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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 16 137 it is the complementary color RGB 161 239 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 16 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 16 137 shade: RGB 99 16 132, RGB 116 34 151, RGB 133 52 170, RGB 150 70 189 and RGB 167 88 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 16 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 16 137 shade: RGB 94 16 137, RGB 77 0 118, RGB 60 0 99, RGB 43 0 80 and RGB 26 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 16 137 shade: RGB 93 16 136, RGB 126 16 136, RGB 136 16 114, RGB 136 16 82 and RGB 136 16 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 16 137 shade: RGB 93 16 136, RGB 61 16 136, RGB 28 16 136 and RGB 16 16 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 16 137 shade matches the following richer shades: RGB 93 16 136 and RGB 97 3 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 16 137 shade: RGB 93 16 136, RGB 90 28 124, RGB 86 40 112, RGB 83 53 99 and RGB 79 65 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 16 137 shade: RGB 28 16 136, RGB 60 16 136, RGB 92 16 136, RGB 124 16 136 and RGB 136 16 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 16 137 shade: RGB 43 7 63, RGB 68 11 100, RGB 93 16 136, RGB 119 20 173 and RGB 144 24 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 16 137 shade: RGB 94 16 137, RGB 136 16 36 and RGB 16 136 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 16 137 shade: RGB 94 16 137, RGB 136 92 16 and RGB 16 136 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 16 137 shade: RGB 94 16 137, RGB 136 16 36, RGB 60 136 16 and RGB 16 136 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 16 137 shade: RGB 94 16 137, RGB 136 32 16, RGB 60 136 16 and RGB 16 120 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

Complementary color

CMYK 33 / 0 / 51 / 6

HEX #A1EF76

RGB 161 239 118

HSL 98.68, 0.79%, 0.7%

LAB 87.3, -44.79, 50.62

 

CMYK 25 / 88 / 0 / 48

HEX #631084

RGB 99 16 132

HSL 282.93, 0.78%, 0.29%

LAB 25.83, 51.7, -45.65

 

CMYK 23 / 77 / 0 / 41

HEX #742297

RGB 116 34 151

HSL 282.05, 0.63%, 0.36%

LAB 32.01, 53.02, -47.28

 

CMYK 22 / 69 / 0 / 33

HEX #8534AA

RGB 133 52 170

HSL 281.19, 0.53%, 0.44%

LAB 38.45, 53.25, -48.23

 

CMYK 21 / 63 / 0 / 26

HEX #9646BD

RGB 150 70 189

HSL 280.34, 0.47%, 0.51%

LAB 45, 52.91, -48.81

 

CMYK 20 / 58 / 0 / 18

HEX #A758D0

RGB 167 88 208

HSL 279.5, 0.56%, 0.58%

LAB 51.55, 52.3, -49.18

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 35 / 100 / 0 / 54

HEX #4D0076

RGB 77 0 118

HSL 279.15, 1%, 0.23%

LAB 19.58, 49.31, -47.11

 

CMYK 39 / 100 / 0 / 61

HEX #3C0063

RGB 60 0 99

HSL 276.36, 1%, 0.19%

LAB 14.74, 43.06, -42.74

 

CMYK 46 / 100 / 0 / 69

HEX #2B0050

RGB 43 0 80

HSL 272.25, 1%, 0.16%

LAB 9.74, 36.63, -38.22

 

CMYK 57 / 100 / 0 / 76

HEX #1A003D

RGB 26 0 61

HSL 265.57, 1%, 0.12%

LAB 5.03, 27.96, -32.67

 

CMYK 32 / 88 / 0 / 47

HEX #5D1088

RGB 93 16 136

HSL 278.5, 0.79%, 0.3%

LAB 25.18, 51.58, -49.26

 

CMYK 7 / 88 / 0 / 47

HEX #7E1088

RGB 126 16 136

HSL 295, 0.79%, 0.3%

LAB 30.84, 57.25, -39.83

 

CMYK 0 / 88 / 16 / 47

HEX #881072

RGB 136 16 114

HSL 311, 0.79%, 0.3%

LAB 31.39, 55.79, -24.98

 

CMYK 0 / 88 / 40 / 47

HEX #881052

RGB 136 16 82

HSL 327, 0.79%, 0.3%

LAB 29.95, 51.82, -6.45

 

CMYK 0 / 88 / 64 / 47

HEX #881031

RGB 136 16 49

HSL 343.5, 0.79%, 0.3%

LAB 28.97, 49.03, 14.21

 

CMYK 32 / 88 / 0 / 47

HEX #5D1088

RGB 93 16 136

HSL 278.5, 0.79%, 0.3%

LAB 25.18, 51.58, -49.26

 

CMYK 55 / 88 / 0 / 47

HEX #3D1088

RGB 61 16 136

HSL 262.5, 0.79%, 0.3%

LAB 20.6, 47.28, -56.96

 

CMYK 79 / 88 / 0 / 47

HEX #1C1088

RGB 28 16 136

HSL 246, 0.79%, 0.3%

LAB 17.44, 44.56, -62.29

 

CMYK 88 / 88 / 0 / 47

HEX #101088

RGB 16 16 136

HSL 240, 0.79%, 0.3%

LAB 16.79, 44.04, -63.39

 

