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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 126 150 it is the complementary color RGB 161 129 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 126 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 126 150 shade: RGB 99 126 145, RGB 116 144 164, RGB 133 162 183, RGB 150 180 202 and RGB 167 198 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 126 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 77 108 131, RGB 60 90 112, RGB 43 72 93 and RGB 26 54 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 94 111 150, RGB 94 96 150, RGB 107 94 150 and RGB 122 94 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 94 111 150, RGB 94 96 150 and RGB 94 94 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 126 150 shade matches the following richer shades: RGB 94 126 150, RGB 74 129 170, RGB 54 132 190, RGB 34 134 209 and RGB 15 137 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 114 123 130, RGB 133 120 110, RGB 153 117 91 and RGB 173 115 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 126 150 shade: RGB 94 150 143, RGB 94 142 150, RGB 94 127 150, RGB 94 112 150 and RGB 94 97 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 126 150 shade: RGB 62 83 99, RGB 78 105 125, RGB 94 126 150, RGB 117 146 168 and RGB 142 166 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 128 94 150 and RGB 149 150 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 150 94 127 and RGB 127 150 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 128 94 150, RGB 150 117 94 and RGB 115 150 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 126 150 shade: RGB 94 126 150, RGB 145 94 150, RGB 150 117 94 and RGB 98 150 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

Complementary color

CMYK 0 / 20 / 35 / 37

HEX #A18169

RGB 161 129 105

HSL 25.71, 0.23%, 0.52%

LAB 56.38, 8.78, 17.68

 

CMYK 32 / 13 / 0 / 43

HEX #637E91

RGB 99 126 145

HSL 204.78, 0.19%, 0.48%

LAB 51.4, -4.91, -13.41

 

CMYK 29 / 12 / 0 / 36

HEX #7490A4

RGB 116 144 164

HSL 205, 0.21%, 0.55%

LAB 58.36, -5.02, -13.77

 

CMYK 27 / 11 / 0 / 28

HEX #85A2B7

RGB 133 162 183

HSL 205.2, 0.26%, 0.62%

LAB 65.16, -5.12, -14.14

 

CMYK 26 / 11 / 0 / 21

HEX #96B4CA

RGB 150 180 202

HSL 205.38, 0.33%, 0.69%

LAB 71.82, -5.22, -14.51

 

CMYK 24 / 10 / 0 / 13

HEX #A7C6DD

RGB 167 198 221

HSL 205.56, 0.44%, 0.76%

LAB 78.36, -5.31, -14.88

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 41 / 18 / 0 / 49

HEX #4D6C83

RGB 77 108 131

HSL 205.56, 0.26%, 0.41%

LAB 44.15, -4.86, -16.27

 

CMYK 46 / 20 / 0 / 56

HEX #3C5A70

RGB 60 90 112

HSL 205.38, 0.3%, 0.34%

LAB 36.82, -4.58, -16

 

CMYK 54 / 23 / 0 / 64

HEX #2B485D

RGB 43 72 93

HSL 205.2, 0.37%, 0.27%

LAB 29.26, -4.18, -15.75

 

CMYK 65 / 27 / 0 / 71

HEX #1A364A

RGB 26 54 74

HSL 205, 0.48%, 0.2%

LAB 21.4, -3.54, -15.51

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 37 / 26 / 0 / 41

HEX #5E6F96

RGB 94 111 150

HSL 221.79, 0.23%, 0.48%

LAB 46.91, 3.79, -23.25

 

CMYK 37 / 36 / 0 / 41

HEX #5E6096

RGB 94 96 150

HSL 237.86, 0.23%, 0.48%

LAB 42.68, 13.01, -29.82

 

CMYK 29 / 37 / 0 / 41

HEX #6B5E96

RGB 107 94 150

HSL 253.93, 0.23%, 0.48%

LAB 43.26, 18.15, -28.84

 

CMYK 19 / 37 / 0 / 41

HEX #7A5E96

RGB 122 94 150

HSL 270, 0.23%, 0.48%

LAB 44.72, 22.89, -26.45

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 37 / 26 / 0 / 41

HEX #5E6F96

RGB 94 111 150

HSL 221.79, 0.23%, 0.48%

LAB 46.91, 3.79, -23.25

 

CMYK 37 / 36 / 0 / 41

HEX #5E6096

RGB 94 96 150

HSL 237.86, 0.23%, 0.48%

LAB 42.68, 13.01, -29.82

 

CMYK 37 / 37 / 0 / 41

HEX #5E5E96

RGB 94 94 150

HSL 240, 0.23%, 0.48%

LAB 42.13, 14.26, -30.69

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 56 / 24 / 0 / 33

HEX #4A81AA

RGB 74 129 170

HSL 205.63, 0.39%, 0.48%

LAB 51.9, -5.93, -27.3

 

CMYK 72 / 31 / 0 / 25

HEX #3684BE

RGB 54 132 190

HSL 205.59, 0.56%, 0.48%

LAB 52.95, -4.52, -37.21

 

