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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 134 53 it is the complementary color RGB 161 121 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 134 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 134 53 shade: RGB 99 134 48, RGB 116 152 67, RGB 133 170 86, RGB 150 188 105 and RGB 167 206 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 134 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 77 116 34, RGB 60 98 15, RGB 43 80 0 and RGB 26 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 116 134 53, RGB 134 131 53, RGB 134 109 53 and RGB 134 87 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 72 134 53, RGB 53 134 56, RGB 53 134 78 and RGB 53 134 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 134 53 shade matches the following richer shades: RGB 94 134 53, RGB 95 150 38, RGB 95 165 23 and RGB 95 180 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 94 119 69, RGB 94 104 84, RGB 94 89 99 and RGB 94 73 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 134 53 shade: RGB 134 130 53, RGB 117 134 53, RGB 95 134 53, RGB 74 134 53 and RGB 53 134 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 134 53 shade: RGB 53 75 30, RGB 74 105 42, RGB 94 134 53, RGB 115 164 65 and RGB 136 186 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 53 134 109 and RGB 134 53 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 53 95 134 and RGB 134 53 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 53 134 109, RGB 92 53 134 and RGB 134 53 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 134 53 shade: RGB 94 134 53, RGB 53 134 133, RGB 92 53 134 and RGB 134 53 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

Complementary color

CMYK 20 / 40 / 0 / 21

HEX #A179CA

RGB 161 121 202

HSL 269.63, 0.43%, 0.63%

LAB 57.57, 31.41, -36.3

 

CMYK 26 / 0 / 64 / 47

HEX #638630

RGB 99 134 48

HSL 84.42, 0.47%, 0.36%

LAB 51.74, -26.66, 41.15

 

CMYK 24 / 0 / 56 / 40

HEX #749843

RGB 116 152 67

HSL 85.41, 0.39%, 0.43%

LAB 58.58, -26.85, 40.14

 

CMYK 22 / 0 / 49 / 33

HEX #85AA56

RGB 133 170 86

HSL 86.43, 0.33%, 0.5%

LAB 65.29, -26.93, 38.99

 

CMYK 20 / 0 / 44 / 26

HEX #96BC69

RGB 150 188 105

HSL 87.47, 0.38%, 0.57%

LAB 71.87, -26.95, 37.8

 

CMYK 19 / 0 / 40 / 19

HEX #A7CE7C

RGB 167 206 124

HSL 88.54, 0.46%, 0.65%

LAB 78.35, -26.93, 36.62

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 34 / 0 / 71 / 55

HEX #4D7422

RGB 77 116 34

HSL 88.54, 0.55%, 0.29%

LAB 44.5, -27.95, 39.26

 

CMYK 39 / 0 / 85 / 62

HEX #3C620F

RGB 60 98 15

HSL 87.47, 0.73%, 0.22%

LAB 37.35, -27.44, 39.25

 

CMYK 46 / 0 / 100 / 69

HEX #2B5000

RGB 43 80 0

HSL 87.75, 1%, 0.16%

LAB 30.04, -26.5, 37.45

 

CMYK 58 / 0 / 100 / 76

HEX #1A3E00

RGB 26 62 0

HSL 94.84, 1%, 0.12%

LAB 22.53, -24.71, 30.35

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 13 / 0 / 60 / 47

HEX #748635

RGB 116 134 53

HSL 73.33, 0.43%, 0.37%

LAB 52.97, -19.1, 40.5

 

CMYK 0 / 2 / 60 / 47

HEX #868335

RGB 134 131 53

HSL 57.78, 0.43%, 0.37%

LAB 53.55, -9.57, 41.56

 

CMYK 0 / 19 / 60 / 47

HEX #866D35

RGB 134 109 53

HSL 41.48, 0.43%, 0.37%

LAB 47.32, 2.83, 34.5

 

CMYK 0 / 35 / 60 / 47

HEX #865735

RGB 134 87 53

HSL 25.19, 0.43%, 0.37%

LAB 41.44, 15.73, 27.51

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 46 / 0 / 60 / 47

HEX #488635

RGB 72 134 53

HSL 105.93, 0.43%, 0.37%

LAB 50.32, -36.13, 36.78

 

CMYK 60 / 0 / 58 / 47

HEX #358638

RGB 53 134 56

HSL 122.22, 0.43%, 0.37%

LAB 49.61, -41.31, 34.28

 

CMYK 60 / 0 / 42 / 47

HEX #35864E

RGB 53 134 78

HSL 138.52, 0.43%, 0.37%

LAB 49.93, -37.81, 22.98

 

CMYK 60 / 0 / 25 / 47

HEX #358664

RGB 53 134 100

HSL 154.81, 0.43%, 0.37%

LAB 50.37, -33.2, 11.08

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 37 / 0 / 75 / 41

HEX #5F9626

RGB 95 150 38

HSL 89.46, 0.6%, 0.37%

LAB 56.47, -36.44, 50.14

 

