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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 176 130 it is the complementary color RGB 161 79 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 176 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 176 130 shade: RGB 99 176 125, RGB 116 194 144, RGB 133 212 163, RGB 150 230 182 and RGB 167 248 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 176 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 176 130 shade: RGB 94 176 130, RGB 77 158 111, RGB 60 140 92, RGB 43 122 73 and RGB 26 104 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 176 130 shade: RGB 94 175 130, RGB 94 175 108, RGB 102 175 94, RGB 124 175 94 and RGB 146 175 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 176 130 shade: RGB 94 175 130, RGB 94 175 152, RGB 94 175 174, RGB 94 155 175 and RGB 94 133 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 176 130 shade matches the following richer shades: RGB 94 175 130, RGB 75 195 127, RGB 55 214 125, RGB 36 234 123 and RGB 16 253 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 176 130 shade: RGB 94 175 130, RGB 113 156 132, RGB 133 137 134, RGB 152 117 137 and RGB 171 98 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 176 130 shade: RGB 102 175 94, RGB 94 175 107, RGB 94 175 129, RGB 94 175 151 and RGB 94 175 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 176 130 shade: RGB 61 125 89, RGB 75 153 109, RGB 94 175 130, RGB 122 189 151 and RGB 149 203 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 176 130 shade: RGB 94 176 130, RGB 94 124 175 and RGB 175 97 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 176 130 shade: RGB 94 176 130, RGB 129 94 175 and RGB 175 129 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 176 130 shade: RGB 94 176 130, RGB 94 124 175, RGB 175 94 140 and RGB 175 146 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 176 130 shade: RGB 94 176 130, RGB 94 99 175, RGB 175 94 140 and RGB 175 170 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

Complementary color

CMYK 0 / 51 / 22 / 37

HEX #A14F7D

RGB 161 79 125

HSL 326.34, 0.34%, 0.47%

LAB 45.15, 39.63, -10.33

 

CMYK 44 / 0 / 29 / 31

HEX #63B07D

RGB 99 176 125

HSL 140.26, 0.33%, 0.54%

LAB 65.89, -35.32, 18.87

 

CMYK 40 / 0 / 26 / 24

HEX #74C290

RGB 116 194 144

HSL 141.54, 0.39%, 0.61%

LAB 72.44, -35.07, 17.76

 

CMYK 37 / 0 / 23 / 17

HEX #85D4A3

RGB 133 212 163

HSL 142.78, 0.48%, 0.68%

LAB 78.88, -34.8, 16.72

 

CMYK 35 / 0 / 21 / 10

HEX #96E6B6

RGB 150 230 182

HSL 144, 0.62%, 0.75%

LAB 85.23, -34.54, 15.75

 

CMYK 33 / 0 / 19 / 3

HEX #A7F8C9

RGB 167 248 201

HSL 145.19, 0.85%, 0.81%

LAB 91.49, -34.29, 14.83

 

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

CMYK 51 / 0 / 30 / 38

HEX #4D9E6F

RGB 77 158 111

HSL 145.19, 0.34%, 0.46%

LAB 59.14, -35.92, 17.15

 

CMYK 57 / 0 / 34 / 45

HEX #3C8C5C

RGB 60 140 92

HSL 144, 0.4%, 0.39%

LAB 52.39, -36.01, 18.46

 

CMYK 65 / 0 / 40 / 52

HEX #2B7A49

RGB 43 122 73

HSL 142.78, 0.48%, 0.32%

LAB 45.52, -35.93, 19.92

 

CMYK 75 / 0 / 48 / 59

HEX #1A6836

RGB 26 104 54

HSL 141.54, 0.6%, 0.25%

LAB 38.53, -35.48, 21.56

 

CMYK 46 / 0 / 26 / 31

HEX #5EAF82

RGB 94 175 130

HSL 146.67, 0.34%, 0.53%

LAB 65.48, -35.27, 15.54

 

CMYK 46 / 0 / 38 / 31

HEX #5EAF6C

RGB 94 175 108

HSL 130.37, 0.34%, 0.53%

LAB 65.06, -39.39, 26.87

 