CMYK 84 / 36 / 0 / 18

HEX #2286D1

RGB 34 134 209

HSL 205.71, 0.72%, 0.48%

LAB 54.02, -1.02, -46.35

 

CMYK 93 / 40 / 0 / 10

HEX #0F89E5

RGB 15 137 229

HSL 205.79, 0.88%, 0.48%

LAB 55.74, 3.66, -54.86

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 12 / 5 / 0 / 49

HEX #727B82

RGB 114 123 130

HSL 206.25, 0.07%, 0.48%

LAB 51.1, -1.82, -4.96

 

CMYK 0 / 10 / 17 / 48

HEX #85786E

RGB 133 120 110

HSL 26.09, 0.09%, 0.48%

LAB 51.32, 3.23, 7.3

 

CMYK 0 / 24 / 41 / 40

HEX #99755B

RGB 153 117 91

HSL 25.16, 0.25%, 0.48%

LAB 52.12, 10.5, 19.78

 

CMYK 0 / 34 / 59 / 32

HEX #AD7347

RGB 173 115 71

HSL 25.88, 0.42%, 0.48%

LAB 53.6, 18.21, 33.4

 

CMYK 37 / 0 / 5 / 41

HEX #5E968F

RGB 94 150 143

HSL 172.5, 0.23%, 0.48%

LAB 58.2, -20.08, -2.15

 

CMYK 37 / 5 / 0 / 41

HEX #5E8E96

RGB 94 142 150

HSL 188.57, 0.23%, 0.48%

LAB 56.02, -14.04, -9.4

 

CMYK 37 / 15 / 0 / 41

HEX #5E7F96

RGB 94 127 150

HSL 204.64, 0.23%, 0.48%

LAB 51.57, -5.65, -16.11

 

CMYK 37 / 25 / 0 / 41

HEX #5E7096

RGB 94 112 150

HSL 220.71, 0.23%, 0.48%

LAB 47.2, 3.19, -22.8

 

CMYK 37 / 35 / 0 / 41

HEX #5E6196

RGB 94 97 150

HSL 236.79, 0.23%, 0.48%

LAB 42.96, 12.39, -29.39

 

CMYK 37 / 16 / 0 / 61

HEX #3E5363

RGB 62 83 99

HSL 205.95, 0.23%, 0.32%

LAB 34.21, -3.59, -11.86

 

CMYK 38 / 16 / 0 / 51

HEX #4E697D

RGB 78 105 125

HSL 205.53, 0.23%, 0.4%

LAB 43.07, -4.5, -14.3

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 30 / 13 / 0 / 34

HEX #7592A8

RGB 117 146 168

HSL 205.88, 0.23%, 0.56%

LAB 59.13, -4.83, -14.88

 

CMYK 23 / 10 / 0 / 28

HEX #8EA6B8

RGB 142 166 184

HSL 205.71, 0.23%, 0.64%

LAB 66.89, -4.29, -12.03

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 15 / 37 / 0 / 41

HEX #805E96

RGB 128 94 150

HSL 276.43, 0.23%, 0.48%

LAB 45.35, 24.84, -25.42

 

CMYK 1 / 0 / 37 / 41

HEX #95965E

RGB 149 150 94

HSL 61.07, 0.23%, 0.48%

LAB 60.79, -9.27, 29.44

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 0 / 37 / 15 / 41

HEX #965E7F

RGB 150 94 127

HSL 324.64, 0.23%, 0.48%

LAB 47, 27.85, -8.9

 

CMYK 15 / 0 / 37 / 41

HEX #7F965E

RGB 127 150 94

HSL 84.64, 0.23%, 0.48%

LAB 59.1, -18.2, 26.91

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 15 / 37 / 0 / 41

HEX #805E96

RGB 128 94 150

HSL 276.43, 0.23%, 0.48%

LAB 45.35, 24.84, -25.42

 

CMYK 0 / 22 / 37 / 41

HEX #96755E

RGB 150 117 94

HSL 24.64, 0.23%, 0.48%

LAB 51.85, 9.6, 17.64

 

CMYK 23 / 0 / 37 / 41

HEX #73965E

RGB 115 150 94

HSL 97.5, 0.23%, 0.48%

LAB 58.29, -22.83, 25.7

 

CMYK 37 / 16 / 0 / 41

HEX #5E7E96

RGB 94 126 150

HSL 205.71, 0.23%, 0.48%

LAB 51.27, -5.07, -16.56

 

CMYK 3 / 37 / 0 / 41

HEX #915E96

RGB 145 94 150

HSL 294.64, 0.23%, 0.48%

LAB 47.27, 30.43, -22.3

 

CMYK 0 / 22 / 37 / 41

HEX #96755E

RGB 150 117 94

HSL 24.64, 0.23%, 0.48%

LAB 51.85, 9.6, 17.64

 

CMYK 35 / 0 / 37 / 41

HEX #62965E

RGB 98 150 94

HSL 115.71, 0.23%, 0.48%

LAB 57.29, -28.95, 24.2

 

Description

Color code: RGB 94 126 150 | qconv.com Color code: RGB 94 126 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 126 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 126 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 16 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 16% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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