CMYK 42 / 0 / 86 / 35

HEX #5FA517

RGB 95 165 23

HSL 89.58, 0.76%, 0.37%

LAB 61.14, -43.62, 58.97

 

CMYK 47 / 0 / 96 / 29

HEX #5FB407

RGB 95 180 7

HSL 89.48, 0.93%, 0.37%

LAB 65.82, -50.02, 65.54

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 21 / 0 / 42 / 53

HEX #5E7745

RGB 94 119 69

HSL 90, 0.27%, 0.37%

LAB 46.98, -18.64, 24.57

 

CMYK 10 / 0 / 19 / 59

HEX #5E6854

RGB 94 104 84

HSL 90, 0.11%, 0.37%

LAB 42.64, -7.89, 10

 

CMYK 5 / 10 / 0 / 61

HEX #5E5963

RGB 94 89 99

HSL 270, 0.05%, 0.37%

LAB 38.6, 4.14, -5.02

 

CMYK 18 / 36 / 0 / 55

HEX #5E4972

RGB 94 73 114

HSL 270.73, 0.22%, 0.37%

LAB 34.72, 17.7, -20.25

 

CMYK 0 / 3 / 60 / 47

HEX #868235

RGB 134 130 53

HSL 57.04, 0.43%, 0.37%

LAB 53.27, -9.02, 41.24

 

CMYK 13 / 0 / 60 / 47

HEX #758635

RGB 117 134 53

HSL 72.59, 0.43%, 0.37%

LAB 53.05, -18.67, 40.61

 

CMYK 29 / 0 / 60 / 47

HEX #5F8635

RGB 95 134 53

HSL 88.89, 0.43%, 0.37%

LAB 51.54, -27.78, 38.5

 

CMYK 45 / 0 / 60 / 47

HEX #4A8635

RGB 74 134 53

HSL 104.44, 0.43%, 0.37%

LAB 50.41, -35.47, 36.91

 

CMYK 60 / 0 / 59 / 47

HEX #358637

RGB 53 134 55

HSL 121.48, 0.43%, 0.37%

LAB 49.6, -41.45, 34.77

 

CMYK 29 / 0 / 60 / 71

HEX #354B1E

RGB 53 75 30

HSL 89.33, 0.43%, 0.21%

LAB 29.11, -17.43, 23.8

 

CMYK 30 / 0 / 60 / 59

HEX #4A692A

RGB 74 105 42

HSL 89.52, 0.43%, 0.29%

LAB 40.78, -22.96, 31.31

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 30 / 0 / 60 / 36

HEX #73A441

RGB 115 164 65

HSL 89.7, 0.43%, 0.45%

LAB 62.15, -33.15, 45.17

 

CMYK 27 / 0 / 55 / 27

HEX #88BA54

RGB 136 186 84

HSL 89.41, 0.43%, 0.53%

LAB 70.17, -33.61, 45.84

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 19 / 47

HEX #35866D

RGB 53 134 109

HSL 161.48, 0.43%, 0.37%

LAB 50.58, -31.02, 6.17

 

CMYK 0 / 60 / 4 / 47

HEX #863580

RGB 134 53 128

HSL 304.44, 0.43%, 0.37%

LAB 36.32, 44.71, -26.09

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 29 / 0 / 47

HEX #355F86

RGB 53 95 134

HSL 208.89, 0.43%, 0.37%

LAB 39.01, -2.13, -26.13

 

CMYK 0 / 60 / 29 / 47

HEX #86355F

RGB 134 53 95

HSL 328.89, 0.43%, 0.37%

LAB 34.88, 39.4, -7.52

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 19 / 47

HEX #35866D

RGB 53 134 109

HSL 161.48, 0.43%, 0.37%

LAB 50.58, -31.02, 6.17

 

CMYK 31 / 60 / 0 / 47

HEX #5C3586

RGB 92 53 134

HSL 268.89, 0.43%, 0.37%

LAB 30.74, 34.49, -39.02

 

CMYK 0 / 60 / 41 / 47

HEX #86354F

RGB 134 53 79

HSL 340.74, 0.43%, 0.37%

LAB 34.35, 37.34, 1.96

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 1 / 47

HEX #358685

RGB 53 134 133

HSL 179.26, 0.43%, 0.37%

LAB 51.27, -24.47, -6.82

 

CMYK 31 / 60 / 0 / 47

HEX #5C3586

RGB 92 53 134

HSL 268.89, 0.43%, 0.37%

LAB 30.74, 34.49, -39.02

 

CMYK 0 / 60 / 59 / 47

HEX #863537

RGB 134 53 55

HSL 358.52, 0.43%, 0.37%

LAB 33.75, 34.94, 16.55

 

Description

Color code: RGB 94 134 53 | qconv.com Color code: RGB 94 134 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 134 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 134 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 60 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 60% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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