

CMYK 63 / 0 / 2 / 2

HEX #5EFBF5

RGB 94 251 245

HSL 177.71, 0.95%, 0.68%

LAB 90.76, -42.04, -9.36

 

CMYK 34 / 62 / 0 / 2

HEX #A55FFA

RGB 165 95 250

HSL 267.1, 0.94%, 0.68%

LAB 55.16, 57.91, -67.04

 

CMYK 0 / 62 / 59 / 2

HEX #FA5F67

RGB 250 95 103

HSL 356.9, 0.94%, 0.68%

LAB 61.21, 59.66, 27.36

 

CMYK 28 / 0 / 62 / 2

HEX #B5FA5F

RGB 181 250 95

HSL 86.71, 0.94%, 0.68%

LAB 91.24, -44.83, 65.51

 

Description

Color code: RGB 94 251 245 | qconv.com Color code: RGB 94 251 245 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 251 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 251 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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