CMYK 42 / 0 / 46 / 31

HEX #66AF5E

RGB 102 175 94

HSL 114.07, 0.34%, 0.53%

LAB 65.19, -39.17, 34.44

 

CMYK 29 / 0 / 46 / 31

HEX #7CAF5E

RGB 124 175 94

HSL 97.78, 0.34%, 0.53%

LAB 66.33, -31.71, 36.11

 

CMYK 17 / 0 / 46 / 31

HEX #92AF5E

RGB 146 175 94

HSL 81.48, 0.34%, 0.53%

LAB 67.71, -23.42, 38.12

 

CMYK 46 / 0 / 26 / 31

HEX #5EAF82

RGB 94 175 130

HSL 146.67, 0.34%, 0.53%

LAB 65.48, -35.27, 15.54

 

CMYK 46 / 0 / 13 / 31

HEX #5EAF98

RGB 94 175 152

HSL 162.96, 0.34%, 0.53%

LAB 65.99, -30.43, 4.13

 

CMYK 46 / 0 / 1 / 31

HEX #5EAFAE

RGB 94 175 174

HSL 179.26, 0.34%, 0.53%

LAB 66.59, -24.96, -7.19

 

CMYK 46 / 11 / 0 / 31

HEX #5E9BAF

RGB 94 155 175

HSL 194.81, 0.34%, 0.53%

LAB 60.71, -14.28, -16.58

RGB 94 155 175

CMYK 46 / 24 / 0 / 31

HEX #5E85AF

RGB 94 133 175

HSL 211.11, 0.34%, 0.53%

LAB 54.29, -1.95, -26.4

RGB 94 133 175

CMYK 46 / 0 / 26 / 31

HEX #5EAF82

RGB 94 175 130

HSL 146.67, 0.34%, 0.53%

LAB 65.48, -35.27, 15.54

 

CMYK 62 / 0 / 35 / 24

HEX #4BC37F

RGB 75 195 127

HSL 146, 0.5%, 0.53%

LAB 70.91, -49.02, 24.49

 

CMYK 74 / 0 / 42 / 16

HEX #37D67D

RGB 55 214 125

HSL 146.42, 0.66%, 0.53%

LAB 76.31, -60.01, 32.6

 

CMYK 85 / 0 / 47 / 8

HEX #24EA7B

RGB 36 234 123

HSL 146.36, 0.83%, 0.53%

LAB 82.19, -69.26, 41.11

 

CMYK 94 / 0 / 53 / 1

HEX #10FD78

RGB 16 253 120

HSL 146.33, 0.98%, 0.53%

LAB 87.83, -76.87, 49.5

 

CMYK 46 / 0 / 26 / 31

HEX #5EAF82

RGB 94 175 130

HSL 146.67, 0.34%, 0.53%

LAB 65.48, -35.27, 15.54

 

CMYK 28 / 0 / 15 / 39

HEX #719C84

RGB 113 156 132

HSL 146.51, 0.18%, 0.53%

LAB 60.74, -19.82, 7.89

 

CMYK 3 / 0 / 2 / 46

HEX #858986

RGB 133 137 134

HSL 135, 0.02%, 0.53%

LAB 56.68, -2.06, 1.09

 

CMYK 0 / 23 / 10 / 40

HEX #987589

RGB 152 117 137

HSL 325.71, 0.15%, 0.53%

LAB 53.17, 17.11, -5.61

 

CMYK 0 / 43 / 19 / 33

HEX #AB628B

RGB 171 98 139

HSL 326.3, 0.3%, 0.53%

LAB 50.99, 35.1, -9.82

 

CMYK 42 / 0 / 46 / 31

HEX #66AF5E

RGB 102 175 94

HSL 114.07, 0.34%, 0.53%

LAB 65.19, -39.17, 34.44

 

CMYK 46 / 0 / 39 / 31

HEX #5EAF6B

RGB 94 175 107

HSL 129.63, 0.34%, 0.53%

LAB 65.04, -39.56, 27.38

 

