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Color name
RGB 94 170 116

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 170 116 it is the complementary color RGB 161 85 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 170 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 170 116 shade: RGB 99 170 111, RGB 116 188 130, RGB 133 206 149, RGB 150 224 168 and RGB 167 242 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 170 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 77 152 97, RGB 60 134 78, RGB 43 116 59 and RGB 26 98 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 94 170 96, RGB 113 170 94, RGB 134 170 94 and RGB 154 170 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 94 170 137, RGB 94 170 157, RGB 94 163 170 and RGB 94 142 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 170 116 shade matches the following richer shades: RGB 94 170 116, RGB 74 190 108, RGB 55 210 99, RGB 35 229 91 and RGB 15 249 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 114 150 124, RGB 134 130 133, RGB 154 111 141 and RGB 173 91 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 170 116 shade: RGB 113 170 94, RGB 94 170 95, RGB 94 170 116, RGB 94 170 136 and RGB 94 170 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 170 116 shade: RGB 63 119 79, RGB 77 146 97, RGB 94 170 116, RGB 121 184 139 and RGB 148 199 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 94 133 170 and RGB 170 94 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 116 94 170 and RGB 170 116 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 94 133 170, RGB 170 94 149 and RGB 170 131 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 170 116 shade: RGB 94 170 116, RGB 94 111 170, RGB 170 94 149 and RGB 170 154 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

Complementary color

CMYK 0 / 47 / 14 / 37

HEX #A1558B

RGB 161 85 139

HSL 317.37, 0.31%, 0.48%

LAB 46.89, 38.7, -16.14

 

CMYK 42 / 0 / 35 / 33

HEX #63AA6F

RGB 99 170 111

HSL 130.14, 0.29%, 0.53%

LAB 63.79, -35.15, 23.62

 

CMYK 38 / 0 / 31 / 26

HEX #74BC82

RGB 116 188 130

HSL 131.67, 0.35%, 0.6%

LAB 70.38, -34.89, 22.43

 

CMYK 35 / 0 / 28 / 19

HEX #85CE95

RGB 133 206 149

HSL 133.15, 0.43%, 0.66%

LAB 76.86, -34.62, 21.33

 

CMYK 33 / 0 / 25 / 12

HEX #96E0A8

RGB 150 224 168

HSL 134.59, 0.54%, 0.73%

LAB 83.24, -34.35, 20.29

 

CMYK 31 / 0 / 23 / 5

HEX #A7F2BB

RGB 167 242 187

HSL 136, 0.74%, 0.8%

LAB 89.54, -34.1, 19.31

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 49 / 0 / 36 / 40

HEX #4D9861

RGB 77 152 97

HSL 136, 0.33%, 0.45%

LAB 56.98, -35.93, 21.96

 

CMYK 55 / 0 / 42 / 47

HEX #3C864E

RGB 60 134 78

HSL 134.59, 0.38%, 0.38%

LAB 50.17, -36.04, 23.34

 

CMYK 63 / 0 / 49 / 55

HEX #2B743B

RGB 43 116 59

HSL 133.15, 0.46%, 0.31%

LAB 43.24, -35.95, 24.85

 

CMYK 73 / 0 / 59 / 62

HEX #1A6228

RGB 26 98 40

HSL 131.67, 0.58%, 0.24%

LAB 36.19, -35.44, 26.44

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 0 / 44 / 33

HEX #5EAA60

RGB 94 170 96

HSL 121.58, 0.31%, 0.52%

LAB 63.32, -39.14, 30.95

 

CMYK 34 / 0 / 45 / 33

HEX #71AA5E

RGB 113 170 94

HSL 105, 0.31%, 0.52%

LAB 64.22, -33.26, 33.32

 

CMYK 21 / 0 / 45 / 33

HEX #86AA5E

RGB 134 170 94

HSL 88.42, 0.31%, 0.52%

LAB 65.46, -25.59, 35.14

 

CMYK 9 / 0 / 45 / 33

HEX #9AAA5E

RGB 154 170 94

HSL 72.63, 0.31%, 0.52%

LAB 66.85, -17.72, 37.18

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 0 / 19 / 33

HEX #5EAA89

RGB 94 170 137

HSL 153.95, 0.31%, 0.52%

LAB 64.11, -31.45, 9.76

 

CMYK 45 / 0 / 8 / 33

HEX #5EAA9D

RGB 94 170 157

HSL 169.74, 0.31%, 0.52%

LAB 64.61, -26.79, -0.64

 

CMYK 45 / 4 / 0 / 33

HEX #5EA3AA

RGB 94 163 170

HSL 185.53, 0.31%, 0.52%

LAB 62.91, -19.89, -10.45

 

