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Color name
RGB 94 191 177

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 191 177 it is the complementary color RGB 161 64 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 191 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 191 177 shade: RGB 99 191 172, RGB 116 209 191, RGB 133 227 210, RGB 150 245 229 and RGB 167 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 191 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 77 173 158, RGB 60 155 139, RGB 43 137 120 and RGB 26 119 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 94 191 151, RGB 94 191 125, RGB 94 191 99 and RGB 116 191 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 94 178 191, RGB 94 152 191, RGB 94 126 191 and RGB 94 100 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 191 177 shade matches the following richer shades: RGB 94 191 177, RGB 76 209 190, RGB 58 227 202 and RGB 40 245 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 112 172 164, RGB 130 154 151, RGB 149 136 138 and RGB 167 118 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 191 177 shade: RGB 94 191 125, RGB 94 191 150, RGB 94 191 176, RGB 94 179 191 and RGB 94 154 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 191 177 shade: RGB 57 145 132, RGB 69 174 159, RGB 94 191 177, RGB 124 202 191 and RGB 153 214 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 99 94 191 and RGB 191 137 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 176 94 191 and RGB 191 176 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 99 94 191, RGB 191 94 109 and RGB 186 191 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 191 177 shade: RGB 94 191 177, RGB 128 94 191, RGB 191 94 109 and RGB 157 191 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

Complementary color

CMYK 0 / 60 / 52 / 37

HEX #A1404E

RGB 161 64 78

HSL 351.34, 0.43%, 0.44%

LAB 40.89, 41.43, 12.47

 

CMYK 48 / 0 / 10 / 25

HEX #63BFAC

RGB 99 191 172

HSL 167.61, 0.42%, 0.57%

LAB 71.48, -32.08, 1.13

 

CMYK 44 / 0 / 9 / 18

HEX #74D1BF

RGB 116 209 191

HSL 168.39, 0.5%, 0.64%

LAB 77.92, -31.99, 0.31

 

CMYK 41 / 0 / 7 / 11

HEX #85E3D2

RGB 133 227 210

HSL 169.15, 0.63%, 0.71%

LAB 84.27, -31.88, -0.45

 

CMYK 39 / 0 / 7 / 4

HEX #96F5E5

RGB 150 245 229

HSL 169.89, 0.83%, 0.77%

LAB 90.53, -31.75, -1.17

 

CMYK 35 / 0 / 3 / 0

HEX #A7FFF8

RGB 167 255 248

HSL 175.23, 1%, 0.83%

LAB 94.53, -27.84, -5.05

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 55 / 0 / 9 / 32

HEX #4DAD9E

RGB 77 173 158

HSL 170.63, 0.38%, 0.49%

LAB 64.91, -31.95, -0.85

 

CMYK 61 / 0 / 10 / 39

HEX #3C9B8B

RGB 60 155 139

HSL 169.89, 0.44%, 0.42%

LAB 58.29, -31.79, 0.1

 

CMYK 69 / 0 / 12 / 46

HEX #2B8978

RGB 43 137 120

HSL 169.15, 0.52%, 0.35%

LAB 51.57, -31.44, 1.16

 

CMYK 78 / 0 / 15 / 53

HEX #1A7765

RGB 26 119 101

HSL 168.39, 0.64%, 0.28%

LAB 44.73, -30.8, 2.38

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 51 / 0 / 21 / 25

HEX #5EBF97

RGB 94 191 151

HSL 155.26, 0.43%, 0.56%

LAB 70.79, -38.11, 11.54

 

CMYK 51 / 0 / 35 / 25

HEX #5EBF7D

RGB 94 191 125

HSL 139.18, 0.43%, 0.56%

LAB 70.26, -43.34, 24.78

 

CMYK 51 / 0 / 48 / 25

HEX #5EBF63

RGB 94 191 99

HSL 123.09, 0.43%, 0.56%

LAB 69.85, -47.58, 37.68

 

CMYK 39 / 0 / 51 / 25

HEX #74BF5E

RGB 116 191 94

HSL 106.39, 0.43%, 0.56%

LAB 70.72, -41.68, 41.43

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 51 / 7 / 0 / 25

HEX #5EB2BF

RGB 94 178 191

HSL 188.04, 0.43%, 0.56%

LAB 68.01, -21.89, -14.48

 

CMYK 51 / 20 / 0 / 25

HEX #5E98BF

RGB 94 152 191

HSL 204.12, 0.43%, 0.56%

LAB 60.42, -8, -26.03

 

CMYK 51 / 34 / 0 / 25

HEX #5E7EBF

RGB 94 126 191

HSL 220.21, 0.43%, 0.56%

LAB 53.02, 7.07, -37.56

 