CMYK 46 / 0 / 26 / 31

HEX #5EAF81

RGB 94 175 129

HSL 145.93, 0.34%, 0.53%

LAB 65.46, -35.47, 16.06

 

CMYK 46 / 0 / 14 / 31

HEX #5EAF97

RGB 94 175 151

HSL 162.22, 0.34%, 0.53%

LAB 65.96, -30.67, 4.65

 

CMYK 46 / 0 / 1 / 31

HEX #5EAFAD

RGB 94 175 173

HSL 178.52, 0.34%, 0.53%

LAB 66.56, -25.22, -6.68

 

CMYK 51 / 0 / 29 / 51

HEX #3D7D59

RGB 61 125 89

HSL 146.25, 0.34%, 0.36%

LAB 47.47, -29.46, 13.46

 

CMYK 51 / 0 / 29 / 40

HEX #4B996D

RGB 75 153 109

HSL 146.15, 0.34%, 0.45%

LAB 57.45, -34.57, 15.92

 

CMYK 46 / 0 / 26 / 31

HEX #5EAF82

RGB 94 175 130

HSL 146.67, 0.34%, 0.53%

LAB 65.48, -35.27, 15.54

 

CMYK 35 / 0 / 20 / 26

HEX #7ABD97

RGB 122 189 151

HSL 145.97, 0.34%, 0.61%

LAB 71.4, -29.57, 12.57

 

CMYK 27 / 0 / 15 / 20

HEX #95CBAD

RGB 149 203 173

HSL 146.67, 0.34%, 0.69%

LAB 77.35, -23.69, 9.35

 

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

CMYK 46 / 29 / 0 / 31

HEX #5E7CAF

RGB 94 124 175

HSL 217.78, 0.34%, 0.53%

LAB 51.71, 3.34, -30.4

 

CMYK 0 / 45 / 46 / 31

HEX #AF615E

RGB 175 97 94

HSL 2.22, 0.34%, 0.53%

LAB 50.06, 31.16, 15.69

 

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

CMYK 26 / 46 / 0 / 31

HEX #815EAF

RGB 129 94 175

HSL 265.93, 0.34%, 0.53%

LAB 46.67, 31.16, -38.12

 

CMYK 0 / 26 / 46 / 31

HEX #AF815E

RGB 175 129 94

HSL 25.93, 0.34%, 0.53%

LAB 57.68, 13.33, 25.88

 

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

CMYK 46 / 29 / 0 / 31

HEX #5E7CAF

RGB 94 124 175

HSL 217.78, 0.34%, 0.53%

LAB 51.71, 3.34, -30.4

 

CMYK 0 / 46 / 20 / 31

HEX #AF5E8C

RGB 175 94 140

HSL 325.93, 0.34%, 0.53%

LAB 50.7, 38.79, -10.78

 

CMYK 0 / 17 / 46 / 31

HEX #AF925E

RGB 175 146 94

HSL 38.52, 0.34%, 0.53%

LAB 62.07, 3.86, 31.55

 

CMYK 47 / 0 / 26 / 31

HEX #5EB082

RGB 94 176 130

HSL 146.34, 0.34%, 0.53%

LAB 65.78, -35.73, 15.96

 

CMYK 46 / 43 / 0 / 31

HEX #5E63AF

RGB 94 99 175

HSL 236.3, 0.34%, 0.53%

LAB 44.8, 18.63, -41.28

 

CMYK 0 / 46 / 20 / 31

HEX #AF5E8C

RGB 175 94 140

HSL 325.93, 0.34%, 0.53%

LAB 50.7, 38.79, -10.78

 

CMYK 0 / 3 / 46 / 31

HEX #AFAA5E

RGB 175 170 94

HSL 56.3, 0.34%, 0.53%

LAB 68.51, -9.08, 39.61

 

Description

Color code: RGB 94 176 130 | qconv.com Color code: RGB 94 176 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 176 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 176 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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