CMYK 45 / 16 / 0 / 33

HEX #5E8EAA

RGB 94 142 170

HSL 202.11, 0.31%, 0.52%

LAB 56.71, -8.55, -19.82

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 61 / 0 / 43 / 25

HEX #4ABE6C

RGB 74 190 108

HSL 137.59, 0.47%, 0.52%

LAB 69.02, -50.66, 31.9

 

CMYK 74 / 0 / 53 / 18

HEX #37D263

RGB 55 210 99

HSL 137.03, 0.63%, 0.52%

LAB 74.7, -62.79, 43.43

 

CMYK 85 / 0 / 60 / 10

HEX #23E55B

RGB 35 229 91

HSL 137.32, 0.79%, 0.52%

LAB 80.26, -72.24, 53.6

 

CMYK 94 / 0 / 67 / 2

HEX #0FF953

RGB 15 249 83

HSL 137.44, 0.95%, 0.52%

LAB 86.24, -80.18, 63.51

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 24 / 0 / 17 / 41

HEX #72967C

RGB 114 150 124

HSL 136.67, 0.15%, 0.52%

LAB 58.83, -17.97, 9.7

 

CMYK 0 / 3 / 1 / 47

HEX #868285

RGB 134 130 133

HSL 315, 0.02%, 0.52%

LAB 54.79, 2.09, -1.09

 

CMYK 0 / 28 / 8 / 40

HEX #9A6F8D

RGB 154 111 141

HSL 318.14, 0.18%, 0.52%

LAB 52.02, 22.04, -9.66

 

CMYK 0 / 47 / 14 / 32

HEX #AD5B95

RGB 173 91 149

HSL 317.56, 0.33%, 0.52%

LAB 50.14, 41.14, -17

 

CMYK 34 / 0 / 45 / 33

HEX #71AA5E

RGB 113 170 94

HSL 105, 0.31%, 0.52%

LAB 64.22, -33.26, 33.32

 

CMYK 45 / 0 / 44 / 33

HEX #5EAA5F

RGB 94 170 95

HSL 120.79, 0.31%, 0.52%

LAB 63.31, -39.29, 31.45

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 0 / 20 / 33

HEX #5EAA88

RGB 94 170 136

HSL 153.16, 0.31%, 0.52%

LAB 64.09, -31.67, 10.28

 

CMYK 45 / 0 / 8 / 33

HEX #5EAA9C

RGB 94 170 156

HSL 168.95, 0.31%, 0.52%

LAB 64.59, -27.04, -0.13

 

CMYK 47 / 0 / 34 / 53

HEX #3F774F

RGB 63 119 79

HSL 137.14, 0.31%, 0.36%

LAB 45.38, -28.07, 16.42

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 34 / 0 / 24 / 28

HEX #79B88B

RGB 121 184 139

HSL 137.14, 0.31%, 0.6%

LAB 69.62, -29.81, 16.58

 

CMYK 26 / 0 / 18 / 22

HEX #94C7A3

RGB 148 199 163

HSL 137.65, 0.31%, 0.68%

LAB 75.94, -23.96, 12.71

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 22 / 0 / 33

HEX #5E85AA

RGB 94 133 170

HSL 209.21, 0.31%, 0.52%

LAB 54.09, -3.43, -23.84

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E67

RGB 170 94 103

HSL 352.89, 0.31%, 0.52%

LAB 48.92, 31.87, 8.64

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 32 / 45 / 0 / 33

HEX #745EAA

RGB 116 94 170

HSL 257.37, 0.31%, 0.52%

LAB 45.11, 26.16, -37.73

 

CMYK 0 / 32 / 45 / 33

HEX #AA745E

RGB 170 116 94

HSL 17.37, 0.31%, 0.52%

LAB 53.86, 18.56, 20.73

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 22 / 0 / 33

HEX #5E85AA

RGB 94 133 170

HSL 209.21, 0.31%, 0.52%

LAB 54.09, -3.43, -23.84

 

CMYK 0 / 45 / 12 / 33

HEX #AA5E95

RGB 170 94 149

HSL 316.58, 0.31%, 0.52%

LAB 50.36, 38.56, -16.7

 

CMYK 0 / 23 / 45 / 33

HEX #AA835E

RGB 170 131 94

HSL 29.21, 0.31%, 0.52%

LAB 57.64, 10.09, 25.74

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 45 / 35 / 0 / 33

HEX #5E6FAA

RGB 94 111 170

HSL 226.58, 0.31%, 0.52%

LAB 47.82, 9.68, -33.59

 

CMYK 0 / 45 / 12 / 33

HEX #AA5E95

RGB 170 94 149

HSL 316.58, 0.31%, 0.52%

LAB 50.36, 38.56, -16.7

 

CMYK 0 / 9 / 45 / 33

HEX #AA9A5E

RGB 170 154 94

HSL 47.37, 0.31%, 0.52%

LAB 63.73, -2.63, 33.56

 

Description

Color code: RGB 94 170 116 | qconv.com Color code: RGB 94 170 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 170 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 170 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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