CMYK 51 / 48 / 0 / 25

HEX #5E64BF

RGB 94 100 191

HSL 236.29, 0.43%, 0.56%

LAB 45.98, 23, -48.72

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 64 / 0 / 9 / 18

HEX #4CD1BE

RGB 76 209 190

HSL 171.43, 0.59%, 0.56%

LAB 76.59, -40.46, -1.25

 

CMYK 74 / 0 / 11 / 11

HEX #3AE3CA

RGB 58 227 202

HSL 171.12, 0.75%, 0.56%

LAB 81.89, -47.65, 0.06

 

CMYK 84 / 0 / 12 / 4

HEX #28F5D7

RGB 40 245 215

HSL 171.22, 0.91%, 0.56%

LAB 87.32, -53.37, 1.11

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 35 / 0 / 5 / 33

HEX #70ACA4

RGB 112 172 164

HSL 172, 0.27%, 0.56%

LAB 66.24, -21.24, -2.07

 

CMYK 16 / 0 / 2 / 40

HEX #829A97

RGB 130 154 151

HSL 172.5, 0.11%, 0.56%

LAB 61.73, -9.04, -1.26

 

CMYK 0 / 9 / 7 / 42

HEX #95888A

RGB 149 136 138

HSL 350.77, 0.06%, 0.56%

LAB 57.88, 5.24, 0.69

 

CMYK 0 / 29 / 25 / 35

HEX #A7767D

RGB 167 118 125

HSL 351.43, 0.22%, 0.56%

LAB 54.71, 20.26, 3.86

 

CMYK 51 / 0 / 35 / 25

HEX #5EBF7D

RGB 94 191 125

HSL 139.18, 0.43%, 0.56%

LAB 70.26, -43.34, 24.78

 

CMYK 51 / 0 / 21 / 25

HEX #5EBF96

RGB 94 191 150

HSL 154.64, 0.43%, 0.56%

LAB 70.76, -38.33, 12.05

 

CMYK 51 / 0 / 8 / 25

HEX #5EBFB0

RGB 94 191 176

HSL 170.72, 0.43%, 0.56%

LAB 71.4, -32.25, -1.2

 

CMYK 51 / 6 / 0 / 25

HEX #5EB3BF

RGB 94 179 191

HSL 187.42, 0.43%, 0.56%

LAB 68.3, -22.4, -14.04

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 61 / 0 / 9 / 43

HEX #399184

RGB 57 145 132

HSL 171.14, 0.44%, 0.4%

LAB 54.85, -29.45, -0.94

 

CMYK 60 / 0 / 9 / 32

HEX #45AE9F

RGB 69 174 159

HSL 171.43, 0.43%, 0.48%

LAB 64.99, -33.75, -1.31

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 39 / 0 / 5 / 21

HEX #7CCABF

RGB 124 202 191

HSL 171.54, 0.42%, 0.64%

LAB 76.25, -26.58, -2.1

 

CMYK 29 / 0 / 4 / 16

HEX #99D6CD

RGB 153 214 205

HSL 171.15, 0.43%, 0.72%

LAB 81.44, -21.27, -1.82

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 28 / 51 / 25

HEX #BF895E

RGB 191 137 94

HSL 26.6, 0.43%, 0.56%

LAB 61.46, 15.58, 31.12

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 8 / 51 / 0 / 25

HEX #B05EBF

RGB 176 94 191

HSL 290.72, 0.43%, 0.56%

LAB 52.95, 48.14, -37.15

 

CMYK 0 / 8 / 51 / 25

HEX #BFB05E

RGB 191 176 94

HSL 50.72, 0.43%, 0.56%

LAB 71.51, -5.56, 43.57

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6D

RGB 191 94 109

HSL 350.72, 0.43%, 0.56%

LAB 52.05, 40.37, 9.89

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 51 / 0 / 7 / 25

HEX #5EBFB1

RGB 94 191 177

HSL 171.34, 0.43%, 0.56%

LAB 71.43, -32, -1.7

 

CMYK 33 / 51 / 0 / 25

HEX #805EBF

RGB 128 94 191

HSL 261.03, 0.43%, 0.56%

LAB 47.44, 34.98, -46.22

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6D

RGB 191 94 109

HSL 350.72, 0.43%, 0.56%

LAB 52.05, 40.37, 9.89

 

CMYK 18 / 0 / 51 / 25

HEX #9DBF5E

RGB 157 191 94

HSL 81.03, 0.43%, 0.56%

LAB 73.05, -26.97, 44.79

 

Description

Color code: RGB 94 191 177 | qconv.com Color code: RGB 94 191 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 191 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 191 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 7 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 7% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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