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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 140 53 it is the complementary color RGB 161 115 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 140 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 140 53 shade: RGB 99 140 48, RGB 116 158 67, RGB 133 176 86, RGB 150 194 105 and RGB 167 212 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 140 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 77 122 34, RGB 60 104 15, RGB 43 86 0 and RGB 26 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 117 140 53, RGB 140 139 53, RGB 140 116 53 and RGB 140 92 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 70 140 53, RGB 53 140 59, RGB 53 140 82 and RGB 53 140 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 140 53 shade matches the following richer shades: RGB 94 140 53, RGB 93 156 37, RGB 92 171 21 and RGB 91 187 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 95 124 68, RGB 96 109 84, RGB 97 93 100 and RGB 97 77 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 140 53 shade: RGB 140 139 53, RGB 118 140 53, RGB 95 140 53, RGB 72 140 53 and RGB 53 140 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 140 53 shade: RGB 54 80 30, RGB 74 110 41, RGB 94 140 53, RGB 114 170 64 and RGB 135 190 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 53 140 115 and RGB 140 53 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 53 95 140 and RGB 140 53 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 53 140 115, RGB 98 53 140 and RGB 140 53 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 140 53 shade: RGB 94 140 53, RGB 53 139 140, RGB 98 53 140 and RGB 140 54 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

Complementary color

CMYK 20 / 43 / 0 / 21

HEX #A173CA

RGB 161 115 202

HSL 271.72, 0.45%, 0.62%

LAB 56.19, 34.81, -38.47

 

CMYK 29 / 0 / 66 / 45

HEX #638C30

RGB 99 140 48

HSL 86.74, 0.49%, 0.37%

LAB 53.62, -29.56, 43.2

 

CMYK 27 / 0 / 58 / 38

HEX #749E43

RGB 116 158 67

HSL 87.69, 0.4%, 0.44%

LAB 60.4, -29.75, 42.26

 

CMYK 24 / 0 / 51 / 31

HEX #85B056

RGB 133 176 86

HSL 88.67, 0.36%, 0.51%

LAB 67.06, -29.82, 41.13

 

CMYK 23 / 0 / 46 / 24

HEX #96C269

RGB 150 194 105

HSL 89.66, 0.42%, 0.59%

LAB 73.6, -29.83, 39.96

 

CMYK 21 / 0 / 42 / 17

HEX #A7D47C

RGB 167 212 124

HSL 90.68, 0.51%, 0.66%

LAB 80.04, -29.79, 38.79

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 37 / 0 / 72 / 52

HEX #4D7A22

RGB 77 122 34

HSL 90.68, 0.56%, 0.31%

LAB 46.46, -30.78, 41.3

 

CMYK 42 / 0 / 86 / 59

HEX #3C680F

RGB 60 104 15

HSL 89.66, 0.75%, 0.23%

LAB 39.4, -30.23, 41.12

 

CMYK 50 / 0 / 100 / 66

HEX #2B5600

RGB 43 86 0

HSL 90, 1%, 0.17%

LAB 32.19, -29.22, 39.13

 

CMYK 62 / 0 / 100 / 73

HEX #1A4400

RGB 26 68 0

HSL 97.06, 1%, 0.13%

LAB 24.81, -27.34, 32.63

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 16 / 0 / 62 / 45

HEX #758C35

RGB 117 140 53

HSL 75.86, 0.45%, 0.38%

LAB 54.86, -21.76, 42.62

 

CMYK 0 / 1 / 62 / 45

HEX #8C8B35

RGB 140 139 53

HSL 59.31, 0.45%, 0.38%

LAB 56.38, -11.22, 44.8

 

CMYK 0 / 17 / 62 / 45

HEX #8C7435

RGB 140 116 53

HSL 43.45, 0.45%, 0.38%

LAB 49.89, 1.55, 37.61

 

CMYK 0 / 34 / 62 / 45

HEX #8C5C35

RGB 140 92 53

HSL 26.9, 0.45%, 0.38%

LAB 43.49, 15.49, 30.16

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 50 / 0 / 62 / 45

HEX #468C35

RGB 70 140 53

HSL 108.28, 0.45%, 0.38%

LAB 52.19, -39.35, 38.9

 

CMYK 62 / 0 / 58 / 45

HEX #358C3B

RGB 53 140 59

HSL 124.14, 0.45%, 0.38%

LAB 51.64, -43.3, 35.19

 

CMYK 62 / 0 / 41 / 45

HEX #358C52

RGB 53 140 82

HSL 140, 0.45%, 0.38%

LAB 51.98, -39.62, 23.45

 

CMYK 62 / 0 / 24 / 45

HEX #358C6A

RGB 53 140 106

HSL 156.55, 0.45%, 0.38%

LAB 52.46, -34.54, 10.56

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 40 / 0 / 76 / 39

HEX #5D9C25

RGB 93 156 37

HSL 91.76, 0.62%, 0.38%

LAB 58.26, -39.84, 52.22

 

