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Color name
RGB 94 150 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 150 27 it is the complementary color RGB 161 105 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 150 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 150 27 shade: RGB 99 150 22, RGB 116 168 41, RGB 133 186 60, RGB 150 204 79 and RGB 167 222 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 150 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 77 132 8, RGB 60 114 0, RGB 43 96 0 and RGB 26 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 127 150 27, RGB 150 140 27, RGB 150 107 27 and RGB 150 74 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 61 150 27, RGB 28 150 27, RGB 27 150 60 and RGB 27 150 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 150 27 shade matches the following richer shades: RGB 94 150 27 and RGB 96 165 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 93 136 42, RGB 92 121 56, RGB 90 107 70 and RGB 89 93 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 150 27 shade: RGB 150 140 27, RGB 128 150 27, RGB 95 150 27, RGB 62 150 27 and RGB 29 150 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 150 27 shade: RGB 50 81 14, RGB 72 115 21, RGB 94 150 27, RGB 116 185 34 and RGB 138 216 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 27 150 107 and RGB 150 27 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 27 95 150 and RGB 150 27 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 27 150 107, RGB 83 27 150 and RGB 150 27 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 150 27 shade: RGB 94 150 27, RGB 27 150 144, RGB 83 27 150 and RGB 150 27 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

Complementary color

CMYK 29 / 54 / 0 / 11

HEX #A169E4

RGB 161 105 228

HSL 267.32, 0.69%, 0.65%

LAB 55.36, 46.48, -54.46

 

CMYK 34 / 0 / 85 / 41

HEX #639616

RGB 99 150 22

HSL 83.91, 0.74%, 0.34%

LAB 56.61, -35.76, 55.33

 

CMYK 31 / 0 / 76 / 34

HEX #74A829

RGB 116 168 41

HSL 84.57, 0.61%, 0.41%

LAB 63.24, -36.41, 56.08

 

CMYK 28 / 0 / 68 / 27

HEX #85BA3C

RGB 133 186 60

HSL 85.24, 0.51%, 0.48%

LAB 69.78, -36.84, 55.88

 

CMYK 26 / 0 / 61 / 20

HEX #96CC4F

RGB 150 204 79

HSL 85.92, 0.55%, 0.55%

LAB 76.21, -37.11, 55.2

 

CMYK 25 / 0 / 56 / 13

HEX #A7DE62

RGB 167 222 98

HSL 86.61, 0.65%, 0.63%

LAB 82.56, -37.28, 54.27

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 42 / 0 / 94 / 48

HEX #4D8408

RGB 77 132 8

HSL 86.61, 0.89%, 0.27%

LAB 49.61, -36.56, 51.9

 

CMYK 47 / 0 / 100 / 55

HEX #3C7200

RGB 60 114 0

HSL 88.42, 1%, 0.22%

LAB 42.76, -35.23, 47.73

 

CMYK 55 / 0 / 100 / 62

HEX #2B6000

RGB 43 96 0

HSL 93.13, 1%, 0.19%

LAB 35.75, -33.51, 41.92

 

CMYK 67 / 0 / 100 / 69

HEX #1A4E00

RGB 26 78 0

HSL 100, 1%, 0.15%

LAB 28.56, -31.46, 35.97

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 15 / 0 / 82 / 41

HEX #7F961B

RGB 127 150 27

HSL 71.22, 0.69%, 0.35%

LAB 58.42, -24.09, 56.28

 

CMYK 0 / 7 / 82 / 41

HEX #968C1B

RGB 150 140 27

HSL 55.12, 0.69%, 0.35%

LAB 57.39, -8.61, 56.09

 

CMYK 0 / 29 / 82 / 41

HEX #966B1B

RGB 150 107 27

HSL 39.02, 0.69%, 0.35%

LAB 48.36, 9.9, 48.09

 

CMYK 0 / 51 / 82 / 41

HEX #964A1B

RGB 150 74 27

HSL 22.93, 0.69%, 0.35%

LAB 40.35, 28.67, 40.71

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 59 / 0 / 82 / 41

HEX #3D961B

RGB 61 150 27

HSL 103.41, 0.69%, 0.35%

LAB 54.95, -48.03, 51.84

 

CMYK 81 / 0 / 82 / 41

HEX #1C961B

RGB 28 150 27

HSL 119.51, 0.69%, 0.35%

LAB 54.17, -54.58, 50.83

 

CMYK 82 / 0 / 60 / 41

HEX #1B963C

RGB 27 150 60

HSL 136.1, 0.69%, 0.35%

LAB 54.42, -51.49, 37.82

 