CMYK 32 / 88 / 0 / 47

HEX #5D1088

RGB 93 16 136

HSL 278.5, 0.79%, 0.3%

LAB 25.18, 51.58, -49.26

 

CMYK 35 / 98 / 0 / 42

HEX #610395

RGB 97 3 149

HSL 278.63, 0.96%, 0.3%

LAB 26.09, 57.64, -55.83

 

CMYK 32 / 88 / 0 / 47

HEX #5D1088

RGB 93 16 136

HSL 278.5, 0.79%, 0.3%

LAB 25.18, 51.58, -49.26

 

CMYK 27 / 77 / 0 / 51

HEX #5A1C7C

RGB 90 28 124

HSL 278.75, 0.63%, 0.3%

LAB 25.14, 44.25, -41.8

 

CMYK 23 / 64 / 0 / 56

HEX #562870

RGB 86 40 112

HSL 278.33, 0.47%, 0.3%

LAB 25.76, 34.66, -33.17

 

CMYK 16 / 46 / 0 / 61

HEX #533563

RGB 83 53 99

HSL 279.13, 0.3%, 0.3%

LAB 27.53, 22.85, -22.02

 

CMYK 9 / 25 / 0 / 66

HEX #4F4157

RGB 79 65 87

HSL 278.18, 0.14%, 0.3%

LAB 29.74, 10.77, -10.89

 

CMYK 79 / 88 / 0 / 47

HEX #1C1088

RGB 28 16 136

HSL 246, 0.79%, 0.3%

LAB 17.44, 44.56, -62.29

 

CMYK 56 / 88 / 0 / 47

HEX #3C1088

RGB 60 16 136

HSL 262, 0.79%, 0.3%

LAB 20.47, 47.18, -57.17

 

CMYK 32 / 88 / 0 / 47

HEX #5C1088

RGB 92 16 136

HSL 278, 0.79%, 0.3%

LAB 25.02, 51.43, -49.52

 

CMYK 9 / 88 / 0 / 47

HEX #7C1088

RGB 124 16 136

HSL 294, 0.79%, 0.3%

LAB 30.48, 56.88, -40.43

 

CMYK 0 / 88 / 15 / 47

HEX #881074

RGB 136 16 116

HSL 310, 0.79%, 0.3%

LAB 31.5, 56.08, -26.09

 

CMYK 32 / 89 / 0 / 75

HEX #2B073F

RGB 43 7 63

HSL 278.57, 0.8%, 0.14%

LAB 9.19, 28.74, -27.2

 

CMYK 32 / 89 / 0 / 61

HEX #440B64

RGB 68 11 100

HSL 278.43, 0.8%, 0.22%

LAB 17.41, 40.87, -38.99

 

CMYK 32 / 88 / 0 / 47

HEX #5D1088

RGB 93 16 136

HSL 278.5, 0.79%, 0.3%

LAB 25.18, 51.58, -49.26

 

CMYK 31 / 88 / 0 / 32

HEX #7714AD

RGB 119 20 173

HSL 278.82, 0.79%, 0.38%

LAB 32.79, 62.3, -59.31

 

CMYK 31 / 89 / 0 / 18

HEX #9018D2

RGB 144 24 210

HSL 278.71, 0.79%, 0.46%

LAB 39.97, 72.38, -69.18

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 0 / 88 / 74 / 47

HEX #881024

RGB 136 16 36

HSL 350, 0.79%, 0.3%

LAB 28.73, 48.32, 22.53

 

CMYK 88 / 0 / 68 / 47

HEX #10882C

RGB 16 136 44

HSL 134, 0.79%, 0.3%

LAB 49.37, -49.97, 39.51

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 0 / 32 / 88 / 47

HEX #885C10

RGB 136 92 16

HSL 38, 0.79%, 0.3%

LAB 42.65, 11.71, 46.29

 

CMYK 88 / 0 / 32 / 47

HEX #10885C

RGB 16 136 92

HSL 158, 0.79%, 0.3%

LAB 50.09, -41.57, 15.16

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 0 / 88 / 74 / 47

HEX #881024

RGB 136 16 36

HSL 350, 0.79%, 0.3%

LAB 28.73, 48.32, 22.53

 

CMYK 56 / 0 / 88 / 47

HEX #3C8810

RGB 60 136 16

HSL 98, 0.79%, 0.3%

LAB 50.22, -43.56, 50.5

 

CMYK 88 / 0 / 15 / 47

HEX #108874

RGB 16 136 116

HSL 170, 0.79%, 0.3%

LAB 50.66, -35.33, 2.12

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 0 / 76 / 88 / 47

HEX #882010

RGB 136 32 16

HSL 8, 0.79%, 0.3%

LAB 30.17, 42.9, 35.85

 

CMYK 56 / 0 / 88 / 47

HEX #3C8810

RGB 60 136 16

HSL 98, 0.79%, 0.3%

LAB 50.22, -43.56, 50.5

 

CMYK 88 / 12 / 0 / 47

HEX #107888

RGB 16 120 136

HSL 188, 0.79%, 0.3%

LAB 46.07, -21.15, -16.5

 

Description

Color code: RGB 94 16 137 | qconv.com Color code: RGB 94 16 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 16 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 16 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 88 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 88% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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