CMYK 46 / 0 / 88 / 33

HEX #5CAB15

RGB 92 171 21

HSL 91.6, 0.78%, 0.38%

LAB 62.89, -47.12, 60.88

 

CMYK 51 / 0 / 97 / 27

HEX #5BBB06

RGB 91 187 6

HSL 91.82, 0.94%, 0.38%

LAB 67.86, -53.91, 67.23

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 23 / 0 / 45 / 51

HEX #5F7C44

RGB 95 124 68

HSL 91.07, 0.29%, 0.38%

LAB 48.59, -21, 27.19

 

CMYK 12 / 0 / 23 / 57

HEX #606D54

RGB 96 109 84

HSL 91.2, 0.13%, 0.38%

LAB 44.32, -9.94, 12.37

 

CMYK 3 / 7 / 0 / 61

HEX #615D64

RGB 97 93 100

HSL 274.29, 0.04%, 0.38%

LAB 40.06, 3.06, -3.43

 

CMYK 16 / 34 / 0 / 55

HEX #614D74

RGB 97 77 116

HSL 270.77, 0.2%, 0.38%

LAB 36.2, 16.72, -19.19

 

CMYK 0 / 1 / 62 / 45

HEX #8C8B35

RGB 140 139 53

HSL 59.31, 0.45%, 0.38%

LAB 56.38, -11.22, 44.8

 

CMYK 16 / 0 / 62 / 45

HEX #768C35

RGB 118 140 53

HSL 75.17, 0.45%, 0.38%

LAB 54.93, -21.34, 42.72

 

CMYK 32 / 0 / 62 / 45

HEX #5F8C35

RGB 95 140 53

HSL 91.03, 0.45%, 0.38%

LAB 53.43, -30.65, 40.63

 

CMYK 49 / 0 / 62 / 45

HEX #488C35

RGB 72 140 53

HSL 106.9, 0.45%, 0.38%

LAB 52.28, -38.72, 39.02

 

CMYK 62 / 0 / 59 / 45

HEX #358C39

RGB 53 140 57

HSL 122.76, 0.45%, 0.38%

LAB 51.62, -43.56, 36.15

 

CMYK 33 / 0 / 63 / 69

HEX #36501E

RGB 54 80 30

HSL 91.2, 0.45%, 0.22%

LAB 30.91, -19.69, 25.91

 

CMYK 33 / 0 / 63 / 57

HEX #4A6E29

RGB 74 110 41

HSL 91.3, 0.46%, 0.3%

LAB 42.41, -25.58, 33.68

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 33 / 0 / 62 / 33

HEX #72AA40

RGB 114 170 64

HSL 91.7, 0.45%, 0.46%

LAB 63.91, -36.36, 47.58

 

CMYK 29 / 0 / 55 / 25

HEX #87BE55

RGB 135 190 85

HSL 91.43, 0.45%, 0.54%

LAB 71.31, -35.72, 46.69

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 62 / 0 / 18 / 45

HEX #358C73

RGB 53 140 115

HSL 162.76, 0.45%, 0.38%

LAB 52.68, -32.33, 5.69

 

CMYK 0 / 62 / 7 / 45

HEX #8C3582

RGB 140 53 130

HSL 306.9, 0.45%, 0.38%

LAB 37.36, 46.75, -25.62

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 62 / 32 / 0 / 45

HEX #355F8C

RGB 53 95 140

HSL 211.03, 0.45%, 0.38%

LAB 39.3, -0.03, -29.3

 

CMYK 0 / 62 / 32 / 45

HEX #8C355F

RGB 140 53 95

HSL 331.03, 0.45%, 0.38%

LAB 35.88, 41.39, -5.92

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 62 / 0 / 18 / 45

HEX #358C73

RGB 53 140 115

HSL 162.76, 0.45%, 0.38%

LAB 52.68, -32.33, 5.69

 

CMYK 30 / 62 / 0 / 45

HEX #62358C

RGB 98 53 140

HSL 271.03, 0.45%, 0.38%

LAB 31.89, 37.56, -40.85

 

CMYK 0 / 62 / 44 / 45

HEX #8C354E

RGB 140 53 78

HSL 342.76, 0.45%, 0.38%

LAB 35.34, 39.33, 4.16

 

CMYK 33 / 0 / 62 / 45

HEX #5E8C35

RGB 94 140 53

HSL 91.72, 0.45%, 0.38%

LAB 53.38, -31.04, 40.55

 

CMYK 62 / 1 / 0 / 45

HEX #358B8C

RGB 53 139 140

HSL 180.69, 0.45%, 0.38%

LAB 53.08, -24.96, -8.2

 

CMYK 30 / 62 / 0 / 45

HEX #62358C

RGB 98 53 140

HSL 271.03, 0.45%, 0.38%

LAB 31.89, 37.56, -40.85

 

CMYK 0 / 61 / 62 / 45

HEX #8C3635

RGB 140 54 53

HSL 0.69, 0.45%, 0.38%

LAB 34.94, 36.54, 19.57

 

Description

Color code: RGB 94 140 53 | qconv.com Color code: RGB 94 140 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 140 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 140 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 62 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 62% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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