CMYK 82 / 0 / 38 / 41

HEX #1B965D

RGB 27 150 93

HSL 152.2, 0.69%, 0.35%

LAB 54.9, -45.81, 21.16

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 42 / 0 / 92 / 35

HEX #60A50D

RGB 96 165 13

HSL 87.24, 0.85%, 0.35%

LAB 61.16, -43.58, 60.96

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 32 / 0 / 69 / 47

HEX #5D882A

RGB 93 136 42

HSL 87.45, 0.53%, 0.35%

LAB 51.95, -30.51, 43.92

 

CMYK 24 / 0 / 54 / 53

HEX #5C7938

RGB 92 121 56

HSL 86.77, 0.37%, 0.35%

LAB 47.28, -22.18, 31.98

 

CMYK 16 / 0 / 35 / 58

HEX #5A6B46

RGB 90 107 70

HSL 87.57, 0.21%, 0.35%

LAB 42.96, -13.62, 18.69

 

CMYK 4 / 0 / 9 / 64

HEX #595D55

RGB 89 93 85

HSL 90, 0.04%, 0.35%

LAB 38.91, -3.25, 4.05

 

CMYK 0 / 7 / 82 / 41

HEX #968C1B

RGB 150 140 27

HSL 55.12, 0.69%, 0.35%

LAB 57.39, -8.61, 56.09

 

CMYK 15 / 0 / 82 / 41

HEX #80961B

RGB 128 150 27

HSL 70.73, 0.69%, 0.35%

LAB 58.49, -23.66, 56.37

 

CMYK 37 / 0 / 82 / 41

HEX #5F961B

RGB 95 150 27

HSL 86.83, 0.69%, 0.35%

LAB 56.41, -37.06, 53.72

 

CMYK 59 / 0 / 82 / 41

HEX #3E961B

RGB 62 150 27

HSL 102.93, 0.69%, 0.35%

LAB 54.99, -47.76, 51.88

 

CMYK 81 / 0 / 82 / 41

HEX #1D961B

RGB 29 150 27

HSL 119.02, 0.69%, 0.35%

LAB 54.19, -54.45, 50.85

 

CMYK 38 / 0 / 83 / 68

HEX #32510E

RGB 50 81 14

HSL 87.76, 0.71%, 0.19%

LAB 30.87, -23.34, 33.29

 

CMYK 37 / 0 / 82 / 55

HEX #487315

RGB 72 115 21

HSL 87.45, 0.69%, 0.27%

LAB 43.79, -30.34, 43.49

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 37 / 0 / 82 / 27

HEX #74B922

RGB 116 185 34

HSL 87.42, 0.69%, 0.43%

LAB 68.41, -44.15, 63.04

 

CMYK 36 / 0 / 80 / 15

HEX #8AD82C

RGB 138 216 44

HSL 87.21, 0.69%, 0.51%

LAB 78.87, -48.85, 70.22

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 82 / 0 / 29 / 41

HEX #1B966B

RGB 27 150 107

HSL 159.02, 0.69%, 0.35%

LAB 55.18, -42.69, 13.72

 

CMYK 0 / 82 / 4 / 41

HEX #961B90

RGB 150 27 144

HSL 302.93, 0.69%, 0.35%

LAB 36.52, 60.77, -35.45

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 82 / 37 / 0 / 41

HEX #1B5F96

RGB 27 95 150

HSL 206.83, 0.69%, 0.35%

LAB 38.93, -0.35, -35.97

 

CMYK 0 / 82 / 37 / 41

HEX #961B5F

RGB 150 27 95

HSL 326.83, 0.69%, 0.35%

LAB 34.18, 54.13, -8.29

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 82 / 0 / 29 / 41

HEX #1B966B

RGB 27 150 107

HSL 159.02, 0.69%, 0.35%

LAB 55.18, -42.69, 13.72

 

CMYK 45 / 82 / 0 / 41

HEX #531B96

RGB 83 27 150

HSL 267.32, 0.69%, 0.35%

LAB 26.23, 49.72, -56.29

 

CMYK 0 / 82 / 53 / 41

HEX #961B46

RGB 150 27 70

HSL 339.02, 0.69%, 0.35%

LAB 33.37, 51.72, 6.8

 

CMYK 37 / 0 / 82 / 41

HEX #5E961B

RGB 94 150 27

HSL 87.32, 0.69%, 0.35%

LAB 56.36, -37.43, 53.65

 

CMYK 82 / 0 / 4 / 41

HEX #1B9690

RGB 27 150 144

HSL 177.07, 0.69%, 0.35%

LAB 56.15, -32.66, -5.99

 

CMYK 45 / 82 / 0 / 41

HEX #531B96

RGB 83 27 150

HSL 267.32, 0.69%, 0.35%

LAB 26.23, 49.72, -56.29

 

CMYK 0 / 82 / 78 / 41

HEX #961B21

RGB 150 27 33

HSL 357.07, 0.69%, 0.35%

LAB 32.65, 49.51, 29.7

 

Description

Color code: RGB 94 150 27 | qconv.com Color code: RGB 94 150 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 150 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 150 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 82 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 82% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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